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Jacqueline Kennedy Onassis
Jacqueline Kennedy Onassis
from Wikipedia

Jacqueline Lee Kennedy Onassis (née Bouvier /ˈbvi/; July 28, 1929 – May 19, 1994), also known as Jackie O,[a] was the first lady of the United States from 1961 to 1963, as the wife of President John F. Kennedy. During her lifetime, she was regarded as an international icon for her unique fashion choices, and her work as a cultural ambassador of the United States made her popular globally.[1]

Key Information

After studying history and art at Vassar College and graduating with a Bachelor of Arts in French literature from George Washington University in 1951, Bouvier started working for the Washington Times-Herald as an inquiring photographer.[2] The following year, she met then-Congressman John F. Kennedy of Massachusetts at a dinner party in Washington. He was elected to the Senate that same year, and the couple married on September 12, 1953, in Newport, Rhode Island. They had four children, two of whom died in infancy. Following her husband's election to the presidency in 1960, Kennedy was known for her highly publicized restoration of the White House and emphasis on arts and culture as well as for her style. She also traveled to many countries where her fluency in foreign languages and history made her very popular.[3][4] At age 33, she was named Time magazine's Woman of the Year in 1962.

After her husband's assassination and funeral in 1963, Kennedy and her children largely withdrew from public view. In 1968, she married Greek shipping magnate Aristotle Onassis, which caused controversy. Following Onassis's death in 1975, she had a career as a book editor in New York City, first at Viking Press and then at Doubleday, and worked to restore her public image. Even after her death, she ranks as one of the most popular and recognizable First Ladies in American history, and in 1999, she was placed on the list of Gallup's Most-Admired Men and Women of the 20th century.[5] She died in 1994 and is buried at Arlington National Cemetery alongside President Kennedy and two of their children, one stillborn and one who died shortly after birth.[6] Surveys of historians conducted periodically by the Siena College Research Institute since 1982 have also consistently found Kennedy Onassis to rank among the most highly regarded First Ladies.

Early life (1929–1951)

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Family and childhood

[edit]

Jacqueline Lee Bouvier was born on July 28, 1929, at Southampton Hospital in Southampton, New York, to Wall Street stockbroker John Vernou "Black Jack" Bouvier III and socialite Janet Norton Lee.[7] Her mother was of Irish descent,[8] and her father had French, Scottish, and English ancestry.[9][b] Named after her father, she was baptized at the Church of St. Ignatius Loyola in Manhattan and raised in the Roman Catholic faith.[12] Caroline Lee, her younger sister, was born four years later on March 3, 1933.[13]

Jacqueline Bouvier spent her early childhood years in Manhattan and at Lasata, the Bouviers' country estate in East Hampton on Long Island.[14] She looked up to her father, who likewise favored her over her sister, calling his elder child "the most beautiful daughter a man ever had".[15] Biographer Tina Santi Flaherty reports Jacqueline's early confidence in herself, seeing a link to her father's praise and positive attitude to her, and her sister Lee Radziwill stated that Jacqueline would not have gained her "independence and individuality" had it not been for the relationship she had with their father and paternal grandfather, John Vernou Bouvier Jr.[16][17] From an early age, Jacqueline was an enthusiastic equestrian and successfully competed in the sport, and horse-riding remained a lifelong passion.[16][18] She took ballet lessons, was an avid reader, and excelled at learning foreign languages, including French, Spanish, and Italian.[19] French was particularly emphasized in her upbringing.[20]

Six-year-old Jacqueline Bouvier with her dog in 1935

In 1935, Jacqueline Bouvier was enrolled in Manhattan's Chapin School, where she attended grades 1–7.[18][21] She was a bright student but often misbehaved; one of her teachers described her as "a darling child, the prettiest little girl, very clever, very artistic, and full of the devil".[22] Her mother attributed this behavior to her finishing her assignments ahead of classmates and then acting out in boredom.[23] Her behavior improved after the headmistress warned her that none of her positive qualities would matter if she did not behave.[23]

