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Rupert Kathner
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Rupert Kathner (1904–1954) was an Australian film director best known for newsreels and low-budget films.[1] He worked with Alma Brooks who co-produced, operated the camera, edited, co-scripted and acted in their films.[2] One journalist has described Kathner and Brooks as "shady con artists and fugitives from the law."[3] Another called them "a pair of rogues with a taste for big dreams and leaving investors disappointed."[1]

Career

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Kathner was born in Adelaide and educated at St Peter's College. He studied art under Hans Heysen and became a sketch artist. He broke into the film industry in the early 1930s by working on set designs. His first movie was Phantom Gold (1937).[4]

Kathner and Brooks achieved their first success with their "shocking [for the time] newsreels".[5] The most popular of these was about the unsolved murder case, The Pyjama Girl Murder. The newsreel was about to be distributed internationally when World War II broke out.

Kathner and Brook's features were essentially B-grade movies, and dealt with typically Australian topics such as Ned Kelly and horse-racing. They were often in trouble with the law.[6]

Kathner died in 1954.[7]

Hunt Angels

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Hunt Angels (2006) is a feature-length documentary which re-enacts Kathner and Brooks' "movie-making spree that took on the Hollywood barons, a corrupt police Commissioner and the (so-called) cultural cringe, all in their passionate pursuit to make Australian films. On the run from police across thousands of miles, they would stop at almost nothing to get their films made."[8] Hunt Angels "uses an innovative digital composite technique whereby the characters come alive in the real world of Sydney in the 30s and 40s".[9]

The film was directed by Alec Morgan. It stars Ben Mendelsohn and Victoria Hill, playing the roles of Kathner and Brooks, and includes interviews with "real" people such as actor Bud Tingwell, filmmaker/distributor Andrew Pike, and Kathner's son, Paul F. Kathner.

Feature films

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Newsreels

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Writings

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  • Let's Make a Movie (1945)

Incomplete projects

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  • Falling for Fame. A project Kathner tried to make with Stan Tolhurst prior to Phantom Gold, set against the background of the film industry[4]
  • Diamonds in the Rough. A proposed follow up to Below the Surface[10]
  • An unnamed film of the life of Adam Lindsay Gordon[11]
  • The Kellys of Tobruk (1943). A planned comedy set against the siege of Tobruk.[12]

Alma Brooks

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Alma Brooks was an Australian filmmaker, best known for her association with Rupert Kathner.[13][1]

Although rarely mentioned in contemporary publications, she was a key partner in Kathner's filmmaking endeavours from the 1930s until his death in 1954. She co-produced, operated the camera, edited, co-scripted and acted in his films, and also participated in Kathner's less legal endeavours.[14][15]

This included involvement in a legal case in 1942 where she and Kathner were accused of defrauding someone of unsound mind.[16][17][18][19]

In 1944 they were in legal trouble again being charged with conspiracy to defraud investors of a proposed movie Kelly of Tobruk but were acquitted.[20][21][22] In 1940, Brooks when working with an editor, was involved in a fight at a film production company.[23]

Select filmography

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She was played by Victoria Hill in the film Hunt Angels (2006).[25]

References

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Sources

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Grokipedia

Rupert Kathner

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Rupert Kathner (31 October 1904 – 31 March 1954) was an Australian film director, producer, and writer known for his independent low-budget feature films and his persistent, often unconventional approach to filmmaking in Australia during the 1930s, 1940s, and 1950s. [1] [2] He frequently collaborated with Alma Brooks, who served as co-producer, camera operator, editor, co-scriptwriter, and actress on several of their projects, earning the pair a reputation as the "Bonnie and Clyde" of the Australian film industry due to their resourceful and sometimes controversial methods. [1] Kathner's output included five feature films—Phantom Gold (1937), Below the Surface (1938), Wings of Destiny (1940), Racing Luck (1941), and The Glenrowan Affair (1951)—none of which achieved commercial success despite their Australian themes and adventurous narratives. [2] Kathner began his career in the early 1930s as a sketch artist and set designer in local film studios before moving into independent production, often struggling to secure financing for his projects. [2] In 1945, he published Let's Make a Movie, a book sharply critical of the Australian film industry that reflected his frustrations with its structure and practices. [2] His work has been recognized in later years for its tenacity and independence, notably through the 2006 documentary Hunt Angels, which portrayed Kathner and Brooks as pioneering figures who operated on the margins of the industry. [2] Kathner died on 31 March 1954 in Cairns. [2]

