Hubbry Logo
Vinyl revivalVinyl revivalMain
Open search
Vinyl revival
Community hub
Vinyl revival
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Vinyl revival
Vinyl revival
Vinyl revival
View on Wikipedia
from Wikipedia

A record store in Barcelona in 2016

The vinyl revival, also known as the vinyl resurgence, is the renewed interest and increased sales of vinyl records, or gramophone records, that has been taking place in the music industry. Beginning in 2007,[1][2] vinyl records experienced renewed popularity in the West[3][4][5] and in East Asia[6][7] amid steadily increasing sales, renewed interest in the record shop, and the implementation of music charts dedicated solely to vinyl.[8]

The analogue format made of polyvinyl chloride had been the main vehicle for the commercial distribution of pop music from the 1950s until the 1980s when it was largely replaced by the cassette tape and then the compact disc (CD). After the turn of the millennium, CDs were partially replaced by digital downloads[9] and then streaming services. However in the midst of this, vinyl record sales were increasing and was growing at a quick rate by the early 2010s, eventually reaching levels not seen since the late 1980s in some territories. Despite this, records still make up only a marginal percentage (8% in the US as of 2023) of overall music sales.[10] Alongside these there has also been a swift increase in the sales and manufacturing of new record players/turntables.[11]

The revival peaked in the 2020s, with various publications and record stores crediting Taylor Swift with driving vinyl sales.[12][13][14][15] For 2022, the Recording Industry Association of America reported that: "Revenues from vinyl records grew 17% to $1.2 billion – the sixteenth consecutive year of growth – and accounted for 71% of physical format revenues. For the first time since 1987, vinyl albums outsold CDs in units (41 million vs 33 million)."[16] The revival has been relatively muted in certain other countries like Japan and Germany – the world's second and third largest music markets after the U.S.[17] – where CDs continue to outsell records by a significant margin as of 2022.[18][19]

History

[edit]

In June 2017, Sony Music announced that by March 2018 it would be producing vinyl records in-house for the first time since ceasing its production in 1989. The BBC reported that "Sony's move comes a few months after it equipped its Tokyo studio with a cutting lathe, used to produce the master discs needed for manufacturing vinyl records", but the company "is even struggling to find older engineers who know how to make records".[20]

In Brazil

[edit]

It was reported by the Brazilian record companies that in 2023 the revenues from vinyl records had shot up by 136%, the highest of the physical formats. Despite physical formats representing a tiny fraction of the Brazilian music industry, the increase in vinyl contributed to physical formats growing to their highest level since 2018.[21]

In China

[edit]

In China, which has grown rapidly in recent years to become one of the world's largest music markets,[22] the last vinyl record production plant located in Shanghai stopped in 1998. An experienced audio and video company invested in the creation of a new production plant in Guangzhou in 2015.[23] Since then, there has been a notable increase in the popularity of vinyl records and has led to a Chinese equivalent of Record Store Day.[24] Many Chinese had also not experienced the format before, due to most of the population living in poverty at the time when it was at its peak in the West.[23]

In France

[edit]

Between 2016 and 2021, sales volumes and revenues generated from vinyl records had tripled.[25] In the year 2023, vinyl sales had reached 5.5 million units. Despite it being only half that of CD sales, it matches a similar amount of market revenue due to the higher retail prices of vinyl.[26]

In Germany

[edit]
A second-hand record store in Flensburg, Germany (2012)

In Germany a revival of vinyl records already took place in the 1990s in conjunction with the rise of the rave and techno scene. In the mid-1990s, the rave culture had become a mass movement in the country, with raves having tens of thousands of attendees, youth magazines featuring styling tips, and television networks launching music magazines on house and techno music. In this context Der Spiegel in 1998 describes this "renaissance" of the LP format and declares that "LPs are in again". The CD format was regarded as "uncool", while vinyl records could be beatmatched into each other more easily and had more room for album cover art. Record bags were a common fashion accessory at that time.[27] In the early 2000s the mainstream rave movement declined, and by the end of the decade a majority of the so-called "techno record stores" and record store chains that had emerged in the 1990s had disappeared again.[28]

Around 2007 another revival of vinyl began, this time also concerning the collection of other genres such as pop music, and increasingly promoted by the music industry.[5]

In 2016 there were 476 record stores in Germany, and 3.1 million vinyl records were sold.[29] In 2020, sales of vinyl LPs in Germany increased to 4.2 million units sold.[30] Almost three quarters of the 20 most popular records of this year belong to the rock music genre.[31]

In Japan

[edit]

Sales of music CDs in Japan began in 1982. By 1986, the compact disc began replacing the gramophone record as the primary means of music distribution in Japan.[32] As opposed to declining CD sales in Western markets, CDs remained a huge market in Japan, with sales of over 100 million each year from 1998 until 2018.[33] Beginning in the early 2000s decade, there was growing nostalgia for vinyl records, although CD sales were still strong.[34] Inspired by the Record Store Day event in the United States, Japanese record stores began promoting the revival of gramophone records in 2012.[35][34] Concurrently, popular musicians including Sakanaction, AKB48, Perfume, and Masaharu Fukuyama began releasing their music for vinyl distribution.[34] In 2014, HMV Record Shop, a proponent in selling vinyl records, opened in Shibuya.[35] Technology brands such as Sony Electronics and Panasonic released revived models of gramophone record players, starting in 2016.[34]

From the mid-2010s decade, vinyl records have enjoyed renewed popularity, with specialized shops opening in Shibuya, Shinjuku, and Ginza.[35] From 2010 to 2020, vinyl sales in Japan increased tenfold, from 105,000 copies to 1,219,000 copies.[35] Although the 2020 figure did not match that of 2000 (when nearly two million vinyl records were sold), it was the best figure since 2004.[36] Popular artists such as Perfume and Back Number have led the way for vinyl revival, and CD sales have declined by 35% from 2008 to 2018.[36]

In the United Kingdom

[edit]

Similarly in the United Kingdom, the compact disc surpassed the gramophone record in popularity in the late 1980s. This started a gradual decline in vinyl record sales throughout the 1990s. The popularity of indie rock caused sales of new vinyl records (particularly 7 inch singles) to increase significantly in 2006.[37][38] Sales of vinyl LP records in the UK increased every year between 2007 and 2014.[4] In December 2011, BBC Radio 6 Music began an occasional Vinyl Revival series in which Peter Paphides met musicians who revealed, and played selections from, their vinyl record collections.[39] In November 2014, it was reported that over one million vinyl records had been sold in the UK since the beginning of the year. Sales had not reached this level since 1996. The British Phonographic Industry (BPI) predicted that Christmas sales would bring the total for the year to around 1.2 million. However, vinyl sales were still a very small proportion of total music sales. Pink Floyd's The Endless River became the fastest-selling UK vinyl release of 2014 – and the fastest-selling since 1997 – despite selling only 6,000 copies.[40] In 2016, 3.2 million vinyl records were sold in the UK, the best sale for a quarter of a century.[41]