The marriage of the Bouviers was strained by the father's alcoholism and extramarital affairs; the family had also struggled with financial difficulties following the Wall Street Crash of 1929.[14][24] They separated in 1936 and divorced four years later, with the press publishing intimate details of the split.[25] According to her cousin John H. Davis, Jacqueline was deeply affected by the divorce and subsequently had a "tendency to withdraw frequently into a private world of her own."[14] When their mother married stockbroker and lawyer Hugh D. Auchincloss Jr., the Bouvier sisters did not attend the ceremony because it was arranged quickly and travel was restricted due to World War II.[26] They gained three stepsiblings from Auchincloss's previous marriages, Hugh "Yusha" Auchincloss III, Thomas Gore Auchincloss, and Nina Gore Auchincloss. Jacqueline formed the closest bond with Yusha, who became one of her most trusted confidants.[26] The marriage later produced two more children, Janet Jennings Auchincloss in 1945 and James Lee Auchincloss in 1947.[27]

After the remarriage, Auchincloss's Merrywood estate in McLean, Virginia, became the Bouvier sisters' primary residence, although they also spent time at his other estate, Hammersmith Farm in Newport, Rhode Island, and in their father's homes in New York City and Long Island.[14][28] Although she retained a relationship with her father, Jacqueline Bouvier also regarded her stepfather as a close paternal figure.[14] He gave her a stable environment and the pampered childhood she otherwise would have never experienced.[29] While adjusting to her mother's remarriage, she sometimes felt like an outsider in the WASP social circle of the Auchinclosses, attributing the feeling to her being Catholic as well as being a child of divorce, which was not common in that social group at that time.[30]

After seven years at Chapin, Jacqueline Bouvier attended the Holton-Arms School in Northwest Washington, D.C., from 1942 to 1944 and Miss Porter's School in Farmington, Connecticut, from 1944 to 1947.[8] She chose Miss Porter's because it was a boarding school that allowed her to distance herself from the Auchinclosses and because the school placed an emphasis on college preparatory classes.[31] In her senior class yearbook, Bouvier was acknowledged for "her wit, her accomplishment as a horsewoman, and her unwillingness to become a housewife". She later hired her childhood friend Nancy Tuckerman to be her social secretary at the White House.[32] She graduated among the top students of her class and received the Maria McKinney Memorial Award for Excellence in Literature.[33]

College and early career

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In the fall of 1947, Jacqueline Bouvier entered Vassar College in Poughkeepsie, New York, at that time a women's institution.[34] She had wanted to attend Sarah Lawrence College, closer to New York City, but her parents insisted that she choose the more isolated Vassar.[35] She was an accomplished student who participated in the school's art and drama clubs and wrote for its newspaper.[14][36] Due to her dislike of Vassar's location in Poughkeepsie, she did not take an active part in its social life and instead traveled back to Manhattan for the weekends.[37] She had made her debut to high society in the summer before entering college and became a frequent presence in New York social functions. Hearst columnist Igor Cassini dubbed her the "debutante of the year".[38] She spent her junior year (1949–1950) in France—at the University of Grenoble in Grenoble, and at the Sorbonne in Paris—in a study-abroad program through Smith College.[39] Upon returning home, she transferred to George Washington University in Washington, D.C., graduating with a Bachelor of Arts degree in French literature in 1951.[27] During the early years of her marriage to John F. Kennedy, she took continuing education classes in American history at Georgetown University in Washington, D.C.[27]

While attending George Washington, Jacqueline Bouvier won a twelve-month junior editorship at Vogue magazine; she had been selected over several hundred other women nationwide.[40] The position entailed working for six months in the magazine's New York City office and spending the remaining six months in Paris.[40] Before beginning the job, she celebrated her college graduation and her sister Lee's high school graduation by traveling with her to Europe for the summer.[40] The trip was the subject of her only autobiography, One Special Summer, co-authored with Lee; it is also the only one of her published works to feature Jacqueline Bouvier's drawings.[41] On her first day at Vogue, the managing editor advised her to quit and go back to Washington. According to biographer Barbara Leaming, the editor was concerned about Bouvier's marriage prospects; she was 22 years of age and was considered too old to be single in her social circles. She followed the advice, left the job and returned to Washington after only one day of work.[40]

