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Rachel Anne McAdams (born November 17, 1978) is a Canadian actress. After graduating from York University in 2001 with a BFA in theatre, she became known for her starring roles in comedy and drama films before transitioning to television and theater. She has received various award nominations, including for an Academy Award, a British Academy Film Award, and a Tony Award.

Key Information

In 2002, she made her Hollywood film debut in the comedy The Hot Chick. She rose to fame in 2004 with the comedy Mean Girls and the romantic drama The Notebook. In 2005, she starred in the romantic comedy Wedding Crashers, the psychological thriller Red Eye, and the comedy-drama The Family Stone. She was hailed by the media as Hollywood's new "it girl",[1][2] and received a BAFTA Award nomination for Best Rising Star.

After a hiatus, McAdams gained further prominence starring in the films The Time Traveler's Wife (2009), Sherlock Holmes (2009), Morning Glory (2010), Midnight in Paris (2011), The Vow (2012), and About Time (2013). For her portrayal of journalist Sacha Pfeiffer in the drama Spotlight (2015), she was nominated for the Academy Award for Best Supporting Actress. This was followed by roles in the Marvel Cinematic Universe films Doctor Strange (2016) and Doctor Strange in the Multiverse of Madness (2022), the romantic drama Disobedience (2017), the comedies Game Night (2018) and Eurovision Song Contest: The Story of Fire Saga (2020), and the comedy-drama Are You There God? It's Me, Margaret. (2023).

On television, she starred in the second season of the HBO anthology crime drama series True Detective (2015), earning a Critics' Choice Television Award for Best Actress in a Miniseries or Movie nomination. She made her Broadway debut playing a struggling single mother in the Amy Herzog play Mary Jane (2024) for which she was nominated for a Tony Award for Best Actress in a Play.

Early life and education

[edit]

Rachel Anne McAdams was born on November 17, 1978,[3][4][5] in London, Ontario, Canada, to nurse Sandra (née Gale) and truck driver Lance McAdams.[6] She grew up in St. Thomas in a Protestant household.[6][7] The eldest of three children, she has a younger sister who is a make-up artist[8] and a younger brother who is a personal trainer.[9][10][11] McAdams is of Scottish, English, Irish and Welsh descent.[12][13][14] Her maternal fifth great-grandfather, James Gray, fought as a Loyalist Ranger during the American Revolution and fled to Upper Canada after the Battles of Saratoga.[15][16][17]

McAdams began figure skating when she was four, but turned down an opportunity to move to Toronto when she was nine for pair skating training.[10] She skated competitively until she was 18, winning regional awards.[6][18][19] She has said that skating prepared her for acting by teaching her to be "in tune" with her body.[20]

McAdams attended Myrtle Street Public School and Central Elgin Collegiate Institute.[6][21] She said that she did not enjoy academic work and often pretended to be sick to avoid going to school.[22][23] Nonetheless, she was active in student life. In addition to playing sports (including volleyball, badminton, and soccer),[24] she was on the student council, participated in the Crime Stoppers program, and was a member of the Peer Helping Team.[6] She worked at a McDonald's restaurant during summer holidays for three years.[25][18]

She developed an interest in performing when she was seven, and while her parents did not discourage her, they did not "go out and find me an agent."[26] She attended Disney and William Shakespeare summer camps as a child.[26] From age 12, she participated in Original Kids Theatre Company, London productions,[27] and in her late teens directed children's theatre productions.[25] She was also involved in school stage productions, and won a performance award at the Sears Ontario Drama Festival.[6][28] She was inspired by two of her teachers, who taught her English and drama, respectively, in grades 11 and 12.[28] She intended to take cultural studies at the University of Western Ontario[29] before being persuaded by her drama teacher that a professional acting career was a viable option.[6][28][30]

She enrolled in York University's four-year theatre program and graduated with a Bachelor of Fine Arts honours degree in 2001.[27][31] While there, she worked with the Toronto-based Necessary Angel Theatre Company.[32]

Career

[edit]

2001–2003: Early work

[edit]

In 2001, McAdams made her television debut in the MTV pilot Shotgun Love Dolls as Beth Swanson, which was filmed during March break from York University.[26] She also made her Canadian film debut that year in the comedy My Name Is Tanino. The Italian-Canadian co-production was filmed in Sicily when McAdams was 22 years old, and it marked her first time on an airplane.[33][34] McAdams later earned a Genie Award nomination in Canada for her role in the drama Perfect Pie.[18]

In 2002, she made her Hollywood film debut with Rob Schneider and Anna Faris in the comedy The Hot Chick, which McAdams has described as a "huge milestone" in her career.[22] She played a catty high school student who swaps bodies with Schneider's character, a small-time criminal.[18] Kevin Thomas of the Los Angeles Times felt she "emerges as a young actress of much promise".[35] Afterwards, McAdams returned to Canada to star as Kate McNab in Slings and Arrows, a comedy mini-series about backstage theatre life at the fictional New Burbage Shakespearean Festival.[36] She was written out of the second season of the program following her success in the United States.[31] She received two Gemini Award nominations for her work on the program, winning one.[37]

2004–2005: Breakthrough

[edit]

McAdams's break-out role came in 2004, when she starred in the comedy film Mean Girls opposite Lindsay Lohan, Lacey Chabert, and Amanda Seyfried, based on Rosalind Wiseman's book Queen Bees and Wannabes. McAdams was 24 years old when she was cast as the mean high school queen bee Regina George, and she modelled her character on Alec Baldwin's performance in the drama Glengarry Glen Ross (1992).[38][39] Mike Clark of USA Today praised her "comic flair"[40] while Jenny McCartney of The Daily Telegraph found her "delightfully hateful."[41] Mick LaSalle of the San Francisco Chronicle felt that "McAdams brings glamour and magnetism to Regina, but also the right hint of comic distance."[42] The film grossed $129 million worldwide[43] and earned McAdams two MTV Movie Awards.[44] Mean Girls later reached No. 12 in an Entertainment Weekly list of the Greatest Ever High School Movies.[45] Tina Fey, who co‑starred in the film and wrote the screenplay, has credited McAdams with teaching her how to act in front of a camera rather than an audience: "She's a film actor. She's not pushing. And so I kind of learned that lesson from watching her."[46]

McAdams with The Notebook co-star Ryan Gosling at the 2005 MTV Movie Awards

Later in 2004, McAdams starred opposite fellow Canadian Ryan Gosling in the romantic drama The Notebook, based on Nicholas Sparks' novel of the same name. She played Allie Hamilton, a wealthy Southern belle who has a forbidden love affair with Gosling's poor labourer, Noah Calhoun.[18][47] McAdams spent time in Charleston, South Carolina, prior to filming to familiarize herself with the Southern accent,[48] and took ballet and etiquette classes.[31] Filming took place from late 2002 to early 2003.[49] Although McAdams and Gosling became romantically involved in 2005, they had a combative relationship on set.[50][51] "We inspired the worst in each other," Gosling has said. "It was a strange experience, making a love story and not getting along with your co-star in any way."[52] At one point, Gosling asked the film's director Nick Cassavetes to "bring somebody else in for my off-camera shot" because he felt McAdams was being uncooperative.[51] Stephen Holden of The New York Times praised the "spontaneous and combustible" performances of the two leads[53] while Roger Ebert was won over by the "beauty and clarity" of McAdams's performance.[54] Michael Wilmington of the Chicago Tribune declared her "a real discovery" who "infuses young Allie with that radiant, breathlessly winning ingénue grace and charm that breaks hearts".[55] The film grossed over $115 million worldwide.[56] McAdams won an MTV Movie Award and four Teen Choice Awards.[44][57] Entertainment Weekly has said that the movie contains the All-Time Best Movie Kiss[58] while the Los Angeles Times has included a scene from the film in a list of the 50 Classic Movie Kisses.[59] The Notebook has appeared on many Most Romantic Movies lists.[60][61][62][63] "I'm so grateful to have a film that people respond to in that way", McAdams told Elle in 2011. "It was a big deal."[64]

In 2005, McAdams starred with Owen Wilson, Vince Vaughn, and Bradley Cooper in the romantic comedy Wedding Crashers. McAdams played a daughter of an influential politician, who is caught in a love triangle with Wilson and Cooper's characters.[65][66] McAdams listened repeatedly to Fleetwood Mac's 1975 song "Landslide" to prepare for emotional scenes, and Wilson has said the song made her cry immediately: "It was like turning on a faucet."[20] She trained for a sailing certification for a boating sequence because her character was said to be an accomplished sailor.[67] Manohla Dargis of The New York Times felt McAdams "makes the most of her underdeveloped character" and "grows more appealing with every new role".[68] Brian Lowry of Variety found her "a beguiling presence" who "actually creates a real character – a rarity for females in one of these lad-mag escapades".[69] From a production budget of $40 million, the film grossed over $285 million worldwide.[65]

