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Spiritual Beggars
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Spiritual Beggars is a Swedish stoner metal band from Halmstad, formed by Michael Amott,[1] who is known for his work with Arch Enemy, Carcass and Carnage. The band is heavily influenced by 1970s hard rock and incorporates elements of psychedelia into its music.[2]
Key Information
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History
[edit]
Spice era
[edit]Spiritual Beggars was formed in 1993 by Michael Amott. Amott started the band after he left Carcass. Spiritual Beggars debuted with the self-titled Spiritual Beggars in 1994 and have subsequently released albums as Michael's schedule, which also includes being a full-time member of Arch Enemy, permits.
The second album, Another Way to Shine (1996) was nominated for a Swedish Grammy. The album featured artwork by the legendary artist Hans Arnold, depicting the members of the band in a fairytale world.
The third album, Mantra III, saw the band adding Per Wiberg on keyboards. Spiritual Beggars toured Europe with Fu Manchu and made several festival appearances in support of the album.
The fourth album, Ad Astra, was released in 2000 and enjoyed strong sales across Europe and in Japan. The band toured heavily on their Chasing The Stars tour that followed, supporting bands such as Iron Maiden, Monster Magnet, and Queens of the Stone Age, as well as playing festivals and headlining shows in Europe and Japan.
JB era
[edit]2002 saw the release of the band's fifth studio recording, On Fire. This album featured a new line-up following the departure of original singer Christian "Spice" Sjöstrand. The replacements were Janne "JB" Christoffersson of Grand Magus, who had been recommended to Amott by a mutual friend, while Roger Nilsson joined to handle the bass.
On Fire album was musically and vocally more melodic and saw the band delving deeper into 1970s hard rock for inspiration. A 2003 European tour featured Spiritual Beggars alongside Clutch, Spiritu and Dozer was completed in support of the album, which was followed by a tour of Japan with Clutch as the opening act.
Spiritual Beggars' sixth album, Demons, was released in Japan in March 2005 and in Europe on 20 June 2005. Demons was released in two versions – a single CD version and a two-CD version, which includes live material recorded in Japan during 2003. The touring on this record was limited to a three-date Japanese tour with Dio and a headline performance in London.
Apollo era
[edit]In early March 2010, it was announced that Spiritual Beggars had entered the studio to record their first studio album in five years. The album featured new singer Apollo Papathanasio of Firewind and Evil Masquerade. This album, Return to Zero, was released in Europe on 30 August 2010, in Japan on 25 August 2010 and in North America on 12 October 2010. Following the release the band played shows in Greece, Japan, Belgium, France and Finland.
Their performance at Loud Park Festival in Japan on 17 October 2010 was recorded and released as the Return to Live: Loud Park 2010.
Apollo's second album with Spiritual Beggars, Earth Blues, was released on 15 April 2013. The album has been noted for drawing influence from Deep Purple.[2]
Members
[edit]- Michael Amott – guitars (1992–present)
- Ludwig Witt – drums (1992–present)
- Per Wiberg – keyboards, vocals (1998–present)
- Sharlee D'Angelo – bass (2004–present)
- Apollo Papathanasio – vocals (2010–present)
Former members
[edit]- Christian "Spice" Sjöstrand – vocals, bass (1992–2001)
- Janne "JB" Christoffersson – vocals (2002–2010)
- Roger Nilsson – bass (2002–2004)
Touring/session members
[edit]- Stefan Isebring – percussion, hurdy-gurdy[3] (1998, also appeared on Mantra III[4])
Timeline
[edit]
Discography
[edit]Albums
[edit]- Spiritual Beggars (1994)
- Another Way to Shine (1996)
- Mantra III (1998)
- Ad Astra (2000)
- On Fire (2002)
- Demons (2005)
- Return to Zero (2010)
- Earth Blues (2013)
- Sunrise to Sundown (2016)
Singles/EPs
[edit]- "Violet Karma" 10-inch (Purple Vinyl) (1998, Froghouse Records)
- "It's Over" split 7-inch with Grand Magus (2001, Southern Lord Records)
Live
[edit]- Live Fire! DVD (2005, SPV)
- Return to Live: Loud Park 2010 (2011, Trooper Entertainment)
Compilation appearances
[edit]- "Magic Spell" on Stahlmaster: Volume One (1996, Cream/Rough Trade Records)
- "Monster Astronauts" on Burn One Up (1997, Attic Records Limited/Roadrunner Records)
- "Redwood Blues" on Stoned Revolution: The Ultimate Trip (1998, Drunken Maria Records/Rough Trade Records)
- "Mr. White" on Bastards Will Pay: A Tribute to Trouble (1999, Freedoom Records)
References
[edit]- ^ a b c Huey, Steve. "Spiritual Beggars > Biography". AllMusic. Retrieved 19 June 2009.