Bouvier moved back to Merrywood and was referred by a family friend to the Washington Times-Herald, where editor Frank Waldrop hired her as a part-time receptionist.[42] A week later she requested more challenging work, and Waldrop sent her to city editor Sidney Epstein, who hired her as an "Inquiring Camera Girl" despite her inexperience, paying her $25 a week.[43] He recalled, "I remember her as this very attractive, cute-as-hell girl, and all the guys in the newsroom giving her a good look."[44] The position required her to pose witty questions to individuals chosen at random on the street and take their pictures for publication in the newspaper alongside selected quotations from their responses.[14] In addition to the random "man on the street" vignettes, she sometimes sought interviews with people of interest, such as six-year-old Tricia Nixon. Bouvier interviewed Tricia a few days after her father Richard Nixon was elected to the vice presidency in the 1952 election.[45] During this time, Bouvier was briefly engaged to a young stockbroker named John Husted. After only a month of dating, the couple published the announcement in The New York Times in January 1952.[46] After three months, she called off the engagement because she had found him "immature and boring" once she got to know him better.[47][48]

Marriage to John F. Kennedy

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Senator John F. Kennedy and Jacqueline Kennedy on their wedding day, September 12, 1953

Jacqueline and U.S. Representative John F. Kennedy met at a dinner party hosted by journalist Charles L. Bartlett in May 1952.[14] She was attracted to Kennedy's physical appearance, wit and wealth. The pair also shared the similarities of Catholicism, writing, enjoying reading and having previously lived abroad.[49] Kennedy was busy running for the U.S. Senate seat in Massachusetts; the relationship grew more serious and he proposed to her after the November election. Bouvier took some time to accept, because she had been assigned to cover the coronation of Elizabeth II in London for The Washington Times-Herald.[22]

After a month in Europe, she returned to the United States and accepted Kennedy's marriage proposal. She then resigned from her position at the newspaper.[50] Their engagement was officially announced on June 25, 1953. She was 24 and he was 36.[51][52] Bouvier and Kennedy married on September 12, 1953, at St. Mary's Church in Newport, Rhode Island, in a Mass celebrated by Boston's Archbishop Richard Cushing.[53] The wedding was considered the social event of the season with an estimated 700 guests at the ceremony and 1,200 at the reception that followed at Hammersmith Farm.[54] The wedding dress was designed by Ann Lowe of New York City, and is now housed in the Kennedy Presidential Library in Boston. The dresses of her attendants were also created by Lowe, who was not credited by Jacqueline Kennedy.[55]

The Kennedys after John's spinal surgery, December 1954

The newlyweds honeymooned in Acapulco, Mexico, before settling in their new home, Hickory Hill in McLean, Virginia, a suburb of Washington, D.C.[56] Kennedy developed a warm relationship with her parents-in-law, Joseph and Rose Kennedy.[57][58][59] In the early years of their marriage, the couple faced several personal setbacks. John Kennedy suffered from Addison's disease and from chronic and at times debilitating back pain, which had been exacerbated by a war injury; in late 1954, he underwent a near-fatal spinal operation.[60] Additionally, Jacqueline Kennedy suffered a miscarriage in 1955 and in August 1956 gave birth to a stillborn daughter, Arabella.[61][62] They subsequently sold their Hickory Hill estate to Kennedy's brother Robert, who occupied it with his wife Ethel and their growing family, and bought a townhouse on N Street in Georgetown.[8] The Kennedys also resided at an apartment at 122 Bowdoin Street in Boston, their permanent Massachusetts residence during John's congressional career.[63][64]

