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Gideon Singer

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Gideon Singer (Hebrew: גדעון זינגר‎; 29 June 1926 – 11 May 2015) was an Israeli actor and singer.[1]

Key Information

Biography

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Born in Brno, Singer emigrated with his family from Czechoslovakia to Israel in 1940 and he was a survivor of the Patria shipwreck. Singer lived in Tel Aviv where he started singing as well as learning to play the violin and he also worked as a diamond polisher during his youth. After passing adolescence, Singer served in the Palmach where he also participated in the Chizbatron mainly during the late 1940s and early 1950s and he was also a member of a satire singing group along with Yaakov Ben-Sira, Shimon Bar and Reuven Shefer.[2]

After appearing twice in the Israel Song Festival, Singer appeared frequently at the Habima Theatre, the Cameri Theatre and the Beersheba Theatre and appeared in stage adaptations of The Threepenny Opera, Twelfth Night and numerous musical productions. His success on-stage led him to star in European and Broadway theatre productions as well. On films, Singer had notable roles in One Pound Only, I Like Mike and Blaumilch Canal. His television appearances include Delet Haksamim and he was the Hebrew voice of Mr. Owl in Fabeltjeskrant.[3]

In 1983, following his dismissal from the Habima Theatre, Singer moved to Austria and had lived in Vienna since 1987.[4] He found professional opportunities on stage and screen and he heavily contributed to the Theater in der Josefstadt.[5] He made his international cameo appearance in the 2015 film Woman in Gold. This was his final film before his death. Singer returned to Israel occasionally. His most notable visit was during his 80th birthday.

Personal life

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Singer was married twice. From his first marriage, he had four children. His son, Joel is a lawyer who served as a legal adviser to the Israeli Foreign Minister during the Oslo Accords. He married Shira Singer ten years before his death.

Death

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On 11 May 2015, at the age of 88, Singer died at Ichilov Hospital due to complications from heart surgery he had prior to leaving Austria.[6] He was buried at Yarkon Cemetery.[7]

Partial filmography

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  • I Like Mike (1961) - Benjamin Arieli
  • Rak Ba'Lira (1963)
  • Sallah Shabati (1964)
  • Dalia And The Sailors (1964) - Vice Captain
  • Moishe Ventilator (1966)
  • Haminiyah Leretzach (1966)
  • Hu Halach B'Sadot (1967)
  • Ha-Shehuna Shelanu (1968)
  • The Battle of Sinai (1968) - Egyptian Colonel (uncredited)
  • Blaumilch Canal (1969) - Police Chief Akiva Levkowicz
  • Shod Hatelephonim Hagadol (1972)
  • Nahtche V'Hageneral (1972)
  • Ha-Glula (1972)
  • Azit Hakalba Hatzanhanit (1972) - Dr. Haruvi
  • HaSandlar HaAliz (1973)
  • Ha-Balash Ha'Amitz Shvartz (1973)
  • Abu el Banat (1973) - Dr. Mazor
  • Rak Hayom (1976) - Doctor Lapid
  • Another Shadow (1976)
  • Millioner Betzarot (1978) - Gila's Father
  • The Fox in the Chicken Coop (1978) - Prof. Tennebaum / Elifaz hermanovitch
  • Imi Hageneralit (1979)
  • Ta'ut Bamispar (1979) - Hotel Manager
  • Lo La'alot Yoter (1979) - Dr. Singer
  • Transit (1980)
  • Firefox (1982) - KGB agent (uncredited)
  • Santa Fe [fr] (1986) - Popper
  • Trostgasse 7 - eine Kindheit in Wien 1934-1938 (1988) - Herr Kohn
  • Hund und Katz (1991) - Pogosz
  • Gospel According to Harry (1994) - Jerry
  • Ha-Gamal Hame'ofef (1994) - Professor Bauman
  • Jailbirds (1996) - Opa Steinbock
  • Der Bockerer 2 (1996) - Beamter im Paßamt
  • Der Bockerer III - Die Brücke von Andau (2000) - Pfalzners assistant
  • Woman in Gold (2015) - Restitution witness