As of 2016, the revival continued,[42] with UK vinyl sales exceeding streaming audio revenue for the year.[20] In January 2017, the BPI's 'Official UK recorded music market report for 2016', using Official Charts Company data, noted that "Though still niche in terms of its size within the overall recorded music market, vinyl enjoyed another stellar year, with over 3.2 million LPs sold – a 53 per cent rise on last year".[43] The BPI also reported that "The biggest-selling vinyl artist was David Bowie, with 5 albums posthumously featuring in the top-30 best-sellers, including his Mercury Prize shortlisted Blackstar, which was 2016's most popular vinyl recording ahead of Amy Winehouse's Back to Black, selling more than double the number of copies of 2015's best seller on vinyl – Adele's 25".[43]

BBC Radio 4's Front Row discussed the increase in coloured vinyl releases in October 2017 in the wake of recent albums in the format by Beck, Liam Gallagher, and St. Vincent.[44] According to the BPI, more than five million vinyl records were sold in 2021 in the UK, an increase of 8% over 2020 and the 14th consecutive increase since 2007. The BPI estimated that almost one in four album purchases that year were on vinyl, the highest proportion since 1990.[45]

In March 2023, the BPI published an analysis of Official Charts data, and claimed that vinyl purchases have increased for a 16th consecutive year in the UK. The vinyl market in 2023 has experienced a 11.7% year-on-year rise to 5.9 million units, up from a 2.9% increase the previous year.[46] In 2024, BBC reported that, for the first time since 1992, vinyl records have been included in the set of goods used by the UK's Office for National Statistics (ONS) to track prices and calculate the rate of inflation.[15]

In the United States

[edit]

In the 1980s, gramophone records declined in popularity. The major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles.[citation needed]

First, the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns. Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which were more profitable for the record companies.[47][48][49][50] Between 2003 and 2008, over 3,000 record stores in the country closed their doors.[51] But ever since 2007, the popularity of vinyl records has risen again with annual sales increasing by 85.8% between 2006 and 2007 in the United States, although starting from a low base,[52] and by 89% between 2007 and 2008.[53] In 2009, 3.5 million units sold in the United States, including 3.2 million albums, the highest number since 1998.[54][55] The largest online retailer of vinyl records in 2014 was Amazon with a 12.3% market share, while the largest physical retailer of vinyl records was Urban Outfitters with an 8.1% market share.[56]

US vinyl sales in units, 1995–2020

In its 'Shipment and Revenue Statistics' report for 2016, the Recording Industry Association of America noted that "Shipments of vinyl albums were up 4% to $430 million, and comprised 26% of total physical shipments at retail value – their highest share since 1985".[57] In 2019, Rolling Stone said that "Vinyl records earned $224.1 million (on 8.6 million units) in the first half of 2019, closing in on the $247.9 million (on 18.6 million units) generated by CD sales. Vinyl revenue grew by 12.8% in the second half of 2018 and 12.9% in the first six months of 2019, while the revenue from CDs barely budged. If these trends hold, records will soon be generating more money than compact discs".[58] Best Buy discontinued CDs in 2019, but as of January 2020 still sells vinyl. Target Corporation and Walmart still sell CDs, but use less shelf space for them and use more space for vinyl records, players, and accessories.[59]

By 2019, vinyl sales continued healthy growth at the expense of other physical media and despite the growing prominence of streaming,[3] presently the cheapest (legal) way to listen to music.[60] In the first half of 2020, vinyl recordings outsold CDs (in terms of revenue) in the US for the first time since the 1980s.[61] In 2020 vinyl recordings accounted only for 5.1% ($619.6m) of total US music revenues and CDs accounted for 4% ($483.3m) of revenues. Digital and streaming formats accounted for the remainder of the $12.2 billion in US music revenues, with paid subscriptions accounting for 57.7% of total revenue at $7.0 billion.[62] Americans across age groups have been contributing to the preservation and revival of vinyl records.[63][60][64] According to a 2019 YouGov poll, 31% of the U.S. population is willing to pay for music on vinyl, including 36% of Baby boomers, 33% of Generation X, 28% of Millennials, and 26% of Generation Z.[64]

Taylor Swift leads the vinyl revival. Her ninth studio album, Evermore (2020), sold 102,000 vinyl LPs in a single week in June 2021, breaking the record for the biggest vinyl sales week for an album since MRC Data began tracking sales in 1991.[65] In 2021, for the first time in the last 30 years, vinyl record sales exceeded CD sales; one of every 3 albums sold in the US was a vinyl LP. Indie retailers sold almost half of all vinyl LPs, while Taylor Swift was the format's top-selling artist, accounting for 2.6% of total sales.[66] As per the MRC Data mid-year report for 2021, sales of vinyl records in the US surpassed that of the CDs; 19.2 million vinyl albums were sold in the first six months of 2021, outpacing the 18.9 million CDs sold. This has been attributed to a phenomenon of listeners looking for tangible ways to consume music, especially the fanbases of various musicians.[67] In 2022, Swift's tenth studio album, Midnights, sold 945,000 vinyl LPs in the last two months of the year, garnering the largest vinyl sales year for an album in Luminate Data history. Swift sold 1.695 million vinyl LPs across her entire catalog in 2022, with one of every 25 vinyl LPs sold that year in the U.S. being a Swift album—a sum larger than the next two biggest-sellers of vinyl combined: Harry Styles with 719,000 and the Beatles with 553,000.[68]

In March 2023, the RIAA published a revenue report for 2022, in which vinyl accounted for $1.2 billion of physical media sales out of a total of $1.7 billion. This was the first instance of vinyl sales growth outpacing CD sales growth since 1987 as CDs saw an 18% decline in sales year-on-year.[69]

Reasons

[edit]

Records are perceived as more durable, come in significantly larger packaging (allowing more detail in the album art to be visible), and may include bonus items absent from a CD copy of the same album (for example, a poster or clothing article, or exclusive liner notes). These factors can cause a CD to be seen as a poor value even if an LP is more expensive.[59][non-primary source needed][27][better source needed]

CDs are capable of more accurate sound reproduction and are effectively free of noise and sound artifacts,[70] but many listeners find records' imperfections more subjectively pleasant than digital audio.[59][42] The rise in vinyl demand also correlates with the rise in popularity of streaming services throughout the 2010's, with many listeners choosing to purchase a beloved album on vinyl after discovering it on Spotify or Apple Music.[71] Records are also tactile, physical, collectable items that offer a drastically different listening experience than the ubiquitous streaming services.[72]

In spite of many record sales being modern artists or genres, records may be considered a part of retro style, benefiting from a general cultural interest in the technology and media of the past.[73]

According to Adriaan Neervoort, owner of Wanted Music, in Beckenham, Kent, "Vinyl has a more engaging human sound, it comes beautifully packaged. People want to know more about music and they want to engage with it more."[15]

Sales

[edit]

NOTE: Many citations below include CD sales, not just vinyl sales[citation needed]. This chart should be reviewed and revised for accuracy.