Early life

Early life and entry into the film industry

Rupert Kathner was born in 1904 in South Australia. [3] During the Great Depression he worked as a courtroom sketch artist. [4] By the early 1930s he had transitioned into the film industry, taking on roles as a sketch artist and set designer in Australian studios. [3] In 1935 Kathner was hired as artistic director for Harry Southwell's film The Burgomeister, contributing set design to the production. [4] That same year he collaborated with actor Stan Tolhurst on a short pilot for a proposed feature titled Falling for Fame, intended as a satire on industry "phonies," but the project failed to attract financial backing and was never developed further. [3] These early experiences in set design and unsuccessful efforts to initiate his own productions marked his initial steps in the Australian film industry before he moved into directing independent features.

Film career

Independent feature films

Rupert Kathner directed, wrote, and/or produced five independent feature films between 1937 and 1951, all low-budget productions made outside Australia's mainstream studio system and often in collaboration with his partner Alma Brooks.[5][6] These films struggled commercially in a market dominated by Hollywood imports and generally failed to recover their production costs due to limited distribution, minimal bookings, and negative critical reception.[7][4] Kathner's debut feature Phantom Gold (1937), running 64 minutes, was a docu-drama centered on the legend of Lasseter’s lost gold reef in Central Australia, incorporating re-enactments of expeditions and recollections from figures connected to the historical search.[8] Below the Surface (1938), approximately 55 minutes long, depicted a rivalry between coal miners and was completed but never publicly screened.[4][7] Wings of Destiny (1940), a 68-minute espionage thriller, explored fifth columnist activities during World War II.[9] Racing Luck (1941), a comic adventure, earned minor recognition for its naturalistic portrayals of working-class characters but did not achieve significant commercial success.[4] Alma Brooks received associate producer credit on Racing Luck and co-producer credit on Kathner's final feature, The Glenrowan Affair (1951).[7] The 70-minute Glenrowan Affair recounted the Ned Kelly gang's exploits with a framing narrative involving a surviving Dan Kelly, starring VFL footballer Bob Chitty as Ned Kelly and featuring Kathner himself in the role of Aaron Sherritt under the pseudonym Hunt Angels.[7] Key collaborators across these productions included cinematographers Tasman Higgins and Arthur Higgins, along with recurring cast members such as Stan Tolhurst, who appeared in films including Phantom Gold, Below the Surface, and The Glenrowan Affair, and Bob Chitty in the latter.[4][7] Despite their marginal status and technical limitations, these features represent Kathner's persistent efforts to create Australian stories independently amid industry constraints.[5][6]

Additional film roles and newsreels

In addition to his work directing independent feature films, Rupert Kathner contributed to Australian cinema in supporting roles, most notably as a cinematographer and through his production of independent newsreels. Kathner served as director of photography on the 1944 short film Red Sky at Morning (also known as Escape At Dawn upon its 1951 re-release), adapted from a play by Dymphna Cusack and starring Peter Finch.[10][11] In the late 1930s, Kathner established the newsreel series Australia Today through his Enterprise Film Co. as an independent alternative to the dominant Cinesound and Movietone newsreels.[12] The series adopted a more documentary-oriented style than mainstream newsreels, frequently incorporating dramatic reconstructions and re-enactments to cover contemporary social issues including crime, poverty, shark dangers, the Pyjama Girl murder case, and wartime security concerns such as alleged Nazi fifth-column activity in Australia.[12] One example from 1939, "Men of Tomorrow," explored the effects of the Depression on youth in Sydney's poorer suburbs, depicting slum conditions and arguing for societal responsibility toward disadvantaged children.[13] These newsreels reflected Kathner's efforts to create engaging, issue-focused content outside the established newsreel monopolies during the late Depression and early World War II periods.[12]

Partnership with Alma Brooks

Book and other writings

Personal life and reputation

Death

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