By His Bootstraps
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"By His Bootstraps"
Short story by Robert A. Heinlein as Anson MacDonald
LanguageEnglish
GenreScience fiction
Publication
Published inAstounding Science Fiction
Media typeMagazine
Publication dateOctober 1941

"By His Bootstraps" is a 20,000 word science fiction novella by American writer Robert A. Heinlein. It plays with some of the inherent paradoxes that would be caused by time travel.

The story was published in the October 1941 issue of Astounding Science Fiction under the pen name Anson MacDonald; the same issue has "Common Sense" under Heinlein's name.[1] "By His Bootstraps" was reprinted in Heinlein's 1959 collection The Menace From Earth, and in several subsequent anthologies,[2] and is now available in at least two audio editions. Under the title "The Time Gate", it was also included in a 1958 Crest paperback anthology, Race to the Stars.

Plot summary

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In 1952, Bob Wilson locks himself in his room to finish his graduate thesis on a mathematical aspect of metaphysics, using the concept of time travel as a case in point. Bob does not care much at this point whether his thesis (that time travel is impossible) is valid; he is desperate for sleep and just wants to get it done and typed up by the deadline the next day to become an academic, since he thinks academia beats working for a living. Suddenly, although Bob had locked himself alone in his room, someone says, “Don’t bother with it. It's a lot of utter hogwash anyhow." The interloper, who looks strangely familiar, and to whom Bob takes a dislike, calls himself "Joe", and explains that he has come from the future through a Time Gate, a circle about 6 ft (1.8 m) in diameter in the air behind Joe. Joe tells Bob that great opportunities await him through the Gate and thousands of years in his future. By way of demonstration, Joe tosses Bob's hat into the Gate. It disappears.

Bob is reluctant. Joe plies him with drink, which Joe (a stranger, from Bob's point of view) inexplicably retrieves from its hiding place in Bob's apartment, and Bob becomes intoxicated. Bob's talk with Joe is interrupted by odd phone calls, first from a man who sounds familiar, and then from his sometime girlfriend, who gets upset when Bob says he hasn't seen her recently. Finally, Joe is about to manhandle Bob through the Gate when another man appears, one who looks very much like Joe. The newcomer does not want Bob to go. During the ensuing fight, Bob gets punched, sending him through the Gate.

He recovers his senses in a strange place. A somewhat older-looking, bearded man explains that he has been sent forward in time some 30,000 years. The man, calling himself Diktor,[3] treats Bob to a sumptuous breakfast served by beautiful women, one of whom Bob speaks of admiringly. Diktor immediately turns her service over to Bob. Diktor explains that the humans of this age are handsome, cultured in a primitive fashion, but much more docile and good natured than their ancestors. An alien race, the High Ones, built the Gate and refashioned humanity into compliant servants, but the High Ones have since departed from Earth, leaving a world where a 20th-century "go-getter" can make himself king.

Diktor asks him to go back through the Gate and bring back the man he finds on the other side, to Bob's agreement. Stepping through, he finds himself back in his own room, watching himself typing his thesis. Without much memory of what happened before, he reenacts the scene, this time from the other point of view, and calling himself "Joe" so as not to confuse his earlier self. Just as he is about to shove Bob through the Gate, another version of himself shows up. The fight happens as before, and Bob goes through the Gate.

His future self claims that Diktor is just trying to tangle them up so badly that they can never get untangled, but Joe goes through and meets Diktor again. Diktor gives him a list of things to buy in his own time and bring back. A little annoyed by Diktor's manner, Bob argues with him, but eventually returns to the past, back in his room once again.

He lives through the same scene for the third time, then realizes that he is now free of Diktor. Bob ponders the nature of the 20th-century society he lives in, finding it seedy and depressing. He is sure he no longer has time to finish his thesis, but it is obviously incorrect anyway, so he decides he will go back to the future through the Time Gate. While setting the Gate, he finds two things beside the controls: his hat, and a notebook containing translations between English and the language of Diktor's subjects. He returns to his own time and collects the items on Diktor's list, which seem to be things he could find useful in making himself king in the future, intentionally writing a bad check for the purchases, after persuading the cashier that the check is good. He then visits a woman he had been dating, but has begun to dislike, and has his way with her, smugly intending to never see her again, and leaving his hat in her apartment. He phones his past self as a prank, quickly hanging up. After returning to the future, he adjusts the Gate to send himself back to a point ten years earlier, to give himself time to establish himself as the local chieftain. In doing so he hopes to preempt Diktor's influence, charting his own course instead.

