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Blue Washington
Blue Washington
Blue Washington
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Edgar Hughes "Blue" Washington (26 February 1898 – 15 September 1970) was an American actor and baseball player who played in the Negro leagues from 1915 to 1920 as a pitcher and first baseman.[3]

Key Information

Baseball career

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Washington started his baseball career as a pitcher with the Chicago American Giants in 1915.[4] He remained with Chicago in 1916. He later played with the Kansas City Monarchs in 1920, appearing in 24 documented major league games.[5]

Acting career

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He appeared in 74 films between 1919 and 1957, mostly playing small, uncredited roles as a porter, a bartender, an African native (as in King Kong (1933) and Tarzan's Magic Fountain (1949), a cook, a chauffeur, a ship's crew member, a Nubian slave, and a doorman. Some of his characters had names such as "Ulambo", "Sambo" (sambo) and "Hambone". In the 1933 film Haunted Gold, he portrayed Clarence, John Wayne's comic sidekick. He had uncredited appearances in The Birth of a Nation (1915) and Gone with the Wind (1939).[6]

Personal

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Edgar Hughes Washington was the son of Susie Washington and had three siblings.[6] He became a boxer at age 14 with the stage name of "Kid Blue."[6] His separated from his partner Marian Lenàn when their son Kenny was two years old.[6] He was given the nickname "Blue" by film director Frank Capra when both were kids. Washington's son, Kenny Washington, a standout athlete at UCLA where he was a teammate of Jackie Robinson, broke the color barrier in the National Football League in 1946.

Filmography

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Lobby card for Kiki (1931) with Washington at upper right

References

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Sources

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  • Atwood, Gretchen (September 6, 2016). Lost Champions: Four Men, Two Teams, and the Breaking of Pro Football's Color Line. New York: Bloomsbury USA. ISBN 9781620406007. OCLC 956379043.
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Blue Washington

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from Grokipedia
Blue Washington is an American character actor known for his extensive career in Hollywood spanning from the late 1920s to the early 1960s, during which he appeared in nearly 90 films, most often in small, uncredited bit parts and stereotypical supporting roles that reflected the limited opportunities for African American performers in that era. Born Edgar Hughes Washington on February 26, 1898, in Los Angeles, California, he acquired the professional name "Blue" from his childhood friend and future director Frank Capra in their diverse Lincoln Heights neighborhood. Earlier in his career, Washington played professional baseball in the Negro leagues, including with the Kansas City Monarchs in the Negro National League. Standing at 6 feet 2 inches tall, he frequently portrayed menial characters such as servants, porters, Nubian slaves, and native bearers in westerns, adventure films, comedies, and dramas, including several projects directed by John Ford. His career highlighted the prevalent racial stereotypes in Hollywood during the 1930s and 1940s, with roles often depicting easily frightened or subservient figures, though his screen presence diminished in later decades as representations of Black characters evolved. He was married to Marion Lenán and was the father of Kenny Washington, a pioneering professional football player and fellow actor. Blue Washington died on September 15, 1970, in Lancaster, California.

Early life

Birth and family background

Edgar Hughes Washington, professionally known as Blue Washington, was born on February 26, 1898, in Los Angeles, California. This date is documented on the earliest known record signed by Washington himself, his World War I draft registration card. He was the son of Susie Washington and was raised with five siblings, making him part of a family of six children. The family lived in the Lincoln Heights neighborhood of East Los Angeles, an ethnically diverse area during his childhood. Susie Washington supported her children by running a nursery at the local grammar school while also performing janitorial work and sewing to sustain the household. This working-class background in a vibrant, mixed community shaped Washington's early environment in Los Angeles.

Origin of nickname and childhood

Blue Washington acquired his enduring nickname "Blue" from his childhood friend Frank Capra in the Lincoln Heights neighborhood of Los Angeles. His family affectionately called him "Biscuits" after he once ate an entire pan of baked biscuits as a child. During his early foray into boxing, he was known as "Kid Blue." Washington grew up in the diverse communities of East Los Angeles, where he exhibited remarkable early athleticism and reached nearly 6 feet in height by his teenage years. These formative experiences in a rough-and-tumble neighborhood contributed to his reputation as a "bad boy" among those who knew him. He began boxing at age 14, marking the start of his athletic career.

