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Classics Illustrated
Classics Illustrated is an American comic book/magazine series featuring adaptations of literary classics such as Les Misérables, Moby-Dick, Hamlet, and The Iliad. Created by Albert Kanter, the series began publication in 1941 and finished its first run in 1969, producing 169 issues. Following the series' demise, various companies reprinted its titles. Since then, the "Classics Illustrated" brand has been used to create new comic book adaptations. This series is different from the Great Illustrated Classics, which is an adaptation of the classics for young readers that includes illustrations, but is not in the comic book form.
Recognizing the appeal of early comic books, Russian-born publisher Albert Lewis Kanter (1897–1973) believed he could use the new medium to introduce young and reluctant readers to "great literature". He created Classic Comics for Elliot Publishing Company in 1941 with its debut issues being The Three Musketeers, followed by Ivanhoe and The Count of Monte Cristo. The first five titles were published irregularly under the banner "Classic Comics Presents", while issues #6 and 7 were published under the banner "Classic Comics Library" with a ten-cent cover price. Arabian Nights (issue #8), illustrated by Lillian Chestney, is the first issue to use the "Classics Comics" banner.[citation needed]
With the fourth issue, The Last of the Mohicans, in 1942, Kanter moved the operation to different offices, and the corporate identity was changed to the Gilberton Company, Inc. Reprints of previous titles began in 1943. World War II paper shortages forced Kanter to reduce the 64-page format to 56 pages. Some titles were packaged in gift boxes of threes or fours during the period, with specific themes such as adventure or mystery.[citation needed]
Classic Comics is marked by varying quality in art and is celebrated today for its often garish but highly collectible line-drawn covers. Original edition Classic Comics in "near mint" condition command prices in the thousands of dollars.[citation needed]
With issue #35 in March 1947 (The Last Days of Pompeii) the series' name was changed to Classics Illustrated. In 1948, rising paper costs reduced books to 48 pages. In 1951 (issue #81), line-drawn covers were replaced with painted covers, and the price was raised from 10 cents to 15 cents (and, at a later date, to 25 cents).
Classics Illustrated benefitted from nationwide distribution (thanks to an agreement with Curtis Circulation) beginning in late 1951, and Kanter began promoting the series as an educational tool. Despite this, Dr. Jekyll and Mr. Hyde (issue #13) and Uncle Tom's Cabin (issue #15) were both cited in Dr. Fredric Wertham's 1954 condemnation of comic books Seduction of the Innocent, in the first case for reducing the story to little more than its violent elements, and in the second case for simplifying the full characterizations of the book to stereotypes.
Classics Illustrated #65 — Benjamin Franklin (published in November 1949) — written by Adelaide Lee (adaptation) and illustrated by Alex Blum, Robert Hebberd, and Gus Schrotter, was given the 1956 Thomas Alva Edison Foundation National Mass Media Award for Best American History Comic Book.
As Classics Illustrated became more standardized in the 1950s, Gilberton re-issued earlier editions with new art (and sometimes new script adaptations). All editions were re-issued with new cover art in the 1950s and '60s.
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Classics Illustrated
Classics Illustrated is an American comic book/magazine series featuring adaptations of literary classics such as Les Misérables, Moby-Dick, Hamlet, and The Iliad. Created by Albert Kanter, the series began publication in 1941 and finished its first run in 1969, producing 169 issues. Following the series' demise, various companies reprinted its titles. Since then, the "Classics Illustrated" brand has been used to create new comic book adaptations. This series is different from the Great Illustrated Classics, which is an adaptation of the classics for young readers that includes illustrations, but is not in the comic book form.
Recognizing the appeal of early comic books, Russian-born publisher Albert Lewis Kanter (1897–1973) believed he could use the new medium to introduce young and reluctant readers to "great literature". He created Classic Comics for Elliot Publishing Company in 1941 with its debut issues being The Three Musketeers, followed by Ivanhoe and The Count of Monte Cristo. The first five titles were published irregularly under the banner "Classic Comics Presents", while issues #6 and 7 were published under the banner "Classic Comics Library" with a ten-cent cover price. Arabian Nights (issue #8), illustrated by Lillian Chestney, is the first issue to use the "Classics Comics" banner.[citation needed]
With the fourth issue, The Last of the Mohicans, in 1942, Kanter moved the operation to different offices, and the corporate identity was changed to the Gilberton Company, Inc. Reprints of previous titles began in 1943. World War II paper shortages forced Kanter to reduce the 64-page format to 56 pages. Some titles were packaged in gift boxes of threes or fours during the period, with specific themes such as adventure or mystery.[citation needed]
Classic Comics is marked by varying quality in art and is celebrated today for its often garish but highly collectible line-drawn covers. Original edition Classic Comics in "near mint" condition command prices in the thousands of dollars.[citation needed]
With issue #35 in March 1947 (The Last Days of Pompeii) the series' name was changed to Classics Illustrated. In 1948, rising paper costs reduced books to 48 pages. In 1951 (issue #81), line-drawn covers were replaced with painted covers, and the price was raised from 10 cents to 15 cents (and, at a later date, to 25 cents).
Classics Illustrated benefitted from nationwide distribution (thanks to an agreement with Curtis Circulation) beginning in late 1951, and Kanter began promoting the series as an educational tool. Despite this, Dr. Jekyll and Mr. Hyde (issue #13) and Uncle Tom's Cabin (issue #15) were both cited in Dr. Fredric Wertham's 1954 condemnation of comic books Seduction of the Innocent, in the first case for reducing the story to little more than its violent elements, and in the second case for simplifying the full characterizations of the book to stereotypes.
Classics Illustrated #65 — Benjamin Franklin (published in November 1949) — written by Adelaide Lee (adaptation) and illustrated by Alex Blum, Robert Hebberd, and Gus Schrotter, was given the 1956 Thomas Alva Edison Foundation National Mass Media Award for Best American History Comic Book.
As Classics Illustrated became more standardized in the 1950s, Gilberton re-issued earlier editions with new art (and sometimes new script adaptations). All editions were re-issued with new cover art in the 1950s and '60s.