Countries 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
Global Trade Value $US
(SP&LP) 		$55m $66m $73m $89m $116m[74] $171m – – $416m[42] – – – –
Australia
(SP/LP) 		10,000 17,996[75] 10,000 19,608[76] 10,000 53,766[77] 13,677 39,644[78] 13,637 44,876[78] 21,623 77,934[79] 10,069 137,658[80] 277,767[81] 374,097[82] 655,301[83] 786,735[83] – –
Germany
(SP&LP) 		400,000[84] 700,000[85] 1,200,000[85] 635,000
(LPs only) 		700,000
(LPs only)[86][87] 		1,000,000[88] 1,400,000[88] 1,800,000[88] 2,100,000[88] 3,100,000[88] – – –
Finland[89]
(SP&LP) 		10,301 13,688 15,747 27,515 54,970 47,811 72,480 82,313[90] – – – – –
Hungary
(LP) 		2,974[91] 2,923[92] 3,763[93] 1,879[94] 8,873[95] 9,819[96] 14,719[97] 24,132[98] – – – – –
Japan
(SP&LP) 		324,000[99] 212,000[99] 102,000[99] 105,000[99] 210,000[99] 453,000[99] 268,000[99] 401,000[99] 662,000[99] 799,000[99] 1,063,000[99] 1,116,000[99] 1,219,000[99]
Netherlands
(LP) 		– – 51,000 60,400 81,000[100] 115,000[101] – 300,000± 650,000+[102] 1,000,000+[103] – – –
Spain
(LP) 		– 40,000 106,000[104] 97,000 141,000[105] 135,000[106] – – – – – – –
Sweden[107]
(SP&LP) 		11,000 22,000 36,000 70,671 101,484 168,543 200,008 – – – – – –
United Kingdom
(SP/LP) 		1,843,000 205,000 740,000 209,000 332,000 219,000 219,000 234,000 186,000 337,000 – 389,000 – 780,000 – – – – – - - 3.2 million[108] – 4.2 million[109] - -
United States
(LP) 		988,000 1,880,000[110] 2,500,000[111] 2,800,000[112] 3,800,000[113] 4,600,000[114] 6,100,000[113] 9,200,000[113] 11,900,000[115] 13,000,000[116] 14,320,000[117] 16,800,000[118]
  • Australian single figures for 2007, 2008 and 2009 are estimated.
  • In reality German figures are considered to be "a lot higher" due to smaller shops and online communities in Germany not using scanner cash registers.[85] One German record pressing company stated that they alone produce 2 million LPs each year.[119]
  • In reality American figures are considered to be much higher, with one record store owner, in a New York Times article, estimating that Nielson SoundScan only tracks "about 15 percent" of total sales due to bar codes, concluding that sales could now be as high as 20 million.[120][121][122]
  • In New Zealand, independent record stores in Auckland were reporting a five-fold increase in vinyl sales from 2007 to 2011.[123]
  • In France, the SNEP said that LP sales were 200,000 in 2008, however independent record labels said that overall sales were probably 1 million.[124]
  • In United States, 67% of all vinyl album sales in 2012 were sold at independent music stores.[125]
  • Vinyl revenues were at the lowest point in its history in 2006, with a total trade value of $36 million. The 2011 figure of $116 million, is higher than the 2000 figure of $109 million, but is still less than the 1997, 1998 and 1999 figures which were all between $150–$170 million.[74]

Annual bestselling LPs in the US

[edit]
Year Album Artist Sales
2008 In Rainbows Radiohead 25,800[126]
2009 Abbey Road The Beatles 34,800[126]
2010 35,000[127]
2011 41,000[128]
2012 Blunderbuss Jack White 34,000[128]
2013 Random Access Memories Daft Punk 49,000[129]
2014 Lazaretto Jack White 87,000[129]
2015 25 Adele 116,000[115]
2016 Blackstar David Bowie 54,000[130]
2017 Sgt. Pepper's Lonely Hearts Club Band The Beatles 72,000[117]
2018 Guardians of the Galaxy: Awesome Mix Vol. 1 Various Artists 84,000[131]
2019 Abbey Road The Beatles 246,000[132]
2020 Fine Line Harry Styles 232,000[133]
2021 30 Adele 318,000[134]
2022 Midnights Taylor Swift 945,000[68]
2023 1989 (Taylor's Version) 1,014,000[135]
2024 The Tortured Poets Department 1,489,000[136]

Graphs

[edit]
  • Global vinyl sales in US$
    Global vinyl sales in US$
  • US vinyl sales in units
    US vinyl sales in units
  • UK vinyl sales in units
    UK vinyl sales in units
  • UK vinyl sales in UK£
    UK vinyl sales in UK£
  • British consumer spending on music formats
    British consumer spending on music formats

Record Store Day

[edit]
Main article: Record Store Day

Most customers prefer to buy vinyl from small, independent record stores with a larger selection than department stores.[59] Record Store Day is an internationally celebrated day observed the third Saturday of April each year. Its purpose, as conceived by independent record store employee Chris Brown, is to celebrate the art of music.[137] The day brings together fans, artists, and thousands of independent record stores across the world.[138]

Record Store Day was officially founded in 2007[137] and is celebrated globally[137] with hundreds of recording and other artists participating in the day by making special appearances, performances, meet and greets with their fans, the holding of art exhibits, and the issuing of special vinyl and CD releases along with other promotional products to mark the occasion.

In 2013, for the week of Record Store Day in the United Kingdom, 68,936 records were sold (an 86.5% rise from 36,957 in 2012). This can be broken down into 1,249 7" albums, 25,100 12" albums, 27,042 7" singles and 15,545 12" singles.[139] From December 29, 2017 to June 28, 2018 there was a 19.2% increase in vinyl sales compared to the same period the previous year.[140] Vinyl sales hold over 18% of physical record sales in the United States, a 7% increase from previous years.[141]

UK Official Record Store Chart

[edit]

The Official Record Store Chart is a weekly music chart based on physical sales of albums in almost 100 independent record stores in the United Kingdom.[142][143] It is compiled by the Official Charts Company (OCC), and each week's number one is first announced on Sunday evenings on the OCC's official website.

The chart's launch was first announced by the OCC on 17 April 2012[144] – at the time, British record stores were selling 4.5 million albums per year, and were contributing towards 95 per cent of the country's total vinyl sales.

