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Sreshta Premnath

Sreshta Rit Premnath is an artist living in New York City whose work incorporates multiple media.[1] He is the founding editor of Shifter, a platform that convenes public discussions and produces topical publications at the intersection of art and theory.[2] He is Associate Professor of Art at Williams College.[3]

Key Information

Selected exhibitions

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Grave/Grove Premnath's solo exhibition at Institute of Contemporary Art, San Diego.[4] Curated by Amara Antilla and Natalie Bell in 2021, and organized by Guusje Sanders at ICA San Diego, the exhibition contains object installations.

Grave/Grove Premnath's solo exhibition at Contemporary Art Center, Cincinnati.[5] Curated by Amara Antilla and Natalie Bell in 2021, the exhibition contains object installations.

Grave/Grove Premnath's solo exhibition at MIT List Visual Arts Center, Cambridge.[6] Curated by Amara Antilla and Natalie Bell in 2021, the exhibition contains object installations.

The Protest and the Recuperation exhibition at the Wallach Art Gallery, Columbia University, NYC.[7] Curated by Betti-Sue Hertz, this group exhibition explores global artistic responses to mass protests as well as strategies of recuperation.

Those Who Wait Premnath's solo exhibition at Contemporary Art Gallery, Vancouver.[8] Curated by Kimberly Phillips in 2019, the exhibition contains object installations and was accompanied by a monograph.

Cadere/Rose Premnath's solo exhibition at Nomas Foundation, in Rome Italy.[9] Curated by Maria Rosa Sossai in 2017, the exhibition contains large monograph vinyl wall prints, object installations, and a video.

Folding Rulers at Contemporary Art Museum (CAM) St Louis, USA.[10] This solo exhibition, curated by Kelly Schindler in 2012, is a full room installation with wall banners and objects visualizing representations of power.

After Midnight: Indian Modernism to Contemporary Art exhibition at the Queens Museum, NYC.[11] Curated by Arshiya Lokhandwala, this group exhibition explores themes of art and nation-building in a newly globalized contemporary art world.[12]

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References

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