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Gideon Singer was an Israeli actor and singer known for his foundational contributions to Israeli theater, film, and popular entertainment, spanning from the early days of statehood through international performances. Born in Brno, Czechoslovakia, in 1926, he immigrated to pre-state Israel in 1940, served in the Palmach during the War of Independence—where he was wounded—and began his career as a soloist in the Chizbatron troupe, most notably performing on the original recording of the iconic patriotic song "Hare'ut." [1] He co-founded the Theater Club Quartet in the 1950s and 1960s and performed leading roles at Israel's premier theaters, including Habima and Cameri, with standout portrayals such as Captain Hook in Peter Pan and Don Quixote in Man of La Mancha, the latter earning him an invitation to perform the role on Broadway. Singer also appeared in Israeli films including I Like Mike (1961), The Blaumilch Canal (1969), and My Mother the General (1979), and became widely remembered for his role as a magician in the 1970s television series Delet Haksamim. [1] [2] After spending his later decades in Vienna, he returned to Israel shortly before his death in Tel Aviv in 2015 at age 88 from complications following heart surgery; his final screen appearance was as a restitution witness in the film Woman in Gold (2015). Peers hailed him as a giant of Israeli theater culture, praising his international-level talent as an actor, singer, and comic whose work helped shape the nation's performing arts foundation. [1] [2]

Early life

Birth and childhood in Czechoslovakia

Gideon Singer was born Harry Singer on June 29, 1926, in Brno, Czechoslovakia (now in the Czech Republic).[3][4] He spent his childhood in Brno until 1940, when he emigrated to Palestine (later Israel) with his family at the age of 14.[5]

Immigration to Israel and youth activities

Gideon Singer immigrated to Mandatory Palestine in 1940 at the age of 14, arriving from Czechoslovakia shortly before the Holocaust led to the destruction of much of its Jewish community. [6] [7] He settled in Tel Aviv, residing in the Mahlul neighborhood during his teenage years. [5] In his youth, Singer completed professional training as a diamond polisher and worked in that trade. [5] At the same time, he began developing his artistic interests by studying singing and learning to play the violin. [5] These early pursuits marked the start of his engagement with music amid his adjustment to life in pre-state Israel. [5]

Military service

Service in the Palmach

Gideon Singer enlisted in the Palmach in 1947 and served in the Fifth Battalion of the Harel Brigade.[8] He fought in combat operations during the 1948 Arab-Israeli War as part of the Palmach forces.[8] During the battles for the liberation of Jerusalem, Singer sustained a serious injury to his stomach in one of the operations, which ended his frontline combat role.[8][7] Following his recovery from the wound, he joined the Chizbatron, the Palmach's official entertainment troupe composed of soldier-performers.[8][7] In the Chizbatron, he served as a singer and became the soloist in the original performance of the song "HaRe'ut" (The Companionship), which was recorded and distributed in 1949.[8]

Career

Theater and stage work

Gideon Singer's stage career began after his military service in the Palmach, when an injury led him to join the entertainment troupe Chizbatron, where he performed as a soloist and contributed to original presentations including the song "Hare'ut." [9] He later became a key member of the popular comedy, satire, and musical quartet רביעיית מועדון התיאטרון (Theater Club Quartet) during the 1950s and 1960s, collaborating with Shimon Bar, Reuven Shafir, and Ya'akov Ben-Sira, with whom he maintained a long-term creative partnership. [9] Singer established himself as a prominent figure in Israeli theater through extensive performances at major venues including Habima, the Cameri Theater, and Li La Lo Theater. [10] His most celebrated stage role was Don Quixote in Giora Godik's production of the musical "Man of La Mancha," a portrayal that remains one of the most remembered in his career. [10] [7] In 1960, he played King Solomon in Habima's production of Leah Goldberg's "The Legend of Three and Four," adapted from a story by Haim Nahman Bialik, where his comedic presence shone through improvisational moments. [7] Singer was known for injecting humor into performances, often with spontaneous Yiddish lines, such as famously asking about his horse Rocinante's name during "Man of La Mancha." [7] He also took on the role of Gulliver in a children's theater production. [7] His early musical training on the violin supported his versatile stage presence as an actor and comedian. [9] In 1983, after his dismissal from Habima, Singer moved to Vienna and continued his theatrical career, including performances at the Theater in der Josefstadt. [7] [9]

