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Salem Vishnu

Salem Vishnu
Title card
Directed byThiagarajan
Written byThiagarajan
Produced byThiagarajan
Starring
CinematographyGopinath
Edited bySiva Subramaniam
Music bySangeetha Rajan
Production
company
Lakshmi Shanthi Movies
Release date
  • 16 February 1990 (1990-02-16)
Running time
130 minutes
CountryIndia
LanguageTamil

Salem Vishnu (/sləm/) is a 1990 Indian Tamil-language action film written, produced and directed by Thiagarajan. The film stars Thiagarajan and Rupini. It was released on 16 February 1990.[1] The film is a spinoff/prequel of the Malayalam film New Delhi (1987), with Thiagarajan reprising the role.[2][3]

Plot

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Vishnu is a clever student, but he cannot tolerate cheating at the school exam, and beats up the professor; he was subsequently expelled. He decides to work as a car mechanic. Vishnu and Shanthi fell in love with each other.

Vishnu's brother Siva is an honest municipal commissioner. Siva and his wife Lakshmi, a jailer, are transferred to the same city where Vishnu lives. They are shocked when Vishnu tells that he works as a car mechanic.

Kathavarayan, the municipal chairman, and his brother Ashokan are corrupt, influential persons. Siva clashes with them. Meantime, Ashokan kills journalist Raji, who sends the details of their illegal works to Siva. Ashokan is later sent to jail. Siva wants also to punish Kathavarayan, but Ashokan kills him. The guiltless Vishnu is sent to jail for killing his own brother. In jail, he meets his sister-in-law Lakshmi and his enemy Ashokan. What transpires later forms the crux of the story.

Cast

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Soundtrack

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The soundtrack was composed by Sangeetha Rajan.[4]

Song Singer(s) Lyrics Duration
"Hey Nanaa Vayasu Pulla" K. S. Chithra Vairamuthu 4:23
"Kai Thottu Parkkanum" S. P. Balasubrahmanyam, S. Janaki Vaali 4:13
"Mayankinen Mannan Ingu" S. P. Balasubrahmanyam Thiagarajan 3:43
"Valayal Satham" S. P. Balasubrahmanyam, S. Janaki Vaali 4:12
"Varuvathu Varattum" Sangeetha Rajan Kennedy 4:55

Reception

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P. S. S. of Kalki praised the performances of Geetha, Goundamani and Vinu Chakravarthy, outdoor locations and camera angles but panned the obscene dance movements and humour track and concluded saying let it be a film made entirely for commercial purposes and questioned the relying on formal legal schemes to check irregularities, which the reviewer deemed useless.[5]

References

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