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George Michael
George Michael
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George Michael (born Georgios Kyriacos Panayiotou; 25 June 1963 – 25 December 2016) was an English singer-songwriter and record producer. Regarded as a pop culture icon,[2] he is one of the best-selling recording artists of all time. Michael was known as a creative force in songwriting,[3] vocal performance,[4] and visual presentation.[5][6] He was inducted into the Rock and Roll Hall of Fame in 2023.[7]

Key Information

Born in East Finchley, Middlesex, Michael rose to fame after forming the pop duo Wham! with Andrew Ridgeley in 1981. He took part in Band Aid's UK number-one single "Do They Know It's Christmas?" in 1984 and performed at the following year's Live Aid concert. His debut studio album, Faith (1987), won the Grammy Award for Album of the Year and became one of the best-selling albums of all time, having sold over 25 million copies worldwide. Michael then went on to release a series of multimillion-selling albums, including Listen Without Prejudice Vol. 1 (1990), Older (1996), Ladies & Gentlemen: The Best of George Michael (1998), Songs from the Last Century (1999), Patience (2004), and Twenty Five (2006).

Michael came out as gay in 1998, and was an active LGBTQ rights campaigner and HIV/AIDS charity fundraiser. His personal life, drug use, and legal troubles made headlines following an arrest for public lewdness in 1998 and multiple drug-related offences. The 2005 documentary A Different Story covered his career and personal life. His 25 Live tour spanned three tours from 2006 to 2008. In 2011, Michael fell into a coma after developing pneumonia, but recovered. He performed his final concert at London's Earls Court in 2012. Michael died of heart disease on Christmas Day in 2016, at his home in Goring-on-Thames, Oxfordshire.

Michael achieved 10 number-one songs on the US Billboard Hot 100 and 13 number-one songs on the UK singles chart. His most successful singles include "Careless Whisper", "A Different Corner", "I Knew You Were Waiting (For Me)", "Faith", "Father Figure", "One More Try", "Monkey", "Praying for Time", "Freedom! '90", "Jesus to a Child", "Fastlove", "Outside", "Amazing", and "An Easier Affair". His awards include two Grammy Awards, three Brit Awards, twelve Billboard Music Awards, and four MTV Video Music Awards. He was listed among Rolling Stone's 200 Greatest Singers of All Time and Billboard's Greatest Hot 100 Artists of All Time. The Radio Academy named him the most played artist on British radio during the period 1984–2004.[8]

Early life, family and education

[edit]

Georgios Kyriacos Panayiotou (Greek: Γεώργιος Κυριάκος Παναγιώτου) was born in East Finchley, the only son and the youngest child of three.[9][10] His father, Kyriacos "Jack" Panayiotou,[11] was a Greek Cypriot restaurateur who emigrated from Patriki, Cyprus, to England in the 1950s.[12] His mother, Lesley Angold (born Harrison, 1937–1997),[13][14][15] was an English dancer.[16] In June 2008, Michael told the Los Angeles Times that his maternal grandmother was Jewish, but she had married a non-Jewish man and raised their children with no knowledge of their Jewish background due to her fear during World War II.[17]

Michael spent most of his childhood in Kingsbury, London, in the home his parents bought soon after his birth; he attended Roe Green Junior School and Kingsbury High School.[18][9]: 8  Michael had two sisters: Yioda (born 1958) and Melanie (1960–2019).[13][19] On BBC's Desert Island Discs, Michael said that his interest in music followed an injury to his head around the age of eight.[20]

Early music

[edit]

While Michael was in his early teens, the family moved to Radlett.[21][22] There, Michael began attending Bushey Meads School in Bushey,[23] where he, as "Yog" befriended his future Wham! partner Andrew Ridgeley. The two had the same ambition of being musicians.[11] Michael busked on the London Underground, performing songs such as "'39" by Queen.[24] His involvement in the music business began with his working as a DJ, playing at the Bel Air Restaurant in Northwood, London,[25][26][27][28] clubs, and local schools around Bushey, Stanmore, and Watford. This was followed by the formation of a short-lived ska band called the Executive, with Ridgeley, Ridgeley's brother Paul, Andrew Leaver, Jamie Gould, and David Mortimer (later known as David Austin).[29]

Wham!

[edit]
Michael (left) and Andrew Ridgeley as Wham!, c. 1984–1985

Michael formed the duo Wham! with Ridgeley in 1981. On the cusp of fame, he decided to legally change his name to the more accessible George Michael.[3] The band's first album Fantastic reached No. 1 in the UK in 1983 and produced a series of top 10 singles including "Young Guns", "Wham Rap! (Enjoy What You Do)", and "Club Tropicana". Their second album, Make It Big, reached No. 1 on the charts in the US. Singles from that album included "Wake Me Up Before You Go-Go" (No. 1 in the UK and US), "Freedom", "Everything She Wants", and "Careless Whisper" which reached No. 1 in nearly 25 countries, including the UK and US, and was Michael's first solo effort as a single.[30][31] In December 1984, the single "Last Christmas" was released.[32] In 1985, Michael received the first of his three Ivor Novello Awards for Songwriter of the Year from the British Academy of Songwriters, Composers and Authors.[33]

Michael performed on the original 1984 Band Aid recording of "Do They Know It's Christmas?"—he appears third on the song after Paul Young and Boy George sing their lines.[34] The song became the UK Christmas number one and Michael also donated the profits from "Last Christmas" and "Everything She Wants" to charity.[35] Michael sang "Don't Let the Sun Go Down on Me" with Elton John at Live Aid at Wembley Stadium in London on 13 July 1985.[36] He also contributed background vocals to David Cassidy's 1985 hit "The Last Kiss", as well as Elton John's 1985 successes "Nikita" and "Wrap Her Up". Michael cited Cassidy as a major career influence and interviewed Cassidy for David Litchfield's Ritz Newspaper.[37]

Michael performed at Live Aid at the old Wembley Stadium (exterior pictured) on 13 July 1985, and Wham! played their last concert, The Final, at the same venue on 28 June 1986.

Wham!'s tour of China in April 1985, the first visit to China by a Western popular music act, generated worldwide media coverage, much of it centred on Michael.[38][39] The headline in the Chicago Tribune read: "East meets Wham!, and another great wall comes down".[39] Before Wham!'s appearance in China, many kinds of music in the country were forbidden.[38] The band's manager, Simon Napier-Bell, had spent 18 months trying to convince Chinese officials to let the duo play.[38] The audience included members of the Chinese government. Chinese television presenter Kan Lijun, who was the on-stage host, spoke of Wham!'s historic performance:

No-one had ever seen anything like that before. All the young people were amazed and everybody was tapping their feet. Of course the police weren't happy and they were scared there would be riots.[38]

Wham! performed their hits with scantily clad dancers and strobing disco lights. According to Napier-Bell, Michael tried to get the crowd to clap along to "Club Tropicana", but "they hadn't a clue – they thought he wanted applause and politely gave it", before adding that some Chinese did eventually "get the hang of clapping on the beat."[40] A UK embassy official in China stated "there was some lively dancing but this was almost entirely confined to younger western members of the audience."[40] The tour was documented by film director Lindsay Anderson and producer Martin Lewis in their film Wham! in China: Foreign Skies.[41]

With the success of Michael's solo singles, "Careless Whisper" (1984) and "A Different Corner" (1986), rumours of an impending break up of Wham! intensified. The duo officially separated in 1986, after releasing a farewell single, "The Edge of Heaven" and a farewell compilation, The Final (their third album Music from the Edge of Heaven was released in North America and Japan), plus a sell-out concert at Wembley Stadium that included the world premiere of the China film.[42] The Wham! partnership ended officially with the commercially successful single "The Edge of Heaven", which reached No. 1 on the UK chart in June 1986.[43]

Solo career

[edit]

1987–1989

[edit]

During early 1987, at the beginning of his solo career, Michael released "I Knew You Were Waiting (For Me)", a duet with Aretha Franklin. "I Knew You Were Waiting (For Me)" was a one-off project that helped Michael achieve an ambition by singing with one of his favourite artists. It scored number one on both the UK Singles Chart and the US Billboard Hot 100 upon its release.[44][45] For Michael, it became his third consecutive solo number one in the UK from three releases, after 1984's "Careless Whisper" (though the single was actually from the Wham! album Make It Big) and 1986's "A Different Corner". The single was also the first Michael had recorded as a solo artist which he had not written himself. The co-writer, Simon Climie, was unknown at the time; he later had success as a performer with the band Climie Fisher in 1988. Michael and Franklin won a Grammy Award in 1988 for Best R&B Performance – Duo or Group with Vocal for the song.[46]

In late 1987, Michael released his debut solo album, Faith. The first single released from the album was "I Want Your Sex", in mid-1987. The song was banned by many radio stations in the UK and US, due to its sexually suggestive lyrics.[47] MTV broadcast the video, featuring celebrity make-up artist Kathy Jeung in a basque and suspenders, only during the late night hours.[47] Michael argued that the act was beautiful if the sex was monogamous, and he recorded a brief prologue for the video in which he said: "This song is not about casual sex."[48] One of the racier scenes involved Michael writing the words "explore monogamy" on his partner's back in lipstick.[49] Some radio stations played a toned-down version of the song, "I Want Your Love", with the word "love" replacing "sex".[50]

When "I Want Your Sex" reached the US charts, American Top 40 host Casey Kasem refused to say the song's title, referring to it only as "the new single by George Michael."[50] In the US, the song was also sometimes listed as "I Want Your Sex (from Beverly Hills Cop II)", since the song was featured on the soundtrack of the movie.[51] Despite censorship and radio play problems, "I Want Your Sex" reached No. 2 on the US Billboard Hot 100 and No. 3 in the UK.[30][52] The second single, "Faith", was released in October 1987, a few weeks before the album. "Faith" became one of his most popular songs. The song was No. 1 on the Billboard Hot 100 for four consecutive weeks, becoming the best-selling single of 1988 in the US.[31] It also reached No. 1 in Australia, and No. 2 on the UK Singles Chart.[30] The video provided some definitive images of the 1980s music industry in the process—Michael in shades, leather jacket, cowboy boots, and Levi's jeans, playing a guitar near a classic-design jukebox.[53]

On 30 October, Faith was released in the UK and in several markets worldwide.[51] Faith topped the UK Albums Chart, and in the US, the album had 51 non-consecutive weeks in the top 10 of Billboard 200, including 12 weeks at No. 1. Faith had many successes, with four singles ("Faith", "Father Figure", "One More Try", and "Monkey") reaching No. 1 in the US.[54] Faith was certified Diamond by the RIAA for sales of 10 million copies in the US.[55] To date, global sales of Faith are more than 25 million units.[56] The album was highly acclaimed by music critics, with AllMusic journalist Steve Huey describing it as a "superbly crafted mainstream pop/rock masterpiece" and "one of the finest pop albums of the '80s".[57] In a review by Rolling Stone magazine, journalist Mark Coleman commended most of the songs on the album, which he said "displays Michael's intuitive understanding of pop music and his increasingly intelligent use of his power to communicate to an ever-growing audience."[58]