Boxing career

Professional bouts as "Kid Blue"

Blue Washington began his professional boxing career at age 14 under the ring name "Kid Blue," having falsified his age to enter the sport. Standing nearly 6 feet tall and weighing about 170 pounds at the time, he competed in open-air arenas across Southern California, frequently facing more experienced opponents roughly a decade older and enduring racial heckling in larger venues during an era marked by Jack Johnson's prominence as heavyweight champion. His documented professional record spanned 1912 to 1915 and remained undefeated across six bouts. Washington debuted on August 23, 1912, scoring a first-round knockout over Jim Newton. A prominent appearance occurred in a four-round exhibition against Harry Wills, the World Colored Heavyweight Champion, on November 22, 1914, during which he was floored in the second round. Washington concluded his documented boxing tenure with a six-round draw against Arthur Collins on September 21, 1915. Following this brief period in the ring, he shifted focus to semiprofessional baseball.

Baseball career

Negro leagues teams and performances

Blue Washington played in the Negro leagues primarily as a pitcher and first baseman. In 1916, he was discovered by Rube Foster and signed with the Chicago American Giants, where he pitched in seven games against white teams, earning three wins and one loss using an unorthodox underhanded delivery. He was released from the team due to discipline issues related to alcohol use. Washington returned to professional baseball in 1920 with the Kansas City Monarchs during the inaugural season of the Negro National League. He appeared in 24 official league games, batting .275 with 16 RBIs. He had a standout early performance on April 18, 1920, collecting four hits, including two triples. He participated in the league's first game on May 29, 1920. He also played semiprofessionally with the Los Angeles White Sox. His Negro leagues career ended abruptly after that season.

Acting career

Entry into silent films

Blue Washington transitioned from his professional baseball career to acting in the late 1910s, becoming one of the African-American performers active in Hollywood silent films during that transitional period. He used the screen names "Edgar Blue" and "Blue Washington" during this period. His credited entry into silent films came with the comedic short Rowdy Ann (1919), where he was billed as Edgar Blue and played the train porter. This marked his comedic silent film debut. In 1920, he appeared opposite Harold Lloyd in the comedy short Haunted Spooks, credited as Edgar Blue in the role of the butler. He frequently collaborated with Lloyd during the early phase of his screen career. Washington is thought to have appeared in close to 100 films overall across his career, with many of these occurring during the silent era in small or supporting roles.

Sound films and notable roles

Blue Washington successfully transitioned into sound films during the late 1920s and 1930s, capitalizing on his imposing physique and athletic background to secure memorable roles that often highlighted his physicality and screen presence. Standing at 6'2" and weighing over 200 pounds, he brought a charismatic and commanding figure to his performances, frequently appearing in parts that drew on his strength and prior experience as a boxer and baseball player. One of his most praised early roles came in Beggars of Life (1928), where he portrayed the sympathetic hobo Big Mose (also referred to as Black Mose), earning attention from contemporary sources for the positive and noteworthy depiction of his character as a race star signed by Paramount. This part, alongside stars Wallace Beery and Louise Brooks, showcased his ability to convey depth in supporting roles. In the early sound era, he appeared in Parade of the West (1930) as Sambo, among other credits that built on his growing presence in Hollywood. Washington gained particular notice for his role as Clarence in Haunted Gold (1932), playing the comic sidekick to John Wayne in a Western that featured a relatively rare portrayal of an African American cowboy character during that period. He followed this with an appearance as a warrior in King Kong (1933), contributing to the film's iconic adventure sequences. Later in the decade, he had an uncredited part as a renegade's companion in Gone with the Wind (1939), adding to his resume of high-profile studio productions. These roles exemplified his versatility in sound films, often placing him alongside major stars while navigating the limited opportunities available to Black actors in Hollywood at the time.

Later career and typecasting

In his later career, Blue Washington was predominantly typecast in minor, uncredited roles that perpetuated stereotypical depictions of African American men as frightened, wide-eyed menials such as porters, servants, natives, and attendants, reflecting the pervasive racism in 1930s–1940s Hollywood that continued to constrain opportunities for Black actors. Representative examples of this typecasting include his uncredited appearance as a Nubian Slave in Road to Morocco (1942), a Native Bearer in Tarzan's Magic Fountain (1949), and similar service-oriented parts in the 1950s, such as a palace servant in Siren of Bagdad (1953), a train station porter in The Kid from Left Field (1953), and a bartender in The Wings of Eagles (1957). As Hollywood shifted toward more respectful portrayals of Black characters in response to growing race consciousness, Washington's screen work declined sharply to sporadic bit parts and background roles. His final appearance was an uncredited role as the Limping Attendant at Ames Billiards in The Hustler (1961). Earlier in his career, he was injured on the set of The Plainsman (1936) when a team of horses pulling a stagecoach bolted and knocked him down along with two other extras. He also reputedly disappeared during the filming of the unreleased Ormsby the Faithful Servant, in which he played the title role of Ormsby, an incident that reportedly contributed to the abandonment of the production after significant investment.