Bob sets himself up as chief, taking precautions against the arrival of Diktor. He even adopts the name Diktor, which is simply the local word for "chief." He experiments with the Time Gate, hoping to see the High Ones. Once, he does catch a glimpse of one and has a brief mental contact with it. The experience is so traumatizing that he runs away screaming, for the creature feels such sadness and other deep emotions that a 20th-century go-getter like Bob cannot bear it. He forces himself to return long enough to shut down the Gate, then stays away from it for more than two years. He does not notice that his hair has begun to whiten prematurely as a result of the stress and shock. Having worn out the notebook through long use, he copies its text into a new, identical one.

One day, upon setting the Gate to view his old room in the past, he sees three versions of himself in a familiar arrangement. Shortly, his earliest self comes through; he is Diktor—the only Diktor there ever was. Wondering who actually compiled the notebook, Diktor prepares to brief Bob, who has to orchestrate events to ensure his own past.

Reception

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Floyd C. Gale of Galaxy Science Fiction said of "By His Bootstraps", "In 18 years I haven't seen its equal" as a temporal-paradox story.[4] Philosopher David Lewis considered "By His Bootstraps" and "'—All You Zombies'" to be examples of "perfectly consistent" time travel stories.[5] Stating that it and other Heinlein time-travel stories "force the reader into contemplations of the nature of causality and the arrow of time", Carl Sagan listed "By His Bootstraps" as an example of how science fiction "can convey bits and pieces, hints and phrases, of knowledge unknown or inaccessible to the reader".[6]

See also

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References

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from Grokipedia
"By His Bootstraps" is a science fiction novella by American author Robert A. Heinlein, first published in October 1941 in Astounding Science-Fiction under the pseudonym Anson MacDonald. The story follows Bob Wilson, a graduate student working on his thesis, who discovers a time gate in his room that propels him into a complex loop of time travel, where he encounters multiple versions of himself and grapples with the implications of circular causality.[1][2] Set in the mid-20th century and extending 30,000 years into the future, the narrative unfolds in a ruined, post-apocalyptic world where Wilson, under the guidance of a mysterious figure named Diktor, rises to power by exploiting the time gate and manipulating local customs. Heinlein weaves a tale of self-determination and predestination, as Wilson's future actions directly influence his past decisions, creating a seamless yet paradoxical chain of events.[2] The novella is particularly notable for its exploration of the bootstrap paradox, a time travel concept where an event or object exists without an apparent origin, sustained solely by its own temporal loop—such as Wilson receiving knowledge from his future self that he later passes backward in time. This idea, central to the story's structure, has influenced subsequent science fiction works and discussions on causality in physics and philosophy.[3][4]

Publication and Background

Writing Context

In 1941, Robert A. Heinlein was actively contributing to Astounding Science Fiction under editor John W. Campbell Jr., producing stories to support his career as a full-time writer following his retirement from the U.S. Navy due to health issues in 1934. This period marked Heinlein's "paycheck" writing phase, where he crafted speculative fiction tailored to Campbell's editorial vision to ensure steady income, having already established himself with earlier sales like "Lifeline" in 1939.[5] To meet Campbell's request for multiple stories under different bylines in the same issue, Heinlein employed the pseudonym Anson MacDonald for several works, including "By His Bootstraps," reserving it exclusively for Astounding at a premium rate of 1.5 cents per word. The pseudonym allowed Heinlein to maximize his output without saturating the market under his real name, reflecting the practical business strategies he discussed in correspondence with Campbell.[6] The story originated from Campbell's encouragement of innovative time travel narratives that emphasized logical, self-consistent causality over traditional paradox resolutions, building on Heinlein's prior exploration of temporal themes in "Lifeline," his breakthrough tale of a pseudoscientific device predicting lifespans. Campbell later praised "By His Bootstraps" as a "magnificent idea," the first full exploration of a closed time loop in science fiction, highlighting its rigorous development of time-travel mechanics. Clocking in at approximately 20,000 words, the work qualifies as a novella and showcases Heinlein's maturing approach to speculative concepts during this prolific phase.[6]

