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Ghulam Ali (singer)
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Ghulam Ali (singer)
Ustad Ghulam Ali (Punjabi: غُلام علی; born 5 December 1940) is a Pakistani ghazal singer of the Patiala Gharana. He is regarded as one of the leading ghazal singers of his era who has also been a prominent playback singer in Bollywood. He is a disciple of Bade Ghulam Ali Khan. Ali was also trained by Bade Ghulam Ali's younger brothers, Barkat Ali Khan and Mubarak Ali Khan.
His style and variations in singing ghazals are unique, as he blends Hindustani classical music with ghazals, unlike any other ghazal singer.[citation needed] He is highly popular in Pakistan, India, Afghanistan, Nepal, Bangladesh, as well as among South Asian diaspora in the US, the UK and the Middle Eastern countries. Many of his hit ghazals have been used in Bollywood movies. His famous ghazals are "Chupke Chupke Raat Din", "Kal Chaudhvin Ki Raat Thi", "Hungama Hai Kyon Barpa", "Chamakte Chand Ko", "Kiya Hai Pyar Jise", "May Nazar Se Pee Raha Hoon", "Mastana Peeye", "Ye Dil Ye Pagal Dil", "Apni Dhun Mein Rehta Hoon", and a ghazal by Nasir Kazmi, "Ham Ko Kiske Gham Ne Maara". His album Hasratein was nominated in the Best Ghazal Album category at the Star GIMA Awards 2014.
Ghulam Ali was born in 1941 in the Sialkot district of present-day Pakistan and was a child during the Partition of India, an event he recalls only faintly. He was introduced to music at an early age, coming from a musical family; his father was a musician, being a vocalist who could play the sarangi, and recognized his talent when one of his teachers noticed him humming a song at school and encouraged him to sing. At the age of 8, Ghulam Ali began formal training under his father, who assigned him a raaga to practise intensively on the harmonium, laying the foundation for his musical discipline. Though his grandmother initially objected to the rigorous training, his father believed early childhood was essential for building a strong musical base. He was named after the classical vocalist Ustad Bade Ghulam Ali Khan, whom his father greatly admired, and later had the opportunity to train under the legendary musician. His father aspired for him to become a ghazal singer, and Ghulam Ali began practising seriously from the age of 9.
Ghulam Ali encountered Ustad Bade Ghulam Ali Khan, for the first time, when he was in his early teens. Ustad Bade Ghulam Ali Khan had toured Kabul, Afghanistan and, on the way back to India, Ghulam Ali's father requested the Ustad to take his son as a disciple. But Khan insisted that since he was hardly in town, regular training wouldn't be possible. But after repeated requests from Ghulam Ali's father, Ustad Bade Ghulam Ali Khan asked the young Ghulam Ali to sing something. It wasn't easy to have the courage to sing before him. He mustered the courage to sing the rhumri Saiyyan Bolo Tanik Mose Rahiyo Na Jaye. After he finished, Ustad hugged him and made him his disciple. Apart from the harmonium, he would also learn to play the tabla.
He was married to Afsana Ali, with whom he has a daughter, Manjari Ghulam Ali. His sons Aamir Ghulam Ali and Nazar Ali Abbas are also musicians.
A strong student academically, Ghulam Ali’s musical talent was soon recognized beyond his household. While practising on a terrace, he was noticed by a representative from Radio Pakistan, leading to an invitation to perform. At the age of 14, he began singing for a children’s programme on Radio Pakistan and within six months advanced to performing at the highest level, marking the beginning of his professional musical career.
Along with singing ghazals, Ghulam Ali composed music for his ghazals. His compositions are raga-based and sometimes include a scientific mixture of ragas. He is known for blending gharana-gaaiaki into ghazal and this gives his singing the capability to touch people's hearts. He sings Punjabi songs too. Many of his Punjabi songs have been popular and have been part of Punjab's own cultural diaspora.
On being questioned about Pakistani pop groups, Ghulam Ali replied, "Frankly, I am really bewildered at their style of singing. How can you sing a song by running and jumping around the stage? The stage is meant for performing not for acrobatics."