In 1988, Michael embarked on a world tour.[59] In Los Angeles, Michael was joined on stage by Aretha Franklin for "I Knew You Were Waiting (For Me)". It was the second highest grossing event of 1988, earning $17.7 million.[60] At the 1988 Brit Awards held at the Royal Albert Hall on 8 February, Michael received the first of his two awards for Best British Male Solo Artist. Faith won the Grammy Award for Album of the Year at the 31st Grammy Awards, held on 22 February 1989.[61] At the 1989 MTV Video Music Awards on 6 September in Los Angeles, Michael received the Video Vanguard Award.[62] According to Michael in his film, A Different Story, success did not make him happy and he started to think there was something wrong in being an idol for millions of teenage girls. The whole Faith process (promotion, videos, tour, awards) left him exhausted, lonely and frustrated, and far from his friends and family.[63] In 1990, he told his record company Sony that, for his second album, he did not want to do promotions like the one for Faith.[64]

1990s

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Listen Without Prejudice Vol. 1 was released in September 1990. The title is an indication of his desire to be taken more seriously as a songwriter.[65] The album was released in Europe on 3 September 1990, and one week later in the US. It reached No. 1 in the UK Albums Chart[30] and peaked at No. 2 on the US Billboard 200.[31] It spent a total of 88 weeks on the UK Albums Chart and was certified four-times Platinum by the BPI.[66] The album produced five UK singles, all of which were released within an eight-month period: "Praying for Time", "Waiting for That Day", "Freedom! '90", "Heal the Pain", and "Cowboys and Angels" (the latter being his only single not to chart in the UK top 40).[30] Michael refused to do any promotion for the album.[64] At the 1991 Brit Awards, Listen Without Prejudice Vol. 1 won the award for Best British Album.[67]

The album's first single, "Praying for Time", with lyrics concerning social ills and injustice, was released in August 1990. James Hunter of Rolling Stone magazine described the song as "a distraught look at the world's astounding woundedness. Michael offers the healing passage of time as the only balm for physical and emotional hunger, poverty, hypocrisy, and hatred."[68] The song was an instant success, reaching No. 1 on the US Billboard Hot 100 and No. 6 in the UK.[31] A video was released shortly thereafter, consisting of the lyrics on a dark background. Michael did not appear in this video or any subsequent videos for the album.[65] The second single from Listen Without Prejudice Vol. 1, "Waiting for That Day", was an acoustic-heavy single, released as an immediate follow-up to "Praying for Time".

"Freedom! '90" was the second of only two singles from Listen Without Prejudice to be supported by a music video (the other being the Michael-less "Praying for Time").[69] The song alludes to his struggles with his artistic identity, and prophesied his efforts shortly thereafter to end his recording contract with Sony Music. As if to prove the song's sentiment, Michael refused to appear in the video (directed by David Fincher), and instead recruited supermodels Naomi Campbell, Linda Evangelista, Christy Turlington, Tatjana Patitz, and Cindy Crawford to appear in and lip sync in his stead.[69] It also featured lyrics critical of his sex symbol status.[70] It reached No. 8 on the Billboard Hot 100 in the US,[31] and No. 28 on the UK Singles Chart.[30] "Mother's Pride" gained significant radio play in the US during the first Persian Gulf War during 1991, often with radio stations mixing in callers' tributes to soldiers with the music.[71]

In 1991, Michael embarked on the Cover to Cover tour in Japan, England, the US, and Brazil, where he performed at Rock in Rio.[72] The tour was not a proper promotion for Listen Without Prejudice Vol. 1. Rather, it featured Michael singing his favourite cover songs.[72] Among his favourites was "Don't Let the Sun Go Down on Me", a 1974 song by Elton John; Michael and John had performed the song together at the Live Aid concert in 1985, and again for Michael's concert at London's Wembley Arena on 25 March 1991, where the duet was recorded. "Don't Let the Sun Go Down on Me" was released as a single at the end of 1991 and reached No. 1 in both the UK and US.[73] In 1991, Michael released an autobiography through Penguin Books titled Bare, co-written with Tony Parsons.[74]

An expected follow-up album, Listen Without Prejudice Vol. 2, was scrapped due to Michael's lawsuit with Sony.[75] Instead, Michael donated three songs to the charity project Red Hot + Dance, for the Red Hot Organization which raised money for AIDS awareness; a fourth track, "Crazyman Dance", was the B-side of 1992's "Too Funky". Michael donated the royalties from "Too Funky" to the same cause.[76] "Too Funky" reached No. 4 on the UK Singles Chart[30] and No. 10 on the US Billboard Hot 100.[31]

"George Michael was the best. There's a certain note in his voice when he did 'Somebody to Love' that was pure Freddie."

—Queen guitarist Brian May on Michael's performance at the Freddie Mercury Tribute Concert.[77]

Michael performed with Queen at The Freddie Mercury Tribute Concert on 20 April 1992 at Wembley Stadium.[78] The concert was a tribute to the life of the late Queen frontman, Freddie Mercury, with the proceeds going to AIDS research.[79] Michael performed "'39", "These Are the Days of Our Lives" with Lisa Stansfield and "Somebody to Love". Michael's performance of "Somebody to Love" was hailed as "one of the best performances of the tribute concert".[80][81] Michael later reflected, "It was probably the proudest moment for me of my career, because it was me living out a childhood fantasy, I suppose, to sing one of Freddie's songs in front of 80,000 people."[82]

The Five Live EP[83] featured five live recordings (six in several countries) performed by Michael, Queen, and Lisa Stansfield. "Somebody to Love" and "These Are the Days of Our Lives" were recorded at the Freddie Mercury Tribute Concert. "Killer", "Papa Was a Rollin' Stone", and "Calling You" were recorded during his Cover to Cover tour in 1991.[80][81] All proceeds from the sale of the EP benefited the Mercury Phoenix Trust.[84] Sales of the EP were strong through Europe, where it debuted at No. 1 in the UK and several European countries.[30] Chart success in the US was less spectacular, where it reached No. 40 on the Billboard 200 ("Somebody to Love" reached No. 30 on the US Billboard Hot 100).[31] The performance would later feature on Queen's compilation album Greatest Hits III.[85]

During November 1994, after a long period of seclusion, Michael appeared at the first MTV Europe Music Awards show, where he gave a performance of a new song, "Jesus to a Child".[86] The song was a melancholy tribute to his lover, Anselmo Feleppa, who had died in March 1993. The song entered the UK Singles Chart at No. 1 and No. 7 on Billboard upon release in 1996.[30][31] It was Michael's longest UK Top 40 single, at almost seven minutes long. The exact identity of the song's subject—and the nature of Michael's relationship with Feleppa—was shrouded in innuendo and speculation, as Michael had not confirmed he was homosexual and did not do so until 1998. The video for "Jesus to a Child" was a picture of images recalling loss, pain and suffering. Michael consistently dedicated the song to Feleppa before performing it live.[87]

Michael released "Fastlove", an energetic tune about wanting gratification and fulfilment without commitment, in 1996. The single version was nearly five minutes long. "Fastlove" was supported by a futuristic virtual reality-related video. The single reached No. 1 on the UK Singles Chart, spending three weeks at the top spot.[30] In the US, "Fastlove" peaked at No. 8.[31] Following "Fastlove", Michael released Older, his third studio album.[88] In the UK, the album was particularly notable for producing a record six top three hit singles in a two-year span.[89]

In 1996, Michael was voted Best British Male at the MTV Europe Music Awards and the Brit Awards;[90][91] and at the British Academy's Ivor Novello Awards, he was awarded the title of Songwriter of the Year for the third time.[92] Michael performed a concert at Three Mills Studios, London, for MTV Unplugged.[93] It was his first long performance in years, and in the audience was Michael's mother, who died of cancer the following year.[94]

Ladies & Gentlemen: The Best of George Michael (1998) was Michael's first solo greatest hits collection. The collection of 28 songs (29 songs are included on the European and Australian release) are separated into two-halves, with each containing a particular theme and mood. The first CD, titled "For the Heart", predominantly contains ballads; the second CD, "For the Feet", consists mainly of dance tunes. It was released through Sony Music Entertainment as a condition of severing contractual ties with the label.[95] Ladies & Gentlemen was a success, peaking at No. 1 on the UK Albums Chart for eight weeks.[30] It spent over 200 weeks in the UK chart, and is the 45th best-selling album ever in the UK.[96] It is certified seven-times platinum in the UK and multi-platinum in the US, and is Michael's most commercially successful album in his homeland, having sold more than 2.8 million copies.[66] As of 2013, the album had reached worldwide sales of approximately 15 million copies.[97] The first single of the album, "Outside", was a humorous song making a reference to his arrest for soliciting a policeman in a public toilet. "As", his duet with Mary J. Blige, was released as the second single in many territories around the world. Both singles reached the top 5 in the UK Singles Chart.[30]

Released in 1999, Songs from the Last Century is a studio album of cover tracks. The album achieved the lowest peak of his solo efforts, peaking at No. 157 on the American Billboard 200 albums chart[31] and at No. 2 in the UK Albums Chart.[30]

2000s

[edit]
Garth Brooks and Michael at the Robert F. Kennedy Memorial Stadium, Washington, 29 April 2000

In 2000, Michael worked on the hit single "If I Told You That" with Whitney Houston.[98] Michael co-produced on the single along with Rodney Jerkins.[99] Michael's first single from his fifth studio album, "Freeek!", reached the Top 10 in the UK.[100] His next single was "Shoot the Dog" which was released in July 2002 during the lead-up to the 2003 invasion of Iraq. The video for the song showed Tony Blair as George Bush's poodle.[101] The single's cover featured the Daily Mirror's "Howdy Poodle" front page from earlier in the year. Responding to criticism, Michael said, "I am British, I live here, I pay my taxes, and I'm very, very worried that we are now the second most dangerous country in the world thanks to our special relationship with America."[102] It reached No. 1 in Denmark and made the top 5 in most European charts.[103] It peaked at No. 12 on the UK Singles Chart.[30]

In February 2003, Michael recorded another song in protest against the looming Iraq war, Don McLean's "The Grave". The original was written by McLean in 1971 and was a protest against the Vietnam War. Michael performed the song on numerous TV shows including Top of the Pops and So Graham Norton. His performance of the song on Top of the Pops on 7 March 2003 was his first studio appearance on the programme since 1986. He ran into conflict with the show's producers for an anti-war, anti-Blair T-shirt worn by some members of his band. McLean stated that he was "proud of George Michael for standing up for life and sanity".[104]