Publication History

"By His Bootstraps" was initially serialized in the October 1941 issue of Astounding Science Fiction under the pseudonym Anson MacDonald, with illustrations by Paul Orban.[7] The novella first appeared in book form in Robert A. Heinlein's collection The Man Who Sold the Moon in 1950 and was reprinted in his later collection The Menace from Earth in 1959.[8][9] A standalone paperback edition titled The Time Gate was published by Crest Books in 1958 as part of the anthology Race to the Stars.[10] The story has been included in several notable anthologies, such as The Science Fiction Hall of Fame, Volume Two A (1975), edited by Ben Bova, and The Best Time Travel Stories of the 20th Century (2005), edited by Harry Harrison and Hal Clement.[1] Audio adaptations include a 2006 audiobook narration by Tom Weiner as part of The Menace from Earth and Other Stories from Blackstone Audio, and a full-cast audio drama adaptation in the 2000X series (2000), starring Richard Dreyfuss and produced by Yuri Rasovsky.[11] The work is available in digital formats, including through Project Gutenberg Australia for public domain access in compatible jurisdictions and scans of the original magazine issue on the Internet Archive. The story entered the public domain in Australia on January 1, 2012, enabling free digital distribution there. As of 2025, it remains under copyright in the United States until 2036.

Narrative Structure

Plot Summary

"By His Bootstraps" is a science fiction novella narrated in the first person by protagonist Bob Wilson, a physics graduate student in 1952 who is interrupted while writing his doctoral thesis on metaphysical aspects of time. The story opens in Wilson's locked room in a university boardinghouse, where a mysterious circular Time Gate suddenly materializes, serving as a portal that enables instantaneous travel to different eras, most prominently a dystopian world approximately 30,000 years in the future.[2] Through the Time Gate, Wilson encounters several figures who profoundly influence his journey, including a man named Joe and Diktor, an elderly leader, both of whom turn out to be future versions of himself. This future setting depicts a desolate, post-apocalyptic landscape where humanity has devolved into a subservient existence under the remnants of an advanced alien civilization known as the "High Ones," with survivors inhabiting the ruins of a once-grand city. Wilson is drawn into this world after being coerced through the portal during a confrontation, where he navigates alliances and conflicts that propel him deeper into the temporal web. A crucial artifact, a notebook containing linguistic translations and practical knowledge from English to the future dialect, is passed backward through time, becoming instrumental in Wilson's adaptation and rise within this society.[2] The narrative unfolds through a series of iterative encounters and travels via the Time Gate, revealing a central closed time loop mechanism in which Wilson's actions in one era directly precipitate the events that lead to his involvement in others. As the story progresses with retrospective insight from the narrator, Wilson grapples with the causality of his experiences, ultimately transforming into the authoritative figure of Diktor and ensuring the loop's continuity by manipulating the portal's settings and his own past decisions. This self-fulfilling structure builds tension around the paradoxes of time travel, emphasizing how the protagonist's choices across timelines interlock to form an inescapable cycle without external origin.[2]

Key Characters

The central figure in "By His Bootstraps" is Bob Wilson, a skeptical and ambitious physics graduate student working on a thesis that dismisses the possibility of time travel. Initially portrayed as frustrated and self-absorbed, focused on completing his dissertation amid personal distractions like drinking, Wilson becomes reluctantly entangled in temporal events, evolving from a disoriented participant into a more assertive leader who navigates the complexities of his circumstances.[2] His resourcefulness and adaptability drive the narrative's core loop, as he confronts iterations of himself, reflecting themes of self-reliance and personal agency within a deterministic framework.[12] A key supporting character is Joe, a future incarnation of Wilson who appears as a battered and experienced time traveler. More manipulative and worldly than the younger Wilson, Joe initiates crucial aspects of the time journey by persuading and guiding his earlier self through unexpected encounters, using deception to maintain the loop's integrity.[2] His pragmatic demeanor and knowledge of future events underscore his role in perpetuating the cycle, highlighting the protagonist's fragmented identity across timelines.[13] Diktor, the enigmatic ruler of the dystopian future society, exerts authoritarian power through strategic control over time travel technology. Portrayed as an elderly, gray-bearded figure characterized by wisdom tempered with resignation, he provides subtle guidance on key decisions after decades of temporal manipulation, embodying a paternal yet weary authority that contrasts with Wilson's youthful impulsiveness.[2] Diktor's manipulative leadership illustrates the allure and pitfalls of absolute self-determination in a paradoxical world, as he is revealed to be Wilson's aged incarnation seeking to reinvigorate a listless populace by imposing order, yet his actions reveal a deeper integration into Wilson's personal arc, blending ambition with isolation.[12] Minor figures, such as the nameless women in the future setting and the guards enforcing Diktor's regime, serve to illustrate the oppressive, stagnant dystopia. These inhabitants, often docile and subservient, provide contrast to Wilson's dynamic interventions, underscoring the societal decay that his incarnations aim to address without dominating the narrative.[2] Thematically, the characters function as fragmented manifestations of a single individual, Wilson, emphasizing identity fragmentation and the solipsistic horror of self-orchestrated fate. Through their interactions—marked by co-referential naming to distinguish temporal versions—the story probes the erosion of personal boundaries, where each incarnation influences the others to sustain the loop.[14] This structure reinforces conceptual tensions between autonomy and inevitability, with Wilson's evolutions across roles highlighting psychological adaptation to temporal isolation.[13]