Afterwards, McAdams starred opposite Cillian Murphy in Wes Craven's psychological thriller Red Eye, where she played a young hotel manager who is held captive by Murphy's character while aboard a red-eye flight. Craven has said McAdams was the only actress he considered for the part.[70] She was drawn to the relatable qualities of her character: "She was not some sweaty, tank-top-wearing, Uzi-carrying super woman".[71] Robert Koehler of Variety found her "increasingly impressive"[72] while Roger Ebert of the Chicago Sun-Times asserted that "she brings more presence and credibility to her role than is really expected; she acts without betraying the slightest awareness that she's inside a genre. Her performance qualifies her for heavy-duty roles."[73] Upon release, the film, which was made on a budget of $26 million, earned over $95 million at the worldwide box office.[74] In late 2005, McAdams starred with Sarah Jessica Parker and Diane Keaton in the seasonal family comedy-drama The Family Stone, which gave McAdams an opportunity to play a dishevelled and sardonic sister, rather than the usual "obvious" girlfriend or wife roles.[75][76] She was eager to work with Keaton and remarked, "It's never about line counts for me. It's about the people I get to work with."[77] Justin Chang of Variety noted that "a deglammed but still radiant McAdams proves once again that she's the real deal, delivering a deliciously feisty performance".[78] Manohla Dargis of The New York Times felt that her "engaging screen presence holds your attention and sympathy despite the handicap presented by her character's personality."[79] The film was a commercial success: it cost $18 million to make and grossed over $92 million worldwide.[80]

2006–2010: Career hiatus and return

[edit]
McAdams at the 2007 Toronto International Film Festival

At this point in her career, McAdams was hailed as "the next Julia Roberts"[1] and the new "Hollywood it girl".[2] Vanity Fair invited McAdams, along with actresses Scarlett Johansson and Keira Knightley, to appear on its March 2006 cover, the annual Hollywood issue. Upon arrival on the photo set, McAdams discovered it was a nude session, declined and left. She later parted ways with her publicist at the time, who had not informed her in advance.[81] Knightley later recounted, "Quite early on Rachel just said, 'No, I'm not into that.' She's a lovely girl, and I really respect her for doing that."[82] When asked about the incident in 2008, McAdams had "no regrets".[83] McAdams took a break from her film career from 2006 to 2007.[2] "There were a lot of cooks in the kitchen, a lot of voices around me, and I wanted to step away so I could hear my own voice again", McAdams said in 2013. "Truthfully, I never really wanted to be a big movie star. I never even wanted to work outside of Canada, or outside of the theatre."[84] During that period, McAdams turned down roles in the films The Devil Wears Prada (2006), Casino Royale (2006), Mission: Impossible III (2006), Iron Man (2008),[85] and Get Smart (2008).[1] In February 2006, she made a one-off stage appearance in The Vagina Monologues at St. Lawrence Centre for the Arts, Toronto to raise funds for V-Day.[86] That same year, McAdams received a Rising Star Award nomination from the British Academy of Film and Television Arts[87] and hosted the Academy Awards for Technical Achievement.[88]

McAdams returned to her film career in 2008. She starred with Pierce Brosnan and Chris Cooper in the 1940s film noir Married Life where she played Kay Nesbitt, a young widow who wins the affections of Brosnan and Cooper's older characters. In preparation for the role, McAdams studied old films, particularly those of Kim Novak.[89] She has said the film shoot re-energized and re-inspired her and made her eager to continue working more often again.[90] Lisa Schwarzbaum of Entertainment Weekly found McAdams "a particularly delightful vision after her two-year intermission".[91] Todd McCarthy of Variety criticized her break from the big screen but felt that, despite a performance of "tender feeling", "her natural vivaciousness and spontaneity are straitjacketed" by the film noir format.[92] The film had a limited release and was a box-office failure. It grossed just over $2 million worldwide, failing to recoup its production budget of $12 million.[93]

Afterwards, McAdams starred with Tim Robbins and Michael Peña in the road trip comedy-drama The Lucky Ones, a story about three Iraq War soldiers on a brief road trip back in the United States. She trained at a real boot camp, at Fort Campbell, Kentucky, prior to filming.[94] In 2011, McAdams said that Colee Dunn was "probably one of my favorite characters I've ever played".[95] The film also had a limited release and Laura Kern of The New York Times found her "luminous as always"[96] while Roger Ebert of the Chicago Sun-Times hailed the performance as "her coming of age as an actress".[97] "Previously she has been seen mostly as a hot chick or an idealized sweetheart", he wrote. "Here she is feisty, vulnerable, plucky, warm, funny ... Watch the poignancy of the scene when she meets her boyfriend's family."[97] Owen Gleiberman of Entertainment Weekly found her "feisty, gorgeous, and as mercurial as a mood ring".[98] The Lucky Ones is the least commercially successful film of McAdams's career as of 2012, having grossed just $266,967 worldwide.[99]

In 2009, McAdams starred with Russell Crowe, Helen Mirren and Ben Affleck in the political thriller State of Play, based on the BBC drama television series of the same name. McAdams played Della Frye, an online reporter who investigates a possible conspiracy with Crowe's character, a veteran print journalist.[100] McAdams visited The Washington Post's offices and met with politicians on Capitol Hill for her research.[101] Gleiberman of Entertainment Weekly felt she was "perfectly cast as an ambitious wonkette"[102] while Sukhdev Sandhu of The Daily Telegraph noted that "McAdams, with her lively eyes and large, expressive forehead, holds her own against Crowe. Mercifully, she avoids any temptation to play girly and demure to his grizzled alpha male."[103] The film grossed over $87 million worldwide.[104] Also in 2009, McAdams starred opposite Eric Bana in the science fiction romantic drama The Time Traveler's Wife, based on Audrey Niffenegger's best-selling novel of the same name.[105][106] McAdams fell "madly in love" with the novel,[107] but was initially slightly hesitant to accept the role because she felt Clare Abshire, the long-suffering wife, was a "character that people have already cast in their heads".[108] Peter Travers of Rolling Stone said, "I'd watch the vibrant Rachel McAdams and Eric Bana in anything, but The Time Traveler's Wife is pushing it."[109] Betsy Sharkey of the Los Angeles Times found her "luminous [yet], sadly, her facility as an actress is mostly wasted."[110] Writing in The Chicago Tribune, Michael Phillips, in an otherwise tepid review, said of her performance: "Every scene she's in, even the silly ones, becomes better—truer, often against long odds—because she's in it. Her work feels emotionally spontaneous yet technically precise. She has an unusually easy touch with both comedy and drama, and she never holds a melodramatic moment hostage."[111] The film was a commercial success, earning over $101 million worldwide.[112]

McAdams at the premiere of Sherlock Holmes in 2009

In late 2009, McAdams starred in the mystery/action-adventure film Sherlock Holmes with Robert Downey, Jr. and Jude Law. She played Irene Adler, an antagonist and love interest of Downey's title character Sherlock Holmes, and welcomed the opportunity to play a character who is "her own boss and a real free spirit".[113] Todd McCarthy of Variety felt her character was "not very well integrated into the rest of the story, a shortcoming the normally resourceful McAdams is unable to do much about".[114] A. O. Scott of The New York Times stated, "Ms. McAdams is a perfectly charming actress and performs gamely as the third wheel of this action-bromance tricycle. But Irene feels in this movie more like a somewhat cynical commercial contrivance. She offers a little something for the ladies and also something for the lads, who, much as they may dig fights and explosions and guns and chases, also like girls."[115] The film was a major commercial success, earning over $524 million at the worldwide box office.[116]

In 2010, McAdams starred with her The Family Stone co-star Diane Keaton and Harrison Ford in the comedy Morning Glory. She played a television producer attempting to improve the poor ratings of a morning television program. The film was billed as a starring vehicle for McAdams.[117] She initially felt she was unsuited to the role saying, "I'm not funny. So I said, 'if you need me to be funny, you might want to look somewhere else'".[118] The film's director Roger Michell had a number of dinners with McAdams and persuaded her to join the cast.[27][119] Since working with Keaton, McAdams has described her as a mentor figure.[120] Kenneth Turan of the Los Angeles Times said McAdams "gives the kind of performance we go to the movies for"[121] while Roger Ebert of the Chicago Sun-Times felt she played "as lovable a lead as anyone since Amy Adams in Junebug" in an otherwise "routine" movie.[122] Variety's Andrew Barker was impressed by her gift for physical comedy.[123] While Manohla Dargis of The New York Times felt she "plays her role exceptionally well" and is "effortlessly likable", it called on Hollywood to give her parts "worthy" of her talent. "Ms. McAdams has to rely on her dimples to get by. She does, but she could do better."[124] The film was a modest commercial success, grossing $58 million worldwide from a production budget of $40 million.[125] McAdams later expressed her disappointment that the film failed to find a larger audience.[64]

2011–2014: Work with auteurs

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In 2011, McAdams starred in Woody Allen's fantasy romantic comedy Midnight in Paris with her Wedding Crashers co-star Owen Wilson and Michael Sheen. The film opened the 2011 Cannes Film Festival.[126] McAdams played Inez, the shrewish fiancée of Wilson's character Gil. Allen wrote McAdams' part for her, after hearing "glowing reports" from his friend and her former co-star Diane Keaton.[117] He said that he was "crazy about Rachel"[127] and wanted to give her the opportunity to play something other than "beautiful girls".[128] The film was shot on location in Paris and McAdams has said that the experience "will always have a great place in my heart".[129] The Guardian criticized that she "has morphed from the sweet thing in Wedding Crashers to the dream-crushing bitch that, according to American comedies, women become once they ensnare their man".[130] Richard Corliss of Time "felt sorry for McAdams, whose usually winning presence is ground into hostile cliché".[131] However, Kenneth Turan of the Los Angeles Times felt she "deftly handles a part that is less amiable than usual for her"[132] and A. O. Scott of The New York Times found her "superbly speeded-up".[133] It became Allen's highest-grossing film ever in North America[134] and was the most commercially successful independent film of 2011.[135] With a production budget of $17 million, the film has grossed over $151 million worldwide.[136] McAdams, along with six other members of the cast, received a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture nomination.[137] Allen won the Academy Award for Best Original Screenplay and the film itself was nominated for three other Academy Awards, including Best Picture.[138]