Kennedy gave birth to daughter Caroline on November 27, 1957.[61] At the time, she and her husband were campaigning across Massachusetts for his re-election to the Senate, and they posed with their infant daughter for the cover of the April 21, 1958, issue of Life magazine.[65][c] They traveled together during the campaign as part of their efforts to reduce the physical separation that had characterized the first five years of their marriage. Soon enough, John Kennedy started to notice the value his wife added to his congressional campaign. Kenneth O'Donnell remembered "the size of the crowd was twice as big" when she accompanied her husband; he also recalled her as "always cheerful and obliging". John's mother Rose, however, observed that Jacqueline was not "a natural-born campaigner" due to her shyness and was uncomfortable with too much attention.[67] In November 1958, John was reelected to a second term. He credited Jacqueline's visibility in the ads and stumping as vital assets in securing his victory and called her "simply invaluable".[68][69]

In July 1959, historian Arthur M. Schlesinger Jr. visited the Kennedy Compound in Hyannis Port, Massachusetts and had his first conversation with Jacqueline Kennedy; he found her to have "tremendous awareness, an all-seeing eye and a ruthless judgment".[70] That year, John Kennedy traveled to 14 states, but Jacqueline took long breaks from the trips to spend time with their daughter, Caroline. She also counseled her husband on improving his wardrobe in preparation for the presidential campaign planned for the following year.[71] In particular, she traveled to Louisiana to visit Edmund Reggie and to help her husband garner support in the state for his presidential bid.[72]

First Lady of the United States (1961–1963)

[edit]

Campaign for presidency

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Kennedy and her husband voting at the Boston Public Library on Election Day, c. November 8, 1960

On January 2, 1960, John F. Kennedy, then a U.S. senator from Massachusetts, announced his candidacy for the presidency at the Russell Senate Office Building, and launched his campaign nationwide. In the early months of the election year, Jacqueline Kennedy accompanied her husband to campaign events such as whistle-stops and dinners.[73] Shortly after the campaign began, she became pregnant. Due to her previous high-risk pregnancies, she decided to stay at home in Georgetown.[74][75] Jacqueline subsequently participated in the campaign by writing a weekly syndicated newspaper column, "Campaign Wife", answering correspondence, and giving interviews to the media.[22]

Despite her non-participation in the campaign, Kennedy became the subject of intense media attention with her fashion choices.[76] On one hand, she was admired for her personal style; she was frequently featured in women's magazines alongside film stars and named as one of the 12 best-dressed women in the world.[77] On the other hand, her preference for French designers and her spending on her wardrobe brought her negative press.[77] In order to downplay her wealthy background, Kennedy stressed the amount of work she was doing for the campaign and declined to publicly discuss her clothing choices.[77]

On July 13, at the 1960 Democratic National Convention in Los Angeles, the party nominated John F. Kennedy for president. Jacqueline did not attend the nomination due to her pregnancy, which had been publicly announced ten days earlier.[78] She was in Hyannis Port when she watched the September 26, 1960 debate—which was the nation's first televised presidential debate—between her husband and Republican candidate Richard Nixon, who was the incumbent vice president. Marian Cannon, the wife of Arthur Schlesinger, watched the debate with her. Days after the debates, Jacqueline Kennedy contacted Schlesinger and informed him that John wanted his aid along with that of John Kenneth Galbraith in preparing for the third debate on October 13; she wished for them to give her husband new ideas and speeches.[79] On September 29, 1960, the Kennedys appeared together for a joint interview on Person to Person, interviewed by Charles Collingwood.[78]

As first lady

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Jacqueline and John F. Kennedy, André and Marie-Madeleine Malraux, Lyndon B. and Lady Bird Johnson prior to a dinner, May 1962. Jacqueline Kennedy is wearing a gown designed by Oleg Cassini.[80]
With Tunisian President Habib Bourguiba

On November 8, 1960, John F. Kennedy narrowly defeated Republican opponent Richard Nixon in the U.S. presidential election.[22] A little over two weeks later on November 25, Jacqueline Kennedy gave birth to the couple's first son, John F. Kennedy Jr.[22] She spent two weeks recuperating in the hospital, during which the most minute details of both her and her son's conditions were reported by the media in what has been considered the first instance of national interest in the Kennedy family.[81]

