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Alberto Negrin (born 2 January 1940) is an Italian film director and screenwriter, known for his historical, nostalgic and political films.[1][2]

Key Information

Negrin started his career as a fine art photographer.[3] In 1962 he debuted as an assistant stage director, collaborating with Orazio Costa and Giorgio Strehler.[3]

In a career spanning over four decades, Negrin has directed over 30 films and series, including the giallo film Enigma rosso (1978), Mussolini and I (1985), starring Bob Hoskins, Anthony Hopkins and Susan Sarandon, the TV miniseries The Secret of the Sahara (1987) (with Ben Kingsley), Voyage of Terror: The Achille Lauro Affair (1989) (with Burt Lancaster), Tower of the Firstborn, Perlasca – Un eroe Italiano (2002), Il Cuore nel Pozzo (2005) and Mi Ricordo Anna Frank.[4] Negrin is also known for his long-standing association with composer Ennio Morricone, who composed music for thirteen Negrin's feature films since 1987.

The historical drama film Perlasca – Un eroe Italiano earned him a Telegatto Award for Best TV movie. Il Cuore nel Pozzo, a film about the Foibe massacres and Istrian–Dalmatian exodus, was watched by 17 million people on its first broadcast in Italy.[citation needed]

Theater

[edit]
  • Atomo, storia di una scelta (1965)
  • Il bandito (1966)
  • Sentite, buona gente, Peppino Marotto, poeta orgolese (film-documento) (1967)
  • Colui che dice di sì e colui che dice di no (1969)
  • Operai (film per il "Piccolo") (1969)
  • Interrogatorio alla Avana (1972)

Filmography

[edit]

References

[edit]
[edit]
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Alberto Negrin

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Alberto Negrin is an Italian film and television director and screenwriter known for his historical dramas and biographical miniseries that explore key events and figures from 20th-century Italian and European history. [1] Born on 2 January 1940 in Casablanca, Morocco, he has built a long career primarily with Italy's public broadcaster RAI, directing and often writing large-scale television productions centered on themes such as World War II, the Holocaust, anti-Mafia efforts, and portraits of notable Italian personalities. [1] [2] His work frequently blends historical accuracy with dramatic storytelling, earning recognition for titles including Secret of the Sahara (1988), Perlasca: Un eroe italiano (2002), Il cuore nel pozzo (2005), Gino Bartali – L’intramontabile (2006), Pane e libertà (2009), Mi ricordo Anna Frank (2009), Paolo Borsellino – I 57 giorni (2012), and Rita Levi-Montalcini (2020). [2] Several of these productions received accolades, including TV Oscar awards for best director and film, as well as international nominations such as Emmys for earlier works. [2] Negrin's approach often highlights moral courage and social issues, contributing significantly to Italian television's tradition of prestige historical programming. [1]

Early life

Birth and family background

Alberto Negrin was born on 2 January 1940 in Casablanca, Morocco. [1] [3] He was born to Jewish parents who relocated to Morocco to escape persecution in Fascist Italy following the enactment of racial laws in 1938. [4] The family returned to Italy immediately after the end of World War II. [5]

Education and entry into the arts

Following the end of World War II and his completion of high school, Alberto Negrin studied philosophy at the University of Milan.[6] Passionate about photography, he began his professional career collaborating as a photographer for various prominent Italian publications, including Storia Illustrata, Panorama, L’Espresso, and L’Europeo.[6] This work in photography marked Negrin's initial entry into the arts.[6] In 1962, he transitioned to the theatre as an assistant director.[6]

