Turbo (Polish band)
Turbo (Polish band)
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Turbo (Polish band)

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Turbo (Polish band)

Turbo is a Polish heavy metal band. It was started in 1980 in Poznań by Henryk Tomczak (formerly in Stress and Heam, both pioneering Polish hard rock groups). Turbo has been described as one of the most important bands in Polish heavy metal. Turbo's most famous album is Kawaleria Szatana (Satan's Cavalry), considered an opus of Polish heavy metal. The band is best known for the tracks "Dorosłe Dzieci", "Jaki był ten dzień", "Żołnierz fortuny" and "Wszystko będzie ok".

The first line-up was Wojciech Hoffmann (guitar), Wojciech Anioła (drums) and Wojciech Sowula (vocals). Soon a single was released, the tracks being "W środku tej ciszy" ("Deep in the Silence") and "Byłem z tobą tyle lat" ("So many years with you"). The band's style then was very much like 1970s or early 1980s hard rock. In November 1980, the singer left and was replaced by Piotr Krystek. New tracks were recorded and frequently played on the radio. Soon more line-up changes came, the original founder and bass guitarist left. 16-year-old Piotr Przybylski took his place. Andrzej Łysów joined as second guitarist and the singer was changed once again. Since then Turbo's vocals have been by Grzegorz Kupczyk, one of the most famous Polish heavy metal singers, sometimes compared to Bruce Dickinson.[citation needed]

In 1983, the first album was released, entitled Dorosłe dzieci (Grown-up Children). Its music is a blend of traditional hard rock and NWOBHM. The title track has become a hit and the most recognizable Turbo song. With the LP recorded, the group played extensively, including at Rockowisko in Łódź and the famous Jarocin festival. Despite the success, the line-up continued to change: successive drummers were Marek Olszak, Ryszard Oleksy and Przemysław Pahl. Finally, the drummer's place was taken by Alan Sors. Piotr Przybylski (bass guitar) left and was replaced Bogusz Rutkiewicz.

Apart from problems with the line-up, the band had other difficulties to address. The record company insisted on softening the band's sound and recording more 'catchy' tracks. Wojciech Hoffman later called that "a time of mistakes and distortion". In 1985, a compromise, softened LP, Smak ciszy (The Taste of Silence), was recorded. Despite the sound being relatively soft, the riffing resembles Iron Maiden and the vocals give the music more heaviness. The charting songs were "Smak Ciszy" and "Jaki był ten dzień" ("How That Day Was").

A year later, Turbo recorded an LP that became one of the best Polish heavy metal albums of all time – Kawaleria Szatana (Satan's Cavalry). Heavy riffing, Iron Maiden-like soloing and lyrics dealing with typically 'heavy' themes such as death, war and pain, completely changed the band's image. The LP was very successful and is still considered to be the group's greatest effort. After the release Turbo collaborated with Metal Mind Records, which enabled then to play at the Metalmania festival.

In 1987, the band recorded another LP, Ostatni wojownik (Last Warrior. An English-language version was released in Europe a year later). It was the first album for the new drummer, Tomasz Goehs. The band's style hardened even more, influenced by early Metallica, as did the lyrics, even darker than before. In 1988, the first live recording, Alive!, was released, containing material recorded at gigs on 12 December 1986 and 3 March 1987.

With 1989 came several changes in the line-up – Bogusz Rutkiewicz quit, Andrzej Łysów took bass instead of guitar, and Acid Drinkers' Robert "Litza" Friedrich became the new guitarist. Influenced by Anthrax, Flotsam and Jetsam and Wolf Spider the musicians recorded Epidemie (later English edition, Epidemic), a highly technical thrash album.

In 1990 a break-up occurred, when Grzegorz Kupczyk and Andrzej Łysów quit the band. Tomasz Olszewski joined on bass, and the new singer was Robert "Litza" Friedrich. This line-up went on, creating Dead End which featured somewhat death metal vocals, but the songs' structures are still thrash. The break-up and lack of concerts would cause the band's hiatus. A compilation of 1980–1990 songs was released, containing tracks unreleased before.

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