Kennedy's husband was sworn in as president on January 20, 1961. At 31, Kennedy was the third youngest woman to serve as first lady, as well as the first Silent Generation first lady.[22] She insisted they also kept a family home away from the public eye and rented Glen Ora at Middleburg.[82] As a presidential couple, the Kennedys differed from the Eisenhowers by their political affiliation, youth, and their relationship with the media. Historian Gil Troy has noted that in particular, they "emphasized vague appearances rather than specific accomplishments or passionate commitments" and therefore fit in well in the early 1960s' "cool, TV-oriented culture".[83] The discussion about Kennedy's fashion choices continued during her years in the White House, and she became a trendsetter, hiring American designer Oleg Cassini to design her wardrobe.[84] She was the first presidential wife to hire a press secretary, Pamela Turnure, and carefully managed her contact with the media, usually shying away from making public statements, and strictly controlling the extent to which her children were photographed.[85][86] The media portrayed Kennedy as the ideal woman, which led academic Maurine Beasley to observe that she "created an unrealistic media expectation for first ladies that would challenge her successors".[86] Nevertheless, she attracted worldwide positive public attention and gained allies for the White House and international support for the Kennedy administration and its Cold War policies.[87]

Although Kennedy stated that her priority as a first lady was to take care of the President and their children, she also dedicated her time to the promotion of American arts and preservation of its history.[88][89] The restoration of the White House was her main contribution, but she also furthered the cause by hosting social events that brought together elite figures from politics and the arts.[88][89] One of her unrealized goals was to found a Department of the Arts, but she did contribute to the establishment of the National Endowment for the Arts and the National Endowment for the Humanities, established during Johnson's tenure.[89]

White House restoration

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Kennedy with Charles Collingwood of CBS News during their televised tour of the restored White House in 1962

Kennedy had visited the White House on two occasions before she became first lady: the first time as a grade-school tourist in 1941 and again as the guest of outgoing First Lady Mamie Eisenhower shortly before her husband's inauguration.[88] She was dismayed to find that the mansion's rooms were furnished with undistinguished pieces that displayed little historical significance[88] and made it her first major project as first lady to restore its historical character. On her first day in residence, she began her efforts with the help of interior decorator Sister Parish. She decided to make the family quarters attractive and suitable for family life by adding a kitchen on the family floor and new rooms for her children. The $50,000 that had been appropriated for this effort was almost immediately exhausted. Continuing the project, she established a fine arts committee to oversee and fund the restoration process and solicited the advice of early American furniture expert Henry du Pont.[88] To solve the funding problem, a White House guidebook was published, sales of which were used for the restoration.[88] Working with Rachel Lambert Mellon, Jacqueline Kennedy also oversaw the redesign and replanting of the Rose Garden and the East Garden, which was renamed the Jacqueline Kennedy Garden after her husband's assassination. In addition, Kennedy helped to stop the destruction of historic homes in Lafayette Square in Washington, D.C., because she felt these buildings were an important part of the nation's capital and played an essential role in its history. She helped to stop the destruction of historic buildings along the square, including the Renwick Building, now part of the Smithsonian Institution, and her support of historic preservation also reached beyond the United States as she brought international attention to the thirteenth-century B.C. temples of Abu Simbel that were in danger of being flooded by Egypt's Aswan Dam.[88]

John and Jacqueline Kennedy at Christmas 1961

Prior to Kennedy's years as first lady, presidents and their families had taken furnishings and other items from the White House when they departed; this led to the lack of original historical pieces in the mansion. She personally wrote to possible donors in order to track down these missing furnishings and other historical pieces of interest.[90] Jacqueline Kennedy initiated a Congressional bill establishing that White House furnishings would be the property of the Smithsonian Institution rather than available to departing ex-presidents to claim as their own. She also founded the White House Historical Association, the Committee for the Preservation of the White House, the position of a permanent Curator of the White House, the White House Endowment Trust, and the White House Acquisition Trust.[91] She was the first presidential spouse to hire a White House curator.[85]

