Eurovision Song Contest 1979
Eurovision Song Contest 1979
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Eurovision Song Contest 1979

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Eurovision Song Contest 1979

The Eurovision Song Contest 1979 was the 24th edition of the Eurovision Song Contest, held on 31 March 1979 at the Menachem Ussishkin auditorium of the International Convention Centre in Jerusalem, Israel, and presented by Daniel Pe'er and Yardena Arazi. It was organised by the European Broadcasting Union (EBU) and host broadcaster the Israel Broadcasting Authority (IBA), who staged the event after winning the 1978 contest for Israel with the song "A-Ba-Ni-Bi" by Izhar Cohen and the Alphabeta. This was the first time that the Eurovision Song Contest was held outside Europe.

Broadcasters from nineteen countries participated in the contest, with Turkey deciding not to participate after Arab countries had pressured it into not participating in a contest held in Israel. Yugoslavia, which had missed the 1977 and 1978 contests, also did not take part in or broadcast the contest this year for political reasons, despite an earlier public poll in which almost 100,000 people supported a Yugoslav return to the contest.

For the second year in a row, Israel won with the song "Hallelujah", performed by the Israeli group Milk and Honey featuring Gali Atari.

The 1979 contest took place in Jerusalem, Israel, following the win of Israel Broadcasting Authority (IBA) at the 1978 edition with the song "A-Ba-Ni-Bi" performed by Izhar Cohen and Alphabeta. IBA staged the contest at the Menachem Ussishkin auditorium of the International Convention Centre, also called Binyenei HaUma. The venue, inside the largest convention center in the Middle East, seats an audience of 3,104 and traditionally hosts other musical events.

Initially, Türkiye Radyo ve Televizyon Kurumu (TRT) intended to participate in the contest. Turkey would have appeared 11th on stage (between Israel and France), represented by the song "Seviyorum" performed by Maria Rita Epik and 21. Peron. However TRT later ended up withdrawing from the contest following pressure from Arab states, who objected to a predominantly Muslim country taking part in a contest held in Israel.

Several of the performing artists had previously competed as lead artists representing the same country in past editions: Peter, Sue and Marc had represented Switzerland in 1971 and in 1976; Xandra had represented the Netherlands in 1972 along with Andres Holten and in 1976 as Sandra Reemer; and Anita Skorgan had represented Norway in 1977. In addition, Anne-Marie David representing France, had won the contest for Luxembourg in 1973.

The contest was organised and broadcast by the Israel Broadcasting Authority (IBA) and the European Broadcasting Union (EBU). The event was produced by Alex Gilady, directed by Yossi Zemach, musically directed by Izhak Graziani who conducted the IBA Symphony Orchestra, and overseen by the EBU with scrutineer Frank Naef. Since Israeli Television had yet to broadcast in colour at that point (except for a few special occasions), the production had to borrow cameras from the BBC – the same had happened when RTÉ had hosted the 1971 contest in Dublin. The 24th contest's logo featured a combination of a G-clef, the IBA logo, and the names of all participating countries in order of appearance. The IBA Symphony Orchestra played the music of each song, except for the Italian entry, which did not use the orchestra. This was the only contest where the orchestra was composed of 39 musicians.

The stage concept was designed by Dov Ben David. On stage there was a moving symbol which was based on the IBA logo (which was built like a lamp with 3 concentric rings) using a small projected model. The event showcased stage decorations of several types of flora which represent the Land of Israel, and a film of Jerusalem's varied ancient, modern and religious scenery. The left side of the stage where the presentation was held, was decorated with prickly pear cactus, date, pomegranate, and orange plants. The film which opened the programme and repeated over its closing credits, screened Jerusalem's biblical and medieval monuments sacred to Judaism, Christianity, and Islam with residents and visitors who frequent them while its opening and concluding images showcased the city's cultural and governmental institutions along with different types of people outside the ancient walls.

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