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Esben Storm

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Esben Storm (26 May 1950 – 28 March 2011) was a Danish Australian actor, screenwriter, television producer, television director, voice artist and songwriter.

Key Information

Early life

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Storm came to Australia with parents Laurits and Ane in 1958, after Laurits lost the family farm to lawyers. After settling in Melbourne, his father worked as a builder's labourer and built a darkroom, where Esben learned photographic processing, composition and lighting.

Career

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Storm was well known for his work with the Australian Children's Television Foundation, headed by Patricia Edgar, where he worked for 15 years. The company sold programs to 92 countries, and Storm was involved in writing, acting, editing, and directing numerous programs, including Round the Twist.[1] He worked to adapt John Marsden's Tomorrow series but lost the rights to the film.

Film making

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Storm started making films at 18 with his then partner Haydn Keenan.[2] His early work was mostly serious in nature, including a 1983 documentary about the Hilton Bombing in Sydney called With Prejudice. He wrote and directed 27A (1974), In Search of Anna (1978) (with film stills and publicity shots by Carol Jerrems, who was then his girlfriend),[3] Deadly (1991), and Subterano (2003). He directed Devil’s Hill (1988), the Tasmanian film in the Touch the Sun series of bicentennial telemovies. In 2007, he directed the SBS comedy series Kick.[4]

Storm also worked on several television series such as Round the Twist, The Genie from Down Under (as scriptwriter and director), Sky Trackers (as script consultant), Li'l Elvis Jones and the Truckstoppers (as the show's creator, scriptwriter and dialogue director), Blue Heelers (as a director), Crash Zone, and Winners (for which he directed the episode "The Other Facts of Life").

Acting

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In 1976, Storm acted in Hanging About, a film by Carol Jerrems, who was then his girlfriend and living with him in Willoughby. He appeared in Room to Move and in two episodes of Winners. He played Pat in Phoenix and Colin in an episode of Blue Heelers.

Feature film roles included The Coca-Cola Kid, Wrong World (both 1985) and Young Einstein (1988).

Storm’s last acting role was in the medical drama series All Saints.[4]

Death

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Storm died, aged 60, on 28 March 2011 from a heart attack.[5]

Filmography

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Short film

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Director

  • Doors (1969)
  • In His Prime (1972)
  • A Motion Picture (1973)
  • Grace Crowley (1975)

Production assistant

Editor

  • Floating This Time (1973)

Unspecified assistant

  • A Handful of Dust (1975)

Actor

Year Title Role
1969 Doors
1972 In His Prime
Stephanie
A Motion Picture
1976 Hanging About: A Short Film by Carol Jerrems
1981 Making Weekend of Summer Last Out of Work Actior
1982 Last Breakfast in Paradise

Feature film

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Year Title Director Writer Producer Editor
1974 27A Yes Yes No Yes
1978 In Search of Anna Yes Yes Yes No
1982 With Prejudice Yes No No No
1984 Stanley Yes Yes No No
1991 Deadly Yes Yes No No
2003 Subterano Yes Yes No No

Documentary film

Year Title Director Writer Producer Editor
2004 The Tasty Bust Reunion No Yes Yes No
2006 The Bridge at Midnight Trembles Yes Yes Yes Yes

Acting roles

Year Title Role
1982 Monkey Grip Record Producer
Going Down Michael
1983 Birthin' Hips
1984 Stanley Menswear Attendant
1985 Wrong World Lawrence
The Coca-Cola Kid Country Hotel Manager
I Live with Me Dad Blindman
1987 Les Patterson Saves the World Russian Scientist
Pandemonium E.B. De Woolf / Husband
1988 Young Einstein Wilbur Wright
1991 Deadly Reporter
1993 Terrormisu: A Night of Just Desserts
Rusty & the Bathtub Banana

Other credits

Year Title Role Notes
1973 Avengers of the Reef Production manager
1990 The Crossing Story consultant
1992 de Vil's tas Mania (aka Three Cornered Island) Script advisor
2012 Aspects of a Life: Working with Indigenous Australians Editor Video documentary

Television

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Year Title Director Writer Producer Notes
1985-1990 Winners Yes No No Episodes "The Other Facts of Life" and "The Big Wish"
1988 Touch the Sun: Devil’s Hill Yes No No TV movie
1989-2001 Round the Twist Yes Yes No 18 episodes (Director);
31 episodes (Writer)
1995 Blue Heelers Yes No No Episode "Breaking the Cycle"
1996 The Genie from Down Under Yes Yes No 6 episodes (Director);
15 episodes (Writer)
1998 Li'l Elvis and the Truckstoppers No Yes No Episode "Caught in a Trap";
Also creator, scriptwriter and dialogue director
1999 Crash Zone Yes No No 4 episodes
2001 The Lost World Yes No No Episode "True Spirit"
2007 Kick Yes Yes Yes Also creator

