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Grace Perkins
Grace Perkins
Grace Perkins
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Grace Margaret Perkins (August 20, 1900 – December 16, 1955[1]), sometimes credited as Dora Macy,[2] was an American screenwriter, actress, and novelist active during the 1920s through the 1950s.[3]

Key Information

Early life

[edit]

Perkins's father was publisher James Lamont Perkins. She was the sister of musician Ray Perkins and actress Bobbie Perkins. Born in Boston, Perkins grew up in New York City and Westchester. She attended a Sacred Heart Catholic girls' school in Manhattan and, for one year, a boarding school. Her studies at Columbia University's School of Journalism ended with her father's death during her sophomore year.[4]

Career

[edit]

After Perkins left Columbia, she studied stenography and worked with a magazine until Minnie Dupree encouraged her to try acting after they had worked together on entertainment for soldiers. Leaving the magazine, she went to Toronto, where she acted in a stock theater company, after which she performed in Rochester. Eventually, she left acting and became a newspaper reporter. Her first assignment, interviewing a woman whose husband had been murdered, turned her from covering hard news to writing book reviews and bedtime stories. Apart from that work for the newspaper, she wrote songs for children and serials and short stories for magazines.[4]

On Broadway, Perkins portrayed Rosalie in The Lullaby (1923) and Miss Larrier in Her Way Out (1924).[1]

She wrote the magazine article No More Orchids, which was the basis for the 1932 film of the same title.[5] She and Oursler wrote the play The Walking Gentleman (1942).[6]

Perkins was executive editor of a monthly magazine, Guideposts, in Carmel, N.Y.[7][8]

Dora Macy

[edit]

Dora Macy occurs as a character name in fiction,[9][10] including Perkins'.[11]

Personal life

[edit]
See also: Fulton Oursler § Personal life

Perkins was the second wife of writer Fulton Oursler, with whom she had two children.[12] On his death, Oursler left his estate to Perkins on the understanding that she would leave the estate to his four children. When she died, she only left it to the two children she had with Oursler. Oursler's elder two children successfully sued for their share.[13]

She died in New York City in 1955, aged 55.[14]

Selected works

[edit]
  • Air Hostess 1919
  • Mike 1933[15]
  • Personal Maid. Covici-Friede. 1931.
  • Ex-Mistress[16]
  • Night Nurse[16]
  • Promiscuous[17]
  • Public Sweetheart No. 1[16][17]
  • Riding High[16]
  • No More Orchids[18]
  • The Unbreakable Mrs Doll[19][20]
  • Modern Lady[21][22]
  • Twilight Cheats[23]
  • Crazy Kid[24]

Selected filmography

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Grace Perkins

View on Grokipedia
from Grokipedia
Grace Perkins is an American screenwriter, novelist, and actress known for her prolific contributions to popular fiction and early Hollywood films during the 1920s and 1930s, particularly through sensational novels and stories that were frequently adapted into motion pictures. Her works often explored dramatic themes of romance, scandal, and everyday struggles, appealing to magazine readers and film studios in the transition to sound cinema. Born on August 20, 1900, in Boston, Massachusetts, Perkins began her career as an actress, performing in stock theater companies in Toronto and Rochester before appearing on Broadway in productions such as The Lullaby (1923) and Her Way Out (1924). She later transitioned to journalism and fiction writing, working for Bernarr Macfadden's sensational magazine empire in New York, where she handled reporting, story assignments, and other editorial tasks. Encouraged by her future husband Fulton Oursler, she published her first short story in McClure’s in 1926 and debuted as a novelist with Angel Child in 1928. Perkins achieved significant success in the early 1930s with novels such as Ex-Mistress (published under the pen name Dora Macy), Night Nurse (1931), and No More Orchids (1932), many of which were sold to Hollywood studios and adapted into films including Night Nurse (1931), Personal Maid (1931), No More Orchids (1932), and Torch Singer (1933), the last based on her story "Mike." She married Oursler in 1925, and the couple collaborated on the play The Walking Gentleman (1942) before she later served as executive editor for Guideposts magazine. Perkins died in New York City on December 16, 1955, from complications following injuries sustained in a fall.