Nomenclature debate

[edit]

Arising within the renewed popularity of vinyl records, there is a small debate over the issue of how they should properly be referred to in English. While many refer to them as "records" or "LPs", sometimes they are referred to as "vinyl", an informal term derived from its material composition. The disagreement arises over how the word "vinyl" is used. Those who remember the vinyl records' original popularity in the 1980s and before, use the term "vinyl" in context such as "I have that album on vinyl", and also when using it as a mass noun, e.g. "I have a huge collection of vinyl". Those whose experience with records is only during the more recent revival, have developed a different way of using the word, referring to vinyl records in the plural as "vinyls", as well as using the indefinite article "a", such as saying "I need to go buy a vinyl". Arguments are made based on the rules of language, and whether "vinyls" could be a proper way of referring to records in the plural. On the "vinyls" side, a key argument is whether vinyl is a "mass noun": "These nouns — such as cheese, beer and wine — refer to stuff that comes in variable but conceptually undifferentiated quantities that are measured rather than counted."[145]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Vinyl revival

View on Grokipedia
from Grokipedia
The vinyl revival refers to the renewed interest and substantial growth in vinyl record sales and production that emerged in the 21st century, reversing the format's near-obsolescence after the rise of compact discs and digital streaming in the late 20th century. This phenomenon, first noted as a potential trend in 2008 but initially dismissed as temporary, marked a shift toward analog audio consumption amid widespread digital saturation. Sales began climbing from a low of under 1 million units annually in 2006, driven by niche collector markets and independent labels reissuing catalog titles. By the , the revival had accelerated, with vinyl outselling s in the U.S. for the first time since 1986 by 2020, fueled by events like and major artist releases on the format. According to the (), vinyl units sold reached 43.6 million in 2024, generating $1.4 billion in revenue—an 18th consecutive year of growth and surpassing sales for the fifth straight year. This resurgence accounted for approximately 74% of all physical music format revenues in 2024, highlighting vinyl's role in bolstering the broader recorded music industry's expansion to $17.7 billion overall. Key drivers include for tangible media, perceived superior from analog warmth, and "digital fatigue" from streaming services' convenience but impersonal nature. Younger demographics, particularly and Gen Z, have embraced vinyl as a collectible form, often purchasing limited-edition pressings to support artists directly amid declining streaming royalties. The further boosted demand, as lockdowns encouraged home listening setups and independent record stores reported record foot traffic. As of mid-2025, vinyl sales showed signs of stabilization, with 22.1 million units shipped in the first half of the year—down slightly by 1% from the prior period but still valued at $457 million—indicating a maturing market amid production challenges like pressing plant capacity and rising costs. Despite this, the revival has revitalized independent labels, spurred manufacturing investments, and influenced music marketing strategies, positioning vinyl as a premium, experiential alternative in a dominantly digital landscape.

Historical Development

Decline of Vinyl Records

The decline of vinyl records accelerated in the late and as cassette tapes gained prominence due to their superior portability, lower production costs, and compatibility with emerging personal audio devices like the introduced in 1979. Cassettes overtook vinyl in market share by 1984, representing over 50% of physical format revenues while vinyl's share fell below 40%. By the end of the decade, vinyl unit shipments in the had dropped significantly from their 1977 peak of 344 million LPs and EPs. The 1990s saw the (CD) solidify its dominance, offering superior sound quality, durability, and random access playback, which appealed to consumers seeking an upgrade from analog formats. In 1993, CD revenues reached a record $6.5 billion, comprising over 50% of the music market, rising to over 60% by 1994, while vinyl's share dwindled to less than 5%. By 1997, vinyl accounted for under 1% of total recorded music revenues, with LP/EP shipments at just 2.7 million units. This shift prompted major labels to curtail vinyl production; halted manufacturing in 1989, citing the CD's rapid adoption. The advent of digital technologies further marginalized vinyl in the late 1990s and . Napster's launch in 1999 popularized , disrupting physical sales and accelerating the move to digital downloads, while Spotify's 2008 debut introduced widespread streaming, reducing demand for tangible media. vinyl sales continued their descent, falling below 3 million units by 1997. Globally, numerous pressing plants closed amid dwindling orders, leaving production capacity limited to a few facilities in the , such as United Record Pressing, and Europe, like Optimal Media in , by the early .

Onset and Growth of the Revival

The vinyl revival began to take shape in the mid-2000s as independent labels increasingly embraced reissues of classic albums on analog formats, capitalizing on growing among music enthusiasts. Labels like , founded in 2002, played a pivotal role by reissuing obscure and out-of-print titles from the and . This trend was fueled by a small but dedicated collector base seeking the tactile and sonic qualities of vinyl amid the dominance of digital downloads. A key milestone came in 2009 with the establishment of by musician , which aggressively promoted analog recording and vinyl production as a to digital music. The label, initially launched in 2001 as a vehicle for White's projects like , opened a Nashville storefront and pressing plant in 2009, focusing on limited-edition releases and live recordings to revive interest in . White's advocacy, including his insistence on analog mastering, helped legitimize vinyl as a viable format for new music, inspiring other artists and labels to follow suit. Cultural shifts further accelerated the revival through online communities and innovative artist releases. Forums like Vinyl Collective, established in 2004, became hubs for collectors to discuss, trade, and celebrate vinyl, fostering a that extended beyond traditional record stores. Similarly, Radiohead's album was released in a limited-edition "discbox" format featuring double vinyl, CD, and digital download, allowing fans to "" online before physical copies shipped; this approach not only generated buzz but also highlighted vinyl's premium appeal, with the edition selling out rapidly. The revival gained mainstream momentum in the early 2010s through blockbuster releases that drove significant vinyl sales. Adele's 2011 album 21 became a catalyst, with its vinyl edition contributing to the album's overall U.S. sales of over 5.8 million units that year, including notable physical format uptake as vinyl outsold expectations in a digital era. Likewise, Taylor Swift's 2014 album 1989 boosted the trend, selling 3.66 million copies in the U.S. and marking one of the first major pop releases to emphasize vinyl variants, helping propel the format's visibility. These events underscored vinyl's crossover appeal. By the late 2010s, the revival's growth was evident in surging U.S. sales figures, rising from approximately 1 million units in 2007 to 15.6 million in 2017, according to industry data, reflecting a that outpaced other formats. This demand prompted expansions in manufacturing infrastructure, such as at United Record Pressing in Nashville, which, as North America's largest plant, increased capacity in the through facility upgrades to handle the influx of orders, producing millions of discs annually by the decade's end. Such developments addressed previous supply shortages and solidified vinyl's resurgence. This foundational expansion laid the groundwork for continued growth into the 2020s. The significantly accelerated the vinyl revival through increased home listening, with U.S. vinyl LP units reaching 22.9 million in 2020, a 24% increase from 18.5 million in 2019. This surge was driven by lockdowns that shifted consumer focus to as an engaging alternative to digital streaming, contributing to vinyl comprising 62% of physical format revenues in the first half of the year. Adoption among has become a defining trend, with surveys indicating Gen Z as the driving force behind vinyl's popularity, motivated by the format's aesthetic appeal on platforms like and its collectible value. By 2025, younger demographics continued to view records as tangible art objects rather than solely audio sources. Signs of a potential slowdown emerged in 2025, as U.K. vinyl sales rose only 6% year-over-year to 3.2 million units in the first half, hampered by lingering global disruptions following the peak demand. These issues, including raw material shortages and production bottlenecks, have raised concerns about market saturation and beyond the post-pandemic boom. Artists have adapted by emphasizing limited-edition releases and custom packaging to appeal to younger buyers, exemplified by Taylor Swift's (2022), which sold over 945,000 vinyl copies in the U.S. that year. Such strategies, featuring unique variants and visual designs, enhance collectibility and align with social media-driven trends among Gen Z.