Script consultant

Acting roles

Year Title Role Notes
1983 With Prejudice Documentary
1984 Special Squad Cox Episode "Brothers"
1985 Winners Leo George / Tom Episodes "The Other Facts of Life" and "Room to Move"
More Winners Waiter Episode "The Big Wish"
1986 The Fast Lane Lester Episode "All the World's Going Through a Bit of a Stage"
Alice to Nowhere Raymond 'Frog' Gardiner Miniseries
A Single Life Paul TV movie
1987 The Riddle of the Stinson Meissner TV movie
1988 Rafferty's Rules Norm Angstrom Episode "Mum's the Word"
Hard Knuckle Vince TV movie
1989–2000 Round the Twist Mr Snapper 36 episodes
1992 Phoenix Pat 2 episodes
1994 Law of the Land Peter Bozavich Episode "Death Before Dying"
1995 Blue Heelers Colin Roper Episode "Breaking the Cycle"
Snowy River: The McGregor Saga Frobisher Episode "In Duty Bound"
1997 Good Guys Bad Guys: Only the Young Die Good Jerry TV movie
2002 Don’t Blame the Koalas First AD Episode "A Star is Born"
2007 Kick Jeff Abbott Episode "You Can't Stop the Music"
All Saints Laszlo Shucs Episode "Echoes"

Theatre

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Year Title Role Type
1994 Anaheim Magic Playwright Lion Theatre, Adelaide, Malthouse Theatre, Melbourne with Magpie Theatre Company

[6]

Awards and nominations

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Year Title Award Category Result
1979 In Search of Anna Australian Film Institute Awards Best Screenplay Won[7]
Best Film Nominated
Best Director Nominated
1991 Deadly Mystfest Best Film Nominated
Winners: The Big Wish Australian Film Institute Awards Best Achievement in Direction in a TV Drama Nominated
1993 Round the Twist Best Screenplay in a TV Drama Nominated
1999 Crash Zone Best Direction in a TV Drama (episode 1) Nominated

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Esben Storm was a Danish-Australian film director, actor, screenwriter, and producer known for his socially conscious films that championed the underdog and his major contributions to Australian children's television. [1] [2] [3] His directing credits include the acclaimed features 27A, In Search of Anna, With Prejudice, and Deadly, which frequently explored themes of injustice and the individual confronting systemic power. [1] [3] Storm also acted in numerous film and television roles, with a notable performance in Going Down. [1] Born in Denmark on 26 May 1950, Storm migrated to Australia with his family in 1958 at the age of eight. [1] [2] He began his career in the early 1970s, collaborating with school friend Haydn Keenan on early short films that won prizes at the Sydney Film Festival and co-founding Smart Street Films. [2] After his debut feature 27A, he continued directing works that drew on real-world issues, while expanding into television production and direction. [1] [3] Storm spent many years working with the Australian Children's Television Foundation, where he directed, wrote episodes, and acted in the long-running and internationally successful series Round the Twist, alongside contributions to other children's programs such as The Genie from Down Under and Crash Zone. [1] [3] [2] He was widely regarded for his generosity and mentorship within the Australian screen industry. [2] Storm died of a heart attack on 28 March 2011. [1]

Early life

Childhood in Denmark and immigration to Australia

Esben Storm was born on 26 May 1950 in Denmark to Laurits and Ane Storm.[1] The family operated a farm until a legal battle resulted in its loss to unscrupulous lawyers, creating significant hardship.[1] In 1958, at the age of eight, Storm immigrated to Australia with his parents and settled in Melbourne, where his father found work as a builder's labourer.[1] [2] This experience of displacement and his father's struggle against injustice left a lasting imprint, echoing in Storm's later work through recurring themes of championing the underdog and the little man fighting the system.[1] His father built him a darkroom, which sparked an early interest in photography.[1]

Education and early interest in photography and film

Storm attended University High School in Melbourne, where he met Haydn Keenan, who became a lifelong collaborator in filmmaking. [1] His father built a darkroom at home, enabling Storm to learn photography, composition, and lighting from a young age. [1] This early exposure to photographic processes sparked his interest in visual storytelling and laid the foundation for his later work in film. [1] By the age of 18, around 1968, Storm began making films in collaboration with Keenan. His early short films achieved recognition, winning awards at the 1972 Sydney Film Festival.[1] [2]

Career

Early collaborations and Smart Street Films

In the early 1970s, Esben Storm co-founded Smart Street Films with his schoolfriend Haydn Keenan while both were working at the Commonwealth Film Unit, where Storm served as a production assistant.[2] This independent production company provided a base for their early creative collaborations in Melbourne's burgeoning film scene.[2] Storm's initial projects through Smart Street Films included the documentary short In His Prime (1972), which he directed, and the drama Stephany (1972), directed by Keenan; both films won prizes at the 1972 Sydney Film Festival.[2][1] These shorts established early recognition for their work in blending documentary and dramatic elements. Storm made his feature directing and writing debut with 27A (1974) at age 24, with Keenan producing via Smart Street Films.[2] Crafted in a dramatised documentary style, the film centres on an alcoholic detained under mental health laws.[4] It won the 1974 AFI Award for Best Film and is regarded as a milestone in the revival of Australian cinema during that era.[4] The theme of underdogs confronting institutional power first emerged prominently in 27A.[2]