Early life

Family background

Grace Perkins was born on August 20, 1900, in Boston, Massachusetts, to James Lamont Perkins and Margaret Theresa Judge Perkins. Her father was a publisher in New York. James Lamont Perkins died in 1917. Perkins grew up in a family connected to the arts and media, with her brother Ray Perkins working as a composer and musician, and her sister Bobbie Perkins pursuing a career as a musical comedy actress. This environment reflected the family's involvement in publishing, music, and theater.

Education

Grace Perkins attended a Sacred Heart Catholic girls' school in Manhattan and, for one year, a boarding school. She later enrolled in Columbia University's School of Journalism, where she studied for one year before leaving following her father's death. This interruption in her formal education led her to pursue work in stenography and magazine journalism shortly thereafter.

Early career

Journalism and reporting

Grace Perkins briefly studied at Columbia University's School of Journalism but left following her father's death. She later joined Bernarr Macfadden's publishing empire as a reporter, where she handled sensational assignments typical of his true-story and confession magazines, including tracking down gangsters' associates and conducting interviews tied to lurid crime stories. Working in the Macfadden Building under editor Fulton Oursler, she served as his close assistant—often described as his "girl Friday"—taking on a range of investigative and feature tasks in the demanding environment of the organization. Encouraged by Oursler, Perkins shifted toward creative writing. She began selling stories, culminating in her first published fiction piece, the short story "Borrowed Clothes," which appeared in McClure's magazine in 1926.

Stage acting

Grace Perkins pursued a brief stage acting career in the early 1920s, beginning with performances in stock theater companies in Toronto and Rochester. She was encouraged in this direction by the actress Minnie Dupree. Perkins made her Broadway debut portraying Rosalie in The Lullaby, a production that opened on September 17, 1923, and closed in January 1924. She next appeared as Miss Larner in Her Way Out, which ran from June 23, 1924, to July 1924. Following these appearances, Perkins left acting to focus on her writing career.

Literary career

Novels and publications

Grace Perkins debuted as a novelist with Angel Child in 1928. She followed with Ex-Mistress in 1930, initially released anonymously before later editions credited the pseudonym Dora Macy, presented as the confessions of a long-time kept woman. Her next work, Night Nurse (1930), employed a first-person narrative following a nurse who uncovers a plot involving child endangerment and corruption. Perkins continued with Personal Maid in 1931, No More Orchids in 1932, Modern Lady in 1935, Public Sweetheart No. 1 in 1935 under Dora Macy, Riding High in 1936 under Dora Macy, and The Unbreakable Mrs. Doll in 1938. Her novels frequently featured confessional first-person narratives that explored shocking and topical subjects, including extramarital affairs, exploitation, moral dilemmas, and economic pressures on women during the Depression era. Additional titles attributed to Perkins include Promiscuous (1931, as Dora Macy), Twilight Cheats (1939), and Crazy Kid (1938). Several of her novels were adapted into films during the early 1930s.

Magazine serials and short stories

Grace Perkins began publishing short stories in magazines in 1926, marking the start of her fiction-writing career after transitioning from journalism and stage acting. Her debut story, "Borrowed Clothes," appeared in McClure's magazine that year. She continued to place short fiction in periodicals such as McClure's and Liberty, contributing to the era's popular magazine market. Perkins achieved notable success with serialized fiction, most prominently through No More Orchids, which ran in Liberty magazine in ten installments from mid-June to mid-August 1932. The serialization began with opening pages in the July 2, 1932 issue and featured regular cliffhangers to sustain reader interest, including a teaser at the end of the August 13, 1932 installment promising "the great climax that decides whether life is to hold frustration or happiness for Anne" in the concluding segment the following week. Her magazine serials employed a fast-moving style suited to the format, characterized by terse sentences, rapid-fire dialogue, and deliberate condensation of descriptive and reflective passages to prioritize plot momentum and suspense across weekly installments. This approach mirrored the condensation techniques used in contemporary magazine adaptations, ensuring the narrative remained engaging and propulsive. The book edition of No More Orchids followed in late July 1932 from Covici-Friede, released while the serialization continued.