- ^ a b Ward, Chris (4 April 2013). "Spiritual Beggars – Earth Blues". thisisnotascene.com. Retrieved 25 May 2013.
- ^ "Stefan Isebring - Metal Storm". metalstorm.net. Retrieved 20 April 2021.
- ^ "Stefan Isebring". Discogs. Retrieved 20 April 2021.
External links
[edit]
Wikimedia Commons has media related to Spiritual Beggars.
- Official website
- Spiritual Beggars at AllMusic
- Spiritual Beggars discography at Discogs
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Spiritual Beggars
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Musical style and influences
Musical style
Spiritual Beggars are defined as a stoner metal and hard rock band incorporating psychedelic elements and 1970s hard rock influences, characterized by groovy, riff-driven guitar work, prominent organ-driven keyboards, and blues-infused guitar solos.[1][10][11] Their sound blends the heavy, down-tuned aggression of stoner metal with the melodic accessibility of classic hard rock, creating a hybrid that emphasizes rhythmic propulsion and atmospheric depth through bluesy phrasing and psychedelic textures.[12] The band's musical approach has evolved from the raw, fuzz-laden stoner rock of their early output, heavily inspired by Black Sabbath's riffing style, to a more polished, melodic hard rock orientation in later periods, with increased emphasis on keyboard layers and vintage production techniques reminiscent of 1970s progressive rock.[13][11] This shift incorporates greater use of Hammond organs for swirling, organ-led interludes and a warmer, analog-toned aesthetic that enhances the band's retro appeal while maintaining a core of heavy, groove-oriented riffs.[11] Keyboardist Per Wiberg's integration starting in 1998 marked a pivotal enhancement, adding lush, Hammond B3-driven textures that elevated the psychedelic and progressive dimensions of their compositions.[14] This style has remained consistent in their most recent release, Sunrise to Sundown (2016), with no new studio albums as of 2025.[9] Central to their style is guitarist Michael Amott's riff-based songwriting, which prioritizes chunky, Sabbath-esque grooves and extended bluesy solos to drive song momentum, often balanced by dynamic tempo shifts and improvisational structures that extend into jam-like passages during live performances.[11][12] This approach ensures a consistent thematic balance between heaviness and melodic hooks, allowing the music to remain accessible yet rooted in stoner metal's exploratory ethos.[10] Vocal lineup changes, such as shifts from Christian Sjöstrand to later singers, have subtly influenced the melodic delivery but preserved the band's foundational riff-keyboard interplay.[13]Influences
Spiritual Beggars drew primary inspiration from 1970s hard rock and heavy metal acts, particularly Black Sabbath's riff-heavy style and occult-themed songwriting, which shaped the band's doom-laden grooves and atmospheric depth.[11] Deep Purple influenced their use of Hammond organs for swirling textures and extended jamming sessions, evoking the classic rock era's improvisational energy.[11] Led Zeppelin's blues-infused dynamics and rhythmic shifts also informed the band's approach to dynamic song structures and guitar-driven narratives.[15] The group incorporated elements of psychedelic rock from bands like Blue Öyster Cult, whose riff-centric anthems and enigmatic lyrics contributed to Spiritual Beggars' blend of heavy grooves with otherworldly vibes.[11] In the stoner rock realm, pioneers such as Kyuss provided a blueprint for desert rock atmospheres, influencing the band's fuzzy, expansive soundscapes that evoke vast, arid landscapes.[7] Guitarist Michael Amott, coming from the extreme metal scenes of Arch Enemy and Carcass, played a key role in channeling these retro influences by tempering death metal extremity with 1970s rock warmth, creating a hybrid that retained aggression while embracing classic hooks.[16] This is evident in the early albums' tones, where keyboard additions echo Deep Purple's symphonic flair amid riff assaults.[15] Emerging amid the 1990s stoner revival in Sweden, Spiritual Beggars connected with contemporaries like Lowrider and Dozer, fostering a vibrant hub for riff worship and psychedelic experimentation that revitalized 1970s aesthetics in a Nordic context.[17]History
1993–2001: Formation and Spice era
