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Go-Set
Go-Set was the first Australian pop music newspaper, published weekly from 2 February 1966 to 24 August 1974, and was founded in Melbourne by Phillip Frazer, Peter Raphael and Tony Schauble. Widely described as a pop music "bible", it became an influential publication, introduced the first national pop record charts and featured many notable contributors including fashion designer Prue Acton, journalist Lily Brett, rock writer / band manager Vince Lovegrove, music commentator Ian "Molly" Meldrum, rock writer / music historian Ed Nimmervoll and radio DJ Stan Rofe. It spawned the original Australian edition of Rolling Stone magazine in late 1972.
In 1964, Monash University student newspaper Chaos' co-editors, John Blakeley, Damien Broderick and Tony Schauble, renamed the paper Lot's Wife. Phillip Frazer was a staffer and later became co-editor with future parliamentarian Peter Steedman. Late in 1965, Schauble, Frazer, Broderick, and another student writer, Doug Panther, discussed ideas to make money during the holidays including the idea to create a teen-oriented pop music newspaper. Local rock group The Mood's manager, Peter Raphael, joined Frazer and Schauble and together they founded Go-Set Publications. Raphael brought in photographer Colin Beard and advertising manager Terry Cleary. Waverley Press, which owned Waverley Offset Printers, had printed Lot's Wife, and agreed to print Go-Set on credit. Schauble, Frazer and Panther produced the newspaper from their home in the Melbourne suburb of Malvern.
The first edition of Go-Set, dated 2 February 1966, was published with Schauble cited as editor because Frazer, a medical student, asked to be listed in the low-key role of designer and Panther, who had not registered for the military draft, was described as a feature writer. The first issue showcased Tom Jones (see right) and Herman's Hermits interviewed by Panther and photographed by Colin Beard at Palais Theatre, St Kilda. Initial sales were low, about 3000 to 5000 but Issue 3, which covered The Rolling Stones tour in Melbourne and Sydney, doubled their sales.
Initially Go-Set was intended for Melbourne distribution only. A book distributor, Bill Robinson, managed circulation throughout Victoria, and several weeks later the newspaper was introduced to Sydney and within its first year, all the remaining states. From 28 February 1966, the Go-Set office was three rooms at Charnwood Crescent, St Kilda until December 1970 when it relocated to Drummond Street, Carlton. Key staff included Tony Schauble as editor then manager, Phillip Frazer, who had switched to an arts degree at Monash, as co-editor, and Colin Beard as photographer. Peter Raphael was advertising manager assisted by Terry Cleary. Doug Panther continued as feature writer for several months before leaving for Western Australia with Commonwealth Police and the Australian Army searching for him as a 'draft dodger'. Panther was replaced by Lily Brett who likes to recall that she got the job because she had a car. Other personnel were Honey Lea, originally a typist, who later became fashion editor when Prue Acton dropped out, and Sue Flett who wrote an advice column under the name Leslie Pixie.
Ian "Molly" Meldrum wrote his first story for Go-Set in July 1966, and joined as a news, gossip and feature writer in August. Frazer urged Meldrum to join week day, TV show Kommotion on Channel 0 as a mimer[vague] so that Go-Set could get more inside stories. A key element in the early success of the newspaper was the centre page spread called "The Scene-The Seen", a weekly pictorial survey photographed by Beard in Melbourne and Grant Mudford in Sydney around the discos and dance halls. These were its original target audience - the thousands of teenagers, especially girls, caught up in the excitement of the swinging sixties, following their favourite local Rock group around the suburban dancehalls of Melbourne. Go-Set started its annual pop poll in October 1966 with readers voting for Normie Rowe as 'Best Male Vocal', Lynne Randell as 'Best Girl Vocal' and The Easybeats as 'Best Group'. The following year, Normie Rowe was crowned as the inaugural 'King of Pop' on TV series The Go!! Show, also on Channel 0.
Go-Set had become the indispensable chronicle of the local scene, described by Jim Keays, lead singer of The Masters Apprentices, as the Australian music bible. From 5 October 1966, it featured Australian singles charts and international charts, local state gig listings and record reviews.
Go-Set developed an international focus when, in a promotional arrangement with BOAC airlines, Brett and Beard were flown to London and the USA. They spent four months in the United Kingdom from January 1967 touring with Australian singer Normie Rowe, and The Troggs, The Who, The Small Faces, The Easybeats and others.
In America they covered the New York City scene and attended the Monterey Pop Festival from 16 to 19 June 1967. The first full colour centre spread was a Beard photograph of Jimi Hendrix taken at The Monterey Pop Festival. In Los Angeles they did personality stories and photographic fashion spreads with Sonny and Cher, The Mamas & the Papas and covered a recording session with The Byrds. In Brett's absence, Meldrum became the principal local feature writer while Vera Kaas-Jager covered the local photography for Beard.