Personal life

Marriage, family, and son Kenny Washington

Blue Washington married Marion Lenán, a 16-year-old originally from Kingston, Jamaica, prior to his World War I draft registration on September 12, 1918. Their only child, Kenneth Stanley Washington—known as Kenny Washington—was born on August 31, 1918, in Los Angeles. Kenny Washington went on to become a celebrated athlete, excelling in football at UCLA where he was the first player in school history to earn All-American honors and have his number retired. He made history as the first African American to sign with a National Football League team in the modern era when he joined the Los Angeles Rams in 1946. Jackie Robinson praised him as the greatest football player he had ever seen, noting that Kenny "had everything needed for greatness—size, speed, tremendous strength, and was probably the greatest long passer ever." Kenny Washington's early upbringing was shaped by extended family after his parents were described as thoroughly irresponsible and often absent due to partying. He was primarily raised by his paternal grandmother, Susie Washington, while his uncle Roscoe "Rocky" Washington— the first Black lieutenant in the Los Angeles Police Department—assumed a key paternal role and helped instill the standards that propelled Kenny toward success at UCLA. Rocky's wife, Hazel Washington, was a prominent Hollywood figure as one of the city's first Black licensed hairdressers and a business partner with actress Rosalind Russell.

Other occupations and incidents

Blue Washington supplemented his income from athletics and acting by occasionally serving as a policeman with the Los Angeles Police Department. He rented a bungalow in Los Angeles from silent film comedian Harold Lloyd, with whom he shared a long friendship marked by Lloyd's appreciation for Washington's storytelling and humor. In Hollywood, Washington was regarded as friendly, intelligent, and quick to make others laugh, contributing to his popularity among colleagues. Despite this, he acquired a reputation for unreliability, often disappearing after receiving pay from film work until the money ran out, which sometimes delayed productions as directors, crew, and family members searched for him. Friend and fellow actor Woody Strode later described him as a charismatic yet restless "rolling stone" and "playboy" who favored bright lights and social pursuits, traits rooted in his upbringing that ultimately impacted his professional consistency.

Death

Later years and passing

Blue Washington spent his later years in California, where he continued to take on minor acting roles until 1961. After retiring from acting, he resided quietly in the state for the remainder of his life. He died on September 15, 1970, at Mira Loma Hospital in Lancaster, California, at the age of 72; the cause of death was not publicly disclosed. Washington was buried three days later on September 18, 1970, at Evergreen Memorial Park in Los Angeles, in a plot beside his son Kenneth Washington, who passed away the following year.

Legacy

Blue Washington is remembered as a true pioneer, a brave African-American man who forged a multifaceted career as a professional boxer, Negro Leagues baseball player, and actor during an era of rigid racial segregation. Described as a film pioneer whose trailblazing efforts paved the way for later African-American performers in Hollywood, he became one of the earliest Black actors in the silent film era, debuting in 1919 and appearing in close to 100 films despite limited opportunities and frequent typecasting. His work bridged the worlds of Negro Leagues baseball and Hollywood, where his athleticism and rugged charisma shone through in roles that often emphasized physical strength, even as racial barriers confined him to stereotypical parts or brief appearances in later years. Washington overcame significant obstacles across his pursuits, enduring heckling in boxing arenas, disciplinary challenges in baseball, and hazing on film sets, yet he earned recognition for vivid acting in select roles, including a prominent sympathetic part in Beggars of Life (1928) that placed him nearly on equal footing with white leads. His legacy also encompasses his family’s broader impact on racial integration, particularly through his son Kenny Washington, who became a star athlete at UCLA and one of the first African Americans to play in the modern NFL. For these contributions across sports and entertainment, Washington is regarded as a figure whose pioneering path successors in the industry remain unwittingly grateful.
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