Career beginnings

Theatre assistant work

Alberto Negrin debuted as an assistant stage director in 1962 when he joined Milan's Piccolo Teatro, collaborating with prominent figures such as Giorgio Strehler, Orazio Costa, and Virginio Puecher. [6] This marked his entry into professional theatre after earlier pursuits in philosophy studies and fine art photography. [6] He assisted Giorgio Strehler on the 1963 production of Bertolt Brecht's Vita di Galileo at the Piccolo Teatro di Milano. [7] His collaboration with Strehler continued, including work on the 1967 spectacle Sentite buona gente, for which Negrin contributed to preparatory fieldwork in 1966 alongside ethnomusicologist Roberto Leydi, collecting traditional songs and music from regions including Abruzzo, Puglia, Piemonte, Lombardia, Friuli, Toscana, and Sardegna to support the show's foundation in Italian folk traditions. [8] He remained a key figure in the realization of this Piccolo Teatro production, which featured ordinary workers as performers and faced significant logistical challenges. [8] Negrin's early theatre involvement also encompassed related documentary and investigative projects. [6] From 1965 onward, he began directing his own productions for the Piccolo Teatro while continuing his assistant work in the early phase of his career. [6]

Early directing in film and television

Alberto Negrin began his directing career in film and television in the late 1960s, initially focusing on a mix of documentaries, dramatic films, and television productions. [9] [1] One of his early credits was the television production Platero y yo (1968). [10] During the 1970s, Negrin directed several Italian television works and feature films, including the miniseries Lungo il fiume e sull'acqua (1973), which explored dramatic themes along river settings. [11] He continued with titles such as Volontari per destinazione ignota (1977), a television movie involving wartime themes. [1] [9] In 1978, he directed the giallo thriller Red Rings of Fear (also known as Enigma rosso), a feature film co-produced internationally that blended mystery and suspense elements. [1] [9] These early projects established Negrin's versatility across genres and formats in Italian cinema and television before his transition to larger-scale international productions in the following decade.

Breakthrough and international career

1980s miniseries and co-productions

In the 1980s, Alberto Negrin shifted focus to high-profile international television miniseries and co-productions, often featuring multinational casts and exploring historical or epic narratives.[1] These projects marked his entry into larger-scale productions with broader appeal beyond Italy.[1] He directed Mussolini and I (1985), a biographical miniseries dramatizing Benito Mussolini's life, decline, and family dynamics amid fascism's fall.[12] The production starred Bob Hoskins as Mussolini, Anthony Hopkins as his son-in-law Galeazzo Ciano, and Susan Sarandon as Edda Ciano.[13] It was an international co-production with involvement from Italian, British, and North American partners, including broadcast on HBO.[12] Negrin followed with The Secret of the Sahara (1988), an adventure miniseries centered on an archaeologist's quest for a legendary secret hidden in the desert.[14] The cast included Ben Kingsley and other international performers, and the work marked the start of Negrin's long-term collaboration with composer Ennio Morricone, who scored the series.[14] It was a major co-production involving Italian, German, and French elements, filmed on location in Morocco.[14] He concluded the decade with Voyage of Terror: The Achille Lauro Affair (1990), a dramatization of the 1985 hijacking of the Italian cruise ship Achille Lauro.[15] The production starred Burt Lancaster and represented an Italian-American co-production addressing contemporary historical events.[15] These miniseries highlighted Negrin's expertise in managing ambitious international efforts blending European and Hollywood talent.[1]

1990s–2000s historical and biographical dramas

In the 1990s and 2000s, Alberto Negrin focused predominantly on historical and biographical television productions, often exploring themes of heroism, wartime moral choices, and human suffering through miniseries and TV movies produced for Italian audiences. [2] These works frequently drew from real events and figures, blending drama with educational intent to bring lesser-known stories to broad viewership via RAI broadcasts. [2] His output included the 2000 adventure drama Tower of the Firstborn (Italian title: I Guardiani del Cielo), starring Ben Cross and Peter Weller in a story involving mystery and historical artifacts. [2] In 2002, Negrin directed the biographical miniseries Perlasca – Un eroe Italiano, which depicted the efforts of Italian businessman Giorgio Perlasca to save thousands of Hungarian Jews during World War II, with Luca Zingaretti in the lead role. [2] The production received the Telegatto award for TV Movies/Miniseries in 2002, along with a TV Oscar recognition. [2] [16] Negrin continued this trajectory with Il Cuore nel Pozzo in 2005, a TV movie addressing the Foibe massacres and the Istrian-Dalmatian exodus, starring Leo Gullotta and attracting an extraordinary viewership of more than 16 million people. [17] The film earned Negrin a TV Oscar for Best Director and for the production itself. [2] He followed with Gino Bartali – L’intramontabile (known internationally as Bartali: The Iron Man) in 2006, a biographical drama portraying the Italian cyclist Gino Bartali's life and his clandestine aid to Jews during the Holocaust, starring Pierfrancesco Favino. [2] In 2009, Negrin directed Mi Ricordo Anna Frank (Memories of Anne Frank), a biographical television film recounting aspects of Anne Frank's life and legacy, featuring Emilio Solfrizzi and Rosabell Laurenti Sellers. [2] These projects underscored Negrin's consistent engagement with historical narratives into the late 2000s. [2]