Reasons for the Revival

Cultural and Consumer Drivers

The vinyl revival has been propelled by consumers' for a pre-digital era, where physical music formats evoked personal memories and emotional connections. In an age dominated by streaming and intangible media, vinyl offers a through its tangible nature, allowing buyers to engage with music as a physical artifact rather than ephemeral data. This appeal is heightened by digital fatigue, with many seeking the ritualistic process of playing as a mindful escape. For instance, a 2025 analysis by the Vinyl Alliance found that 50% of surveyed collectors view vinyl purchases as a deliberate break from digital overload, emphasizing its role in restoring a sense of presence and authenticity in music consumption. Recent data from the same analysis highlights (ages 18-24) as the primary driver, with 76% purchasing vinyl monthly. A key draw lies in vinyl's aesthetic and social dimensions, which transform listening into a visually and communally rich experience. Large-format artwork and detailed provide contextual depth—biographical insights, , and —that digital platforms often omit, turning records into cherished display pieces. Socially, this fosters sharing on platforms like via hashtags such as #VinylCollection, where users post curated setups to build online communities and express identity. Moreover, vinyl serves as a generational bridge, with family heirlooms like inherited collections introducing younger listeners to , strengthening intergenerational bonds through shared musical heritage. Perceptions of superior further motivate adoption, with audiophiles often describing vinyl's analog warmth—characterized by subtle imperfections and —as more immersive and emotionally resonant than compressed streaming audio, despite the subjectivity of such claims. Objective analyses may favor high-resolution digital for , but consumer surveys highlight the and atmosphere of vinyl playback as enhancing perceived immersion. A 2023 Luminate survey revealed that among vinyl buyers, a notable portion prioritize this sensory engagement over convenience, with 50% lacking turntables yet valuing the format's evocative qualities. Collector culture has surged alongside these drivers, with enthusiasts drawn to limited-edition variants like colored pressings and picture discs that prioritize visual artistry over standard black vinyl. These editions, often featuring vibrant hues or embedded imagery, appeal to buyers treating records as decorative or investment art rather than mere playback media. Data from 2023 indicates that 50% of U.S. vinyl purchasers did not own turntables, underscoring a shift toward collecting for aesthetic and status value. Industry efforts to produce such variants have amplified this trend, catering directly to consumer desires for uniqueness.

Industry and Technological Factors

Major record labels have significantly invested in vinyl production infrastructure to meet growing demand during the revival. In response to surging interest, companies like expanded their manufacturing capabilities. For instance, by the late 2010s, major labels collaborated with independent pressers to address bottlenecks, as vinyl sales approached 50 million units annually in the early 2020s. This included strategic investments in new equipment and capacity expansions at plants like those operated by GZ Media. Artist endorsements have further propelled the revival through exclusive vinyl releases that leverage fan-driven economies. Billie Eilish's 2021 album was offered as a limited-edition golden yellow vinyl exclusively through her official store, creating scarcity and boosting direct sales to supporters. Similarly, BTS capitalized on fan loyalty with limited-edition vinyl singles like the 2021 7-inch release, which sold out rapidly and tied into broader merchandise strategies to engage their global audience. Technological advancements in vinyl production have enhanced quality and accessibility, enabling high-fidelity masters suitable for modern releases. Contemporary lathe-cutting techniques, such as (DMM), allow for precise groove engraving that preserves audio detail without the surface noise common in older methods, using advanced lathes like the VMS series upgraded for digital integration. Additionally, manufacturers like introduced affordable turntables starting around 2010, with models like the AT-LP60 series seeing price reductions to under $100 through , making playback equipment widely available to new consumers. The expansion of distribution networks has scaled the revival by improving access to vinyl products. Discogs, founded in 2005, evolved into a premier for buying and selling records, facilitating global transactions among collectors and labels with its comprehensive database. By 2015, Amazon redesigned its vinyl section to highlight new releases and promotions, including giveaways that drew in mainstream shoppers and integrated vinyl seamlessly into logistics. These platforms have collectively broadened reach, supporting both independent and major label distributions.

Market Analysis and Sales

Global and Regional Sales Data

The global vinyl record market reached a valuation of $1.9 billion in 2024, marking continued expansion as the format accounted for the majority of physical sales worldwide. According to the International Federation of the Phonographic Industry (IFPI), vinyl revenues grew by 4.6% that year, achieving 18 consecutive years of increases amid a broader recorded revenue of $29.6 billion. Projections for 2025 indicate a slight dip in growth due to economic pressures, with early showing moderated unit in . The maintained dominance in the vinyl sector, selling 43.6 million units in 2024 and comprising a dominant share of global totals. In 2023, U.S. vinyl shipments totaled 43.2 million units, generating $1.35 billion in revenue per the (RIAA). For the first half of 2025, the RIAA reported 22.1 million units sold, a 1% decline from 22.3 million in the same period of 2024, reflecting early signs of stabilization. In , the led with 6.7 million vinyl units sold in 2024, the highest volume in three decades and up 9.1% year-over-year according to the (BPI). recorded about 3 million vinyl LP sales that year, while exceeded 5 million units, bolstered by European Union-supported reissue initiatives. Other regions showed varied but promising trends, with Asia's achieving roughly 2.7 million vinyl units in 2023 based on 6.3 billion yen in , per the . Emerging markets like exhibited 20% annual growth in physical formats, predominantly vinyl, contributing to a 21% rise in overall recorded music during the first half of 2024.
Region2024 Units Sold (millions)Key Source
43.6RIAA
6.7BPI
~3BfM
~5.5 (2023 est.)
Japan (2023)~2.7RIAJ

