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Modal frame
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Modal frame
A modal frame in music is "a number of types permeating and unifying African, European, and American song" and melody. It may also be called a melodic mode. "Mode" and "frame" are used interchangeably in this context without reference to scalar or rhythmic modes. Melodic modes define and generate melodies that are not determined by harmony, but purely by melody. A note frame, is a melodic mode that is atonic (without a tonic), or has an unstable tonic.
Modal frames may be defined by their:
"Chel-sea" football crowd chant: minor third.
Further defined features include:
Shout-and-fall or tumbling strain is a modal frame, "very common in Afro-American-derived styles" and featured in songs such as "Shake, Rattle and Roll" and "My Generation".
"Gesturally, it suggests 'affective outpouring', 'self-offering of the body', 'emptying and relaxation'." The frame may be thought of as a deep structure common to the varied surface structures of songs in which it occurs.
A ladder of thirds (coined by van der Merwe 1989, adapted from Curt Sachs) is similar to the circle of fifths, though a ladder of thirds differs in being composed of thirds, major or minor, and may or may not circle back to its starting note and thus may or may not be an interval cycle.
Triadic chords may be considered as part of a ladder of thirds.
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Modal frame
A modal frame in music is "a number of types permeating and unifying African, European, and American song" and melody. It may also be called a melodic mode. "Mode" and "frame" are used interchangeably in this context without reference to scalar or rhythmic modes. Melodic modes define and generate melodies that are not determined by harmony, but purely by melody. A note frame, is a melodic mode that is atonic (without a tonic), or has an unstable tonic.
Modal frames may be defined by their:
"Chel-sea" football crowd chant: minor third.
Further defined features include:
Shout-and-fall or tumbling strain is a modal frame, "very common in Afro-American-derived styles" and featured in songs such as "Shake, Rattle and Roll" and "My Generation".
"Gesturally, it suggests 'affective outpouring', 'self-offering of the body', 'emptying and relaxation'." The frame may be thought of as a deep structure common to the varied surface structures of songs in which it occurs.
A ladder of thirds (coined by van der Merwe 1989, adapted from Curt Sachs) is similar to the circle of fifths, though a ladder of thirds differs in being composed of thirds, major or minor, and may or may not circle back to its starting note and thus may or may not be an interval cycle.
Triadic chords may be considered as part of a ladder of thirds.