Feature film directing and writing

Esben Storm established himself as a director and writer of independent Australian feature films that frequently explored themes of social injustice, marginalization, and the struggles of underdogs, often drawing from a personal commitment to truth-seeking that echoed his family history of resilience and activism. His second feature film was In Search of Anna (1978), a road movie he also produced. The film follows Tony, an ex-prisoner recently released from jail, who embarks on a search for his former girlfriend Anna while evading former associates convinced he possesses hidden robbery proceeds. It won the 1979 AFI Award for Best Original Screenplay.[5][6] In 1982, Storm directed With Prejudice, a dramatisation of the trial of three Ananda Marga members accused of the 1978 Sydney Hilton bombing, incorporating strong documentary-style elements to examine the case.[2] His 1983 comedy Stanley was a departure from his usual serious tone but was considered a misfire critically. In 1991, Storm directed and wrote Deadly, which depicted issues surrounding young Aboriginal men dying in police custody, set against simmering racial tensions in an outback town.[7] Storm later directed and wrote Subterano (2003) under the pseudonym Mort S. Seben. Across these works, his filmmaking consistently highlighted injustices and advocated for those on society's margins.[8][9]

Television directing and production

Esben Storm had an extensive career in television directing and production, most notably during his 15-year tenure at the Australian Children's Television Foundation (ACTF) under founding director Patricia Edgar.[1][10] He contributed to numerous ACTF projects as a director, writer, script editor, and mentor, earning praise as an inspiration who could transform creative challenges into engaging outcomes.[10] His involvement helped ACTF productions achieve international success, with sales to 94 countries and contributions to the foundation's many national and international awards.[10] Storm's early work in children's television included directing episodes for the anthology series Winners (1985), notably "The Other Facts of Life," which marked his first engagement with the genre and showcased his skill in directing young actors.[11] He also directed "The Big Wish" for More Winners.[10] In 1988, he directed Devil's Hill, a telemovie in the Touch the Sun series set in Tasmania, which won recognition at international children's film festivals.[12][10] Later ACTF projects saw him directing episodes of The Genie from Down Under (1995–1998) and Crash Zone (1998–1999), with his role as the initial director on Crash Zone aiding in securing Disney funding for the series.[2][10] He served as script consultant on Sky Trackers (1995) and directed episodes of Blue Heelers (1995) and The Lost World (2001). Storm also directed, wrote, produced, created, and acted in the 2007 SBS comedy series Kick through Storm Productions, the company he established in 1978.[2]

Round the Twist

Esben Storm was a central creative figure in the Australian children's television series Round the Twist, which aired across four series from 1989 to 2001. The show follows the Twist family—a widowed father and his three children—who move into a lighthouse filled with magical, bizarre, and often humorous supernatural occurrences. Storm co-created the series with author Paul Jennings and ACTF founding director Patricia Edgar, adapting Jennings' short stories into an enduringly popular program that blended fantasy, family drama, and quirky humor. [13] Storm contributed extensively to all four series in multiple capacities: he directed 18 episodes, wrote 31 episodes, served as script consultant on 13 episodes, and portrayed the recurring character of schoolteacher Mr Snapper (also known as Ralph Snapper) in 36 episodes. His multifaceted involvement spanned directing, writing, script editing, and acting, making him one of the most prominent figures behind the camera and in front of it. [14] [15] Round the Twist became the most successful program ever produced by the Australian Children's Television Foundation (ACTF), achieving widespread international distribution by selling to 92 countries and garnering 62 national and international awards. Storm's collaboration with Jennings on scripts and his overall creative input were pivotal to this success, with his work described as central to many of the series' accolades. [16] Patricia Edgar emphasized Storm's indispensable role, noting that he was essential in shaping the series' distinctive tone and appeal, particularly through his direction of young actors and his script contributions that helped bring Jennings' eccentric stories to life on screen. [15]

Acting career

Esben Storm pursued an active acting career parallel to his primary work as a director and writer, taking on supporting and character roles in more than 26 Australian films and television series.[17] Described as a gifted character actor, he brought distinctive presence to often eccentric or understated parts across several decades of local production.[17] Among his most acclaimed film performances was the role of Michael, a codeine-addicted loner-writer, in Haydn Keenan's Going Down (1983), which he played magnificently.[1] Other notable screen appearances included roles in Monkey Grip (1982), The Coca-Cola Kid (1985) as country hotel manager, and Young Einstein (1988) as Wilbur Wright.[18][9] In television, Storm featured in programs such as Phoenix (1992), Blue Heelers (1995), and various others, culminating in his final acting role as Laszlo Shucs in All Saints (2007).[18] His acting contributions, though typically in supporting capacities, added memorable texture to many independent and mainstream Australian projects.[17]

Personal life

Marriages and family

Esben Storm was married twice. Storm's second marriage was to costume designer Lisa Meagher, whom he met on the set of the television series Round the Twist. Together they had two children. [19] His family remained a private aspect of his life, with limited public details available beyond these relationships.

Death

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