Spiritual Beggars was formed in 1992 in Halmstad, Sweden, by guitarist Michael Amott as a side project around the time of his departure from the death metal band Carcass in 1993.[4] The band emerged amid the rising stoner rock scene, allowing Amott to explore classic rock and psychedelic influences distinct from his extreme metal roots. The initial lineup consisted of Amott on guitar, Christian "Spice" Sjöstrand on vocals and bass, and Ludwig Witt on drums. This core group recorded the band's self-titled debut album, Spiritual Beggars, released in 1994 by Wrong Again Records.[18] The album showcased a raw stoner rock sound with heavy riffs and psychedelic elements, highlighted by tracks such as "Yearly Dying" and "The Space Inbetween."[19] Despite limited promotion, it helped establish the band within underground circles, though Amott's commitments to other projects posed early challenges in building a dedicated fanbase.[7] The follow-up, Another Way to Shine, arrived in 1996, initially on Wrong Again Records before a wider release via Music for Nations. This effort marked a shift toward more polished production while retaining the band's groovy, riff-driven style, earning a Swedish Grammy nomination for Best Hard Rock Album.[15] Sjöstrand's soulful vocals contributed significantly to the album's accessible hard rock vibe.[20] By 1998, the band expanded with keyboardist Per Wiberg joining for Mantra III, released on Music for Nations. Wiberg's additions of organ and Mellotron enhanced the psychedelic leanings, with standout tracks like "Mantra" exemplifying the album's energetic, varied songwriting.[21] The release was supported by extensive European touring, including shows with Fu Manchu and festival appearances, which broadened their audience in the stoner and hard rock scenes.[8] Amott's growing involvement with Arch Enemy, formed in 1996, continued to strain scheduling, limiting the band's momentum.[22] The era culminated with Ad Astra in 2000, still under Music for Nations, featuring further psychedelic explorations and Wiberg's full integration.[23] Produced by Fredrik Nordström, the double album delved into atmospheric and experimental territory, solidifying the band's reputation for ambitious stoner metal. However, internal tensions led to Sjöstrand's departure in 2001, ending this formative period as the band faced ongoing challenges from Amott's divided commitments and the niche stoner rock market.[15]2002–2010: JB Christoffersson era
In late 2001, Spiritual Beggars parted ways with vocalist and bassist Christian "Spice" Sjöstrand, with band founder Michael Amott citing multiple complex reasons for the split.[24] To fill the vocal role, the band recruited Janne "JB" Christoffersson from Grand Magus, who brought a more melodic vocal approach influenced by 1970s hard rock, shifting the group's sound toward greater accessibility while retaining stoner rock roots.[8] Bassist Roger Nilsson, formerly of Firebird, also joined the lineup to handle low-end duties, completing the transition to a refreshed ensemble.[25] The era's first release, On Fire, arrived on October 8, 2002, via Music for Nations, marking a bolder, riff-driven evolution with prominent Hammond organ layers and bluesy undertones.[26] The title track exemplifies this with its aggressive, fiery guitar work and soaring melodies, setting a tone of renewed energy that contrasted the band's earlier, grittier phase. Christoffersson's raw yet melodic delivery integrated seamlessly, emphasizing hooks over raw aggression.[27] By 2005, the band issued Demons on InsideOut Music, first in Japan on March 23 and in Europe on June 20, exploring themes of personal turmoil and inner conflict through introspective lyrics and heavy grooves.[28] Tracks like "One Man Army" highlight the album's blend of psychedelic stoner elements with Christoffersson's emotive vocals, while Sharlee D'Angelo's basslines added a solid foundation after joining the band in 2004.[29] The record solidified the group's reputation for Hammond-infused hard rock, briefly referencing the keyboard evolution from prior works without overshadowing the core stoner influences. Touring intensified during this period, with Spiritual Beggars performing at European festivals and serving as support for major acts like Iron Maiden, Queens of the Stone Age, and Monster Magnet on their "Chasing the Stars" outings, alongside jaunts through Japan, Europe, and North America.[8] This activity culminated in the live DVD Live Fire!, released September 26, 2005, on InsideOut Music, which documented performances capturing the lineup's dynamic stage presence and setlist spanning their catalog. Christoffersson's tenure concluded in summer 2010 when the band mutually decided to part ways, allowing him to prioritize Grand Magus, thereby closing this chapter of melodic expansion and live vitality.[30]2010–present: Apollo Papathanasio era