Michael performing in Antwerp, Belgium, 2006

When Michael's fifth studio album, Patience, was released in 2004, it was critically acclaimed and went to No. 1 on the UK Albums Chart.[30] The album became one of the fastest-selling albums in the UK, selling over 200,000 copies in the first week alone.[105] It reached the Top 5 on most European charts and peaked at No. 12 in the US, selling over 500,000 copies to earn a Gold certification from the RIAA.[31] "Amazing", the third single from the album, became a No. 1 hit in Europe.[106] When Michael appeared on The Oprah Winfrey Show on 26 May 2004, to promote the album, he performed "Amazing", along with his classic songs "Father Figure" and "Faith".[107] On the show, Michael spoke of his arrest, the public revelation of his homosexuality, and his resumption of public performances. He allowed Oprah's crew inside his home outside London.[108] The fourth single taken off the album was "Flawless". It was a dance hit in Europe as well as North America, reaching No. 1 on the Billboard Hot Dance Club Play and becoming Michael's last No. 1 single on the US Dance chart.[30] Twenty Five is Michael's second greatest hits album, celebrating the 25th anniversary of his music career.[109] Released in November 2006 by Sony BMG, it debuted at no. 1 in the UK.[110]

Michael onstage in Munich, 2006

During the 2005 Live 8 concert at Hyde Park, London, Michael joined Paul McCartney on stage, harmonising on The Beatles classic "Drive My Car".[111] In 2006, Michael embarked on his first tour in 15 years, 25 Live. The tour began in Barcelona, Spain, on 23 September and finished in December at Wembley Arena in England.[112] On 9 June 2007, Michael became the first artist to perform live at the newly renovated Wembley Stadium in London.[113] On 25 March 2008, a third part of the 25 Live Tour was announced for North America, with 21 dates in the US and Canada.[112]

Michael made his American acting debut by playing a guardian angel to Jonny Lee Miller's character on Eli Stone, a US TV series. Each episode of the show's first season was named after a song of his. Michael also appeared on the 2008 finale show of American Idol on 21 May, singing "Praying for Time". When asked what he thought Simon Cowell would say of his performance, he replied "I think he'll probably tell me I shouldn't have done a George Michael song. He's told plenty of people that in the past, so I think that'd be quite funny."[114][115][116] On 25 December 2008, Michael released a new Christmas-themed track, "December Song (I Dreamed of Christmas)", on his website for free.[117]

2010s

[edit]
Michael at the Royal Opera House in 2011

In early 2010, Michael performed his first concerts in Australia since 1988.[118] On 20 February 2010, Michael performed his first show in Perth at the Burswood Dome to an audience of 15,000.[119] On 2 March 2011, Michael announced the release of his cover version of New Order's 1987 hit "True Faith" in aid of the UK charity telethon Comic Relief.[120] Michael appeared on Comic Relief itself, featuring in the first Carpool Karaoke sketch of James Corden, with the pair singing songs while Corden drove around London.[121] On 15 April 2011, Michael released a cover of Stevie Wonder's 1972 song, "You and I", as an MP3 gift to Prince William and Catherine Middleton on the occasion of their wedding on 29 April 2011. Although the MP3 was released for free download,[122] Michael appealed to those who downloaded the track to make a contribution to "The Prince William & Miss Catherine Middleton Charitable Gift Fund".[123]

Michael at the closing ceremony of the 2012 London Summer Olympics
LED lights during Michael's performance of his 1990 single "Freedom!" at the ceremony

The Symphonica Tour began at the Prague State Opera House on 22 August 2011.[124] In October 2011, Michael was announced as one of the final nominees for the Songwriter's Hall of Fame.[125] In November, he had to cancel the remainder of the tour as he became ill with pneumonia in Vienna, Austria, ultimately slipping into a coma.[126]

In February 2012, two months after leaving hospital, Michael made a surprise appearance at the 2012 Brit Awards at the O2 Arena in London, where he received a standing ovation, and presented Adele the award for Best British Album.[127] In March, Michael announced that he was healthy and that the Symphonica Tour would resume in autumn.[128] The final concert of the tour—which was also the final concert of Michael's life–was performed at London's Earls Court on 17 October 2012.[129]

Symphonica was released on 17 March 2014, and became Michael's seventh solo No. 1 album in the UK, and ninth overall including his Wham! chart-toppers. The album was produced by Phil Ramone and Michael; the album was Ramone's last production credit.[130] On 2 November 2016, Michael's management team announced that a second documentary on his life, entitled Freedom, was set to be released in March 2017.[131][132] A month after, English songwriter Naughty Boy confirmed plans to collaborate with Michael, for a new song and album.[133] Naughty Boy claimed that the song is "amazing but [...] bittersweet".[134] On 7 September 2017 (months after Michael's death), the single "Fantasy", featuring Nile Rodgers, was released.[135]

Having charted at number two upon its release in 1984 (behind Band Aid's "Do They Know It's Christmas?" which Michael also performed in), "Last Christmas" finally reached number-one in the UK Singles Chart on New Year's Day 2021 (chart week ending date 7 January 2021), more than 36 years after its initial release.[136] Andrew Ridgeley said the chart placing was "a testament to its timeless appeal and charm", adding: "It is a fitting tribute to George's song-writing genius... he would have been immensely proud and utterly thrilled."[136] The period of 36 years taken to reach number one was a UK chart record, which would be surpassed by Kate Bush with "Running Up That Hill" in June 2022 which took 37 years.[137] "Last Christmas" would become the UK Christmas number one for the first time in 2023, and it hit number one again at Christmas in 2024, making it the first song to top the Christmas chart in consecutive years, and become only the third song to top the festive chart more than once after Queen's "Bohemian Rhapsody" and "Do They Know It's Christmas?".[138]

Posthumous releases

[edit]

On 7 September 2017, Michael's estate released the single "Fantasy". Written and produced by Michael, it was recorded while he was working on Listen Without Prejudice Vol. 1. However, the track was not included on the album. Instead in October 1990, it was featured on the "Waiting for That Day" single in the United Kingdom and on the "Freedom! '90" single in the rest of the world.[139] On 7 September 2017, a new version reworked by Nile Rodgers was released as a single from Listen Without Prejudice / MTV Unplugged (2017).[140] The album includes the original version of "Fantasy" and the 1998 version;[141] the Nile Rodgers remix was not included on the disc but was made available to purchasers as a digital download. On 18 October 2017, a music video was released on Vevo.[142]

In 2019, the Emma Thompson-written film Last Christmas was released. The title of the film is taken from the Wham! classic. An official soundtrack album was released by Legacy Recordings on CD, two-disc vinyl, and digital formats on 8 November 2019.[143] The album contains 14 Wham! and solo George Michael songs, as well as a previously unreleased song originally completed in 2015 titled "This Is How (We Want You to Get High)".[144] The soundtrack album debuted at number one on the UK Official Soundtrack Albums Chart and at number 11 on the UK Albums Chart on 15 November 2019.[145][146] It also entered the Australian Albums Chart at number seven,[147] the Irish Albums Chart, where it debuted at number 32, climbing to number 26 the following week, and at number 55 on the US Billboard 200.[148][149]

On 22 June 2022, the documentary film Freedom Uncut was released. Michael had been working on the film shortly before his death, alongside David Austin,[150] and provides the narration throughout.[151] NME, The Guardian and Empire all praised the film and rated it 4/5 stars.[152][153][154] On 30 September 2022, a remastered and expanded version of Older was released comprising the original Older album, the Upper disc and three bonus CDs, containing remixes and live recordings of Older-era tracks.[155] The album charted at number 2 on the UK Official Albums Chart Top 100 on 7 October 2022.[156]

Personal life

[edit]

Sexuality and relationships

[edit]

Michael stated that his early fantasies were about women, which "led me to believe I was on the path to heterosexuality", but at puberty he started to fantasise about men, which he later said "had something to do with my environment". At the age of 19, Michael told Andrew Ridgeley that he was bisexual.[157] Michael also told one of his two sisters, but he was advised not to tell his parents about his sexuality.[158] In 1998, not long after he was outed for his sexuality, Michael said on Parkinson that he became confident he was gay when he fell in love with a man.[159] This stance was reiterated in a 1999 interview with The Advocate, where Michael told the editor-in-chief, Judy Wieder, that it was "falling in love with a man that ended his conflict over bisexuality". "I never had a moral problem with being gay", Michael told her. "I thought I had fallen in love with a woman a couple of times. Then I fell in love with a man, and realised that none of those things had been love."[160]

In 2004, Michael said, "I used to sleep with women quite a lot in the Wham! days but never felt it could develop into a relationship because I knew that, emotionally, I was a gay man. I didn't want to commit to them, but I was attracted to them. Then I became ashamed that I might be using them. I decided I had to stop, which I did when I began to worry about AIDS, which was becoming prevalent in Britain. Although I had always had safe sex, I didn't want to sleep with a woman without telling her I was bisexual. I felt that would be irresponsible. Basically, I didn't want to have that uncomfortable conversation that might ruin the moment, so I stopped sleeping with them." In the same interview, he added: "If I wasn't with Kenny [his boyfriend at the time], I would have sex with women, no question". He said he believed that the formation of his sexuality was "a nurture thing, via the absence of my father who was always busy working. It meant I was exceptionally close to my mother", though he stated that "there are definitely those who have a predisposition to being gay in which the environment is irrelevant."[157] In 2007, Michael said he had hidden his sexuality because of worries over what effect it might have on his mother.[158] Two years later, he added: "My depression at the end of Wham! was because I was beginning to realise I was gay, not bisexual."[161]

During the late 1980s, Michael had a relationship with make-up artist Kathy Jeung, who was regarded for a time as his artistic "muse" and who appeared in the "I Want Your Sex" video.[162] Michael later said that she had been his "only bona fide" girlfriend, and that she knew of his bisexuality.[157] In 2016, Jeung reacted to Michael's death by calling him a "true friend" with whom she had spent "some of the best time of [her] life".[163]

In 1991, Michael established a relationship with Anselmo Feleppa, a Brazilian dress designer whom he had met at the Rock in Rio concert in January that year. Six months into their relationship, Feleppa discovered that he was HIV-positive. Michael later said: "It was terrifying news. I thought I could have the disease too. I couldn't go through it with my family because I didn't know how to share it with them – they didn't even know I was gay."[161] In 1993, Feleppa died of an AIDS-related brain haemorrhage.[164] Michael's single, "Jesus to a Child", is a tribute to Feleppa (Michael consistently dedicated it to him before performing it live), as is his album Older (1996).[165] In 2008, speaking about the loss of Feleppa, Michael said: "It was a terribly depressing time. It took about three years to grieve, then after that I lost my mother. I felt almost like I was cursed."[166]

In 1996, Michael entered into a long-term relationship with Kenny Goss, a former flight attendant, cheerleading coach,[167] and sportswear executive from Dallas, Texas.[168] They had a home in Dallas,[169] a 16th-century house in Goring-on-Thames, Oxfordshire,[170][171] and an £8 million mansion in Highgate, North London.[164] In late November 2005, it was reported that Michael and Goss planned to register their relationship as a civil partnership in the UK,[172] but because of negative publicity and his upcoming tour, they postponed their plans.[173] On 22 August 2011, the opening night of his Symphonica Tour, Michael announced that he and Goss had split two years earlier.[174]

Michael's homosexuality became publicly known following his April 1998 arrest for public lewdness.[175] In 2007, Michael said "that hiding his sexuality made him feel 'fraudulent', and his eventual outing, when he was arrested [...] in 1998, was a subconsciously deliberate act."[176] In 2012, Michael entered a relationship with Fadi Fawaz, a Lebanese-Australian celebrity hairstylist and freelance photographer based in London.[177][178] It was Fawaz who found Michael's body on Christmas morning 2016.[179][180]

[edit]

On 7 April 1998, Michael was arrested for "engaging in a lewd act" in a public restroom of the Will Rogers Memorial Park in Beverly Hills, California.[181][182] Michael was arrested by undercover policeman Marcelo Rodríguez in a sting operation.[183] In an MTV interview, Michael stated: "I got followed into the restroom and then this cop—I didn't know it was a cop, obviously—he started playing this game, which I think is called, 'I'll show you mine, you show me yours, and then when you show me yours, I'm going to nick you!'"[184]

Michael performing "Outside" at the Olympic Stadium, Athens in 2007.