Screenwriting career

Film adaptations of her works

Several of Grace Perkins' novels and short stories served as the basis for Hollywood films in the early 1930s, during the pre-Code era when her dramatic and sensational fiction proved popular for adaptation. Her novel Night Nurse, published under the pseudonym Dora Macy, was adapted into the 1931 film Night Nurse, a crime drama starring Barbara Stanwyck as a nurse drawn into a dangerous plot involving child endangerment. Personal Maid (1931) was based on another of her novels, featuring a story of domestic service and romance. That same year, My Past was drawn from her novel Ex-Mistress, though the source credit appeared uncredited on screen, and it explored themes of scandal and relationships in high society. In 1932, No More Orchids was adapted from her novel of the same name, directed by Walter Lang and starring Carole Lombard as a wealthy heiress forced to choose between love and family obligations involving royalty and financial blackmail. The adaptation condensed the original material for the screen, a common practice in the period's fast-paced film production. The following year saw two more adaptations: Torch Singer (1933), based on her story "Mike," serialized in Liberty magazine in May 1933, centered on a radio performer with a hidden past , and Air Hostess (1933), drawn from one of her stories though receiving an uncredited source credit. These films highlight how Perkins' work was quickly translated to cinema, often with adjustments to suit runtime and audience appeal, while her direct screenwriting contributions appear in separate capacities.

Credited and uncredited contributions

Grace Perkins had a brief but active involvement in screenwriting during her stay in Hollywood in the early 1930s, contributing stories, dialogue, and other material to several films, with credits varying between on-screen recognition and uncredited work. She provided additional dialogue for Social Register (1934), a credited role in refining the film's script. In other cases, her contributions went uncredited; for instance, she contributed (uncredited) to the screenplay of 3 on a Honeymoon (1934), one of multiple contributors , and Air Hostess (1933) was based on a story by Perkins, though she did not receive on-screen credit for it. These efforts reflect her transition from magazine fiction to direct participation in film production, though her screenwriting output remained limited compared to her literary work.

Personal life

Marriage to Fulton Oursler

Grace Perkins married Fulton Oursler in September 1925 in Mérida, Yucatán, Mexico, following his divorce in Mexico from his first wife. Fulton Oursler was a prominent writer and editor who held key positions at Macfadden publications, including overseeing several magazines during that period. The couple co-wrote the Broadway mystery play The Walking Gentleman, which premiered at the Belasco Theatre on May 7, 1942, starring Victor Francen in the title role along with Arlene Francis and Richard Gaines. The production closed after only six performances on May 12, 1942. Around the summer of 1932, Perkins and Oursler moved to Hollywood, renting a home from actor Jack Holt, and remained there for about a year while contributing dialogue to films and selling story rights to studios.

Children and family

Grace Perkins and Fulton Oursler had two children together: a daughter, Grace April Oursler (born October 15, 1926), and a son, Charles Fulton Oursler Jr. (known as Tony; born 1932). Fulton Oursler had two children from his first marriage. Following Fulton Oursler's death in 1952, Grace inherited his residuary estate under the terms of mutual reciprocal wills the couple had executed in 1951 before the same witnesses, which provided that the estate would pass to Grace outright but contemplated ultimate distribution to all four children in the event of her prior death. Grace subsequently executed a new will that left her estate exclusively to their two children. She died on December 15, 1955. After Grace's death, the two children from Fulton's first marriage, along with certain descendants, sued to impose a constructive trust on the property she had received from his estate, arguing that the simultaneous wills reflected a binding agreement that the property would ultimately benefit all four children equally. The trial court and Appellate Division ruled in favor of the plaintiffs and imposed a constructive trust, but in Oursler v. Armstrong (10 N.Y.2d 385), the New York Court of Appeals reversed in 1961, holding that there was insufficient evidence of an express or implied binding promise by Grace not to revoke her will and that a confidential marital relationship alone could not justify imposing a constructive trust. The complaint was dismissed, allowing distribution according to Grace's final will.

Later career

Collaborative projects

Grace Perkins collaborated with her husband Fulton Oursler on the Broadway mystery play The Walking Gentleman, which premiered at the Belasco Theatre on May 7, 1942. The production featured Victor Francen in the title role, with Arlene Francis and Richard Gaines among the supporting cast. Described as a supercharged melodrama incorporating elements of psychoanalysis, murder, and implausible plot twists, the play drew criticism for its lack of genuine suspense and excitement despite its sensational ingredients. The production closed after only six performances, with the final show on May 12, 1942, following a decision by the backers.

Magazine editing

In her later career, Grace Perkins served as executive editor of Guideposts magazine in Carmel, New York. This role involved overseeing content for the inspirational publication, which focused on faith-based stories and positive life experiences. The position reflected the couple's shared interest in religious themes during their later years.