McAdams at the 2012 Toronto International Film Festival

McAdams reprised her role as Irene Adler in the mystery/action-adventure sequel Sherlock Holmes: A Game of Shadows,[139] but the female lead role was played by Noomi Rapace. Joel Silver, the film's producer, has said that "we always intended to have a different kind of girl for each movie" in the vein of Bond girls.[140] He found it "complicated" to persuade McAdams to return in a smaller role: "She loved being with us, but she hoped to have a bigger role."[140] Joe Morgenstern of The Wall Street Journal felt "she vanishes all too soon in this overproduced, self-enchanted sequel, and so does the spirit of bright invention that made the previous film such a pleasant surprise."[141] Scott Mendelson of The Huffington Post remarked that she "exhibits far more personality and roguish charm in her few moments here than she did in all of the previous film. Freed from the constraints of being the de-facto love interest, McAdams relishes the chance to go full-villain."[142] The film has grossed over $543 million worldwide.[143]

In 2012, McAdams starred opposite Channing Tatum in the romantic drama The Vow, based on a true story.[144] McAdams and Tatum played a newlywed couple who try to rebuild their relationship after a car crash leaves the wife with no recollections of who he is or their marriage. McAdams was drawn to the "roller coaster" faced by her character[145] and found it interesting that the story was told "through the guy's eyes".[146] A. O. Scott of The New York Times stated that "the dimply and adorable Rachel McAdams" brings "enough physical charm and emotional warmth to distract from the threadbare setting and the paper-thin plot".[147] Joseph Amodio of Newsday felt that McAdams, "exuding her usual uncanny warmth on-screen", "is the real draw".[148] However, Betsy Sharkey of the Los Angeles Times felt she was "wasted" in the role: "She is such an appealing actress that it's hard not to wish someone could make better use" of her.[149] Mary Pols of Time found the film an example of McAdams "coasting" in "unabashedly romantic" movies and asserted that "she's a much more versatile and clever actress" than such projects would suggest.[150] The film, financed for $30 million, was a major commercial success and became her biggest box-office hit in a leading role.[151] It topped the U.S. box office and has grossed over $196 million worldwide.[152][153]

In 2013, McAdams co-starred opposite Ben Affleck in Terrence Malick's romantic drama To the Wonder.[154] McAdams played a horse ranch worker in Oklahoma and the love interest of Affleck's character.[155] She found Malick to be an "incredibly helpful" director; they discussed her character in detail and he took her on a tour of the local town, pointing out which house she would have grown up in and where she would have attended school.[64] Upon its limited theatrical American release, the film polarized film critics.[156] Oliver Lyttelton of IndieWire noted that "McAdams has the least to do of the principals, but is wonderfully haunted and sad in her brief appearances".[157] Afterwards, McAdams starred in Brian De Palma's erotic thriller Passion opposite Noomi Rapace. They played two business executives engaged in a power struggle.[158] De Palma saw McAdams' performance in Mean Girls and decided to cast her as Christine.[159] The movie was released in selected theatres in the US. Gleiberman of Entertainment Weekly noted that McAdams "uses her sexy billboard smile and emphatic delivery to nail a certain type of troublemaker boss who embeds her aggression in pert 'sincerity'"[160] while Robert Abele of the Los Angeles Times remarked: "McAdams and Rapace are gesturally awkward and wildly miscast—more sorority sisters in a spat than cross-generational power antagonists."[161]

In 2013, McAdams starred in Richard Curtis' romantic comedy-drama About Time opposite Domhnall Gleeson.[162] Zooey Deschanel was originally slated to play McAdams's role but dropped out shortly before filming began.[163] A fan of Curtis for years, McAdams wanted to work with him on what he stated would be his last project as a director.[164] The film was a commercial success at the international box office,[165] and McAdams had a positive reception among critics, with Leslie Felperin of Variety praising her and Gleeson for their "radiant, believable chemistry" which "keeps the film aloft."[166] The following year, McAdams starred opposite Philip Seymour Hoffman in an adaptation of John le Carré's espionage thriller A Most Wanted Man, directed by Anton Corbijn.[167][168][169] McAdams' attempt at a German accent was criticised by some reviewers.[170] Richard Lawson of Vanity Fair noted that McAdams had a "little less success with her accent" than her co-star Hoffman but, nonetheless, she "proves as intelligent, soulful, and magnetic a presence as ever".[171] In late 2014, McAdams received a star on Canada's Walk of Fame.[172][173]

2015–2018: Spotlight and beyond

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McAdams at the 2015 Toronto International Film Festival

In 2015, McAdams starred with Michael Keaton, Mark Ruffalo and Stanley Tucci as journalist Sacha Pfeiffer in Tom McCarthy's Spotlight, a drama about the child-abuse scandal in Boston's Catholic Church.[174] To prepare for her role, McAdams spent time with Pfeiffer.[175][176] The film garnered critical acclaim[177] and won the Academy Award for Best Picture. Though Justin Chang of Variety felt McAdams imbued her character with "sensitivity and grit", he was nonetheless surprised by her subsequent Academy Award nomination: "[The performance] has the sort of fine-grained subtlety that voters too rarely notice. Take another look at that scene in which she gently, skillfully encourages an abuse survivor to lay bare his most lacerating secrets—a small master class in how the simple act of listening can become a conduit for compassion."[178][179] For her role, McAdams received nominations for the Academy Award for Best Supporting Actress, Critics' Choice Movie Award for Best Supporting Actress and Screen Actors Guild Award nominations in the categories of Outstanding Actress in a Supporting Role and Outstanding Cast in a Motion Picture.[180][181]

She next starred with her Wedding Crashers co-star Bradley Cooper, Emma Stone and John Krasinski in Cameron Crowe's romantic comedy-drama Aloha. She played the ex-girlfriend of Cooper's character, who is married to Krasinski's character with two children.[182] While the film received a negative reaction and controversy from critics and audiences alike,[183] Wesley Morris of Grantland remarked: "Someone who can speak Crowe's language really helps. McAdams might be the best he's ever had ... [She] puts the perfect amount of air in her lines, giving the words a lightness that conflates optimism, amusement, and resignation. She's never seemed lovelier, more instinctive, or more present."[184] Mark Olsen of the Los Angeles Times felt she "plays likely the strongest, most rounded female character Crowe has ever written, a woman suddenly lips to lips with the life she has and the one she might have had, and the actress brings a grounded, unforced earthiness to the role that is a joy to watch."[185]

Benedict Cumberbatch, Scott Derrickson, Tilda Swinton, McAdams, Chiwetel Ejiofor, Mads Mikkelsen and Benedict Wong at San Diego Comic-Con for Doctor Strange (2016)

She co-starred with Jake Gyllenhaal in the boxing drama Southpaw (2015), where she played the wife of Gyllenhaal's character.[186] A.O. Scott of The New York Times conceded: "It features some pretty appealing players. There are worse things to see at the multiplex than Ms. McAdams playing a tough cookie standing by her man."[187] She co-starred with James Franco, Charlotte Gainsbourg and Marie-Josée Croze in Wim Wenders' drama Every Thing Will Be Fine. The film received a U.S. limited release in December 2015.[188] Guy Lodge of Variety remarked: "Poor McAdams, sporting sensible hair and a truly mystifying cod-Continental accent, continues her thankless run of needy, tossed-aside love interests in big-name auteur projects."[189] That same year, McAdams returned to television and starred as Det. Ani Bezzerides in the second season of HBO's anthology crime drama True Detective with her Wedding Crashers co-star Vince Vaughn, Colin Farrell and Taylor Kitsch.[190] Richard Vine of The Guardian remarked: "If there's anyone with any chance of enjoying a McConaughaissance here it's probably McAdams – an actor whose characters are more usually associated with the death of the romcom than murders involving people with eyes burned out by acid. Here, her Ani is a convincing mess."[191] She received a nomination for the Critics' Choice Television Award for Best Actress in a Movie/Miniseries for her role.[181] Also in 2015, McAdams played Buttercup in a one-off, staged LACMA Live Read of The Princess Bride.[192]

The following year, McAdams voiced The Mother of The Little Girl in an animated version of The Little Prince,[193] and co-starred with Benedict Cumberbatch in the Marvel Cinematic Universe superhero film Doctor Strange.[194] Peter Debruge of Variety said McAdams played "the most competent—and human—of Marvel's window-dressing girlfriends,"[195] while Gregory Ellwood of Indiewire remarked: "It goes without saying that McAdams will never get the credit she deserves for transforming the barely sketched out role of Strange's former medical colleague Christine Palmer into a captivating three-dimensional character that feels like an integral part of the storyline even when she isn't."[196] Also in 2016, McAdams narrated an audiobook version of L. M. Montgomery's novel Anne of Green Gables, released by Audible.[197]

After a year-long absence from the screen, McAdams co-starred with Jason Bateman in the comedy Game Night (2018). Glenn Kenny of The New York Times said the film served as a "reminder that Ms. McAdams is one of cinema's most accomplished and appealing comic actresses."[198] Richard Lawson of Vanity Fair felt her character lacked "any real arc or motivation of her own", but "It's a testament to McAdams's talent and charm, then, that she doesn't get lost in the movie, asserting herself in every scene with a goofy brightness."[199] She performed some of her own stunt driving in a getaway scene.[200] Later in 2018, McAdams starred opposite Rachel Weisz in Sebastián Lelio's romantic drama Disobedience, based on Naomi Alderman's novel.[201] Manohla Dargis of The New York Times said McAdams "does some lovely work here to convey a woman agonizing over her existential situation".[202]