After pleading "no contest" to the charge, Michael was fined US$810 and sentenced to 80 hours of community service. Soon afterwards, Michael made a video for his single "Outside", which satirised the public toilet incident and featured men dressed as policemen kissing. Rodríguez claimed that this video "mocked" him, and that Michael had slandered him in interviews. In 1999, he brought a US$10 million court case in California against Michael. The court dismissed the case, but an appellate court reinstated it on 3 December 2002.[185] The court then ruled that Rodríguez, as a public official, could not legally recover damages for emotional distress.[186]

On 23 July 2006, Michael was accused of engaging in anonymous public sex at London's Hampstead Heath.[187] Michael said that his cruising was not a problem in his relationship with his partner Kenny Goss.[188]

In February 2006, Michael was arrested for possession of Class C drugs, an incident that he described as "my own stupid fault, as usual". He was cautioned by the police and released.[189] In 2007, he pleaded guilty to drug-impaired driving after obstructing the road at traffic lights in Cricklewood in northwest London, and was subsequently banned from driving for two years and sentenced to community service.[190] On 19 September 2008, Michael was arrested in a public convenience in the Hampstead Heath area for possession of Class A and C drugs. He was taken to the police station and cautioned for controlled substance possession.[191]

In the early hours of 4 July 2010, Michael was returning from the gay pride parade, when he was spotted on CCTV crashing his car into the front of a Snappy Snaps store in Hampstead, north London, and was arrested on suspicion of being unfit to drive.[192][193] On 12 August, London's Metropolitan Police said he was "charged with possession of cannabis and with driving while unfit through drink or drugs".[194] It was reported that Michael had also been taking the prescription tricyclic antidepressant medication amitriptyline.[195] On 24 August, he pleaded guilty at Highbury Corner Magistrates' Court in London after admitting driving under the influence of drugs.[196] On 14 September, at the same court, Michael was sentenced to eight weeks in prison, a fine, and a five-year ban from driving.[197][198] Michael was released from Highpoint Prison in Suffolk on 11 October, after serving four weeks.[199] In the dent in the shop wall Michael had crashed into, someone wrote the graffito "Wham!".[200]

Health

[edit]

Michael struggled with substance abuse for many years.[201][202] He was arrested for drug-related offences in 2006,[189] 2008[191] and 2010.[192][193] In September 2007, on BBC Radio 4's Desert Island Discs, Michael said that his cannabis use was a problem; he wished he could smoke less of it and was constantly trying to do so.[203] On 5 December 2009, in an interview with The Guardian, Michael explained he had cut back on cannabis and was smoking only "seven or eight" spliffs per day instead of the 25 per day he had formerly smoked.[204] Michael also abused sleeping pills.[202]

On 26 October 2011, Michael cancelled a performance at the Royal Albert Hall in London due to a viral infection. On 21 November, Vienna General Hospital admitted Michael after he complained of chest pains while at a hotel two hours before his performance at a venue there for his Symphonica Tour. Michael appeared to be "in good spirits" and responded well to treatment following his admission, but on 25 November hospital officials said that his condition had "worsened overnight". This development led to cancellations and postponements of Michael's remaining 2011 performances, which had been scheduled mainly for the United Kingdom.[205] Michael was confirmed to have suffered from pneumonia and, until 1 December, was in an intensive care unit; at one point, he was comatose. On 21 December, the hospital discharged him. Michael told the press that he had undergone a tracheotomy,[206] that the staff at the hospital had saved his life, and that he would perform a free concert for them.[207] After waking from the coma, Michael had a temporary West Country English accent, and there was concern he had developed foreign accent syndrome.[208]

On 16 May 2013, Michael sustained a head injury in a car accident on the M1 motorway, near St Albans in Hertfordshire and was airlifted to hospital.[209][210] On 29 May, Michael's publicist confirmed that he had left the hospital and that his injuries were superficial.[211] In 2014, Michael stated that he had refrained from using cannabis for one and one half years. In June 2015, he checked into a drug rehabilitation facility in Switzerland.[212]

Politics

[edit]

"To call us Thatcherite was so simplistic, basically saying that if you've got a deep enough tan and made a bit of money then you've got to be a Thatcherite."

— Michael, a Labour voter throughout the 1980s, distancing himself from Thatcher's Conservative Party.[213]

Michael's father was a communist. At the age of fifteen, Michael joined the Young Communist League, under his Greek name.[214] During the time of Margaret Thatcher as the Conservative Prime Minister of the United Kingdom throughout the 1980s, Michael voted Labour.[213] In September 1984, Wham! performed at a benefit concert at London's Royal Festival Hall for the striking UK miners.[215]

In 2000, Michael joined Melissa Etheridge, Garth Brooks, Queen Latifah, Pet Shop Boys, and k.d. lang, to perform in Washington, D.C. as part of Equality Rocks, a concert to benefit the Human Rights Campaign,[216] an American LGBTQ rights group. His 2002 single "Shoot the Dog" was critical of the friendly relationship between the UK and US governments, in particular the relationship between Tony Blair and George W. Bush, with their involvement in the War on Terror.[217] Michael voiced his concern about the lack of public consultation in the UK regarding the War on Terror: "On an issue as enormous as the possible bombing of Iraq, how can you represent us when you haven't asked us what we think?"[217]

In 2006, Michael performed a free concert for NHS nurses in London to thank the nurses who had cared for his late mother. He told the audience: "Thank you for everything you do — some people appreciate it. Now if we can only get the government to do the same thing."[218]

In 2007, Michael sent the £1,450,000 piano that John Lennon used to write "Imagine" around the United States on a "peace tour", displaying at places where notable acts of violence had taken place, such as Dallas' Dealey Plaza, where US President John F. Kennedy had been shot.[219] He devoted his 2007 concert in Sofia, from his 25 Live tour to the Bulgarian nurses prosecuted in the HIV trial in Libya.[220] On 17 June 2008, Michael said he was thrilled by California's legalisation of same-sex marriage, calling the move "way overdue".[221]

Philanthropy

[edit]

In November 1984, Michael joined other British and Irish pop stars of the era to form Band Aid, singing on the charity song "Do They Know It's Christmas?" for famine relief in Ethiopia. This single became the UK Christmas number one in December 1984, holding Michael's own song, "Last Christmas" by Wham!, at No. 2.[222] "Do They Know It's Christmas?" sold 3.75 million copies in the UK and became the biggest-selling single in UK chart history, a title it held until 1997 when it was overtaken by Elton John's "Candle in the Wind 1997", released in tribute to Princess Diana following her death (Michael attended Diana's funeral with Elton John).[222] Michael donated the royalties from "Last Christmas" to Band Aid and subsequently sang with Elton John at Live Aid (the Band Aid charity concert) in 1985.[223]

In 1986, Michael took part in the Prince's Trust charity concert held at Wembley Arena, performing "Everytime You Go Away" alongside Paul Young.[224] In 1988, Michael participated in the Nelson Mandela 70th Birthday Tribute at Wembley Stadium in London together with many other singers (such as Annie Lennox and Sting), performing "Sexual Healing".[225]

Michael was a staunch supporter of the UK's National Health Service (NHS). In 2006, to thank the nurses who had cared for his mother before her death from cancer in 1997, he held a special free concert exclusively for NHS nurses at the Roundhouse in North London.[226] He would also often set aside tickets for NHS staff at his other concerts.[227]

An LGBTQ rights campaigner and HIV/AIDS charity fundraiser,[228][229][230] the proceeds from the 1991 single "Don't Let the Sun Go Down on Me" were divided among 10 different charities for children, AIDS and education. He was also a patron of the Elton John AIDS Foundation.[231] Michael wore a red ribbon at the Freddie Mercury Tribute Concert at Wembley Stadium in April 1992.[232][233] He was instrumental in bringing the compilation CD Red Hot + Dance to fruition, contributing three original songs, with the album featuring Seal and Madonna among others.[234]

In 2003, he paired up with Ronan Keating on the UK edition of the game show Who Wants to Be a Millionaire? and won £32,000, after having their original £64,000 winnings halved by answering the £125,000 question incorrectly.[235][236] The same year, Michael joined other celebrities to support a campaign to help raise £20 million for terminally ill children run by the Rainbow Trust Children's Charity of which he was a patron. He said: "Loss is such an incredibly difficult thing. I bow down to people who actually have to deal with the loss of a child."[237]

5, the Grove, Michael's home in Highgate, north London, is a grade II listed building.[238][239]

From 2005 until his death, Michael was a patron of the Swan Lifeline charity. At the time he had moved to his home in Highgate, the river at the end of his garden was occupied by swans. A neighbour, who was involved with the charity, asked him if he would be interested, and he immediately agreed.[240][241][242]

Following Michael's death, various charities revealed that Michael had privately supported them for many years. It was revealed that he had donated all the royalties from his 1996 number one single, "Jesus to a Child", to Childline.[243] The charity's founder, Esther Rantzen, said that Michael had given them "millions" over the years and was determined that no one outside the charity should know "how much he gave to the nation's most vulnerable children".[244] Other charities he supported included the Terrence Higgins Trust and Macmillan Cancer Support.[245] It also emerged that he had volunteered anonymously at a homeless shelter, and had asked the other volunteers to keep his work there a secret.[246]