Death and legacy

Circumstances of death

Grace Perkins died on December 16, 1955, in New York City at the age of 55. The cause of her death was complications from injuries. She was buried at Gate of Heaven Cemetery in Hawthorne, New York.

Estate matters

Following the death of Charles Fulton Oursler in 1952, Grace Oursler inherited his estate pursuant to reciprocal wills executed by the couple in 1951, which named each surviving spouse as the primary beneficiary with the expressed intention that the remainder would pass equally to all four of his children (two from his first marriage and two from his marriage to Grace) and their grandchildren. Grace Oursler died in 1955, and her will, executed earlier that year, made no provision for the two children from Fulton's first marriage, instead leaving the estate exclusively to her own two biological children. The children and certain grandchildren from Fulton's first marriage brought suit in Oursler v. Armstrong to impose a constructive trust on the property Grace had received from her husband's estate, arguing that she was bound by the mutual testamentary plan and an implied promise to benefit all heirs equally. The trial court ruled in their favor in 1958, finding sufficient evidence of a joint intention and reliance to enforce the arrangement equitably. However, this decision was reversed by the New York Court of Appeals in 1961, which held that no enforceable promise had been proven and dismissed the complaint, refusing to impose a constructive trust. Aspects of the dispute were reported as late as 1960 amid ongoing proceedings.

References

  1. https://www.imdb.com/name/nm0673948/
  2. https://www.findagrave.com/memorial/79099305/grace-oursler
  3. https://neglectedbooks.com/?p=10726
  4. https://www.nytimes.com/1955/12/17/archives/grkce-p-oorsler-novelist-editor-i-widow-of-author-who-aided-mine.html
  5. https://findingaids.library.georgetown.edu/repositories/15/resources/12938
  6. https://www.nytimes.com/1917/10/28/archives/leaps-9-floors-to-death-james-l-perkins-telephones-for-physician.html
  7. https://www.imdb.com/name/nm0674036/
  8. https://www.imdb.com/name/nm0673890/
  9. https://www.nytimes.com/1929/05/11/archives/bobbie-perkins-weds-hh-harris.html
  10. https://www.ibdb.com/broadway-cast-staff/grace-perkins-55932
  11. https://www.broadwayworld.com/people/Grace-Perkins/
  12. https://www.biblio.com/book/mistress-anonymous-grace-perkins-oursler/d/1699978101
  13. https://www.goodreads.com/author/show/4524165.Dora_Macy
  14. https://openlibrary.org/authors/OL1422617A/Grace_Perkins
  15. https://www.nytimes.com/1936/11/29/archives/riding-high-by-dora-macy-284-pp-new-york-farrar-rinehart-2.html
  16. https://books.google.com/books/about/Promiscuous.html?id=oY9UAAAAYAAJ
  17. https://www.kirkusreviews.com/book-reviews/a/grace-perkins/crazy-kid/
  18. https://catalog.afi.com/Catalog/moviedetails/7488
  19. https://catalog.afi.com/Catalog/moviedetails/5931
  20. https://www.imdb.com/title/tt0024685/fullcredits
  21. https://www.nytimes.com/1933/01/23/archives/an-air-melodrama.html
  22. https://catalog.afi.com/Catalog/moviedetails/7491
  23. https://catalog.afi.com/Catalog/moviedetails/6504
  24. https://www.casemine.com/judgement/us/59149e70add7b0493465b8cb
  25. https://www.nytimes.com/1942/05/07/archives/premiere-tonight-for-the-belasco-mystery-play-the-walking-gentleman.html
  26. https://www.nytimes.com/1942/05/13/archives/play-at-belasco-closes-abruptly-walking-gentleman-grace.html
  27. https://ancestors.familysearch.org/en/G9L1-254/grace-margaret-perkins-1900-1955
  28. https://www.casemine.com/judgement/us/59149c85add7b04934643c6a
  29. https://digitalcommons.law.buffalo.edu/cgi/viewcontent.cgi?article=2851&context=buffalolawreview
  30. https://www.studicata.com/summaries/court-of-appeals-of-new-york/oursler-v-armstrong-1961-4ezquo/
  31. https://www.newyorker.com/magazine/1942/05/16/1942-05-16-029-tny-cards-000010250
  32. https://case-law.vlex.com/vid/oursler-v-armstrong-887022525
  33. https://www.nytimes.com/1958/01/03/archives/all-oursler-heirs-to-share-equally.html
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