Bestselling Albums and Artists

In the , annual bestselling vinyl albums have highlighted the revival's momentum through diverse artists and genres. In 2016, ' Blurryface led vinyl sales with 68,000 units, edging out David Bowie's Blackstar at 66,000 and reflecting a surge in demand. By 2020, Taylor Swift's dominated physical formats, including over 300,000 vinyl copies as part of its 2.3 million total album units, underscoring the pandemic-era shift toward home listening experiences. In 2023, Morgan Wallen's emerged as a powerhouse, selling approximately 250,000 vinyl units amid its overall chart-topping performance. Taylor Swift has exerted profound influence on vinyl sales, amassing cumulative figures exceeding 5 million units across her catalog from 2010 to 2025, driven by re-recordings and surprise releases that boosted collector interest. Her 2023 vinyl sales alone reached 3.484 million units, accounting for 7% of the U.S. total that year and marking her as the top-selling artist for the third consecutive year. Hip-hop and rap genres have similarly led vinyl trends since 2018, with Kendrick Lamar's DAMN. (2017) selling 30,000 vinyl copies in 2018 alone, second only to legacy titles and exemplifying the format's appeal to younger urban audiences. Genre shifts in U.S. vinyl sales reveal evolving preferences, with rock maintaining a steady 35% share through catalog staples (per 2023 data), while pop and have risen notably—pop via artists like and through Wallen's crossover hits. In 2025, has shown a 30% sales increase, propelled by groups like , whose album KARMA exceeded 1 million total U.S. units year-to-date, including significant vinyl contributions from fan-driven physical bundles. Regionally, the UK has seen strong performance from reissues, with Oasis titles topping vinyl charts in 2025; for instance, (What's the Story) Morning Glory? ranked seventh among the year's biggest vinyl albums, surpassing 100,000 units amid reunion tour hype. Line graphs illustrating U.S. vinyl sales trends, based on data from the Recording Industry Association of America (RIAA), depict a remarkable exponential growth trajectory starting from approximately 2.8 million units in 2007 to a peak of 41 million units in 2021, reflecting the initial surge driven by niche collector interest evolving into mainstream adoption. Following this peak, the curves show a plateau phase, with sales stabilizing around 41-43.6 million units annually from 2022 to 2024, indicating market maturation amid sustained demand from audiophiles and younger demographics. By mid-2025, preliminary data reveals a subtle slowdown, with first-half shipments at 22.1 million units compared to 22.3 million in the same period of 2024, suggesting a potential annual figure below prior years and hinting at emerging saturation or economic pressures (as of September 2025; full-year data pending). Bar charts breaking down vinyl sales by genre, drawn from 2023 RIAA and Luminate analyses, highlight rock dominating at 35% of total units, underscoring its enduring appeal in the format's revival, while pop follows at 25%, buoyed by high-profile releases and colorful variant editions. Regional comparisons in similar bar visualizations reveal stark disparities in , with the U.S. leading at 43.6 million units per RIAA figures, far outpacing the where aggregate sales hovered around 15-20 million units across markets like the (6.7 million units via BPI data), attributed to differing streaming penetration and retail . Pie charts representing , sourced from IFPI and RIAA annual reports, position vinyl as comprising about 8% of total U.S. recorded revenues in 2024—contrasting sharply with streaming's overwhelming 84% dominance—while within physical formats, vinyl captured over 75% of the $1.9 billion segment. Projections embedded in 2025 IFPI visuals forecast a marginal contraction to 8-9% of overall U.S. , based on observed midyear softening and rising production costs, though vinyl retains its niche as the preferred tangible medium amid digital ubiquity.

Community and Cultural Events

Record Store Day

Record Store Day was conceived in 2007 by independent record store owners and employees in the United States, including figures like Michael Kurtz and Carrie Colliton, as a strategy to celebrate the unique culture of independent record stores and counteract declining sales in the physical music retail sector amid the rise of digital downloads. The inaugural event occurred on April 19, 2008, marking the first coordinated nationwide promotion with exclusive vinyl releases, artist appearances, and in-store festivities designed to draw vinyl enthusiasts and boost foot traffic. This initiative quickly gained traction, evolving into a cornerstone of the vinyl revival by fostering community engagement and highlighting the tactile appeal of physical media. The event follows an annual format centered on the third Saturday in April, supplemented since 2010 by a Black Friday edition in late November, both emphasizing limited-edition vinyl pressings available exclusively at independent stores to create urgency and collector interest. Participation has grown substantially, with over 1,500 U.S. stores and hundreds more internationally joining the 2025 April celebration, contributing to 673,000 exclusive album units sold—representing more than 75% of all units manufactured for the event. These gatherings often include live performances, signings, and special merchandise, amplifying the event's role in sustaining indie retail ecosystems. Record Store Day has played a pivotal role in the vinyl revival by enhancing the economic viability of independent stores, which report sales spikes of up to 41% on event days compared to typical weekends, as seen in early years, while more recent data shows indies capturing over 50% of U.S. sales during RSD weeks. High-profile artist collaborations, such as the ' multiple exclusive releases—including the 2011 compilation Medium Rare and various 7-inch singles—have drawn crowds and underscored the event's cultural cachet, encouraging broader consumer support for physical formats. In response to the , the 2020 edition adapted to virtual and staggered formats, dividing releases across three "drop" dates in , , and with enhanced sales and protocols to ensure safety while maintaining momentum. This ties into broader independent store initiatives by promoting year-round advocacy for physical music culture.

Independent Record Store Initiatives

Independent record stores have been central to the vinyl revival through dedicated programs and charts that highlight sales and promote exclusive stock. The UK Official Record Store Chart, launched in 2015 by the in partnership with over 100 independent retailers, tracks the top 50 albums based on physical sales, including vinyl, exclusively from these stores. This initiative underscores the unique role of indies in curating and driving demand for both new releases and reissues, fostering a distinct market segment separate from mainstream retail. In 2025, the chart has often topped with reissues from iconic catalogs, highlighting the sustained appeal of among indie shoppers. Globally, networks like the Alliance of Independent Media Stores (AIMS), established in 1999, support vinyl promotion by connecting retailers with labels and artists to ensure diverse stock availability, including limited-edition pressings that enhance store traffic and cultural engagement. In the , alliances associated with further strengthen indies by coordinating exclusive vinyl drops and collaborative marketing, briefly tying into annual events to boost year-round viability. Economically, these efforts have solidified indies' position, with independent stores accounting for approximately 40% of vinyl sales in , demonstrating their outsized influence despite competition from larger chains. Various campaigns emphasize local patronage to sustain this momentum, encouraging consumers to prioritize indies for unique vinyl experiences over big-box options. These programs also address persistent challenges, such as the vinyl supply shortages of 2022-2023, which caused production delays of up to 12 months due to high demand and material constraints; through advocacy and partnerships, organizations like AIMS and alliances worked to secure better access to pressing slots and stabilize inventory for smaller retailers.