On February 14, 1962, Jacqueline Kennedy, accompanied by Charles Collingwood of CBS News, took American television viewers on a tour of the White House. In the tour, she stated, "I feel so strongly that the White House should have as fine a collection of American pictures as possible. It's so important ... the setting in which the presidency is presented to the world, to foreign visitors. The American people should be proud of it. We have such a great civilization. So many foreigners don't realize it. I think this house should be the place we see them best."[91] The film was watched by 56 million television viewers in the United States,[88] and was later distributed to 106 countries. Kennedy won a special Academy of Television Arts & Sciences Trustees Award for it at the Emmy Awards in 1962, which was accepted on her behalf by Lady Bird Johnson. Kennedy was the only first lady to win an Emmy.[85]

Foreign trips

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Jacqueline Kennedy at Vijay Chowk in New Delhi in March 1962

Jackie Kennedy was a cultural ambassador of the United States known for her cultural and diplomatic work globally and would travel sometimes without President Kennedy to different countries to promote cultural exchange and diplomatic relations. She was highly regarded by foreign dignitaries, as she used her fluency in foreign languages such as French, Spanish, and Italian, as well as her cultural knowledge, to establish strong relationships with foreign leaders and to give speeches. She was awarded the French Legion of Honor, the highest civilian award given by the French government, becoming the initial First Lady and first American woman to be such a recipient. Her role as a cultural ambassador had a significant impact on cultural diplomacy and helped strengthen ties between the United States and other countries.

Jacqueline's language skills and cultural knowledge were highly respected by the French people, and her visit to France with President Kennedy in 1961 was seen as a great success. During the visit, she made a speech in French at the American University in Paris, which was widely praised for its eloquence. In her speech, Jacqueline Kennedy spoke about the importance of cultural exchange between France and the United States, and she emphasized the shared values and history of the two nations.

Throughout her husband's presidency and more than any of the preceding first ladies, Kennedy made many official visits to other countries, on her own or with the President.[27] Despite the initial worry that she might not have "political appeal", she proved popular among international dignitaries.[83] Before the Kennedys' first official visit to France in 1961, a television special was shot in French with the First Lady on the White House lawn. After arriving in the country, she impressed the public with her ability to speak French, as well as her extensive knowledge of French history.[92] At the conclusion of the visit, Time magazine seemed delighted with the First Lady and noted, "There was also that fellow who came with her." Even President Kennedy joked: "I am the man who accompanied Jacqueline Kennedy to Paris – and I have enjoyed it!"[93][94]

From France, the Kennedys traveled to Vienna, Austria, where Soviet Premier Nikita Khrushchev was asked to shake the President's hand for a photo. He replied, "I'd like to shake her hand first."[95] Khrushchev later sent her a puppy, Pushinka; the animal was significant for being the offspring of Strelka, the dog that had gone to space during a Soviet space mission.[96]

Kennedy at the Taj Mahal, Agra, Uttar Pradesh, India, March 1962

At the urging of U.S. Ambassador to India John Kenneth Galbraith, Kennedy undertook a tour of India and Pakistan with her sister Lee Radziwill in 1962. The tour was amply documented in photojournalism as well as in Galbraith's journals and memoirs. The president of Pakistan, Ayub Khan, had given her a horse named Sardar as a gift. He had found out on his visit to the White House that he and the First Lady had a common interest in horses.[97] Life magazine correspondent Anne Chamberlin wrote that Kennedy "conducted herself magnificently" although noting that her crowds were smaller than those that President Dwight Eisenhower and Queen Elizabeth II attracted when they had previously visited these countries.[98] In addition to these well-publicized trips during the three years of the Kennedy administration, she traveled to countries including Afghanistan, Austria, Canada,[99] Colombia, United Kingdom, Greece, Italy, Mexico,[100] Morocco, Turkey, and Venezuela.[27] Unlike her husband, Kennedy was fluent in Spanish, which she used to address Latin American audiences.[101]

Death of infant son

[edit]