In 2010, following the departure of vocalist Janne "JB" Christoffersson to focus on his primary band Grand Magus, Spiritual Beggars recruited Apollo Papathanasio, formerly of Firewind, as their new frontman. This marked a significant shift in the band's vocal approach, with Papathanasio's heavier, more aggressive style emphasizing the group's return to their stoner and hard rock roots compared to the melodic leanings of the prior era. The lineup stabilized around founder Michael Amott on guitars, Per Wiberg on keyboards, Sharlee D'Angelo on bass, and longtime drummer Ludwig Witt, who had been a core member since the band's inception.[31][32][33] The band's seventh studio album, Return to Zero, was released on August 30, 2010, in Europe and September 14, 2010, in North America via InsideOut Music. Produced at The Sweetspot Studio, the record leaned into heavier riffs and psychedelic elements, drawing praise for recapturing the raw energy of their early work while incorporating Papathanasio's powerful delivery. A live document of their performance at Japan's Loud Park festival on October 17, 2010, was captured and issued as the album Return to Live: Loud Park 2010 in March 2011 exclusively in Japan through Trooper Entertainment, highlighting the new configuration's onstage chemistry.[33][34][35] Earth Blues, the eighth studio album, followed on April 15, 2013, again via InsideOut Music, infusing the sound with prominent blues-rock influences reminiscent of Deep Purple and classic '70s hard rock. Tracks like the opener "Wise as a Serpent" exemplified this direction with gritty grooves and organ-driven dynamics, earning positive reception for its organic, jam-oriented feel and strong sales in Europe and Japan. The album supported the "Chasing the Stars" tour, reinforcing the band's enduring appeal in hard rock and stoner communities.[36][8][37] The ninth and most recent studio album, Sunrise to Sundown, arrived on March 18, 2016, through InsideOut Music (later distributed by Century Media in some regions), exploring themes of renewal and perseverance amid its uplifting, riff-heavy hard rock framework. The title track served as the lead single, showcasing Papathanasio's soaring vocals over psychedelic-tinged arrangements that evoked a sense of rebirth. Recorded at The Sweetspot Studio, it received acclaim for its spontaneous energy and balance of heaviness and melody, solidifying the era's creative peak.[38][39][40] Since 2016, Spiritual Beggars have entered an extended hiatus with no new studio releases or confirmed tours as of 2025, as Amott has prioritized commitments with Arch Enemy and a revived Carcass. While occasional live appearances have been discussed in interviews, the band maintains a loyal following in hard rock circles, sustained by reissues and catalog streams under InsideOut Music.[9][41][42]Band members
Current members
The lineup of Spiritual Beggars as of their last release in 2016, which has remained stable since, features a core group of musicians who have contributed to the band's signature blend of hard rock and psychedelic elements across multiple albums. The band has been inactive since the release of Sunrise to Sundown in 2016, with no new material or tours announced as of 2025.[2]- Michael Amott – guitars (1993–present); as the band's founder and primary songwriter, Amott has shaped its sound since inception while also leading Arch Enemy.[2][8]
- Apollo Papathanasio – vocals (2010–present); Papathanasio joined with experience from power metal bands like Firewind, adding a dynamic vocal range to the group's output.[2]
- Sharlee D'Angelo – bass (2005–present); a key collaborator connected to Arch Enemy as its longtime bassist, D'Angelo provides the rhythmic foundation.[2][8]
- Per Wiberg – keyboards (1998–present); formerly of Opeth, Wiberg enhances the psychedelic aspects through his keyboard work on recent releases.[2][8]