Michael also donated to individuals: he reportedly called the production team of the quiz show Deal or No Deal after a contestant had revealed that she needed £15,000 to fund IVF treatment and anonymously paid for the treatment.[245] Michael once tipped a student nurse working as a barmaid £5,000 because she was in debt.[247] On 3 January 2017, another woman came forward and (with the permission of Michael's family) revealed he had anonymously paid for her IVF treatment after seeing her talk about her problems conceiving on an episode of This Morning in 2010. The woman gave birth to a girl in 2012.[248]

After his death, it was also revealed that Michael had been anonymously paying for an annual Christmas tree erected where he lived in Highgate, as well as funding the Christmas lights, for the previous decade. He was also the largest funder of Highgate's annual Fair in the Square for those ten years, donating anonymously as "a local resident".[249][250]

Assets

[edit]

Between 2006 and 2008, according to reports, Michael earned £48.5 million from the 25 Live tour alone.[251] In July 2014, he was reported to have been a celebrity investor in a tax avoidance scheme called Liberty.[252] According to the Sunday Times Rich List 2015 of the wealthiest British musicians, Michael was worth £105 million.[253]

Death

[edit]
Grave of Michael (right) alongside his mother and sister in Highgate Cemetery

In the early hours of Christmas Day 2016, Michael died in bed at his home in Goring-on-Thames, at the age of 53. He was found by his partner, Fadi Fawaz.[179][180][254] In March 2017, a senior coroner in Oxfordshire attributed Michael's death to natural causes due to dilated cardiomyopathy with myocarditis and fatty liver disease.[255][256][257][258]

Owing to the delay in determining the cause of death, Michael's funeral was held on 29 March 2017. In a private ceremony, he was buried at Highgate Cemetery in north London, on one side of his mother's grave.[259] His sister Melanie, who died after him three years to the day, is buried on the other side.[260]

Aftermath

[edit]
Unofficial memorial garden outside Michael's home in Highgate, 29 July 2017

In the summer of 2017, a temporary informal memorial garden was created outside Michael's former home in The Grove, Highgate. The site, in a private square that Michael had owned, was tended by fans for approximately eighteen months until it was cleared.[261]

In March 2019, Michael's art collection was auctioned in England for £11.3 million. The proceeds were donated to various philanthropic organisations Michael gave to while he was alive.[262]

Michael's will left most of his £97 million estate to his sisters, his father and friends. It did not include bequests to either Fawaz or to his former partner, Kenny Goss. In 2021, following legal proceedings, the trustees of Michael's estate entered into a financial settlement with Goss.[263]

Tributes

[edit]
Elton John performing a tribute to Michael at Twickenham, London, in June 2017

Elton John was among those who paid tribute to Michael, emotionally addressing the audience on the Las Vegas Strip on 28 December, "What a singer, what a songwriter. But more than anything as a human being he was one of the kindest, sweetest, most generous people I've ever met."[264]

At the 59th Annual Grammy Awards on 12 February 2017, Adele performed a slow version of "Fastlove" in tribute to Michael.[265] On 22 February, Coldplay lead singer Chris Martin performed "A Different Corner" at the 2017 Brit Awards.[266] In June, Michael's close friend, former Spice Girls member Geri Halliwell, released a charity single, "Angels in Chains", a tribute to him, to raise money for Childline.[267]

In 2020, Michael was commemorated with a mural in his native borough of Brent.[268] The artwork, which formed part of the Brent Biennial, was commissioned to pay tribute to his contribution to the fields of music and entertainment.[269] Artist Dawn Mellor said it celebrates Michael as a pioneering cultural and LGBTQ figure.[270] In February 2024, the Royal Mint unveiled a collectable coin featuring Michael wearing his trademark sunglasses.[271]

Awards and achievements

[edit]

Michael won numerous music awards throughout his 30-year career, including five Brit Awards—winning Best British Male Artist twice, four MTV Video Music Awards, six Ivor Novello Awards, four American Music Awards (including two in the traditionally-black Soul/R&B category[272][273]), and two Grammy Awards from eight nominations.[274][275] In 2015, he was ranked 45th in Billboard's list of the "Greatest Hot 100 Artists of All Time".[276] The Radio Academy stated that Michael was the most frequently played artist on British radio during the period 1984–2004.[8] In 2019, Michael was named as the greatest artist of all time by Smooth Radio.[277] In 2023, Michael was nominated for induction into the Rock and Roll Hall of Fame.[278] On 3 May 2023, Michael was selected as an inductee to the 2023 class alongside Kate Bush, Willie Nelson, The Spinners, Missy Elliott and Rage Against the Machine.[279][280] In November 2023, Michael was inducted into the Hall, with Andrew Ridgeley as his induction presenter.[281]

Discography and record sales

[edit]

At the time of his death, Michael was estimated to have sold between 100 million and 125 million records worldwide.[282][283][284] As a solo artist, he is estimated to have sold over 100 million records, making him one of the best-selling music artists.[285][282] He is estimated to have sold up to 30 million records with Wham!.[286] His debut solo album Faith sold more than 25 million copies.[287]

Solo discography

Wham! discography

Tours

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
George Michael (born Georgios Kyriacos Panayiotou; 25 June 1963 – 25 December 2016) was an English singer-songwriter and record producer who rose to global prominence as the lead vocalist and primary songwriter of the pop duo Wham! in the early 1980s before transitioning to a prolific solo career marked by soul-influenced pop and R&B. With Wham!, he co-wrote and performed chart-topping singles such as "Wake Me Up Before You Go-Go" and "Last Christmas," contributing to the duo's sale of over 30 million records. His 1987 solo debut album Faith sold more than 25 million copies worldwide, won the Grammy Award for Album of the Year, and produced hits including the title track and "I Want Your Sex." Throughout his four-decade career, Michael sold over 120 million records, topped charts across multiple countries, and sold out stadiums internationally, while also engaging in philanthropy, including performances at events like Live Aid. Despite his musical successes, Michael's personal life included publicized struggles with substance abuse and multiple arrests for drug possession and public indecency, which drew media scrutiny and reflected underlying mental health challenges following personal losses. He died of natural causes related to dilated cardiomyopathy with myocarditis and fatty liver at age 53.

Early Years

Family Background and Childhood

George Michael was born Georgios Kyriacos Panayiotou on 25 June 1963 in , . His father, Kyriacos ("Jack") Panayiotou, emigrated from to in the and established himself as a , initially anglicizing his surname to Panos for business purposes. His mother, Lesley Angold (née Harrison; 1937–1997), was English and had worked as a dancer prior to marriage. The couple had two daughters, Yioda and Melanie, before Michael's birth, making him the youngest of three siblings in a middle-class household shaped by his father's entrepreneurial ventures in the restaurant trade. The family lived briefly in after Michael's birth before relocating to a home in , , purchased by his parents soon thereafter, where he spent the majority of his early childhood. This suburban environment provided stability amid his father's management of multiple eateries, though the household reflected a blend of Greek Cypriot heritage from his paternal side—emphasizing traditional values and occasional visits to —and English influences from his mother. In his early teenage years, around age 12 or 13, the family moved again to , a northwest of , seeking a quieter setting. Michael's upbringing involved typical suburban activities, including at institutions like Roe Green Junior School in , though specific details on daily family dynamics remain limited in primary accounts.

Education and Early Musical Interests

Michael attended Roe Green Junior School and in his early years before transferring to in , , due to transportation difficulties. There, in September 1975 at age 12, he met , with whom he would later collaborate musically. He experienced academic challenges and departed at 16 without earning formal qualifications, opting instead to work as a cinema usher by day and a at night. Michael's musical inclinations emerged early, drawn to soul, , and artists including , , and . In , amid the ska revival spurred by 2 Tone bands, he and Ridgeley assembled The Executive, a short-lived group also featuring Ridgeley's brother Paul and mates Andrew Leaver and Jamie Gould; they rehearsed extensively and debuted locally on 5 November that year but disbanded after limited performances. This early venture honed Michael's songwriting and performance skills, foreshadowing his pivot to pop with Ridgeley.

Musical Beginnings

Pre-Wham! Performances

George Michael formed his first band, The Executive, in 1979 with school friend and three others—Paul Ridgeley, David Austin (performing as David Mortimer), and Andrew Leaver—while attending Bushey Meads Comprehensive School. Influenced by the rising 2 Tone movement, the group adopted a ska style but remained short-lived, disbanding after limited activity. The band recorded a demo tape in a sixteen-track studio around 1980, featuring original tracks such as "" and "," along with a ska-infused cover of Beethoven's "." These recordings represented Michael's early vocal and songwriting efforts but did not lead to commercial releases or widespread recognition, as the group struggled to secure gigs amid competition from established acts. No documented live performances by The Executive have been widely verified, though the band's formation marked Michael's initial foray into group musical collaboration. Prior to The Executive, Michael had begun exploring music independently, learning guitar around age 13 and occasionally DJing at local clubs, schools, and restaurants in the late to hone his performance skills. These informal activities, combined with songwriting inspired by artists like and , laid the groundwork for his shift toward pop after The Executive's dissolution, culminating in Wham!'s formation in 1981.

Formation and Rise of Wham!

George Michael and Andrew Ridgeley met at Bushey Meads School in England, where Michael was 11 and Ridgeley was 12. After briefly forming a ska band called The Executive with school friends, the duo pursued music independently following Michael's departure from school and Ridgeley's exit from college in 1981. They established Wham! as a pop duo that year, focusing on upbeat, youthful themes to appeal to teenagers. In March 1982, Wham! signed with Innervision Records, a new label founded by acquaintance Mark Dean. Their debut single, "Wham Rap! (Enjoy What You Do)", was released on 11 June 1982, promoting a message of enjoying life regardless of employment status, but it achieved limited commercial success, peaking outside the top 10. The follow-up, "Young Guns (Go for It!)", released on 4 October 1982, marked their breakthrough, reaching number 3 on the UK Singles Chart and establishing their energetic pop style. Their debut album, Fantastic, followed on 1 1983, topping the and featuring additional hits like "Bad Boys" (number 2) and "" (number 4), solidifying Wham!'s rise as a leading British pop act.

Wham! Career

Key Albums and Singles

![Wham! circa 1984-1985](./assets/Wham!circa_1984-1985editingediting Wham!'s debut studio , Fantastic, was released on 1 July and 9 July . It topped the for two weeks and peaked at number 83 on the 200. The album featured singles "Wham Rap! (Enjoy What You Do)" (1982, UK #8), "Young Guns (Go for It!)" (1982, UK #3), "Bad Boys" (1983, UK #2), and "Club Tropicana" (1983, UK #4), blending upbeat pop with social themes. Fantastic sold approximately 1.7 million copies worldwide. The duo's breakthrough second album, Make It Big, followed on 15 October 1984 in the US and 5 November 1984 in the UK. It reached number one on both the UK Albums Chart and the US Billboard 200, staying at the top for three weeks in the UK and 23 weeks in the US. Key singles included "Wake Me Up Before You Go-Go" (UK #1 for five weeks, US #1 for three weeks), "Careless Whisper" (credited to Wham! featuring George Michael, UK #1 for three weeks, US #1 for three weeks), "Last Christmas" (UK #2), and "Everything She Wants" (UK #2, US #1 for two weeks). "Freedom" also charted at UK #7 and US #3. The album sold over 9.5 million copies globally, driven by its polished pop-funk sound. In 1986, Wham! released The Final, a marking the group's farewell, which peaked at number 2 on the . It collected prior hits alongside new tracks like "The Edge of Heaven" (UK #2) and a cover of "Where Did Your Heart Go?" (UK #10). The album sold about 1.5 million copies.