2020–present

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In 2020, she co-starred with Will Ferrell in the Netflix musical comedy film Eurovision Song Contest: The Story of Fire Saga. McAdams reprised the role of Christine Palmer in the superhero sequel Doctor Strange in the Multiverse of Madness. Released in May 2022, it garnered mixed reviews.[203][204][205] McAdams starred in Are You There God? It's Me, Margaret., a film adaptation of Judy Blume's novel of the same name. The film was released in April 2023 to positive reviews. Vanity Fair's Richard Lawson wrote in his review that McAdams "deftly paints a thorough and compelling picture of a woman of the era" in her portrayal of the titular Margaret's mother, Barbara.[206][207]

McAdams appeared as a cameo guest on Saturday Night Live in January 2024, introducing Reneé Rapp as musical guest[208] and appeared as a look-a-like of herself in a comedy sketch where the look-a-like asked Jacob Elordi for acting advice.[209] McAdams made her Broadway debut in 2024, starring in Amy Herzog's play Mary Jane at the Samuel J. Friedman Theatre.[210] Performances started April 2 with opening night set for April 23, 2024.[211] Adrian Holden of The Guardian described her performance as "magnetic", adding, "The role of Mary Jane ... is a perfect fit for McAdams".[212] Variety noted that McAdams' "projection was muted at a recent performance" but added "[She] masters her portrayal of a determined caregiver continually sitting in the uncertainty of worry, despite constantly leaning toward positivity."[213] For her performance, she earned a Tony Award for Best Actress in a Play nomination.[214]

Activism

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Environmental activism

[edit]

McAdams is an environmentalist. She ran an eco-friendly lifestyle website, GreenIsSexy.org, with two of her friends for five years from 2007 to 2011.[215] Her house is powered by Bullfrog renewable energy.[216] She travels around Toronto by bicycle and does not own a car,[217] but drives when in Los Angeles because it is "a harder town to cycle in".[216] She volunteered in Biloxi, Mississippi, and Louisiana[218] in fall of 2005, as part of the clean-up effort following Hurricane Katrina.[219] McAdams sat on a TreeHugger/Live Earth judging panel in 2007.[220] She appealed for donations during the Canada for Haiti telethon in 2010.[221] She was involved in Matter of Trust's "hair boom" efforts following the 2010 Gulf of Mexico oil spill.[222][223] In 2011, McAdams supported Foodstock, a protest against a proposed limestone mega quarry in Melancthon, Ontario.[224][225] In 2013, she filmed two promotional videos for the Food & Water First Movement, aiming to preserve prime farmland and source water in Ontario, Canada.[226][227] In 2014, she narrated the feature documentary Take Me To The River, which investigates what is being done to try to save iconic rivers.[228][229] In 2021, she participated in a video produced by Stand.earth calling on the government of British Columbia, Canada to stop logging the last old growth rainforests across the province.[230]

Other causes

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In 2006, McAdams took part in the "Day Without Immigrants" demonstration in Los Angeles, protesting the federal government's attempts to further criminalize immigrants living illegally in the United States.[231] In 2011, she attended the Occupy Toronto demonstration.[224] In 2013, McAdams volunteered with Habitat for Humanity in her hometown of St. Thomas.[232] She has also worked with charities including the Sunshine Foundation of Canada,[233][234] the Alzheimer's Association,[235] the READ Campaign,[236][237] and United Way of Canada.[238] She is a member of Represent.Us, an anti-corruption activist organisation, and is part of its creative council.[239]

Public image and personal life

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McAdams was listed on the Maxim Hot 100 in 2005 and 2013.[240][241]

In 2016, McAdams started dating American screenwriter Jamie Linden.[242] The couple have a son, born in 2018, and a daughter, born in 2020.[243][244]

Filmography

[edit]

Film

[edit]
Year Title Role
2002 My Name Is Tanino Sally Garfield
Perfect Pie Patsy Grady (age 15)
The Hot Chick Jessica Spencer / Clive Maxtone
2004 Mean Girls Regina George
The Notebook Allie Hamilton
2005 Wedding Crashers Claire Cleary
Red Eye Lisa Reisert
The Family Stone Amy Stone
2007 Married Life Kay Nesbitt
2008 The Lucky Ones Colee Dunn
2009 State of Play Della Frye
The Time Traveler's Wife Clare Abshire
Sherlock Holmes Irene Adler
2010 Morning Glory Becky Fuller
2011 Midnight in Paris Inez
Sherlock Holmes: A Game of Shadows Irene Adler
2012 The Vow Paige Collins
Passion Christine Stanford
To the Wonder Jane
2013 About Time Mary
2014 A Most Wanted Man Annabel Richter
2015 Every Thing Will Be Fine Sara
The Little Prince The Mother (voice)
Aloha Tracy Woodside
Southpaw Maureen Hope
Spotlight Sacha Pfeiffer
2016 Doctor Strange Christine Palmer
2017 Disobedience Esti Kuperman
2018 Game Night Annie Davis
2020 Eurovision Song Contest: The Story of Fire Saga Sigrit Ericksdóttir
2022 Doctor Strange in the Multiverse of Madness Christine Palmer / Earth-838 Christine Palmer
2023 Are You There God? It's Me, Margaret. Barbara Simon
2026 Send Help Linda Liddle

Television

[edit]
Year Title Role Notes
2001 Shotgun Love Dolls Beth Swanson AKA StarBabes; unaired pilot
The Famous Jett Jackson Hannah Grant Episode: "Food for Thought"
2002 Earth: Final Conflict Christine Bickwell Episode: "Atavus High"
Guilt by Association Danielle Mason Television film
2003–2005 Slings & Arrows Kate McNab 7 episodes
2014 Who Do You Think You Are? Herself Episode: "Rachel McAdams"
2015 True Detective Antigone "Ani" Bezzerides Main cast (season 2)
2018 Explained Narrator Episode: "Why Women Are Paid Less"
2021 What If...? Christine Palmer (voice) Episode: "What If... Doctor Strange Lost His Heart Instead of His Hands?"
2023 Dave Herself 3 episodes
2024 Saturday Night Live Episode: "Jacob Elordi / Reneé Rapp"

Theatre

[edit]
Year Title Role Playwright Venue Ref.
2024 Mary Jane Mary Jane Amy Herzog Samuel J. Friedman Theatre, Broadway [245]

Music video

[edit]
Year Title Artist
2023 "Mr. McAdams" Lil Dicky

Awards and nominations

[edit]
Main article: List of awards and nominations received by Rachel McAdams

McAdams has received numerous awards and nominations throughout her career. For her performance in Spotlight, she was awarded a Screen Actors Guild Award, Critics' Choice Movie Award, Satellite Award, and Independent Spirit Award, as well as a nomination for the Academy Award for Best Supporting Actress. McAdams has also been nominated for a BAFTA Rising Star Award and won numerous MTV Movie Awards and Teen Choice Awards.

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Rachel McAdams

View on Grokipedia
from Grokipedia
Rachel Anne McAdams (born November 17, 1978) is a Canadian actress recognized for her versatile performances across comedy, romance, and drama genres.[1] She achieved breakthrough success in 2004 with lead roles as the manipulative high school queen bee Regina George in the teen comedy Mean Girls and as the passionate Allie Hamilton in the romantic drama The Notebook, establishing her as a prominent figure in Hollywood.[2] Subsequent films such as Wedding Crashers (2005) and Red Eye (2005) further showcased her range in ensemble comedies and thrillers, earning her the ShoWest Supporting Actress of the Year and Hollywood Film Festival Breakthrough Actress awards in 2005.[3] McAdams transitioned to more dramatic roles, including an Academy Award-nominated performance as investigative journalist Sacha Pfeiffer in Spotlight (2015), for which the cast also won a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.[3][4]

Early life and education

Upbringing and family background

Rachel McAdams was born Rachel Anne McAdams on November 17, 1978, in London, Ontario, Canada.[5] [1] Her parents were Sandra Kay Gale, a registered nurse, and Lance Frederick McAdams, a truck driver.[1] She grew up primarily in St. Thomas, Ontario, a small community approximately 25 kilometers southeast of London, after her birth at a London hospital.[6] [7] McAdams has two siblings: an older brother, Daniel, and a younger sister, Kayleen, who has worked as a makeup artist in film production.[8] Her family's occupations—her father's in transportation and her mother's in healthcare—reflected a modest, working-class household typical of mid-sized Ontario towns during the late 20th century. No public records indicate significant wealth or prominence in the family's background prior to McAdams's career.[1]

Academic and artistic development

McAdams first became interested in acting at the age of 12 after watching a children's theater group perform, prompting her to pursue performance alongside her early competitive figure skating, which she began at age 4 but eventually set aside.[5] By age 13, she was performing in Shakespearean productions at summer theater camps, marking the start of her formal exposure to stage work.[2] During high school at Central Elgin Collegiate Institute in St. Thomas, Ontario, McAdams immersed herself in drama classes under teacher Christopher Pereira and participated in school productions, crediting these experiences and her instructors for inspiring her career choice despite initial doubts about its practicality.[9] [10] Her high school involvement included original works for theater and dance, building foundational skills in improvisation and ensemble performance. Intending initially to study cultural studies or politics for stability, McAdams enrolled in York University's four-year Bachelor of Fine Arts program in theatre performance upon graduating high school.[11] She graduated with honours in 2001, drawing daily on the rigorous training in acting techniques, voice, and movement that the program provided.[12] [7] While studying, she gained professional experience through stage roles, honing her versatility before transitioning to on-camera work.[2]

