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The Voyage of Bran

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The Voyage of Bran

The Voyage of Bran (Old Irish: Immram Brain [maic Febail], meaning "The Voyage of Bran [son of Febail]") is a medieval seventh- or eighth-century Irish language narrative.

The date of composition has been assigned to the late 7th or early 8th century, and the text is known to have been included in the lost 8th century codex Cín Dromma Snechtai.

Although the conventional title Immram Brain identifies the tale-type as an immram (‘voyage’ tale), some scholars argue the work does not count among the genuine immrama, but should rather be considered an echtra (‘adventure’ tale) and the title Echtrae Brain should be adopted, for indeed Echtra Bran maic Febail is the title (and categorisation) that occurs in the 11th century tale-list. The constructed title Echtrae Brain ocus Tomaidm Locha Febuil has also been suggested.

The tale may derive from the "otherworldly journey" material from Irish mythology, possibly of pan-Celtic origin However there is a dissenting camp of scholars who hold that "these tales [echtrai] are literary compositions written within the Christian period".

The concept of "voyage" has been widely used across the world in that time. While this specific set comes from Ireland, it can be compared with Classical sources such as the Odyssey and the Aeneid, some Scandinavian tales as well as some Brittonic tales told on what is now the United Kingdom, particularly those preserved from Wales (Y Mabinogion) and Brittany including Tristan and Yseult. The most recent translation is by Séamus Mac Mathúna (1985).

Structurally, The Voyage of Bran is a combination of poetry and prose, with many short stanzas punctuated by longer, prose narration. These prose narrations are known as Narrative Envelopes.

The tale can be summarised as follows:

Bran mac Febail (modern spelling: Bran mac Feabhail) embarks upon a quest to the Otherworld. One day while Bran is walking, he hears beautiful music, so beautiful, in fact, that it lulls him to sleep. Upon awakening, he sees a beautiful silver branch in white bloom in front of him. He returns to his royal house, and among his retinue he spots a strangely dressed Otherworld woman, who identifies the branch to be from an apple tree (or tree of some fruit) growing in land of Emain (or Emne), and proceeds to sing a poem describing this Otherworld.

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