Commercial Success and Cultural Impact

Wham!'s second studio album, , released on October 23, 1984, achieved number one status on both the and the US , where it remained at the top for three weeks. The album sold over 10 million copies worldwide, contributing significantly to the duo's overall record sales exceeding 25 million certified units from 1982 to 1986. In the United States, surpassed 5 million copies sold, earning multi-platinum certification. The duo's debut album, Fantastic, released in July 1983, also reached number one on the . Wham! produced four UK number one singles, including "Wake Me Up Before You Go-Go," which topped the in 1985, "," which held the UK summit for three weeks in 1984, and "," a hit that later achieved number one status in the UK in 2024 after decades of chart performance. All four singles from — "Wake Me Up Before You Go-Go," "," "," and "" (credited variably but associated with the group)—reached the top three on both UK and charts. Culturally, Wham! epitomized 1980s exuberance through upbeat pop anthems emphasizing fun, dance, and aspiration, influencing the era's hedonistic pop . Their , featuring oversized T-shirts, shorts, and sporty aesthetics, became emblematic of 1980s trendsetting style, extending pop's reach into identity and via MTV-driven videos. The group's polished, escapist sound and image shifted pop toward accessible, high-energy escapism, resonating with global audiences and paving the way for subsequent phenomena while embodying recovery into commercial optimism.

Group Dynamics and Breakup

![Wham! circa 1984-1985](./assets/Wham!circa_1984-1985editingediting George Michael and , school friends since age 12, formed Wham! in 1981 after an earlier band attempt with The Executive. Michael handled primary creative responsibilities, writing most songs, producing tracks, and serving as lead vocalist, while contributed guitar, backing vocals, and co-wrote select hits like "." Ridgeley's extroverted persona shaped the duo's youthful, carefree image, complementing Michael's more introspective approach and enabling early breakthroughs. As Wham! achieved global success, Michael increasingly assumed control over songwriting and production, creating minor friction as Ridgeley ceded ground to his partner's vision. Their close friendship persisted without resentment; Ridgeley supported Michael's dominance, viewing it as natural given their respective strengths, and public perceptions of Ridgeley as a mere overlooked his role in band formation and curation. The duo decided to disband in 1986, approximately 18 months after internally agreeing to maximize success then exit while at their peak, avoiding prolonged decline. Michael sought a solo career focused on mature themes, diverging from Wham!'s pop formula, while Ridgeley lacked similar long-term musical ambitions. The split remained amicable, with no substantive rift despite fan speculations of jealousy over Michael's spotlight; they framed it as an intentional closure. Wham! concluded with "The Final," a farewell double A-side single released October 1986, followed by their last concert at on November 28, 1986, drawing 72,000 attendees and featuring guests like . Post-breakup, Michael launched his solo trajectory with in 1987, while Ridgeley pursued non-musical interests, maintaining lifelong friendship until Michael's death in 2016.

Solo Career

1987–1989: Faith Album and Global Breakthrough

Following the breakup of Wham! in 1986, George Michael initiated his solo career with the duet "I Knew You Were Waiting (For Me)" alongside , released on January 13, 1987, which topped both the UK Singles Chart and the US . Later that year, he released "" in June 1987 as a from his upcoming album, sparking controversy for its explicit title and lyrics amid heightened AIDS awareness; the restricted airplay to after 9 p.m., and numerous US radio stations refused to play it unedited or at all, despite Michael's intent to advocate by inscribing "Explore Monogamy" on the sleeve. The track peaked at number two on the , highlighting Michael's shift toward more mature, provocative themes. Michael's debut solo studio album, , was released on October 30, 1987, featuring self-penned tracks blending pop, soul, and rock influences, with Michael handling lead vocals, production, and much of the instrumentation. The title track "Faith," released October 12, 1987, reached number one on the and number two in the UK, accompanied by a black-and-white video showcasing Michael in and a , which became iconic. Subsequent singles from the album—"," "One More Try," and ""—also hit number one on the , making Michael the first British male solo artist to achieve four number-one singles from a single album in the ; "" reached number five. Faith topped the Billboard 200 for 12 weeks, achieved diamond certification in the US with over 10 million sales there, and sold more than 20 million copies worldwide, establishing Michael's global superstardom independent of Wham!. The album earned the Grammy Award for Album of the Year in 1989. To promote it, Michael embarked on the Faith World Tour from February 1988 to October 1988, extended with three shows in 1989, performing 109 concerts across 16 countries, though he later described the grueling schedule as a "horror show" that exacerbated his aversion to extensive touring. This period marked Michael's transition from idol to international solo icon, with the album's commercial dominance and hit singles solidifying his artistic and market viability.

1990s: Listen Without Prejudice, Sony Lawsuit, and Artistic Shifts

, George Michael's second solo studio album, was released on 3 September 1990 by . The album debuted at number one on the and produced five top-five singles there, including "Praying for Time," which reached number one. Globally, it sold approximately 8 million copies, significantly underperforming compared to Faith's 25 million, with only 2 million units where commercial expectations were higher following Faith's dominance in 1988. Michael intended the album as a deliberate pivot from 's commercial pop formula, emphasizing introspective lyrics on social issues, personal vulnerability, and soulful arrangements over image-driven promotion; he notably declined to produce a video for the lead single to prioritize substantive content. This shift reflected his disillusionment with fame's superficiality after Wham! and Faith, aiming for artistic depth amid burnout from relentless touring and media scrutiny. Frustrated by Sony's marketing focus on his persona rather than the music, Michael filed suit against the label in 1992, arguing his 1988 contract—spanning 15 years and six albums—treated him as a commodity with inadequate creative control and royalties. The trial began in 1993, and on 21 June 1994, Justice Jonathan Parker ruled the contract fair and enforceable, rejecting claims of . The legal battle, costing Michael an estimated £7 million, halted new releases as he refused to promote or deliver material to Sony, stalling his career for nearly two years. Post-lawsuit, Michael's artistic direction solidified toward mature, jazz-inflected soul exploring grief and relationships, evident in his 1996 album Older, released 13 May via after resolving Sony obligations through unpublicized deals. Older debuted at number one in the UK, selling over 1.5 million copies there, with singles like "" and "" reflecting personal loss after partner Anselmo Feleppa’s AIDS-related death in 1993. This era marked a sustained emphasis on emotional authenticity over chart-chasing pop, though U.S. reception waned due to the Sony fallout and evolving market tastes. Michael later expressed regret over the Sony conflict, acknowledging it disrupted momentum despite his push for autonomy.

2000s: Patience, Collaborations, and Commercial Fluctuations

, George Michael's fifth studio album and first collection of original material since Older in 1996, was released on 15 March 2004. Comprising 14 tracks with a runtime of approximately 68 minutes, the album debuted at number one on the . In the United States, it entered the at number 12 and had sold 381,000 copies by 2006 according to Nielsen SoundScan data. Singles from the album included "Flawless (Go to the City)", which peaked at number 8 on the UK Singles Chart in June 2004. In November 2006, Michael released Twenty Five, a double-disc compilation celebrating 25 years of his recording career, featuring selections from his solo work and Wham! era alongside three new tracks. The album debuted at number one on the , where it remained for multiple weeks and achieved multi-platinum certification. Among the new material was a re-recorded version of "" with , originally from Michael's 1990 album , which the pair updated in 2005. The release of Twenty Five coincided with the launch of the tour in June 2006, spanning and through 2008 and marking Michael's most extensive live outing in over a . The tour proved commercially robust in , grossing over $200 million amid positive critical reception for Michael's vocal performances and setlist spanning his catalog. However, Michael's commercial trajectory in the reflected fluctuations, with sustained chart dominance and sales in the UK contrasting diminished U.S. —evident in 's modest American figures relative to his 1980s peaks like , which exceeded 10 million units there—partly attributable to the lingering effects of his mid-1990s legal dispute with .

2010s: Symphonica, Health Challenges, and Final Recordings

George Michael's commenced on August 22, 2011, in , featuring orchestral arrangements of standards from his Songs from the Last Century alongside covers of and swing classics. The tour, intended as his final orchestral outing, included performances in European venues with a focus on intimate, decadent settings, but was disrupted after 45 dates when Michael contracted severe . A live album, Symphonica, compiled from these concerts, was released on March 14, 2014, containing six original compositions and multiple covers, marking his only official live recording. In November 2011, Michael was hospitalized in Vienna's AKH hospital with , leading to a and that necessitated intensive care and canceled remaining tour dates. He described the ordeal as involving a three-week , with his lungs sustaining lasting damage that impaired full recovery. Michael resumed limited performances, including his final concert at London's on October 13, 2012, but ongoing health complications, compounded by prior drug use, persisted into his later years. No new studio albums were released during the , with Michael's final recordings centered on the Symphonica material and select covers from the tour setlists, such as "My Baby Just Cares for Me" and "Idol." He died on December 25, 2016, at age 53 in his home from natural causes, specifically with and , conditions exacerbated by his medical history. The coroner's confirmed heart and as the primary factors, ruling out suspicious circumstances.

Artistry

Musical Style and Influences

George Michael's musical style primarily blended pop, soul, R&B, and dance-pop, with occasional forays into funk, rock, and post-disco elements, reflecting a versatility that allowed him to craft both commercial hits and introspective ballads. His early work with Wham! featured energetic, synth-heavy tracks designed for mass appeal, such as "Wake Me Up Before You Go-Go" (1984), which emphasized catchy hooks and upbeat rhythms. In his solo phase, particularly with Faith (1987), he incorporated slick R&B grooves and funk basslines alongside pop structures, achieving over 25 million sales worldwide through tracks like "I Want Your Sex" that fused sensual lyrics with layered production. This evolution continued into the 1990s, where albums like Listen Without Prejudice Vol. 1 (1990) shifted toward stripped-down soul and gospel-infused arrangements, prioritizing emotional depth over electronic sheen, as in the orchestral swells of "Freedom! '90." His influences spanned soul pioneers and rock icons, shaping his emphasis on vocal expressiveness and genre-blending innovation. Michael frequently cited Marvin Gaye, Stevie Wonder, and Aretha Franklin for their emotive phrasing and harmonic sophistication, which informed his own use of falsetto runs and dynamic range in songs like "Father Figure" (1987). He also drew from the flamboyant theatricality of Freddie Mercury and David Bowie, evident in his glam-tinged visuals and bold stage presence, as well as the rhythmic strut of the Bee Gees and the suave edge of Robert Palmer. Rock influences appeared in Beatles-inspired melodies ("Heal the Pain," 1990) and Rolling Stones-like grooves ("Waiting for That Day," 1990), allowing him to infuse pop with rawer, blues-derived textures. These inspirations stemmed from his self-taught production approach, where he often handled writing, arranging, and instrumentation to mirror the autonomy of idols like Prince and Michael Jackson, whom he sought to emulate in R&B-pop mastery.