Professional career

Initial roles in Canadian media (1999–2003)

McAdams began her professional screen career in 2001 while still a student at York University, where she earned a Bachelor of Fine Arts in theater that year. Her debut role was as Beth Swanson in the unaired MTV pilot Shotgun Love Dolls, filmed in Toronto during her spring break.[1] This low-budget project, centered on a manufactured pop group, provided her initial exposure to scripted television production but did not proceed to series.[2] Later in 2001, McAdams made her first on-air television appearance as Hannah Grant, a classmate, in the episode "Food for Thought" (season 3, episode 19) of the Disney Channel series The Famous Jett Jackson, a Canadian-American co-production filmed in Ontario.[13][14] The episode, aired on November 17, 2001, involved themes of school cafeteria politics and marked her entry into youth-oriented programming.[14] In 2002, she guest-starred as Christine Bickwell, a high school student entangled in alien hybrid intrigue, in the episode "Atavus High" (season 5, episode 12) of the syndicated Canadian science fiction series Earth: Final Conflict, produced in Toronto.[15] Aired on January 28, 2002, the installment explored youth recruitment by extraterrestrial forces and highlighted McAdams' ability to handle genre elements in a supporting capacity.[15][16] By 2003, McAdams transitioned to a more prominent recurring role as Kate, an ambitious young actress navigating personal and professional turmoil at a Stratford-inspired theater festival, in the first season of the CBC comedy-drama Slings and Arrows.[6] The series, which premiered on November 23, 2003, and ran for six episodes, drew from real Canadian theater dynamics and earned critical acclaim for its sharp ensemble work, positioning McAdams within prestigious domestic programming.[6] These early credits, primarily guest and supporting parts in Canadian-produced or co-produced shows, built her resume amid limited opportunities, relying on her theater training for naturalistic performances before her move to international film.[13]

Breakthrough in Hollywood (2004–2005)

McAdams achieved her Hollywood breakthrough in 2004 with leading roles in two contrasting films that showcased her versatility and propelled her to widespread recognition. In Mean Girls, directed by Mark Waters and released on April 30, 2004, she portrayed Regina George, the manipulative queen bee of a high school clique known as The Plastics, opposite Lindsay Lohan as the protagonist Cady Heron.[17] The film, with a budget of $17 million, grossed $86 million domestically and $130 million worldwide, benefiting from strong word-of-mouth and an opening weekend of $24.4 million.[18] Critics praised McAdams's performance for its sharp comedic timing and charisma, earning the film an 84% approval rating on Rotten Tomatoes and cementing her as a standout in ensemble teen comedy.[19] Later that year, McAdams starred as Allie Hamilton in The Notebook, a romantic drama directed by Nick Cassavetes and released on June 25, 2004, alongside Ryan Gosling as Noah Calhoun. The adaptation of Nicholas Sparks's novel depicted a passionate summer romance between a working-class man and an upper-class woman, spanning decades and class divides. With an opening weekend gross of $13.5 million, the film achieved commercial success through enduring audience appeal despite mixed critical reception, including a 54% Rotten Tomatoes score, and became a cultural touchstone for romantic storytelling.[20] Her portrayal of the conflicted Allie highlighted her ability to convey emotional depth, contributing to the film's status as one of her most iconic roles. In 2005, McAdams further solidified her rising stardom with Wedding Crashers, a romantic comedy directed by David Dobkin and released on July 15, 2005, where she played Claire Cleary, the principled daughter of a politician and love interest to Owen Wilson's character.[21] The ensemble film, featuring Vince Vaughn, grossed $288 million worldwide on a $40 million budget, marking it as a major box-office hit and the first R-rated comedy to exceed $200 million domestically.[22] Her performance earned acclaim for balancing wit and vulnerability, leading to awards including ShoWest's Supporting Actress of the Year and the Hollywood Film Festival's Breakthrough Actress honor.[2] These consecutive successes transitioned McAdams from Canadian television and supporting roles to A-list Hollywood prominence, with outlets like Forbes noting her flurry of high-profile vehicles in 2004–2005 as key to her fame.[23]

Hiatus, selective returns, and challenges (2006–2010)

Following the commercial and critical successes of Wedding Crashers, Red Eye, and The Family Stone in 2005, McAdams elected to take an extended hiatus from acting, retreating to her native Canada beginning in 2006.[24] She later described the decision as necessary to "stay sane," amid the intense pressures of sudden Hollywood fame after her 2004 breakout roles in Mean Girls and The Notebook.[25] During this roughly two-year period through 2008, McAdams turned down leading roles in several high-profile projects, including The Devil Wears Prada, Casino Royale, Mission: Impossible III, Iron Man, and Get Smart, prioritizing personal recentering over capitalizing on her momentum.[26] McAdams resumed work selectively in 2007, starring as a 1940s housewife entangled in an adulterous affair in the period drama Married Life, directed by Ira Sachs and released on March 7, 2008, after premiering at the Toronto International Film Festival in September 2007.[27] This independent film, co-starring Pierce Brosnan and Chris Cooper, marked her cautious re-entry into features, emphasizing nuanced character work over blockbuster spectacle.[28] She followed with supporting roles in 2008's Redbelt, a martial arts drama by David Mamet released on April 11, and The Lucky Ones, a military-themed road movie with Tim Robbins and Michael Peña that opened on September 26, earning modest box office returns of approximately $183,000 domestically.[29] By 2009, McAdams expanded into higher-profile fare while maintaining selectivity, portraying Irene Adler opposite Robert Downey Jr. and Jude Law in Guy Ritchie's Sherlock Holmes, which grossed over $524 million worldwide upon its December 25 U.S. release and showcased her in a more action-oriented capacity.[30] That year also saw her in the political thriller State of Play (April 17 release), investigating corruption alongside Russell Crowe and Ben Affleck, and the romantic fantasy The Time Traveler's Wife (August 14), adapted from Audrey Niffenegger's novel, where she played the protagonist's wife across timelines.[31] These roles demonstrated a deliberate pivot toward genre diversity, though McAdams has reflected on the hiatus's emotional toll, admitting feelings of guilt for potentially "throwing it all away" despite its empowering effect on her perspective.[24] In 2010, she led the romantic comedy Morning Glory (November 5 release), playing an ambitious producer reviving a faltering talk show with co-stars Harrison Ford and Diane Keaton, which underperformed commercially at $38 million worldwide against a $40 million budget.[29] The period's challenges stemmed primarily from the career risks of her self-imposed break, as McAdams navigated industry expectations for relentless output amid fears that prolonged absence could erode her visibility and opportunities.[32] Her choices avoided typecasting in romantic leads but occasionally resulted in projects with lukewarm reception or limited financial success, such as The Lucky Ones (23% Rotten Tomatoes score) and Morning Glory (34% score), highlighting the trade-offs of prioritizing artistic control over mass-appeal vehicles.[31] McAdams has attributed the hiatus's ultimate value to preserving her long-term sustainability in an industry prone to burnout, a stance validated by her subsequent selective trajectory rather than short-term stardom peaks.[25]

Independent films and auteur collaborations (2011–2015)

In 2012, McAdams collaborated with director Brian De Palma on Passion, an erotic thriller remake of the French film Love Crime, where she portrayed Christine, a manipulative advertising executive whose rivalry with her protégé escalates into obsession and murder.[33] The film, produced on a modest budget and emphasizing psychological tension over spectacle, premiered at the Toronto International Film Festival and received mixed reviews, with critics noting De Palma's stylistic flourishes but critiquing the narrative's implausibilities.[34] McAdams' performance was highlighted for its intensity, contrasting her earlier romantic leads, though the project was deemed a commercial disappointment, grossing under $1 million against a reported $20 million budget.[35] That same year, McAdams appeared in Terrence Malick's experimental drama To the Wonder, playing Jane, a childhood sweetheart rekindling a connection with the protagonist amid relational turmoil in rural Oklahoma.[36] Malick's signature nonlinear, meditative style—featuring minimal dialogue and extensive improvisation—marked a departure from conventional storytelling, with McAdams undergoing physical preparation including horseback riding to embody the role.[37] The film, shot in 3D but released in 2D, earned a 47% approval rating on Rotten Tomatoes, praised for its visual poetry but faulted for emotional opacity and underdeveloped characters.[38] McAdams later described the experience as liberating, involving months of on-location filming without a traditional script.[37] In 2014, she took on the role of Annabel Richter, a human rights lawyer aiding a Chechen refugee, in Anton Corbijn's espionage thriller A Most Wanted Man, adapted from John le Carré's novel and starring Philip Seymour Hoffman in his final leading performance.[39] Corbijn's restrained direction focused on bureaucratic intrigue in post-9/11 Hamburg, with McAdams' character providing moral counterpoint to intelligence machinations, contributing to the film's 86% Rotten Tomatoes score for its atmospheric tension and performances.[40] Filmed primarily on location in Germany, the production emphasized realism, drawing from le Carré's critique of surveillance overreach, though it underperformed at the box office with $31 million worldwide.[41] McAdams closed the period with Wim Wenders' introspective drama Every Thing Will Be Fine in 2015, portraying Sara, the ex-partner of a novelist grappling with guilt after a fatal accident.[42] Shot in 3D to explore temporal and emotional distance, the film utilized Wenders' long-take aesthetic to trace years-spanning consequences, but garnered a 28% Rotten Tomatoes rating amid complaints of slow pacing and underdeveloped arcs.[43] McAdams' limited screen time reflected the project's experimental focus on protagonist introspection, aligning with her pattern of selecting auteur-driven works prioritizing thematic depth over mainstream appeal.[44] These collaborations underscored a pivot toward arthouse cinema, often at the expense of broad commercial success, as evidenced by the films' combined global earnings below $10 million excluding A Most Wanted Man.[45]

