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Percussion mallet

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Percussion mallet

A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound.

The term beater is slightly more general. A mallet is normally held in the hand while a beater may be a foot or mechanically operated, for example in a bass drum pedal. The term drum stick is less general still but still applied to a wide range of beaters. Some mallets, such as a triangle beater, are normally used only with a specific instrument, while others are used on many different instruments. Often, mallets of differing material and hardness are used to create different timbres on the same types of instrument (e.g. using either wooden or yarn mallets on a xylophone).

Some mallets, such as vibraphone mallets, are normally just called mallets, others have more specialized names including:

Drum sticks are beaters normally used in pairs, with each held in one hand, and are similar to or derived from the snare drum sticks that were subsequently adopted for kit drumming.

They are the most general-purpose beaters, and the term covers a wide variety of beaters, but they are mainly used for untuned percussion.

As well as being a general term for a hand-held beater, mallet is also used specifically to refer to a hand-held beater comprising a head connected to a thin shaft, and used in pairs. There is a wide selection of mallets to choose from to create a desired sound, articulation, character, and dynamic for the pieces being played. Professional percussionists typically have a good selection of mallets on hand to be prepared for each piece. There are three main types:

Mallet shafts are commonly made of rattan, birch, or synthetic materials such as fibreglass. Birch is stiff and typically longer, while rattan is a more flexible shaft and gives a more open sound. Fiberglass is ideal for playing lightly on an instrument because it is easy to control.

Different mallets are used primarily to alter the timbre of the mallet instrument being played. Generally, mallets composed of softer materials will stick to the instrument for longer as they bounce off of it, which gives a deeper sound made up of lower frequencies. Harder materials tend to bounce off quicker, and as they stick to the instrument for a shorter amount of time, they tend to be able to excite more of the higher frequencies, giving the sound a higher pitch with more overtones. Mallet's choice is typically left up to the performer, though some compositions specify if a certain sound is desired by the composer.

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