Songwriting, Vocals, and Production Techniques

George Michael demonstrated a methodical approach to songwriting, often beginning with rhythmic foundations influenced by his early experience as a , before layering melodies and drawn from personal and musical precedents. In a 1990 studio tutorial, he outlined the process for tracks like "," starting with percussion and bass grooves to establish groove, then adding keyboards and guitars iteratively while testing vocal phrasing to ensure emotional coherence. He frequently incorporated elements from admired artists, such as adapting Marvin Gaye's "I Heard It Through the Grapevine" into "," viewing such borrowing as a legitimate creative tool rather than , a technique he defended openly without apology. This eclectic method, blending pop accessibility with soulful depth, yielded over 20 top-ten singles he co-wrote, emphasizing thematic contrasts between sensuality and vulnerability. His vocal style emphasized emotional conveyance through soul and R&B inflections, characterized by a lyric timbre that shifted fluidly from earthy lows to high extensions without strain. Trained by in and support techniques, Michael achieved a documented range from to C5, enabling seamless transitions in songs like "," where he employed controlled and subtle nasal placement for intimacy. Analysts note his use of breathy onsets and phrasing, as in "," to evoke warmth and narrative urgency, avoiding overt belting in favor of nuanced dynamics that prioritized lyrical storytelling over power. This approach, honed through self-analysis and live performance, distinguished him from contemporaries by integrating conversational phrasing with melodic precision, influencing later vocalists like . In production, Michael often self-directed recordings, playing multiple instruments—including drums, keyboards, and guitar—on albums like Faith (1987), where he layered analog synths and live drums to craft a lean, groove-oriented sound without extensive session musicians. For Listen Without Prejudice Vol. 1 (1990), he built tracks progressively from percussion sketches, as seen in "Freedom! '90," incorporating orchestral elements and multitracked vocals for dramatic builds while minimizing electronic overproduction to preserve organic feel. Later works like Older (1996) shifted toward digital tools, utilizing 32-track machines like the Mitsubishi X-850 for precise editing and synth integration, reflecting technological evolution while retaining his rhythmic core from drum programming. This hands-on ethos, evident in producing Wham! hits and solo output, prioritized causal groove—ensuring bass and percussion drove arrangements—over polished artifice, contributing to his commercial output exceeding 120 million records sold.

Personal Life

Relationships and Sexuality

George Michael maintained privacy regarding his sexuality during Wham!'s commercial peak in the 1980s, as his management advised against public disclosure to preserve appeal to heterosexual female audiences. He publicly identified as during a interview with on October 14, 1998, days after his April 7, 1998, arrest for lewd conduct in a Beverly Hills park restroom, stating, "I don't feel any shame about it" and confirming long-term same-sex attractions. Michael later reflected that his sexuality had been an open secret in the music industry but was strategically concealed for marketability, though he had engaged in anonymous public sexual encounters with men for years prior. In his early career, Michael pursued relationships with women, including a brief romance with actress in the mid-1980s and a four-year partnership with backup singer and model Kathy Jeung from 1985 to 1989, during which she appeared as his love interest in the "I Want Your Sex" video. These were publicly presented as heterosexual amid rumors of his , but Michael subsequently described his primary attractions as toward men, viewing early female involvements as exploratory or performative. Michael's most influential same-sex relationship began in February 1991 when he met Brazilian fashion designer Anselmo Feleppa at Rio de Janeiro's festival; they quickly became partners and cohabited after Michael's tour concluded. Feleppa tested positive for soon after, and the relationship provided Michael emotional stability until Feleppa's death from an AIDS-related brain hemorrhage on March 10, 1993, at age 33. The loss triggered severe depression and influenced Michael's 1996 album Older, dedicated to Feleppa as his "soulmate" and first profound romantic bond. From 1996 to 2009, Michael partnered with American businessman Kenny Goss, marking his longest relationship at 13 years; they resided together in and , co-founding the Goss-Michael Foundation in 2007 to support U.S. children's charities. In 2005, Michael expressed intent to enter a civil with Goss once law permitted, but they separated in late 2009 amid Michael's escalating drug issues and Goss's concerns over enabling behaviors. Michael's final relationship was with Lebanese-Australian hairstylist Fadi Fawaz, starting intermittently around 2011 and continuing until Michael's death. Fawaz found Michael's body on December 25, 2016; their on-off dynamic involved mutual support during health crises but also public disputes, with Fawaz later claiming Michael's isolation contributed to his decline. Michael described his post-coming-out life as involving both committed partnerships and casual encounters, reflecting a pattern of high-libido alongside monogamous phases.

Philanthropy and Charitable Acts

George Michael conducted much of his philanthropy anonymously, contributing millions to causes focused on children's welfare, HIV/AIDS awareness and support, and cancer relief, often without seeking public recognition. He donated all royalties from his 1996 single "Jesus to a Child," which reached number one internationally, to Childline, the UK children's helpline founded by Dame Esther Rantzen; these proceeds, accumulating to millions over time, enabled the charity to reach hundreds of thousands of vulnerable children. Michael directed royalties from his 1991 live duet "Don't Let the Sun Go Down on Me" with to and children's charities, including the Rainbow Trust Children's Charity, which supports families with seriously ill children, and London Lighthouse, an AIDS hospice. He secretly donated over £500,000 during his lifetime to AIDS-related organizations, including substantial sums to sustain an trust and contributions via the project in 1992, where he provided three songs for AIDS awareness fundraising. Beyond large-scale donations, Michael made personal gestures, such as giving £15,000 in 2008 to a contestant on the for her IVF treatment and £25,000 to a café patron to clear her debts. He annually donated £100,000 every Easter to Help a Child, a Capital Radio initiative aiding disadvantaged youth, often arriving unannounced at 3:30 a.m. to contribute. Additional support went to and other HIV-awareness groups, with early acts including auctioning signed tour boots in 1989 for charity. His efforts extended to performances, such as at House in 2004 for the .

Drug Use and Arrests

George Michael developed a habitual cannabis use following the 1993 death of his partner Anselmo Feleppa from AIDS-related illness, admitting in later accounts to consuming up to 25 joints daily as a means to suppress grief. He publicly advocated for cannabis legalization, arguing in a 2007 interview that its availability would make the world "an easier place to live with." Michael reiterated this stance in October 2006 by smoking a joint during a televised interview with BBC's The South Bank Show, stating that cannabis had kept him "sane and happy" since discovering it two decades prior. This pattern of use contributed to repeated arrests for drug-impaired driving. In February 2006, Michael was found slumped over the steering wheel of his car at London's , prompting an admission of driving while unfit due to drugs. Later that year, on October 20, he was arrested for possession and drug-driving, receiving a formal police warning; he was fined, ordered to perform , and temporarily banned from driving. By 2007, facing another driving ban, Michael expressed intent to reduce his intake, acknowledging it as a dependency though not a "major problem." Escalation to harder substances occurred amid ongoing legal scrutiny. On September 19, 2008, Michael was arrested in a cubicle on for possession of —a Class A drug—and ; he received a caution rather than prosecution, despite the offense carrying potential penalties of up to seven years imprisonment. In a 2009 Guardian interview, he initially denied habitual crack use but conceded to smoking it during the incident, describing experimental use of "different things" at parties without claiming . The most severe consequence arose from a July 4, 2009, incident in which Michael, under the influence of , crashed his into a shopfront, leaving him slumped at the wheel; police discovered cannabis residue in the vehicle. After pleading guilty to driving while unfit and possession, he was sentenced on September 14, 2010, to eight weeks imprisonment, a £1,250 fine, and a five-year driving ban, with the judge citing prior cautions as aggravating factors. Michael served four weeks at Highpoint Prison before release on October 11, 2010, having undergone drug counseling beforehand; he described the experience as transformative but maintained had aided his . By 2014, he claimed abstinence from all drugs for over 18 months.

Public Incidents and Media Scrutiny

On April 7, 1998, George Michael was arrested in a public restroom at in , for engaging in a lewd act upon an undercover . The incident involved Michael performing oral sex on the plainclothes officer, leading to a misdemeanor charge of lewd conduct in a public place. Although Michael had previously alluded to his , the arrest intensified tabloid coverage and public speculation about his private life, with outlets framing it as a scandalous revelation despite his partial openness in songs like "." The ensuing media frenzy amplified scrutiny of Michael's sexuality, portraying the event through a lens of moral and debates, as the officer had reportedly initiated contact. In a June 1998 CNN interview with Sir , Michael publicly confirmed his identity, stating, "I don't think any of [my music] was ever particularly straight," and accused the media of hypocrisy in policing private consensual acts among adults. He pleaded no contest to the charge, receiving a $500 fine, probation, and , while criticizing the sting operation as outdated amid shifting attitudes toward . In response, Michael released the single "Outside" in October 1998, accompanied by a provocative depicting acts in a restroom to satirize the and media intrusion. The video, featuring Michael in a police engaging in simulated acts, directly mocked the Beverly Hills incident and broader societal policing of men's behavior, peaking at number two on the UK Singles Chart. This defiant artistic rebuttal shifted some narrative control from tabloids to Michael, though it sustained headlines linking his personal conduct to professional image. Later public altercations with , such as a 2007 incident where Michael shouted at a , "Are you ? No? Then fuck off! This is my culture!", underscored ongoing media hounding over his sexuality post-1998. Such episodes fueled perceptions of Michael as combative toward invasive coverage, contrasting his earlier polished image while highlighting tensions between and public curiosity about non-normative behaviors.

