Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Magic (Kylie Minogue song)
"Magic" is a song by Australian singer Kylie Minogue. BMG Rights Management and Minogue's company Darenote released it as the second single from her fifteenth studio album Disco (2020) on 24 September 2020, and further distributed on various digital and physical formats on later dates. Minogue, Michelle Buzz, and Teemu Brunila co-wrote the song with producers Daniel Davidsen and Peter Wallevik, collectively known as PhD. Musically, it is a disco-pop song with a variety of instruments, and the lyrics discuss the feeling of falling in love.
Music critics praised "Magic" for its catchiness, production quality, and sound, with some naming it a standout track from the parent album. It was also featured on year-end lists provided by Billboard and CBC Music. Commercially, the song was successful, appearing on record charts in Belgium, Croatia, Hungary, Scotland, Slovakia, and the United Kingdom, as well as component charts in Australia, Finland, New Zealand, and the United States. Furthermore, it is one of Minogue's most streamed singles in the United Kingdom.
British filmmaker Sophie Muller shot the music video for the single at Fabric in Farringdon, London, and it features Minogue and backup dancers in a nightclub with various Visual effects. Minogue promoted the single by performing it on several live television shows, including The Graham Norton Show, The Late Show with Stephen Colbert, and NBC New Year's Eve specials. It was also included in the setlist and live release of her one-time special livestream show, Infinite Disco and the 2025 Tension Tour.
Minogue began working on new music in 2019, after completing the promotion for her fourteenth studio album, Golden (2018), and subsequent tour. During her tour, she was inspired by a segment influenced by the disco aesthetic and Studio 54, and she realised her creative direction would be "heading straight back to the dance floor" with a disco-themed album. However, due to the COVID-19 pandemic and widespread lockdowns, production was halted. During the lockdown, Minogue worked remotely from her London home, experimenting with various software and engineering tools like Logic Pro and GarageBand.
Minogue, Michelle Buzz, and Teemu Brunila co-wrote the song with producers Daniel Davidsen and Peter Wallevik, collectively known as PhD. The track was recorded at Metropolis Studios in London, England, with engineering conducted by Davidson, Wallevik, Alex Robinson, and Duck Blackwell. Johny Saarde, Davidsen, and Wallevik collaborated on drum programming, and the final recording was mastered by Dick Beetham. "Magic" is the album's opening track; Minogue stated that "'Magic' is a kind of Hors d'oeuvre for the album. The main course will be coming in a while—and leave space because there is going to be tiramisu."
"'Magic' is a kind of hors d'oeuvre for the album. The main course will be coming in a while—and leave space because there is going to be tiramisu. It feels classic, grown-up, and polished, but there’s still an element of surprise with the falsetto notes."
"Magic" was released in two versions: a radio edit lasting three minutes and 34 seconds, and an album edit with additional verses lasting four minutes and ten seconds. Musically, "Magic" is a disco song with dance and pop influences. Instruments include horns, "funky" strings, "celebratory" handclaps, and staccato keys. NME editor Nick Levine called it "an exuberant, horn-fuelled romp that deserves to soundtrack a post-Covid roller disco", while Pitchfork writer Katherine St. Asaph noted a "fizzy, sparky chorus".
According to The Guardian writer Ben Neutze, "Magic" and album track "Miss A Thing" have "lush melodies... that conjure up Studio 54 at the end of the 1970s". Junkee editor Joseph Earp compared the overall sound to that of the Bee Gees and Donna Summer, while Medium believed the song set the tone for the album. According to Christina Jaleru of Associated Press, the sound "brings in some hot staccato keys and handclaps on top of a hopeful message". According to Joey Nolfi of Entertainment Weekly, Minogue's vocals are "light-as-a-feather" and the song is a "vintage homage to the groovy glitz and dreamy glamour of 1970s dance floors".
Hub AI
Magic (Kylie Minogue song) AI simulator
(@Magic (Kylie Minogue song)_simulator)
Magic (Kylie Minogue song)
"Magic" is a song by Australian singer Kylie Minogue. BMG Rights Management and Minogue's company Darenote released it as the second single from her fifteenth studio album Disco (2020) on 24 September 2020, and further distributed on various digital and physical formats on later dates. Minogue, Michelle Buzz, and Teemu Brunila co-wrote the song with producers Daniel Davidsen and Peter Wallevik, collectively known as PhD. Musically, it is a disco-pop song with a variety of instruments, and the lyrics discuss the feeling of falling in love.
Music critics praised "Magic" for its catchiness, production quality, and sound, with some naming it a standout track from the parent album. It was also featured on year-end lists provided by Billboard and CBC Music. Commercially, the song was successful, appearing on record charts in Belgium, Croatia, Hungary, Scotland, Slovakia, and the United Kingdom, as well as component charts in Australia, Finland, New Zealand, and the United States. Furthermore, it is one of Minogue's most streamed singles in the United Kingdom.
British filmmaker Sophie Muller shot the music video for the single at Fabric in Farringdon, London, and it features Minogue and backup dancers in a nightclub with various Visual effects. Minogue promoted the single by performing it on several live television shows, including The Graham Norton Show, The Late Show with Stephen Colbert, and NBC New Year's Eve specials. It was also included in the setlist and live release of her one-time special livestream show, Infinite Disco and the 2025 Tension Tour.
Minogue began working on new music in 2019, after completing the promotion for her fourteenth studio album, Golden (2018), and subsequent tour. During her tour, she was inspired by a segment influenced by the disco aesthetic and Studio 54, and she realised her creative direction would be "heading straight back to the dance floor" with a disco-themed album. However, due to the COVID-19 pandemic and widespread lockdowns, production was halted. During the lockdown, Minogue worked remotely from her London home, experimenting with various software and engineering tools like Logic Pro and GarageBand.
Minogue, Michelle Buzz, and Teemu Brunila co-wrote the song with producers Daniel Davidsen and Peter Wallevik, collectively known as PhD. The track was recorded at Metropolis Studios in London, England, with engineering conducted by Davidson, Wallevik, Alex Robinson, and Duck Blackwell. Johny Saarde, Davidsen, and Wallevik collaborated on drum programming, and the final recording was mastered by Dick Beetham. "Magic" is the album's opening track; Minogue stated that "'Magic' is a kind of Hors d'oeuvre for the album. The main course will be coming in a while—and leave space because there is going to be tiramisu."
"'Magic' is a kind of hors d'oeuvre for the album. The main course will be coming in a while—and leave space because there is going to be tiramisu. It feels classic, grown-up, and polished, but there’s still an element of surprise with the falsetto notes."
"Magic" was released in two versions: a radio edit lasting three minutes and 34 seconds, and an album edit with additional verses lasting four minutes and ten seconds. Musically, "Magic" is a disco song with dance and pop influences. Instruments include horns, "funky" strings, "celebratory" handclaps, and staccato keys. NME editor Nick Levine called it "an exuberant, horn-fuelled romp that deserves to soundtrack a post-Covid roller disco", while Pitchfork writer Katherine St. Asaph noted a "fizzy, sparky chorus".
According to The Guardian writer Ben Neutze, "Magic" and album track "Miss A Thing" have "lush melodies... that conjure up Studio 54 at the end of the 1970s". Junkee editor Joseph Earp compared the overall sound to that of the Bee Gees and Donna Summer, while Medium believed the song set the tone for the album. According to Christina Jaleru of Associated Press, the sound "brings in some hot staccato keys and handclaps on top of a hopeful message". According to Joey Nolfi of Entertainment Weekly, Minogue's vocals are "light-as-a-feather" and the song is a "vintage homage to the groovy glitz and dreamy glamour of 1970s dance floors".