Recent diversification into stage, thrillers, and blockbusters (2016–present)

In 2016, McAdams expanded into major blockbusters by portraying Dr. Christine Palmer, the ex-girlfriend and colleague of the protagonist, in Doctor Strange, a Marvel Cinematic Universe film directed by Scott Derrickson that earned $677 million at the global box office. Her performance contributed to the film's success, which introduced the character of Stephen Strange to audiences and showcased McAdams in a supporting role amid high-budget visual effects and action sequences. McAdams ventured into thriller territory with Game Night (2018), a black comedy directed by John Francis Daley and Jonathan Goldstein, where she played Annie Davis, a competitive wife entangled in a deadly real-life game that blurs lines between fiction and peril. The film, which grossed $117 million worldwide on a $37 million budget, highlighted her ability to blend tension with humor in a narrative involving kidnapping and escalating stakes. Returning to her stage origins after focusing on screen work, McAdams made her Broadway debut on April 2, 2024, starring as the single mother Mary Jane in Amy Herzog's play Mary Jane at the Samuel J. Friedman Theatre, produced by Manhattan Theatre Club.[46] The production, which ran through June 2024, received critical acclaim for McAdams' nuanced portrayal of a woman navigating illness and family challenges, earning her a Theatre World Award.[47] She reprised her role as Christine Palmer in Doctor Strange in the Multiverse of Madness (2022), directed by Sam Raimi, which grossed $955 million globally and featured multiversal threats and intensified action, further cementing her presence in franchise cinema. This period also included voice work in animated features and supporting roles in ensemble films, reflecting a strategic broadening of her portfolio across genres and mediums.[2] In July 2025, McAdams was selected for a star on the Hollywood Walk of Fame in the Motion Pictures category as part of the Class of 2026, announced by the Hollywood Chamber of Commerce, with her unveiling ceremony scheduled for January 20, 2026.[48][49]

Activism and public stances

Environmental initiatives

In 2007, McAdams launched GreenIsSexy.org, an eco-friendly lifestyle website co-founded with two friends to provide practical tips on sustainable living, such as reducing waste and adopting green habits; the site operated until it became defunct around 2010.[5][50] McAdams has supported Greenpeace initiatives, including a 2015 video campaign advocating for Arctic protection against industrial threats like oil drilling.[51] In June 2015, she attended a Greenpeace rally in Vancouver alongside Jane Fonda to oppose oil sands development, increased tanker traffic, and Arctic drilling, emphasizing risks to ecosystems and communities.[52] In 2016, McAdams narrated Sonic Sea, an award-winning documentary produced by the Natural Resources Defense Council and others, highlighting the impacts of industrial ocean noise pollution—such as from shipping and sonar—on whales and marine life, with the film premiering on the Discovery Channel to raise awareness of hearing damage and behavioral disruptions in cetaceans.[53] McAdams endorsed the protection of British Columbia's old-growth forests in July 2021 by signing an open letter with environmental groups and celebrities, urging deferral of logging in endangered ecosystems to preserve biodiversity and carbon stores amid climate pressures.[54] She has also backed Food and Water First, a Canadian organization focused on safeguarding prime farmland and water resources from urban sprawl and contamination, appearing in a promotional video stressing their role in human survival.[55]

Engagement with social and political movements

McAdams attended the Occupy Bay Street protest in Toronto's St. James Park on October 15, 2011, as part of the Canadian extension of the Occupy Wall Street movement, which criticized corporate influence on government and economic disparities.[56] She was photographed among demonstrators bundled against the autumn weather, signaling visible support for the grassroots action that drew parallels to global protests against financial institutions.[57] In a January 2012 interview, McAdams affirmed the movement's significance, stating it addressed core issues of inequality despite criticisms of its lack of structured demands.[58] In September 2015, McAdams joined over 100 initial signatories of the Leap Manifesto, a policy proposal drafted by Canadian activists, authors, and Indigenous leaders calling for Canada to achieve 100% renewable energy by 2050, phase out fossil fuel infrastructure, prioritize Indigenous rights under UNDRIP, and fund universal social programs through fair taxation and caps on resource extraction revenues.[59] The document emphasized systemic economic restructuring to combat climate change and poverty, though it faced debate over feasibility and potential economic disruptions in energy-dependent regions.[60] McAdams is a member of the creative council for Represent.Us, a U.S.-based nonpartisan group advocating electoral reforms such as ranked-choice voting, public campaign financing, and bans on gerrymandering to reduce money's influence in politics.[61] Her involvement includes leveraging her platform to promote these anti-corruption measures, aligning with the organization's cross-ideological push for institutional accountability beyond partisan divides.[50] In October 2017, during the emergence of the #MeToo movement exposing sexual misconduct in entertainment, McAdams publicly detailed an early-career encounter with director James Toback, who allegedly propositioned her for sex under the pretense of career advancement and described explicit fantasies.[62] Her account, shared alongside actress Selma Blair's similar experience, contributed to accusations from over 380 women against Toback, prompting industry-wide scrutiny of power imbalances.[63] McAdams later reflected in 2018 that disclosing the incident shifted her perspective on vulnerability in Hollywood, though she emphasized personal boundaries over broader advocacy.[64] McAdams signed an open letter in October 2023 as part of Artists4Ceasefire, imploring President Joe Biden and Congress to demand an immediate de-escalation and ceasefire in the Israel-Gaza conflict following Hamas's October 7 attacks, while facilitating humanitarian aid.[65] The missive, backed by figures like Joaquin Phoenix and Cate Blanchett, focused on halting violence and protecting civilians amid escalating casualties on both sides.[66]

Critiques of celebrity activism and effectiveness

Celebrity activism, including McAdams' participation in environmental campaigns such as the 2015 Greenpeace rally in Vancouver against Arctic drilling and oil sands development, has been critiqued for lacking substantive expertise and depth, as fame does not confer specialized knowledge on complex issues like energy policy or land use.[67][68] Critics argue that such endorsements, exemplified by McAdams' promotional videos for the Food & Water First Movement in 2013 advocating farmland preservation in Ontario, often serve as superficial gestures that prioritize public image over rigorous policy engagement.[7][69] Empirical assessments of celebrity-driven environmental efforts reveal limited evidence of long-term effectiveness in altering behaviors or achieving conservation outcomes, with studies indicating that while awareness may spike temporarily, sustained policy shifts or donor retention remain elusive.[70] McAdams' involvement in the 2011 Occupy Toronto protests and Foodstock event against a proposed mega-quarry near the Niagara Escarpment aligns with this pattern, where high-profile participation generates media attention but rarely translates into verifiable causal impacts on economic or regulatory decisions.[6][71] Broader analyses highlight how celebrity advocacy can overshadow expert-driven discourse, diluting nuanced discussions with emotional appeals that fail to address root causes like trade-offs in resource development.[72] Furthermore, detractors point to potential hypocrisy in environmental celebrity activism, noting discrepancies between advocacy and personal lifestyles; for instance, McAdams' promotion of anti-drilling initiatives contrasts with the high-emission travel inherent to Hollywood careers, a systemic issue amplifying carbon footprints in the sector.[73] Such engagements risk being perceived as performative, fostering public cynicism when endorsements do not correlate with measurable advancements, as seen in stagnant progress on Arctic protection despite repeated celebrity-backed campaigns.[74][75] In McAdams' case, her selective, event-based involvement—without documented follow-through in governance or litigation—exemplifies critiques that celebrity efforts prioritize visibility and short-term publicity over enduring, evidence-based strategies.[76]

Controversies

Experiences with Hollywood harassment

In October 2017, amid the #MeToo movement following allegations against Harvey Weinstein, Rachel McAdams publicly accused director James Toback of sexual harassment during an early-career meeting in New York City around 2001.[62] McAdams recounted that Toback, known for films like Bugsy, had persistently contacted her agent to arrange an audition for a potential role, leading to a brief in-person discussion where he then invited her to his hotel room under the guise of further script review.[63] Once there, Toback allegedly described explicit sexual fantasies involving McAdams and himself, including graphic details of intercourse and ejaculation, which left her feeling degraded and prompting her immediate exit.[77] McAdams shared her account in a Vanity Fair interview alongside actress Selma Blair, who described a similarly patterned encounter with Toback years earlier, highlighting a recurring tactic of luring young actresses with professional promises before escalating to verbal sexual propositions.[62] Her disclosure contributed to over 300 women, including Julianne Moore, accusing Toback of harassment or assault spanning decades, with patterns involving hotel invitations, power imbalances, and threats to careers.[78] Toback responded by denying all allegations, claiming in statements to media outlets that he had never met most accusers and dismissing the claims as fabrications amid the broader Hollywood reckoning.[63] McAdams has not publicly detailed other specific harassment incidents in Hollywood, though her testimony underscored systemic vulnerabilities for emerging actresses reliant on industry gatekeepers for breakthroughs.[79] The episode aligned with her selective career approach, prioritizing roles post-breakthrough while avoiding environments enabling such abuses, as evidenced by her limited output during peak scandal periods.[62] No legal actions stemmed from her claims against Toback, consistent with many #MeToo accounts prioritizing public awareness over litigation.[78]

On-set interpersonal tensions

During the principal photography of The Notebook in 2003, Rachel McAdams experienced notable friction with co-star Ryan Gosling, as recounted by director Nick Cassavetes in a 2014 interview. Cassavetes described a specific incident where the actors' discord escalated to the point that Gosling requested McAdams be replaced, stating to the director amid a crowd of 150 onlookers, "Do you want me to do it or do you want her to do it?"[80][81] Cassavetes intervened by isolating the pair in his trailer for a private confrontation, where they argued intensely for approximately two hours before emerging reconciled and subsequently entering a romantic relationship that lasted until 2007.[82][83] This initial antagonism contrasted sharply with their on-screen chemistry portraying passionate lovers Noah and Allie, and Gosling later reflected that the underlying tension contributed to the authenticity of their performances.[81] In 2024, Cassavetes expressed regret over publicizing the episode a decade earlier, acknowledging that he had "spilled the beans" on private matters and speculating it may have strained their post-breakup dynamic, though neither McAdams nor Gosling has commented extensively on the director's disclosures.[83][84] No other verified accounts of significant on-set interpersonal conflicts involving McAdams have surfaced in contemporaneous reports or subsequent interviews from her filmography.