Health and Politics

Physical and Mental Health Struggles

George Michael grappled with profound depression following the deaths of his mother, Lesley Angold, from cancer on February 6, 1997, and his partner, Anselmo Feleppa, from AIDS-related complications in March 1993. These losses, occurring within a few years of each other, triggered a severe depressive episode that he later described as prompting a period of withdrawal from public life and creative output. In interviews, Michael acknowledged the enduring psychological toll, linking it to unresolved grief and stating that the pain remained evident when discussing the events even years later. His struggles intertwined with , which he openly discussed as a mechanism, including heavy marijuana use and issues with sleeping pills that led to impaired judgment, such as under their influence on multiple occasions. Michael admitted in 2009 to a year-and-a-half battle with sleeping pills, during which he "fucked up really badly," though he denied broader hard at the time despite tabloid reports suggesting otherwise. These habits contributed to cycles of depression and public scrutiny, with friends and associates later attributing his emotional volatility to ongoing drug involvement, including claims of GHB use in his . Physically, Michael faced acute crises, most notably a severe case of in November 2011, which hospitalized him in Vienna's AKH hospital after 45 dates into his . He described the ordeal as "touch and go," involving three weeks of intensive care where medical staff worked to keep him alive, marking it as "the worst month of my life" and leaving him "incredibly fortunate to be here." The infection led to temporary complications, including a reported upon partial recovery, though he eventually regained his health enough to resume performing. Chronic physical decline emerged from lifestyle factors, including substance use and weight fluctuations; by his later years, he exhibited symptoms linked to and , conditions exacerbated by long-term drug and alcohol consumption rather than solely acute infections. Michael himself connected these patterns to broader self-destructive tendencies, expressing surprise at surviving his "own dysfunction" amid repeated legal and health setbacks.

Political Views and Activism

George Michael expressed left-leaning political views throughout his career, influenced by his father's communist background and his own brief involvement in the Young Communist League during his teenage years. He consistently supported the Labour Party in the 1980s as an alternative to Margaret Thatcher's Conservative government, including performing at a for the National Union of Miners during the 1984-1985 strike. In the early 2000s, Michael became more vocal in his , releasing the satirical single "" on July 2, 2002, which criticized U.S. President George W. Bush's foreign policy and British Prime Minister Tony Blair's alignment with it, portraying the conflict as driven by oil interests and lacking public dialogue. He publicly condemned the invasion in interviews, such as a February 25, 2003, appearance on where he argued it would exacerbate , and a BBC segment on February 28, 2003, where he distanced himself from Labour's war support despite prior backing of the party. Michael linked the war to broader issues, including the Israeli-Palestinian conflict, asserting in a 2003 that U.S. and British actions undermined peace efforts there. Following his public as in 1998 after a lewd conduct , Michael emerged as an advocate for LGBTQ rights, fundraising for charities and participating in documentaries highlighting the impact of the disease on young people. He criticized media sensationalism of and promoted , stating in interviews that he had no personal issue with his sexuality but sought to challenge societal stigma. Michael's activism extended to broader liberal causes, including critiques of religious , though he avoided toward the British monarchy, with Queen Elizabeth II reportedly requesting a meeting with Wham! in 1985 due to her fandom.

Death and Estate

Circumstances of Death

George Michael was discovered deceased on December 25, 2016, at his residence in , , , by his partner Fadi Fawaz, who had returned from a Christmas camping trip. He was 53 years old and found in bed, having passed away peacefully in his sleep. Michael's manager, Michael Lippman, confirmed the death as resulting from . An initial post-mortem examination conducted on December 29, 2016, yielded inconclusive results regarding the precise cause, prompting to order additional forensic tests while treating the death as unexplained but not suspicious. No evidence of third-party involvement or illicit activity was reported at the scene. Subsequent toxicology and pathology analyses, completed by March 2017, identified the causes as with —a condition involving weakened heart muscle and —and . Darren Salter ruled the death natural, discontinuing the investigation and attributing it to these chronic conditions without external factors.

Investigations, Aftermath, and Posthumous Handling

Following the discovery of George Michael's body on December 25, 2016, at his home in , , classified the death as unexplained but not suspicious. An initial post-mortem examination conducted on December 29, 2016, proved inconclusive, prompting further forensic tests to determine the cause, with police indicating they were investigating potential involvement of drugs based on Michael's history of . In January 2017, police continued the probe by taking statements from associates, though no criminal activity was suspected. On March 7, 2017, Senior Coroner Darren Salter ruled the death resulted from natural causes—specifically, with and fatty liver—discontinuing the investigation without a full , as and reports confirmed no external factors. Posthumous handling of Michael's estate, valued at approximately £97 million, involved multiple legal disputes. His 2008 will directed the bulk to his sisters Yioda and Melanie Panayiotou, with 15% to charities and provisions for ex-partner Kenny Goss's support, but excluded his then-partner Fadi Fawaz. Fawaz contested occupancy of Michael's £5 million townhouse, leading to proceedings after he refused to vacate following the death. Goss initiated a claim under the UK's Inheritance (Provision for Family and Dependants) Act 1975, alleging inadequate provision despite their 13-year relationship ending in 2009; trustees settled out of court in May 2021, granting him an undisclosed share to resolve the dispute. Michael's burial occurred privately in Highgate Cemetery, London, followed by a memorial garden established there in 2017.

Legacy

Cultural Influence and Critical Reception

George Michael's songwriting and production innovations reshaped pop and R&B in the 1980s, blending soulful melodies with influences from soul, funk, and classic rock acts like Marvin Gaye and the Beatles, resulting in hits that topped charts globally and sold over 100 million records across his career. His debut solo album Faith (1987) exemplified this craftsmanship, achieving seven top-five singles on the Billboard Hot 100, including four number-one hits, and selling more than 25 million copies worldwide through self-written and self-produced tracks that prioritized melodic precision over trends. This approach influenced subsequent artists, including Adele and Sam Smith, who have cited his vocal phrasing and emotional depth as direct inspirations for their own ballad styles. In cultural terms, Michael's public acknowledgment of his in 1998—following a lewd conduct —and subsequent releases like the single "Outside" challenged taboos around sexuality in mainstream , fostering greater visibility for homosexual artists amid the AIDS crisis and conservative backlash of the era. His unapologetic embrace of themes in lyrics and visuals, as in 's subtle nods to same-sex desire, prefigured more overt representations by later performers, though his career suffered media sensationalism that overshadowed artistic merits. This duality—commercial triumph paired with personal candor—positioned him as a pivotal figure in evolving pop's engagement with identity, distinct from predecessors like who navigated fame more discreetly. Critically, Michael's work garnered acclaim for its technical prowess and emotional authenticity, with Faith hailed as one of the decade's finest albums for its genre-blending innovation and receiving the Grammy Award for Album of the Year in 1989. Later efforts like Listen Without Prejudice Vol. 1 (1990) earned praise for introspective songcraft, though some reviewers noted a shift from upbeat pop to somber reflection as less commercially immediate but artistically mature. Overall reception affirmed his status as a versatile vocalist and producer, with contemporaries and posthumous analyses crediting him for elevating pop beyond disposable hits to enduring, self-contained artistry.

Awards, Sales, and Honors

George Michael sold over 120 million records worldwide, ranking him among the best-selling music artists in history. His debut solo album Faith (1987) exceeded 25 million copies sold globally, earning diamond certification (10 million units) from the RIAA in the United States and seven-times platinum status in the United Kingdom. Subsequent releases like Listen Without Prejudice Vol. 1 (1990) achieved multi-platinum certifications, including three-times platinum in the US, while his work with Wham! contributed an additional 30 million units. These figures, verified by industry bodies and his label Sony Music, underscore his commercial dominance across pop, soul, and R&B genres from the 1980s onward. Michael garnered two Grammy Awards from nine nominations. In 1988, he won Best R&B Performance by a Duo or Group with Vocal for "I Knew You Were Waiting (For Me)" alongside . The following year, Faith secured Album of the Year, recognizing its production, songwriting, and sales impact. At the , he earned five victories from 24 nominations, including Best British Male Solo Artist in 1988 and 1997, and Best British Album for in 1991. He also received six , uniquely winning Songwriter of the Year three times as the only individual to do so, for compositions like "" and tracks from Faith. Other honors include four —such as Favorite Soul/R&B Album for Faith—and twelve , reflecting chart performance and fan-voted recognition. Michael further collected four for videos including "Faith" and "Freedom! '90."

Tours and Live Performances


George Michael's concert career commenced with Wham!, whose early tours included the in 1983, featuring 33 performances primarily in the . This was followed by from December 1984 to April 1985, which comprised 39 shows across the UK, , Japan, , the , , and in support of the album . The tour in August and September 1985 added nine concerts in the United States and Canada.
Transitioning to solo work after Wham!'s dissolution, Michael's debut independent outing was the Faith World Tour from February 1988 to July 1989, encompassing 109 dates in 16 countries. The Cover to Cover tour followed in 1991, spanning nine months with 30 shows across the United Kingdom, Brazil, Japan, Canada, and the United States, emphasizing covers and select originals. After a 15-year absence from major touring, the 25 Live tour from 2006 to 2008 delivered 106 performances in 41 countries, attracting over 2 million spectators worldwide. Michael's final concert series, the from 2011 to 2014, adopted an orchestral format with 71 dates, largely featuring material from his 1999 standards album alongside reinterpreted hits. Beyond structured tours, standout appearances included his 1992 collaboration with Queen at at , performing hits like "Somebody to Love" to 72,000 attendees, and his 2012 London Olympics closing ceremony set, which included "" and "White Light."

Posthumous Releases and Ongoing Relevance

Following his death on December 25, 2016, several projects involving George Michael's unreleased or remastered material emerged, curated by his estate and collaborators. The first major posthumous release was the 25th anniversary edition of his 1990 album , reissued on October 20, 2017, which included a remastered version of the original tracks alongside previously unreleased live recordings from his 1996 performance. This expanded set, titled Listen Without Prejudice / MTV Unplugged, debuted at number one on the , marking Michael's first posthumous chart-topping album there. In November 2019, Michael's estate released the single "This Is How (We Want You to Get High)", an unreleased track recorded during sessions for his 2004 album Patience, produced with producer James Jackman and featuring backing vocals from Shirley Clifford. The song, which debuted at number 23 on the UK Singles Chart, represented the first new Michael vocal material shared publicly since 2012. Additional posthumous content appeared in 2019 with the soundtrack for the film Last Christmas, which incorporated remixed and archival Wham! and solo Michael tracks, including a new remix of the title song. Michael's music has sustained strong commercial performance posthumously, driven by annual holiday surges for "" and catalog streams. In the week following his death, U.S. album sales increased by over 2,000 percent, with combined album equivalent units reaching approximately 27,000. In the , over 500,000 records across his discography sold in the first month after his passing, including 421,000 singles equivalent units from physical, digital, and streaming sources. Streaming platforms reported 50.7 million plays of Michael and Wham! songs in the immediate post-death week, with streams rising more than 3,000 percent globally. "" achieved its first Christmas number-one position in 2023, 39 years after release, bolstered by documentaries and tributes that renewed interest. Documentaries such as the 2023 Netflix film Wham! and the 2024 BBC/Netflix special Wham!: Last Christmas Unwrapped have highlighted Michael's creative process and Wham! era, featuring archival footage and interviews that underscore his songwriting prowess. These productions, along with ongoing tribute concerts—like a 2025 stage show celebrating his catalog—demonstrate persistent fan engagement and cultural resonance, with Michael's total worldwide sales exceeding 120 million units even as new generations discover his work through streaming and holiday media.

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