Debates and Challenges

Nomenclature and Terminology

The term "vinyl revival" emerged in music journalism around 2006, coinciding with the format's sales bottoming out and beginning a steady upward trajectory after decades of decline dominated by digital formats. This nomenclature captured the initial surprise at vinyl's reemergence, framing it as a nostalgic rebound rather than a fundamental shift in music consumption. In response, some observers have advocated for "" to convey a broader cultural renewal, emphasizing vinyl's role in fostering tactile and artistic appreciation amid digital saturation. This alternative gained traction in articles from the late onward, positioning the trend as a transformative movement rather than mere resurgence. By the 2020s, the (RIAA) adopted "resurgence" in its revenue reports to underscore the format's enduring growth, with vinyl revenues marking 16 consecutive years of increases by 2022 and continuing to represent over 70% of physical sales. Stakeholders exhibit varied preferences in terminology, reflecting differing emphases. Vinyl collectors often favor "comeback," which evokes nostalgia and the format's triumphant return to personal collections, aligning with the emotional pull of rediscovering analog artifacts. In contrast, industry analysts, including analyses from Music Business Worldwide, have urged restraint against overly hyped labels like "revival" amid 2025 sales fluctuations, such as a slowdown in unit growth, to maintain realistic expectations for the market's trajectory. Internationally, nomenclature diverges to highlight regional nuances; in , the trend is commonly referred to as the "analog boom" since the early , prioritizing technological allure and innovation over notions of revival from . This framing reflects Japan's strong legacy in high-fidelity and a youth-driven embrace of vinyl as a premium listening medium, with sales surging among both locals and tourists.

Sustainability and Production Issues

The production of vinyl records, primarily using (PVC), raises significant environmental concerns due to its carbon-intensive manufacturing process. Pressing a single vinyl record generates approximately 1.15 kg of CO₂ equivalent emissions (cradle-to-gate), with a substantial portion from the PVC compound and associated energy use in factories. Additionally, the process contributes to broader through energy demands. Efforts to mitigate these impacts have gained traction, particularly through the adoption of recycled materials. Optimal Media introduced ReVinyl, a product made from 100% recycled PVC sourced from in-house recovery, which reduces production and supports principles by minimizing virgin material use. Complementary initiatives, such as the Revinylize Recycling Collaborative, exceeded their 2025 target by recycling over 5 million pounds of vinyl in the first half of the year alone and over 10 million pounds by 2025, demonstrating scalable diversion in the industry. Supply chain bottlenecks have exacerbated production challenges during the vinyl revival. Between 2021 and 2023, global shortages of PVC pellets and shipping disruptions led to significant delays in record releases, with wait times for pressing extending up to 12 months for independent artists and labels. The number of operational pressing plants worldwide has remained limited compared to over 100 in the , constraining capacity despite rising demand. By 2025, global production capacity has stabilized at approximately 440 million units annually, though this remains strained by reliance on a few major facilities. Criticisms of vinyl production extend beyond carbon emissions to include accusations of greenwashing, particularly with limited-edition colored variants that often require additional dyes and materials without substantial environmental offsets. These practices are seen as prioritizing collector appeal over sustainability, potentially undermining genuine eco-efforts. In response, artists have advocated for greener alternatives; for instance, Radiohead's 2024 reissues emphasized standard black vinyl to reduce material overuse, aligning with the band's long-standing environmental advocacy. Looking ahead, the industry is exploring bio-based polymers as a mitigation strategy. Optimal Media's BioVinyl, utilizing bio-based PVC derived from renewable waste sources, achieves up to 90% CO₂ savings compared to traditional methods and is fully recyclable. In the , VinylPlus has piloted such innovations as part of its 2030 Commitment, evaluating pathways to carbon neutrality with progress reports due in 2025, aiming for industry-wide core carbon reductions by the decade's end.