Later career

2010s–2020s productions

In the 2010s and 2020s, Alberto Negrin continued his long-standing focus on Italian television, directing biographical and historical TV movies and miniseries that examined themes of justice, corruption, and personal resilience.[1] He directed the TV movie Paolo Borsellino: The 57 Days (2012), which chronicles the 57 days in 1992 after the mafia assassination of judge Giovanni Falcone, as his colleague Paolo Borsellino pursues the truth despite mortal danger.[18] This was followed by the 12-episode TV series L'isola (2012–2013). In 2014, Negrin helmed the TV movie Un mondo nuovo and the two-part miniseries Qualunque cosa succeda, the latter depicting the true story of lawyer Giorgio Ambrosoli, appointed to liquidate a corrupt bank in the 1970s, whose investigations led to his murder in 1979. The three-episode miniseries Tango per la libertà came in 2016, freely inspired by historical events surrounding political asylum. In 2020, he directed the TV movie Rita Levi-Montalcini, which portrays the Nobel Prize-winning scientist in 1986 as she confronts personal and professional choices after her acclaim.[19] His latest known work is Mancuso, l'uomo che parlava alle piante (2022).[20] These productions affirm Negrin's consistent engagement with narratives drawn from Italian history and real-life figures.[1]

Artistic style and collaborations

Recurring themes and genres

Alberto Negrin's body of work is characterized by a strong emphasis on historical, political, and biographical narratives, most commonly realized through docudramas and miniseries for television. [1] His productions frequently examine pivotal events and figures from 20th-century Italian and European history, including the fascist period, World War II resistance, the Holocaust, and struggles against organized crime and injustice. [1] Recurring themes include moral courage in the face of oppression, ethical resistance to authoritarianism or corruption, and reflections on personal integrity during turbulent times. [1] The docudrama and biographical miniseries format dominates his later career, allowing detailed reconstructions of real-life stories with a focus on political and social significance. [1] An early exception is his single foray into the giallo genre with the thriller Red Rings of Fear (1978), which contrasts sharply with the historical and political orientation that defines the majority of his output. [21]

Long-term collaboration with Ennio Morricone

Alberto Negrin has maintained a long-term professional collaboration with composer Ennio Morricone, who scored many of Negrin's productions starting in the late 1980s. [22] [23] This partnership has spanned multiple decades and includes notable projects such as the score for Il segreto del Sahara (also known as Secret of the Sahara, 1988), among others where Morricone's music complemented Negrin's historical narratives. [22] Their repeated work together highlights one of the most extensive director-composer associations in Negrin's career, contributing distinctive musical identity to his productions. [24]

Recognition

Awards and nominations

Alberto Negrin's directing career has received recognition through various awards and nominations, particularly for his television miniseries. His IMDb profile lists 2 wins and 1 nomination.[25] His 1978 film Volontari per destinazione ignota received a nomination for the Golden Spike for Best Film at the Valladolid International Film Festival.[25] Additional recognitions include international Emmy nominations: 7 for the 1990 miniseries Viaggio Nel Terrore – L’Achille Lauro and 1 for Io e Il Duce (1985, for World Best TV Show), along with an Ace Award for Best TV Cable Show USA for the latter.[2] His 2002 miniseries Perlasca – Un eroe Italiano secured multiple honors, including the Golden Capital for Best TV Movie at the Valladolid International Film Festival, the President Award (Humanitarian Award) at the Ft. Lauderdale International Film Festival in 2003, and the Telegatto Award for Best TV Movie in 2002. It also received a TV Oscar award.[25][26][2] His 2005 miniseries Il cuore nel pozzo received a TV Oscar Award for Best Director and Film.[2]