- Ludwig Witt – drums (1993–present); an original member known for his technical drumming style, Witt has anchored the rhythm section throughout the band's history.[2][8]
Former members
Christian "Spice" Sjöstrand served as the original frontman, handling vocals and bass for Spiritual Beggars from the band's formation in 1993 until his departure in 2001.[43] As a founding member alongside guitarist Michael Amott and drummer Ludwig Witt, Sjöstrand contributed to the band's early stoner rock sound on albums like Spiritual Beggars (1994), Another Way to Shine (1996), and Mantra III (1998). His exit was announced in late 2001, with Amott stating that the reasons were "many and quite hard to explain to people outside of the band," though rumors suggested a desire to focus on his side project, The Mushroom River Band.[43][44] Following his departure, Sjöstrand pursued solo work and other endeavors, including fronting The Mushroom River Band and later Kayser.[45] Janne "JB" Christoffersson joined Spiritual Beggars as vocalist in 2002, coming from the band Grand Magus, and remained with the group through 2010, appearing on albums such as On Fire (2002), Demons (2005), and Return to Zero (2010).[1] His tenure marked a shift toward a more hard rock-oriented sound influenced by his powerful, bluesy delivery. Christoffersson departed in 2010 to prioritize his primary band, Grand Magus, after a prolonged decision-making process that began discussions the previous year, citing the demands of that project's growing success.[46] Roger Nilsson played bass for Spiritual Beggars from 2002 to 2004, contributing to the album On Fire and helping stabilize the lineup after Sjöstrand's exit.[26] Previously involved with bands like Firebird and The Quill, Nilsson's time with the group was relatively short, ending before the Demons era as Sharlee D'Angelo took over bass duties.[47] Stefan Isebring provided brief session and touring support in 1998 during the promotion of Mantra III, primarily on percussion and hurdy-gurdy, adding atmospheric elements to live performances and the album recording.[48] His involvement was limited to this period, reflecting the band's experimental phase with keyboards and additional instrumentation led by Per Wiberg.[49]Timeline
The timeline of Spiritual Beggars' lineup changes is presented below in tabular form, highlighting key join and departure dates for members alongside relevant album releases for contextual alignment.[50][8]| Year | Lineup Change | Album Context |
|---|---|---|
| 1993 | Band formation with Michael Amott (guitar), Christian "Spice" Sjöstrand (vocals, bass), and Ludwig Witt (drums).[50][3] | Pre-debut period. |
| 1994 | Release of debut album with original lineup intact.[50] | Spiritual Beggars. |
| 1996 | No changes; original lineup records and releases second album.[50] | Another Way to Shine. |
| 1998 | Per Wiberg joins on keyboards.[50][51] | Mantra III. |
| 2000 | No changes; lineup of Amott, Sjöstrand, Witt, and Wiberg.[50] | Ad Astra. |
| 2001 | Christian Sjöstrand departs as vocalist and bassist.[24] | Post-Ad Astra transition. |
| 2002 | Janne "JB" Christoffersson joins on vocals; Roger Nilsson joins on bass.[8][50] | On Fire. |
| 2004 | Roger Nilsson departs as bassist.[8][52] | Pre-Demons transition. |
| 2005 | Sharlee D'Angelo joins on bass.[50][53] | Demons. |
| 2010 | Janne Christoffersson departs as vocalist; Apollo Papathanasio joins on vocals.[50][54] | Return to Zero. |
| 2013 | No changes; solidified lineup of Amott, Papathanasio, D'Angelo, Wiberg, and Witt.[50] | Earth Blues. |
| 2016 | No changes.[50] | Sunrise to Sundown. |
Discography
Studio albums
| Year | Title | Label | Tracks | Notes |
|---|---|---|---|---|
| 1994 | Spiritual Beggars | Wrong Again Records | 10 | The band's debut studio album, recorded at Studio Fredman. |
| 1996 | Another Way to Shine | Music for Nations | 11 | Nominated for a Swedish Grammy Award.[55] |
| 1998 | Mantra III | Music for Nations | 11 | Introduced keyboards to the band's sound with Per Wiberg's contributions.[56] |
| 2000 | Ad Astra | Music for Nations | 10 | Marked a shift toward psychedelic rock elements in the band's style.[57] |
| 2002 | On Fire | Music for Nations | 11 | Featured new vocalist Janne "JB" Christofferson.[58] |
| 2005 | Demons | SPV | 10 | Initially released in Japan ahead of the European market.[8] |