Career decisions and public scrutiny

Following the successes of Mean Girls (2004) and The Notebook (2004), McAdams opted for an extended hiatus from major film projects between 2006 and 2008, during which she relocated to Montreal and focused on personal well-being amid rising fame. She later explained that the intensity of Hollywood demands prompted this break to "stay sane," as the pressure of constant exposure and career momentum overwhelmed her, leading to burnout symptoms she described as feeling "like a ghost" in her own life.[85][24] During this period, McAdams declined multiple high-profile roles that subsequently became career-defining for others, including the lead in The Devil Wears Prada (2006)—offered three times by director David Frankel despite her refusals—the part of Pepper Potts in Iron Man (2008), Vesper Lynd in Casino Royale (2006), a role in Mission: Impossible III (2006), and Agent 99 in Get Smart (2008). These decisions stemmed from her aversion to formulaic blockbusters and desire to avoid overexposure, though she admitted feeling "guilty for not capitalizing on the opportunity" and fearing she was "throwing it all away."[26][86][87] Public commentary on these choices has often framed McAdams as underambitious or self-sabotaging in an industry rewarding relentless visibility, with online discussions questioning why a talent of her caliber—evidenced by Oscar nominations for Spotlight (2015) and supporting turns in auteur films—eschewed superstardom for selective projects. Critics and fans have speculated that her preference for privacy and aversion to "selling out" to franchises limited her mainstream dominance, contrasting her trajectory with peers like Anne Hathaway, who accepted the Prada role and ascended to blockbuster status.[88][27][30] Despite such scrutiny, McAdams has defended her path as intuitive self-preservation, noting in 2023 that acting's emotional toll requires periodic detachment, a stance echoed in her sporadic returns to indies and stage work rather than chasing A-list ubiquity. This approach, while yielding critical acclaim over commercial ubiquity, has drawn mixed reactions: some view it as principled resistance to Hollywood's commodification of talent, others as a missed opportunity in a competitive field where visibility correlates with longevity.[28][89][90]

Personal life

Relationships and privacy

McAdams has maintained a low profile regarding her romantic relationships, with public knowledge largely derived from media sightings and occasional confirmations rather than personal disclosures. She dated actor Ryan Gosling from 2004 to 2007, having met during the filming of The Notebook, where their on-screen chemistry translated into a real-life romance that ended amid reports of differing career priorities; the pair briefly reconciled in 2008 before parting permanently.[91][92] Subsequent relationships included a brief romance with actor Josh Lucas in 2009, spotted together in New York City, and a three-year partnership with British actor Michael Sheen from 2010 to 2013, which began discreetly during collaborative professional circles.[93][94] Rumors of involvements with lesser-publicized figures, such as personal trainer Patrick Sambrook in 2013–2014 and actor Taylor Kitsch in 2015–2016, surfaced via paparazzi photos but lacked detailed verification from the parties involved.[95] Since 2016, McAdams has been in a long-term relationship with screenwriter Jamie Linden, first photographed together in Paris; the couple welcomed a son in April 2018 and a daughter in late 2020, though no marriage or engagement has been publicly confirmed.[91][96] McAdams has described motherhood as transformative, emphasizing its joys in rare interviews, such as noting in 2018 how it shifted her perspective on work-life balance.[97] McAdams is renowned for her commitment to privacy, eschewing social media and rarely discussing personal matters in interviews, a stance she has articulated as protective of her family's autonomy amid Hollywood's invasive culture. She has explicitly stated intentions to shield her children's lives from public scrutiny, avoiding disclosures of their names or images, which aligns with her broader avoidance of celebrity self-promotion.[98][99] This approach contrasts with peers who leverage personal narratives for publicity, potentially preserving her professional focus on roles over tabloid fodder, though it limits public insight into her off-screen dynamics.[100]

Family and life priorities

McAdams has been in a long-term relationship with screenwriter Jamie Linden since 2016, with whom she shares two children: a son born in April 2018 and a daughter born in late 2020.[98][101] The couple has consistently shielded their family from public scrutiny, declining to disclose the children's names or share photographs, a deliberate choice to foster normalcy amid McAdams' acting career.[101][98] Motherhood has profoundly shaped McAdams' worldview, with her describing it in 2018 as viewing life "through a particular lens: very parental," and later affirming it as "the greatest thing that's ever happened to me, hands down."[102][103] She has prioritized family over professional opportunities, intentionally declining significant film roles to preserve time with her children and maintain a grounded routine, including everyday activities like playtime and dog walks.[104][105] This emphasis on privacy and work-life balance extends to family involvement in her career; for instance, upon receiving a 2024 Tony Award nomination for A Doll's House, McAdams noted sharing an emotional "good cry" with Linden and their children, highlighting their supportive role without public fanfare.[106] Reports in 2025 indicated the family listed their Los Angeles home for sale, potentially signaling a shift toward further distancing from Hollywood's intensity in favor of a more private existence.[107]

Reception and influence

Critical and commercial analysis

Rachel McAdams' acting career has generated substantial commercial revenue, with her films collectively grossing over $1.6 billion worldwide across leading and supporting roles.[108] In leading roles spanning 21 films, she contributed to domestic earnings of approximately $869 million and international totals of $848 million, while her seven supporting roles added $572 million domestically and $620 million internationally.[20] Among her highest-grossing projects, the Marvel film Doctor Strange (2016), where she played Christine Palmer in a supporting capacity, earned $677.7 million globally against a $165 million budget, benefiting from the franchise's established draw rather than her individual star power.[109] Earlier leading vehicles like The Notebook (2004) achieved $117.8 million worldwide on a $29 million budget, capitalizing on romantic drama appeal, while Mean Girls (2004) grossed $130.3 million, driven by ensemble comedy dynamics and teen audience turnout.[20] Critically, McAdams' reception evolved from mixed reviews in early commercial hits to stronger acclaim in dramatic roles emphasizing nuance over glamour. Her breakout as Regina George in Mean Girls drew praise for sharp comedic timing, earning an MTV Movie Award for Best Villain, though the film's satirical edge was sometimes undervalued by reviewers focused on its box-office formula.[3] Subsequent rom-coms like Wedding Crashers (2005), which grossed $288.5 million, positioned her as a versatile foil but elicited critiques of predictability in her characters' arcs.[20] A pivot to indie and prestige projects yielded higher critical consensus; in Spotlight (2015), her portrayal of investigative journalist Sacha Pfeiffer garnered an Academy Award nomination for Best Supporting Actress, a Screen Actors Guild Award for Outstanding Ensemble Cast, and widespread recognition for understated intensity amid the film's 97% Rotten Tomatoes score.[3] This performance, rooted in methodical character work, contrasted with earlier critiques of her being typecast in accessible appeal, highlighting her capacity for roles demanding emotional restraint over overt charisma. Analytically, McAdams' commercial viability stems from selective participation in high-profile ensembles—such as Doctor Strange—rather than consistent solo leads in tentpoles, a choice reflected in her 2006–2008 hiatus during which she declined roles in blockbusters like The Devil Wears Prada and Iron Man, forgoing an estimated $2.15 billion in combined grosses to prioritize personal recalibration.[110] Critically, this selectivity correlates with peaks in acclaim for films like Spotlight and Disobedience (2017), where her work in auteur-driven narratives earned nominations from the Critics' Choice Awards, underscoring a trade-off: diminished blockbuster dominance but enhanced credibility in substantive cinema. Overall, her 30 awards and 91 nominations, including MTV and Independent Spirit honors, affirm versatility, though empirical box-office data reveals reliance on co-stars and IP for outsized returns rather than standalone draw.[3]