Film and television roles

Gideon Singer established himself as a prolific supporting actor in Israeli cinema beginning in the early 1960s. His screen debut came with a role in I Like Mike (1961). [1] [2] He subsequently appeared in several notable Israeli films during the 1960s and 1970s, including Blaumilch Canal (also known as The Big Dig, 1969) as Police Chief Akiva Levkowicz. [1] [2] Other credits included My Mother the General (1979). [1] [2] Singer also contributed to Israeli television during this period, most memorably playing a magician in the 1970s children's series Delet Haksamim. [1] His work frequently involved supporting characters in authority positions or professional roles, such as doctors and officials. [2] After relocating to Vienna in 1983, he focused on German-language film and television, appearing in projects such as the TV mini-series Strauss Dynasty (1991), the comedy Jailbirds (1996) as Opa Steinbock, and episodes of series including Tatort and Kommissar Rex. [2] He also featured in The Flying Camel (1994) as Professor Bauman. [1] [2] Singer's final screen role was as a restitution witness in the 2015 biographical drama Woman in Gold. [1] [2] Across his career, he accumulated dozens of film and television credits, predominantly in supporting parts that drew on his extensive stage experience. [2]

Singing and musical performances

Gideon Singer was acclaimed as both an actor and a singer in Israeli entertainment, contributing significantly to the country's musical landscape alongside his theatrical work. [1] After being wounded during his Palmach service, he joined the troupe's entertainment ensemble, HaChizbatron, where he served as soloist and performed in numerous programs during the late 1940s and early 1950s. [1] He provided the lead vocals for the original 1949 recording of "HaRe'ut" (The Companionship), an enduring song with lyrics by Haim Guri and music by Sasha Argov that commemorates soldiers fallen in Israel's War of Independence. [1] Singer co-founded the vocal and satirical group Revi'at Mo'adon HaTeatron (Theater Club Quartet), which was active in the 1950s and 1960s and staged entertainment performances blending music and comedy. [1] He participated in the Israeli Song Festival, including a notable appearance in 1961 when he performed "SheAni Imcha" (Carry Me With You), composed by Tzvi Avni to lyrics by Pnina Avni, as well as "Na'ama." [11] His discography includes albums released in 1968 and 1969, along with singles and children's songs such as those featured on Hed-Arzi recordings. [4] Music archives document his performances of traditional Israeli songs, folk tunes, and other repertoire, underscoring his role as a versatile actor-singer in Israel's cultural scene. [12] Colleagues remembered him as an exceptional singer and comic talent on an international level. [1]

Personal life

Family and relationships

Gideon Singer married Shira in 2005, and they remained together until his death in 2015. [2] He was survived by his wife Shira and four children. [1] One of his sons is Joel Singer, who has described his father as a famous actor, singer, and comedian, noting that as a young boy he intended to follow in his father's footsteps as an actor. [13]

Death

Final years and passing

In his later years, Gideon Singer continued to act into his late eighties, appearing in the film Woman in Gold (2015) shortly before his death. [2] Gideon Singer died on May 11, 2015, in Tel Aviv, Israel, at the age of 88, due to complications from heart surgery. [1] [2] Haaretz reported his passing the following day, describing him as a leading Israeli actor who had maintained a wide-ranging career in theater, film, and other performing arts. [1]

Legacy

Gideon Singer's legacy endures as that of a versatile and resilient performer who made lasting contributions to both Israeli and Austrian theater, embodying humor, humanity, and artistic dedication across a career spanning more than six decades. His early work with the Palmach's Chizbatron troupe in the late 1940s and early 1950s helped shape Israel's nascent satirical and musical entertainment traditions during the pre-state and early statehood periods. Later, his long association with Israel's premier theaters, including Habima and Cameri, solidified his status as a prominent figure in Israeli performing arts, where he appeared in numerous productions ranging from classics to musicals. In his adopted home of Austria from the 1980s onward, Singer became an honorary member (Ehrenmitglied) of Vienna's prestigious Theater in der Josefstadt in 1996, where he delivered approximately 3,700 performances at the Josefstadt and its Kammerspiele between 1986 and 2014. [14] Following his death in 2015, theater director Herbert Föttinger paid tribute to him as an actor who "conquered the hearts of the audience," a great comedian, lovable colleague, wonderful human being, and model of humanity, emphasizing his humor, wit, charming lovability, and enduring positivity despite the loss of his parents and forced flight during the Third Reich. [14] Singer's impact is most prominently documented in German-language sources due to his later career phase, while his pioneering role in Israeli theater and culture receives less detailed coverage in English-language materials, reflecting a broader gap in international recognition of his stage work.
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