| 2010 | Return to Zero | InsideOut Music | 10 | The band's first studio album following a five-year hiatus.[34] |
| 2013 | Earth Blues | InsideOut Music | 10 | Emphasized blues influences in its hard rock framework.[59] |
| 2016 | Sunrise to Sundown | InsideOut Music | 10 | The most recent studio album as of 2025. |
Live releases
The Spiritual Beggars have released two official live recordings, capturing key performances from different phases of their career. These include a concert DVD from their early 2000s touring period and a live album documenting a festival appearance in Japan. No further live releases have been issued since 2011.[4][1] Live Fire! is a DVD released in 2005 by Inside Out Music, featuring footage from the band's performance at The Mean Fiddler in London on April 10, 2003, during their tour supporting the album On Fire.[60][61] The release includes 13 live tracks spanning their catalog up to that point, such as "Beneath the Skin" and "Euphoria," along with bonus material like interviews with guitarist Michael Amott and vocalist JB Christoffersson, a 23-minute tour documentary titled "Setting Fire," band history segments, and a discography overview, providing approximately 90 minutes of total content.[60][62] Return to Live: Loud Park 2010 is a live album released in 2011 by Trooper Entertainment, exclusively in Japan, capturing the band's set at the Loud Park 10 festival at Saitama Super Arena on October 17, 2010.[63][35] Recorded during the Apollo Papathanasio era following the Return to Zero album, it consists of eight tracks, including "Left Brain Ambassador," "Wonderful World," and "Euphoria," mixed at Studio Landgren 5.3 and The Sweet Spot Studio, and mastered at The Sweet Spot, highlighting their high-energy stoner rock sound in a festival setting.[63]Singles and EPs
Spiritual Beggars have issued a limited number of singles and EPs, often in vinyl formats during their early career and shifting to digital releases in the 2010s, with many serving as promotional vehicles for upcoming albums.[4][1] The band's debut EP, Violet Karma, was released in 1998 on purple 10-inch vinyl by Froghouse Records, limited to a small pressing; it featured an alternate mix of "Euphoria" from their album Mantra III, alongside extended and reimagined versions of tracks "If You Should Leave" and "Mushroom Tea Girl" from their self-titled debut.[64][65] In 2001, Spiritual Beggars collaborated with Grand Magus on a split 7-inch single titled It's Over / Twilight Train, pressed in a limited edition of 1,200 copies by Southern Lord Records; the band's contribution, "It's Over," which had previously appeared as a bonus track on the Japanese edition of Ad Astra, while Grand Magus provided "Twilight Train." No major EPs followed until the 2010s, when the band embraced digital singles for album promotion. "Sunrise to Sundown," the lead single from their 2016 album of the same name, was released digitally on February 5, 2016, via InsideOut Music (a Century Media imprint).[66][38] On May 30, 2016, the band released the limited edition 7" vinyl single Thumbsucker / Stoned Woman via H42 Records, featuring covers of Mountain's "Thumbsucker" and Ten Years After's "Stoned Woman" as bonus tracks from the Sunrise to Sundown sessions, pressed in various colors with a total of 450 copies.[67] Later that year, on February 19, "Diamond Under Pressure" emerged as a digital single, also from Sunrise to Sundown, accompanied by a lyric video; it highlighted the band's vintage hard rock influences with Apollo Papathanasio on vocals.[68][69]| Year | Title | Format | Label | Notes |
|---|---|---|---|---|
| 1998 | Violet Karma | 10" EP (purple vinyl) | Froghouse Records | Alternate and extended versions of prior tracks; limited pressing.[64] |
| 2001 | It's Over / Twilight Train (split with Grand Magus) | 7" single | Southern Lord Records | Limited to 1,200 copies; "It's Over" by Spiritual Beggars. |
| 2016 | Sunrise to Sundown | Digital single | InsideOut Music | Lead single from album Sunrise to Sundown.[66] |
| 2016 | Thumbsucker / Stoned Woman | 7" single (limited vinyl) | H42 Records | Covers as bonus tracks from Sunrise to Sundown; limited to 450 copies.[67] |
| 2016 | Diamond Under Pressure | Digital single | Century Media | Second single from Sunrise to Sundown; lyric video released.[68] |