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Go-Set
Go-Set was the first Australian pop music newspaper, published weekly from 2 February 1966 to 24 August 1974, and was founded in Melbourne by Phillip Frazer, Peter Raphael and Tony Schauble. Widely described as a pop music "bible", it became an influential publication, introduced the first national pop record charts and featured many notable contributors including fashion designer Prue Acton, journalist Lily Brett, rock writer / band manager Vince Lovegrove, music commentator Ian "Molly" Meldrum, rock writer / music historian Ed Nimmervoll and radio DJ Stan Rofe. It spawned the original Australian edition of Rolling Stone magazine in late 1972.
In 1964, Monash University student newspaper Chaos' co-editors, John Blakeley, Damien Broderick and Tony Schauble, renamed the paper Lot's Wife. Phillip Frazer was a staffer and later became co-editor with future parliamentarian Peter Steedman. Late in 1965, Schauble, Frazer, Broderick, and another student writer, Doug Panther, discussed ideas to make money during the holidays including the idea to create a teen-oriented pop music newspaper. Local rock group The Mood's manager, Peter Raphael, joined Frazer and Schauble and together they founded Go-Set Publications. Raphael brought in photographer Colin Beard and advertising manager Terry Cleary. Waverley Press, which owned Waverley Offset Printers, had printed Lot's Wife, and agreed to print Go-Set on credit. Schauble, Frazer and Panther produced the newspaper from their home in the Melbourne suburb of Malvern.
The first edition of Go-Set, dated 2 February 1966, was published with Schauble cited as editor because Frazer, a medical student, asked to be listed in the low-key role of designer and Panther, who had not registered for the military draft, was described as a feature writer. The first issue showcased Tom Jones (see right) and Herman's Hermits interviewed by Panther and photographed by Colin Beard at Palais Theatre, St Kilda. Initial sales were low, about 3000 to 5000 but Issue 3, which covered The Rolling Stones tour in Melbourne and Sydney, doubled their sales.
Initially Go-Set was intended for Melbourne distribution only. A book distributor, Bill Robinson, managed circulation throughout Victoria, and several weeks later the newspaper was introduced to Sydney and within its first year, all the remaining states. From 28 February 1966, the Go-Set office was three rooms at Charnwood Crescent, St Kilda until December 1970 when it relocated to Drummond Street, Carlton. Key staff included Tony Schauble as editor then manager, Phillip Frazer, who had switched to an arts degree at Monash, as co-editor, and Colin Beard as photographer. Peter Raphael was advertising manager assisted by Terry Cleary. Doug Panther continued as feature writer for several months before leaving for Western Australia with Commonwealth Police and the Australian Army searching for him as a 'draft dodger'. Panther was replaced by Lily Brett who likes to recall that she got the job because she had a car. Other personnel were Honey Lea, originally a typist, who later became fashion editor when Prue Acton dropped out, and Sue Flett who wrote an advice column under the name Leslie Pixie.
Ian "Molly" Meldrum wrote his first story for Go-Set in July 1966, and joined as a news, gossip and feature writer in August. Frazer urged Meldrum to join week day, TV show Kommotion on Channel 0 as a mimer[vague] so that Go-Set could get more inside stories. A key element in the early success of the newspaper was the centre page spread called "The Scene-The Seen", a weekly pictorial survey photographed by Beard in Melbourne and Grant Mudford in Sydney around the discos and dance halls. These were its original target audience - the thousands of teenagers, especially girls, caught up in the excitement of the swinging sixties, following their favourite local Rock group around the suburban dancehalls of Melbourne. Go-Set started its annual pop poll in October 1966 with readers voting for Normie Rowe as 'Best Male Vocal', Lynne Randell as 'Best Girl Vocal' and The Easybeats as 'Best Group'. The following year, Normie Rowe was crowned as the inaugural 'King of Pop' on TV series The Go!! Show, also on Channel 0.
Go-Set had become the indispensable chronicle of the local scene, described by Jim Keays, lead singer of The Masters Apprentices, as the Australian music bible. From 5 October 1966, it featured Australian singles charts and international charts, local state gig listings and record reviews.
Go-Set developed an international focus when, in a promotional arrangement with BOAC airlines, Brett and Beard were flown to London and the USA. They spent four months in the United Kingdom from January 1967 touring with Australian singer Normie Rowe, and The Troggs, The Who, The Small Faces, The Easybeats and others.
In America they covered the New York City scene and attended the Monterey Pop Festival from 16 to 19 June 1967. The first full colour centre spread was a Beard photograph of Jimi Hendrix taken at The Monterey Pop Festival. In Los Angeles they did personality stories and photographic fashion spreads with Sonny and Cher, The Mamas & the Papas and covered a recording session with The Byrds. In Brett's absence, Meldrum became the principal local feature writer while Vera Kaas-Jager covered the local photography for Beard.