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Ghulam Ali (singer)
Ustad Ghulam Ali (Punjabi: غُلام علی; born 5 December 1940) is a Pakistani ghazal singer of the Patiala Gharana. He is regarded as one of the leading ghazal singers of his era who has also been a prominent playback singer in Bollywood. He is a disciple of Bade Ghulam Ali Khan. Ali was also trained by Bade Ghulam Ali's younger brothers, Barkat Ali Khan and Mubarak Ali Khan.
His style and variations in singing ghazals are unique, as he blends Hindustani classical music with ghazals, unlike any other ghazal singer.[citation needed] He is highly popular in Pakistan, India, Afghanistan, Nepal, Bangladesh, as well as among South Asian diaspora in the US, the UK and the Middle Eastern countries. Many of his hit ghazals have been used in Bollywood movies. His famous ghazals are "Chupke Chupke Raat Din", "Kal Chaudhvin Ki Raat Thi", "Hungama Hai Kyon Barpa", "Chamakte Chand Ko", "Kiya Hai Pyar Jise", "May Nazar Se Pee Raha Hoon", "Mastana Peeye", "Ye Dil Ye Pagal Dil", "Apni Dhun Mein Rehta Hoon", and a ghazal by Nasir Kazmi, "Ham Ko Kiske Gham Ne Maara". His album Hasratein was nominated in the Best Ghazal Album category at the Star GIMA Awards 2014.
Ghulam Ali was born in 1941 in the Sialkot district of present-day Pakistan and was a child during the Partition of India, an event he recalls only faintly. He was introduced to music at an early age, coming from a musical family; his father was a musician, being a vocalist who could play the sarangi, and recognized his talent when one of his teachers noticed him humming a song at school and encouraged him to sing. At the age of 8, Ghulam Ali began formal training under his father, who assigned him a raaga to practise intensively on the harmonium, laying the foundation for his musical discipline. Though his grandmother initially objected to the rigorous training, his father believed early childhood was essential for building a strong musical base. He was named after the classical vocalist Ustad Bade Ghulam Ali Khan, whom his father greatly admired, and later had the opportunity to train under the legendary musician. His father aspired for him to become a ghazal singer, and Ghulam Ali began practising seriously from the age of 9.
Ghulam Ali encountered Ustad Bade Ghulam Ali Khan, for the first time, when he was in his early teens. Ustad Bade Ghulam Ali Khan had toured Kabul, Afghanistan and, on the way back to India, Ghulam Ali's father requested the Ustad to take his son as a disciple. But Khan insisted that since he was hardly in town, regular training wouldn't be possible. But after repeated requests from Ghulam Ali's father, Ustad Bade Ghulam Ali Khan asked the young Ghulam Ali to sing something. It wasn't easy to have the courage to sing before him. He mustered the courage to sing the rhumri Saiyyan Bolo Tanik Mose Rahiyo Na Jaye. After he finished, Ustad hugged him and made him his disciple. Apart from the harmonium, he would also learn to play the tabla.
He was married to Afsana Ali, with whom he has a daughter, Manjari Ghulam Ali. His sons Aamir Ghulam Ali and Nazar Ali Abbas are also musicians.
A strong student academically, Ghulam Ali’s musical talent was soon recognized beyond his household. While practising on a terrace, he was noticed by a representative from Radio Pakistan, leading to an invitation to perform. At the age of 14, he began singing for a children’s programme on Radio Pakistan and within six months advanced to performing at the highest level, marking the beginning of his professional musical career.
Along with singing ghazals, Ghulam Ali composed music for his ghazals. His compositions are raga-based and sometimes include a scientific mixture of ragas. He is known for blending gharana-gaaiaki into ghazal and this gives his singing the capability to touch people's hearts. He sings Punjabi songs too. Many of his Punjabi songs have been popular and have been part of Punjab's own cultural diaspora.
On being questioned about Pakistani pop groups, Ghulam Ali replied, "Frankly, I am really bewildered at their style of singing. How can you sing a song by running and jumping around the stage? The stage is meant for performing not for acrobatics."
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