Audience impact and critical reception

Negrin's television miniseries have frequently drawn large Italian audiences, particularly when addressing historical and biographical themes with broad emotional and national resonance. His 2005 miniseries Il cuore nel pozzo, focused on the Foibe massacres, achieved substantial viewership, attracting a total of 17,251,000 unique contacts across its two episodes. [27] The first episode, broadcast on 6 February 2005, reached 7,473,000 viewers with a 27.50% share, outperforming competitors and ranking as the most-watched program of the day. [28] The second episode, aired on 8 February 2005, drew 10,188,000 viewers and a 36.66% share, with peaks exceeding 11 million viewers and shares above 44% toward the conclusion, roughly doubling the audience of its main rival on Canale 5. [27] This strong performance was noted as signaling high public participation in the inaugural official commemorations of the Giorno del Ricordo. [27] Critical reception of Negrin's works has been varied, often shaped by the politically sensitive subjects they depict. While productions such as Perlasca: un eroe italiano (2002) earned positive coverage across much of the Italian press and reached 11–13 million viewers, Il cuore nel pozzo faced criticism for its portrayal of Yugoslav partisans and its use of melodramatic elements, with some commentators viewing it as nationalist propaganda that distorted historical events and instrumentalized sensitive narratives. [4] [29] Such critiques have positioned the miniseries within broader debates on memory, ideology, and representation in Italian television historical dramas.

References

  1. https://www.imdb.com/name/nm0624477/
  2. https://www.ipcinternationalsrl.com/en/profile/alberto-negrin/
  3. https://www.themoviedb.org/person/104089-alberto-negrin
  4. https://primolevicenter.org/printed-matter/legitimizing-fascism-through-the-holocaust/
  5. https://www.comingsoon.it/personaggi/alberto-negrin/74264/biografia/
  6. https://www.babelfilmfestival.com/en/giuria-babel/
  7. https://www.teatrorossiaperto.it/galileo-milano/
  8. http://www.edumus.com/it/articolo/roberto_leydi_e_il_sentite_buona_gente_11011.html
  9. https://www.mymovies.it/persone/alberto-negrin/46354/filmografia/
  10. https://sergiobarce.blog/2017/12/06/artistas-creadores-e-interpretes-nacidos-en-marruecos-4/
  11. https://www.imdb.com/title/tt0477223/
  12. https://www.imdb.com/title/tt0089645/
  13. https://www.imdb.com/title/tt0089645/fullcredits/
  14. https://www.imdb.com/title/tt0092448/
  15. https://www.imdb.com/title/tt0100889/
  16. https://www.imdb.com/title/tt0278017/awards/
  17. https://tribes.hypotheses.org/3375
  18. https://www.imdb.com/title/tt2158526/
  19. https://www.imdb.com/title/tt13471698/
  20. https://www.imdb.com/title/tt20117652/
  21. https://www.imdb.com/title/tt0077505/
  22. https://www.maintitles.net/reviews/l-isola/
  23. https://www.movie-wave.net/titles/pane_liberta.html
  24. https://www.filmscoremonthly.com/community/topicid/118639/
  25. https://www.imdb.com/name/nm0624477/awards/
  26. https://www.giorgioperlasca.it/oscar-tv-e-telegatto-2002/
  27. https://www.corriere.it/Primo_Piano/Spettacoli/2005/02_Febbraio/08/foibe.shtml
  28. https://leganazionale.it/altissimi-ascolti-per-qil-cuore-nel-pozzoq/
  29. https://ecoinformazioni.com/2010/02/28/storia-propaganda/
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