In early 1963, Kennedy was again pregnant, which led her to curtail her official duties. She spent most of the summer at a home she and the President had rented on Squaw Island, which was near the Kennedy compound on Cape Cod, Massachusetts. On August 7 (five weeks ahead of her scheduled due date), she went into labor and gave birth to a boy, Patrick Bouvier Kennedy, via emergency Caesarean section at nearby Otis Air Force Base. The infant's lungs were not fully developed, and he was transferred from Cape Cod to Boston Children's Hospital, where he died of hyaline membrane disease two days after birth.[102][103] Kennedy had remained at Otis Air Force Base to recuperate after the Caesarean delivery; her husband went to Boston to be with their infant son and was present when he died. On August 14, the President returned to Otis to take her home and gave an impromptu speech to thank nurses and airmen who had gathered in her suite. In appreciation, she presented hospital staff with framed and signed lithographs of the White House.[104]

The First Lady was deeply affected by Patrick's death[105] and proceeded to enter a state of depression.[106] However, the loss of their child had a positive impact on the marriage and brought the couple closer together in their shared grief.[105] Arthur Schlesinger wrote that while John Kennedy always "regarded Jackie with genuine affection and pride," their marriage "never seemed more solid than in the later months of 1963".[107][which?] Jacqueline Kennedy's friend Aristotle Onassis was aware of her depression and invited her to his yacht to recuperate. President Kennedy initially had reservations, but he relented because he believed that it would be "good for her". The trip was widely disapproved of within the Kennedy administration, by much of the general public, and in Congress. The First Lady returned to the United States on October 17, 1963. She would later say she regretted being away as long as she was but had been "melancholy after the death of my baby".[106]

Assassination and funeral of John F. Kennedy

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The President and First Lady in the rear seat of the presidential state car minutes before the assassination

On November 21, 1963, the First Lady and the President embarked on a political trip to Texas with several goals in mind. This was the first time that she had joined her husband on such a trip in the U.S.[108] After a breakfast on November 22, they took a very short flight on Air Force One from Fort Worth's Carswell Air Force Base to Dallas's Love Field, accompanied by Texas Governor John Connally and his wife Nellie.[109] The First Lady was wearing a bright pink Chanel suit and a pillbox hat,[1][110] which had been personally selected by President Kennedy.[111] A 9.5-mile (15.3 km) motorcade was to take them to the Trade Mart, where the president was scheduled to speak at a lunch. The First Lady was seated to her husband's left in the third row of seats in the presidential car, with the Governor and his wife seated in front of them. Vice President Lyndon B. Johnson and his wife followed in another car in the motorcade.[citation needed]

After the motorcade turned the corner onto Elm Street in Dealey Plaza, the First Lady heard what she thought to be a motorcycle backfiring. She did not realize that it was a gunshot until she heard Governor Connally scream. Within 8.4 seconds, two more shots had rung out, and one of the shots struck her husband in the head. Almost immediately, she began to climb onto the back of the limousine.[112] Clinton J. Hill, Special Agent, Secret Service, ran to the car and leapt onto it, directing her back to her seat. As Hill stood on the back bumper, Associated Press photographer Ike Altgens snapped a photograph that was featured on the front pages of newspapers around the world.[113] She would later testify that she saw pictures "of me climbing out the back. But I don't remember that at all".[114]

Kennedy, still wearing her blood-stained pink Chanel suit, stands alongside Lyndon B. Johnson as he takes the presidential oath of office administered by Sarah Hughes aboard Air Force One.

The President was rushed for the 3.8-mile (6.1 km) trip to Parkland Hospital. At the First Lady's request, she was allowed to be present in the operating room.[115][page needed] President Kennedy never regained consciousness. He died not long after, aged 46. After her husband was pronounced dead, Kennedy refused to remove her blood-stained clothing and reportedly regretted having washed the blood off her face and hands, explaining to Lady Bird Johnson that she wanted "them to see what they have done to Jack".[116] She continued to wear the blood-stained pink suit as she boarded Air Force One and stood next to Johnson when he took the oath of office as president. The unlaundered suit became a symbol of her husband's assassination, and was donated to the National Archives and Records Administration in 1964. Under the terms of an agreement with her daughter, Caroline, the suit would not be placed on public display before 2103.[117][118] Johnson's biographer Robert Caro wrote that Johnson wanted Jacqueline Kennedy to be present at his swearing-in in order to demonstrate the legitimacy of his presidency to JFK loyalists and to the world at large.[119]

Family members depart the U.S. Capitol after a lying-in-state service for the President, November 24, 1963.