References

  1. https://online.ucpress.edu/jpms/article/33/3/73/118549/Vinyl-Revival
  2. https://www.statista.com/chart/7699/lp-sales-in-the-united-states/
  3. https://www.riaa.com/wp-content/uploads/2025/03/RIAA-2024Year-End-Revenue-Report.pdf
  4. https://www.midiaresearch.com/blog/two-future-paths-for-the-vinyl-revival
  5. https://www.billboard.com/pro/riaa-2025-mid-year-report-recorded-music-revenues-streaming/
  6. https://www.aei.org/carpe-diem/animated-chart-of-the-day-recorded-music-sales-by-format-share-1973-to-2022/
  7. https://www.billboard.com/pro/vinyl-prices-inflation-1978/
  8. https://variety.com/1994/music/news/music-sales-hit-record-high-118613/
  9. https://www.stereophile.com/content/riaa-releases-1997-year-end-music-sales-statistics
  10. https://www.theguardian.com/world/2017/jun/29/sony-making-records-30-years-abandoning-vinyl
  11. https://www.cnbc.com/2023/11/30/retailers-covid-era-nostalgia-revive-the-vinyl-records-industry.html
  12. https://www.collectorsweekly.com/articles/your-turntable-is-not-dead-inside-jack-whites-vinyl-record-empire/
  13. https://vinylcollective.proboards.com/
  14. https://www.npr.org/sections/therecord/2012/01/05/144741064/in-sales-as-in-everything-else-adele-ruled-2011
  15. https://variety.com/2014/music/news/taylor-swifts-1989-becomes-2014s-best-selling-album-1201390213/
  16. https://www.urpressing.com/about/timeline/
  17. https://www.riaa.com/wp-content/uploads/2021/02/2020-Year-End-Music-Industry-Revenue-Report.pdf
  18. https://www.riaa.com/wp-content/uploads/2020/09/Mid-Year-2020-RIAA-Revenue-Statistics.pdf
  19. https://www.musicweek.com/labels/read/vinyl-alliance-says-gen-z-is-now-the-driving-force-behind-the-format-s-popularity/091294
  20. https://www.musicweek.com/labels/read/streaming-growth-slows-and-vinyl-sales-wobble-in-2025-half-year-uk-market-figures/092225
  21. https://grammy.com/news/the-vinyl-shortage-explainer-how-long-waits-expensive-materials-high-demand-are-affecting-the-industry
  22. https://pitchfork.com/news/taylor-swift-albums-account-for-1-in-25-vinyl-lps-sold-in-2022/
  23. https://illustratemagazine.com/vinyl-revival-why-collecting-vinyl-records-is-back-in-style/
  24. https://kutx.org/words-on-music/music-matters/whats-really-behind-the-vinyl-revival/
  25. https://www.forbes.com/sites/billrosenblatt/2023/01/16/luminate-data-music-report-the-album-is-once-again-a-vinyl-lp/
  26. https://www.musicbusinessworldwide.com/50-of-vinyl-buyers-dont-own-a-record-player-data-shows/
  27. https://www.strategicmarketresearch.com/market-report/vinyl-records-market
  28. https://luminatedata.com/blog/the-growth-of-vinyl-and-the-impact-of-independent-record-stores-on-vinyl-sales/
  29. https://www.gzmedia.com/about-us/
  30. https://store.billieeilish.com/products/happier-than-ever-exclusive-golden-yellow-vinyl
  31. https://www.ebay.com/p/5047879790
  32. https://www.precioussound.com/blogs/thefrequency/precious-sound-and-dmm
  33. http://www.timelessmastering.com/vinyl
  34. https://camelcamelcamel.com/product/B002GYTPAE
  35. https://www.vice.com/en/article/discogs-interview-vinyl-records-marketplace-2/
  36. https://www.billboard.com/music/music-news/amazon-vinyl-store-giving-away-records-shop-indie-store-responds-6746245/
  37. https://www.imarcgroup.com/vinyl-record-market
  38. https://www.ifpi.org/ifpi-amidst-highly-competitive-market-global-recorded-music-revenues-grew-4-8-in-2024/
  39. https://www.officialcharts.com/chart-news/the-official-best-selling-vinyl-albums-and-singles-of-2024/
  40. https://www.statista.com/statistics/385014/vinyl-lps-sales-volume-germany/
  41. https://blog.son-video.com/en/2024/04/vinyl-outperforms-cd/
  42. https://adm.riaj.or.jp/sites/default/files/2025-06/RIAJ2024E.pdf
  43. https://www.royaltyexchange.com/blog/brazils-recorded-music-market-grows-in-first-half-of-2024
  44. https://www.statista.com/statistics/297565/physical-music-revenue-in-brazil-format/
  45. https://www.forbes.com/sites/hughmcintyre/2017/01/05/x-twenty-one-pilots-score-the-best-selling-vinyl-album-of-2016/
  46. https://www.billboard.com/pro/taylor-swift-top-selling-album-year-fifth-time-folklore/
  47. https://www.billboard.com/music/chart-beat/2023-us-year-end-music-report-luminate-top-album-morgan-wallen-taylor-swift-1235579214/
  48. https://www.statista.com/chart/29200/best-selling-vinyl-albums-in-the-us/
  49. https://www.forbes.com/sites/hughmcintyre/2024/01/17/taylor-swift-was-responsible-for-7-of-all-vinyl-albums-sold-in-2023/
  50. https://www.hotnewhiphop.com/116997-kendrick-lamars-damn-among-albums-leading-growing-vinyl-sales-news
  51. https://www.riaa.com/reports/2023-year-end-music-industry-revenue-report-riaa/
  52. https://www.facebook.com/theworldmusicawards/posts/stray-kids-has-sold-over-1-million-total-album-units-in-the-us-in-2025-now-the-1/1164680589097530/
  53. https://www.officialcharts.com/chart-news/the-official-best-selling-vinyl-albums-and-singles-of-2025/
  54. https://www.riaa.com/growth-in-paid-subscription-streaming-drives-mid-year-2025-us-recorded-music-revenues-to-new-high-reports-riaa/
  55. https://www.bpi.co.uk/news-analysis/uk-recorded-music-trade-revenues-for-2024
  56. https://grammy.com/news/five-things-to-know-about-record-store-day-15th-anniversary-metallica
  57. https://recordstoreday.com/CustomPage/614
  58. https://www.billboard.com/music/music-news/bringing-record-stores-back-to-black-record-store-days-carrie-5800852/
  59. https://luminatedata.com/blog/record-store-day-2025-get-to-know-its-vinyl-buying-u-s-audience/
  60. https://www.billboard.com/pro/record-store-day-2023-sales-totals-vinyl-albums-sold-luminate-data/
  61. https://recordstoreday.com/Artist/578
  62. https://www.udiscovermusic.com/news/record-store-day-2020-drop-dates/
  63. https://www.officialcharts.com/charts/record-store-chart/
  64. https://www.officialcharts.com/chart-news/uk-s-first-official-vinyl-charts-launch-as-vinyl-sales-soar-in-2015__8906/
  65. https://thealliancerocks.com/about-us/
  66. https://www.ajc.com/life/radiotvtalk-blog/criminal-records-celebrates-30-years-thriving-as-vinyl-flourishes/UPERMQMYZFHQTC2SHKVJOYLROQ/
  67. https://www.billboard.com/pro/vinyl-album-demand-pandemic-slowdown-industry-supply/
  68. https://iaspmjournal.net/index.php/IASPM_Journal/article/download/895/pdf_1/5281
  69. https://thesciencesurvey.com/arts-entertainment/2025/07/06/the-quiet-revival-of-the-vinyl-record/
  70. https://www.riaa.com/wp-content/uploads/2023/03/2022-Year-End-Music-Industry-Revenue-Report.pdf
  71. https://musicrow.com/2025/09/riaa-reports-paid-streaming-increases-in-mid-year-report/
  72. https://www.thepostathens.com/article/2025/10/vinyl-comeback-collectibles-music-experience
  73. https://www.musicbusinessworldwide.com/putting-the-vinyl-revival-in-proper-perspective/
  74. https://www.nme.com/news/music/new-report-shows-carbon-impact-of-vinyl-releases-3786401
  75. https://www.theguardian.com/music/2020/jan/28/vinyl-record-revival-environmental-impact-music-industry-streaming
  76. https://www.optimal-media.com/en/press/re-vinyl/
  77. https://www.wjbf.com/business/press-releases/ein-presswire/854266870/revinylize-surpasses-2025-goal-5-million-pounds-recycled-in-just-six-months-with-potential-to-double-original-goal
  78. https://www.theguardian.com/music/2021/jul/16/pressing-issues-vinyl-revival-held-back-record-store-day
  79. https://camoinassociates.com/resources/vinyl-records-resurrection/
  80. https://www.futuresource-consulting.com/media/bn4p44ix/vinyl-nl.pdf
  81. https://www.side-line.com/greenwashing-in-the-music-industry-we-checked-it-out/
  82. https://djmag.com/longreads/can-our-vinyl-obsession-ever-be-environmentally-friendly
  83. https://www.discogs.com/release/31673948-Radiohead-OK-Computer
  84. https://www.optimal-media.com/en/press/biovinyl/
  85. https://www.vinylplus.eu/about-us/vinylplus-2030-commitment/
  86. https://www.vinylplus.de/wp-content/uploads/2025/06/250414_VinylPlus_2030_StateOfPlay.pdf
Add your contribution
Related Hubs
User Avatar
No comments yet.