Themes and Concepts

Time Travel Paradoxes

The bootstrap paradox, also known as the ontological paradox, refers to a causal loop in time travel scenarios where an object, piece of information, or event exists without a discernible origin, as it is perpetually passed backward and forward through time, challenging linear causality.[15] In "By His Bootstraps," this paradox manifests through a notebook containing crucial historical and linguistic knowledge that the protagonist receives from his future self, which he later uses to acquire the very knowledge inscribed in it, creating a self-sustaining cycle with no initial source.[2] This loop underscores the paradox's core tension: the information's existence defies traditional notions of creation and precedence. The story employs a consistent history model of time travel, wherein all events form a single, self-consistent timeline without branching alternatives, ensuring that any actions taken in the past align precisely with what has already occurred in the future.[4] This approach inherently avoids paradoxes arising from timeline alterations, as the protagonist's memories and experiences reinforce the loop's stability, compelling events to unfold as predestined regardless of intent.[2] By maintaining this closed causal structure, the narrative eliminates inconsistencies that might otherwise unravel the temporal fabric. In contrast to termination paradoxes, such as the grandfather paradox—where a time traveler kills their own ancestor, preventing their own birth and thus the journey itself—"By His Bootstraps" resolves potential contradictions through enforced predestination, where attempts to deviate from the loop only perpetuate it.[15] The bootstrap mechanism thus sidesteps the logical termination of the grandfather scenario by embedding all actions within an unchangeable, self-reinforcing sequence, prioritizing consistency over alteration.[3] This distinction highlights how the story innovates by favoring ontological loops over destructive inconsistencies. The Time Gate in the story functions as a straightforward portal device, depicted as a great disk of nothing, of the color one sees when the eyes are shut tight, that enables instantaneous transit across millennia without specified underlying physics, such as relativistic effects or energy requirements.[2] Travel occurs simply by stepping through, with destinations adjustable via a set of colored control spheres—one for time and three for spatial coordinates—allowing jumps forward or backward, though physical return to the origin often necessitates alternative methods like conventional transport across the intervening periods.[2] This mechanic facilitates the paradox without complicating the narrative with technical minutiae.[16] Philosophically, the transfer of information across time in such closed loops prompts inquiries into the nature of novelty and creation, as the notebook's contents—ideas, plans, and a future language—circulate eternally without an external inventor, suggesting that true innovation may be illusory in a deterministic cycle.[2] This raises broader questions about whether knowledge in a bootstrap scenario can ever be authentically "new" or if it merely echoes an originless void.[15]

Predestination and Free Will

In "By His Bootstraps," the central theme revolves around the illusion of free will, as protagonist Bob Wilson's decisions are consistently revealed to be predetermined by interventions from his future selves, forming an unbreakable causal loop.[2] Wilson initially perceives his actions as autonomous, such as his reluctant decision to step through the time gate, but these choices invariably align with the script dictated by his older incarnations, underscoring a deterministic framework where personal agency is subordinate to the timeline's consistency.[17] This is exemplified in Wilson's reflection: "Apparently human will must be considered as one of the factors which make up the processes in the continuum—'free' to the ego, mechanistic from the outside," highlighting how subjective freedom coexists with objective predetermination.[2] The narrative device of the time loop shatters the protagonist's belief in autonomy, leading to revelations that echo fatalism, as Wilson grapples with the futility of resistance against his own predestined path.[18] Despite attempts to defy the cycle—such as trying to avoid becoming Diktor—Wilson's efforts only reinforce the loop, culminating in his acceptance of the role he once sought to evade, a process that mirrors philosophical resignation to an inevitable fate.[19] This progression from defiance, marked by intellectual desperation ("He felt the intellectual desperation of any honest philosopher"), to reluctant integration into the continuum illustrates the story's fatalistic undertone, where the bootstrap paradox enables the loop but exposes the hollowness of choice.[18] Heinlein's exploration draws from his earlier work "Lifeline" (1939), which posits the future as fixed and knowable through precognition, establishing a foundation for the single-timeline determinism in "By His Bootstraps." Wilson's character arc, spanning decades in a compressed loop, further implies a resignation to predestination, as his evolution from skeptical student to authoritative Diktor reflects an acceptance that individual will cannot alter the continuum's unyielding structure.[17] In the broader science fiction context, the story emphasizes single-timeline inevitability, contrasting with multiverse models that permit genuine choice and branching realities, thereby reinforcing a universe where events like Wilson's self-orchestrated journey remain eternally fixed.[18] This deterministic lens critiques human agency, portraying it as a subjective illusion within an objective, unchanging reality.[19]