Cultural impact and versatility

Rachel McAdams gained significant cultural prominence through her portrayal of Regina George in Mean Girls (2004), a role that has endured as a touchstone for depictions of high school social dynamics and has permeated popular lexicon with phrases like "You can't sit with us."[111] The film's release the same year as The Notebook, where she played Allie Hamilton opposite Ryan Gosling, positioned McAdams as a defining figure in early 2000s romantic and teen cinema, with both movies contributing to her breakout status and influencing subsequent adaptations, including a Broadway musical for Mean Girls.[112] [113] Her versatility across genres is evident in transitions from romantic comedies like Wedding Crashers (2005) to psychological thrillers such as Red Eye (2005) and ensemble dramas including The Family Stone (2005).[114] This range extended to independent films and prestige projects, culminating in an Academy Award nomination for Best Supporting Actress for her role as investigative reporter Sacha Pfeiffer in Spotlight (2015), which dramatized the Boston Globe's exposure of Catholic Church child abuse cover-ups and underscored McAdams' ability to embody grounded, professional intensity beyond lighter fare.[115] Further demonstrating adaptability, McAdams entered the superhero genre as Dr. Christine Palmer in Doctor Strange (2016), reprising the character—including multiverse variants—in Doctor Strange in the Multiverse of Madness (2022), where her performance balanced emotional depth with action-oriented support in a Marvel Cinematic Universe entry grossing over $955 million worldwide.[116] These roles highlight how McAdams sustained career longevity by avoiding typecasting, leveraging early iconic parts like Regina George to access diverse projects that appealed to varied audiences.[117]

References

  1. Rachel McAdams - Biography - IMDb
  2. Rachel McAdams - IMDb
  3. Rachel McAdams - Awards - IMDb
  4. Rachel McAdams Awards + Nominations - Fandango
  5. Rachel McAdams - Movies, Age & Baby - Biography
  6. Rachel McAdams | The Canadian Encyclopedia
  7. Rachel McAdams - Canada's Walk of Fame
  8. Rachel McAdams: Biography, Movies, Net Worth & Photos
  9. Rachel McAdams credits high school teachers for inspiration
  10. Rachel McAdams - Professionally Speaking
  11. [PDF] Reluctant star - Upward Curve
  12. Rachel McAdams - School of the Arts, Media, Performance & Design
  13. Rachel McAdams | Biography, Movies, & Facts - Britannica
  14. "The Famous Jett Jackson" Food for Thought (TV Episode 2001)
  15. "Earth: Final Conflict" Atavus High (TV Episode 2002) - IMDb
  16. Rachel McAdams in Earth Final Conflict - Part 3/3 - YouTube
  17. Mean Girls (2004) - IMDb
  18. Mean Girls (2004) - Box Office and Financial Information
  19. Mean Girls | Rotten Tomatoes
  20. Rachel McAdams - Box Office - The Numbers
  21. Wedding Crashers (2005) - IMDb
  22. WEDDING CRASHERS open 20 years ago today. The original film ...
  23. Why Rachel McAdams Never Became A Movie Star - Forbes
  24. Rachel McAdams Talks 'Guilt' of Taking a 2-Year Break from Acting
  25. Rachel McAdams opens up about taking a career break - Stylist
  26. Rachel McAdams Turned Down 'Iron Man,' 'Casino Royale,' 'Mission
  27. Rachel McAdams turned down a string of huge movies - The Guardian
  28. Rachel McAdams 'Felt Guilty' Turning Down Roles During Acting ...
  29. All 38 Rachel McAdams Movies (in Order) - SERP Media
  30. Why You Don't Hear About Rachel McAdams Anymore - The List
  31. Rachel McAdams Movies & TV Shows List | Rotten Tomatoes
  32. Rachel McAdams turned down five box-office hits during her two ...
  33. Passion (2012) - IMDb
  34. Passion movie review & film summary (2013) | Roger Ebert
  35. Passion | Rotten Tomatoes
  36. To the Wonder (2012) - IMDb
  37. Rachel McAdams: 'With a Terrence Malick film there will be no ...
  38. To the Wonder - Rotten Tomatoes
  39. A Most Wanted Man (2014) - IMDb
  40. A Most Wanted Man - Rotten Tomatoes
  41. A Most Wanted Man: Sundance Review - The Hollywood Reporter
  42. Every Thing Will Be Fine (2015) - IMDb
  43. Every Thing Will Be Fine | Rotten Tomatoes
  44. Every Thing Will Be Fine movie review (2015) | Roger Ebert
  45. https://www.thecanadianencyclopedia.ca/en/article/rachel-mcadams
  46. Rachel McAdams Is Not Afraid of the Dark - The New York Times
  47. Rachel McAdams (Actor): Credits, Bio, News & More | Broadway World
  48. Rachel McAdams: Charity Work & Causes - LookToTheStars.org
  49. Rachel McAdams Helps Greenpeace Campaign To Save The Arctic
  50. Jane Fonda and Rachel McAdams lend star power to Greenpeace ...
  51. Sonic Sea: Award-Winning Documentary Exposes Impact of ... - NRDC
  52. Rachel McAdams is the latest celebrity advocating for old growth ...
  53. Rachel McAdams, Toronto, promote Food and Water First
  54. Rachel McAdams On Occupy Wall Street: Star On Protests | HuffPost ...
  55. Rachel McAdams occupies Bay Street in Toronto
  56. Rachel McAdams: 'Occupy movement is important' - Digital Spy
  57. Who's On Board? - The Leap Manifesto
  58. The Leap Manifesto and when celebrities politic - Macleans.ca
  59. About - RepresentUs
  60. https://www.vanityfair.com/hollywood/2017/10/selma-blair-and-rachel-mcadams-share-their-stories-of-james-toback-sexual-harassment
  61. Selma Blair and Rachel McAdams Tell Their Experience with James ...
  62. No Matter What Rachel McAdams Plays, She Plays for Keeps
  63. Celebrities Pen Letter to Biden Calling For Immediate Ceasefire, an ...
  64. Israel-Hamas War: Andrew Garfield, Oscar Isaac, More Seek Ceasefire
  65. Rachel McAdams: The Advocate and Environmentalist behind The ...
  66. The Intersection of Celebrities & Activism
  67. Why celebrity activism does more harm than good
  68. A scoping review of celebrity endorsement in environmental
  69. The effectiveness of celebrities in conservation marketing - PMC
  70. Stop relying on celebrity activism | The Tower
  71. The Environmental Impact of Celebrities - Earth.Org
  72. Celebrity Activism: Attention-Seeking or Purely Altruistic?
  73. Full article: Celebrity activism - Taylor & Francis Online
  74. [PDF] Measuring The Effectiveness of Celebrity Activism
  75. Rachel McAdams, Selma Blair accuse James Toback of sexual ...
  76. More Women Accuse James Toback of Sexual Harassment
  77. https://www.abcnews.go.com/Entertainment/selma-blair-rachel-mcadams-open-james-tobacks-alleged/story?id=50744046
  78. Ryan Gosling, Rachel McAdams fought on "The Notebook" set
  79. Ryan Gosling hated Rachel McAdams on the set of The Notebook ...
  80. Ryan Gosling and Rachel McAdams: From Feuding Co-Stars to ...
  81. 'The Notebook' director apologizes to Ryan Gosling, Rachel ...
  82. https://ew.com/the-notebook-director-nick-cassavetes-apologizes-for-saying-rachel-mcadams-ryan-gosling-didnt-get-along-8668651
  83. https://www.vanityfair.com/hollywood/2023/04/rachel-mcadams-took-a-break-from-acting-and-rejected-some-major-roles
  84. Rachel McAdams reflects on roles she turned down - Gold Derby
  85. Rachel McAdams Reveals She Turned Down Roles In 'Mission
  86. The Curious Case of Rachel McAdams : r/movies - Reddit
  87. Rachel McAdams reflects on why she's taken breaks from acting
  88. Rachel McAdams quit acting for two years to 'stay sane' - Page Six
  89. Rachel McAdams' Dating History - Parade
  90. Who Has Rachel McAdams Dated? | PS Celebrity - Popsugar
  91. Rachel McAdams' Relationship History - E! News
  92. Rachel McAdams's Dating and Relationship History - Ranker
  93. Rachel McAdams dating history
  94. Who Is Rachel McAdams' Boyfriend? All About Jamie Linden
  95. Rachel McAdams shares how her life has changed with motherhood
  96. Rachel McAdams' 2 Kids: All About Her Son and Daughter
  97. Rachel McAdams Keeps The Lives Of Her Two Children Extremely ...
  98. Rachel McAdams, Boyfriend Jamie Linden in Rare Photos - E! News
  99. Rachel McAdams Makes Rare Comment About Family Life With Her ...
  100. Rachel McAdams shares how her life has changed with motherhood
  101. Out of all her life's accomplishments, Rachel McAdams ... - Instagram
  102. Rachel McAdams Reveals The Huge Movie Roles She Turned ...
  103. Rachel McAdams' 'Mom Life' Sounds Refreshingly Like Ours
  104. How Rachel McAdams' Family Is Supporting Her Latest Career ...
  105. Rachel McAdams & Her Family May Be Cutting Ties From ... - Yahoo
  106. Despite $1.6 Billion Box Office Gross, Marvel Star Rachel McAdams ...
  107. Rachel McAdams Net Worth
  108. Rachel McAdams reveals 5 box office hits she turned down during 2 ...
  109. Rachel McAdams Says Regina George "Haunts" Her to This Day
  110. Rachel McAdams' 'Mean Girls' and 'The Notebook' Came Out in the ...
  111. Rachel McAdams Wants to Do a Mean Girls Sequel - ELLE
  112. 10 Best Rachel McAdams Movies, Ranked - Collider
  113. Rachel McAdams Redefined: Romantic comedy sweetheart to Oscar ...
  114. Doctor Strange 2 Star Rachel McAdams Made Peace Being MCU ...
  115. If Not For Mean Girls' Regina George, Rachel McAdams Would've ...
  116. HOLLYWOOD WALK OF FAME CLASS OF 2026 ANNOUNCED BY WALK OF FAMERS EUGENIO DERBEZ AND RICHARD BLADE
  117. Rachel McAdams Hollywood Walk of Fame Ceremony Announcement
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