Analysis and Legacy

Critical Reception

Upon its publication as the lead novella in the October 1941 issue of Astounding Science Fiction, "By His Bootstraps" was lauded by editor John W. Campbell for offering a fresh and intricate exploration of time travel paradoxes. In the September 1941 editorial column "In Times to Come," Campbell previewed the story, calling it "a neat bit of utter time travel paradox" by Anson MacDonald (Heinlein's pseudonym).[20] The story continued to earn acclaim in subsequent reviews. The novella has been praised for its handling of temporal paradoxes in various critiques. Academic analyses have similarly highlighted the novella's conceptual ingenuity. Philosopher David Lewis, in his 1976 paper "The Paradoxes of Time Travel," cited "By His Bootstraps" alongside Heinlein's "—All You Zombies—" as prime examples of self-consistent time loops, where events form closed causal chains without originating from external causes, illustrating how such paradoxes can be logically coherent rather than contradictory. Astronomer Carl Sagan also referenced the story positively in the context of science fiction's philosophical depth. In Cosmos (1980), Sagan praised Heinlein's time travel narratives, including "By His Bootstraps," as "remarkable efforts" that effectively merge scientific speculation with profound questions about causality and human agency.[21] In more recent scholarship, the novella's strengths have been reassessed. Thomas D. Clareson and Joe Sanders, in The Heritage of Heinlein: A Critical Reading of the Fiction (2014), discuss its role in Heinlein's exploration of theoretical physics and paradoxes.

Influence and Significance

"By His Bootstraps" played a pivotal role in popularizing the concept of the bootstrap paradox, a causal loop in time travel narratives where an object, information, or event has no discernible origin, existing solely through self-perpetuation across time. Published in 1941, Heinlein's novella introduced this idea through the protagonist's notebook of translations, which circulates in a closed loop without an initial creator, establishing a foundational trope in science fiction.[22][15] The term "bootstrap paradox" itself derives directly from the story's title and premise, becoming a standard reference in discussions of time travel paradoxes within both literary and scientific contexts.[23][3] The story's influence extends to subsequent science fiction works, notably Heinlein's own 1959 novella "—All You Zombies—," which refines the self-causal loop by centering on a single character's multiple temporal iterations, building explicitly on the mechanisms first explored in "By His Bootstraps." This motif of ontological self-consistency inspired adaptations like the 2014 film Predestination, directed by the Spierig Brothers, which adapts "—All You Zombies—" while echoing the earlier story's predestination elements and temporal bootstrapping.[22][24] In popular culture, the paradox permeates television, such as in the Doctor Who episode "Before the Flood" (2015), where the Twelfth Doctor explains a stable causal loop involving Beethoven's Fifth Symphony using the bootstrap paradox concept derived from Heinlein's work.[25] Philosophically, "By His Bootstraps" contributes to debates on determinism and closed timelike curves in relativity theory, illustrating non-terminating paradoxes that challenge linear causality. Physicists like Seth Lloyd have invoked similar bootstrap scenarios in quantum computing research to explore information loops in hypothetical time travel frameworks.[15] In scientific discourse, the novella serves as an illustrative example in popular expositions of relativity and quantum mechanics, bridging fiction with theoretical physics; for instance, it is elaborated in Allen Everett and Thomas Roman's Time Travel and Warp Drives (2011), which uses the story to clarify ontological paradoxes in wormhole-based time travel models. The work's inclusion in Heinlein's The Past Through Tomorrow (1967) anthology further connects it loosely to his "Future History" series, highlighting underappreciated ties to broader themes of human evolution and technological singularity in his oeuvre.[3]

References

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