Kennedy took an active role in planning her husband's state funeral, modeling it after Abraham Lincoln's service.[120] She requested a closed casket, overruling the wishes of her brother-in-law, Robert.[121] The funeral service was held at the Cathedral of St. Matthew the Apostle in Washington D.C., with the burial taking place at nearby Arlington National Cemetery. Kennedy led the procession on foot and lit the eternal flame—created at her request—at the gravesite. Lady Jeanne Campbell reported back to the London Evening Standard: "Jacqueline Kennedy has given the American people ... one thing they have always lacked: Majesty."[120]

A week after the assassination,[122] new president Lyndon B. Johnson issued an executive order that established the Warren Commission—led by Chief Justice Earl Warren—to investigate the assassination. Ten months later, the Commission issued its report finding that Lee Harvey Oswald had acted alone when he assassinated President Kennedy.[123] Privately, his widow cared little about the investigation, stating that even if they had the right suspect, it would not bring her husband back.[124] Nevertheless, she gave a deposition to the Warren Commission.[d] Following the assassination and the media coverage that had focused intensely on her during and after the burial, Kennedy stepped back from official public view, apart from a brief appearance in Washington to honor the Secret Service agent, Clint Hill, who had climbed aboard the limousine in Dallas to try to shield her and the President.

Life following the assassination (1963–1975)

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Mourning period and later public appearances

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Don't let it be forgot, that once there was a spot, for one brief, shining moment that was known as Camelot.

There'll be great presidents again ... but there will never be another Camelot.[127]

—Kennedy describing the years of her husband's presidency for Life

On November 29, 1963—a week after her husband's assassination—Kennedy was interviewed in Hyannis Port by Theodore H. White of Life magazine.[128] In that session, she compared the Kennedy years in the White House to King Arthur's mythical Camelot, commenting that the President often played the title song of Lerner and Loewe's musical recording before retreating to bed. She also quoted Queen Guinevere from the musical, trying to express how the loss felt.[129] The era of the Kennedy administration has subsequently been referred to as the "Camelot Era", although historians have later argued that the comparison is not appropriate, with Robert Dallek stating that Kennedy's "effort to lionize [her husband] must have provided a therapeutic shield against immobilizing grief."[130]

Kennedy and her children remained in the White House for two weeks following the assassination.[131] Wanting to "do something nice for Jackie", President Johnson offered an ambassadorship to France to her, aware of her heritage and fondness for the country's culture, but she turned the offer down, as well as follow-up offers of ambassadorships to Mexico and the United Kingdom. At her request, Johnson renamed the Florida space center the John F. Kennedy Space Center a week after the assassination. Kennedy later publicly praised Johnson for his kindness to her.[132]

Kennedy spent 1964 in mourning and made few public appearances. In the winter following the assassination, she and the children stayed at Averell Harriman's home in Georgetown. On January 14, 1964, Kennedy made a televised appearance from the office of the Attorney General, thanking the public for the "hundreds of thousands of messages" she had received since the assassination, and said she had been sustained by America's affection for her late husband.[133] She purchased a house for herself and her children in Georgetown but sold it later in 1964 and bought a 15th-floor penthouse apartment for $250,000 at 1040 Fifth Avenue in Manhattan in the hopes of having more privacy.[134][135][136] During the summer of 1964, Kennedy retreated to Salutation in Glen Cove, Long Island.[137]

In the following years, Kennedy attended selected memorial dedications to her late husband.[e] She also oversaw the establishment of the John F. Kennedy Presidential Library and Museum, which is the repository for official papers of the Kennedy Administration.[141] Designed by architect I.M. Pei, it is situated next to the University of Massachusetts campus in Boston.[142]

Despite having commissioned William Manchester's authorized account of President Kennedy's death, The Death of a President, Kennedy was subject to significant media attention in 1966–1967 when she and Robert Kennedy tried to block its publication.[143][144][145] They sued publishers Harper & Row in December 1966; the suit was settled the following year when Manchester removed passages that detailed President Kennedy's private life.

During the Vietnam War in November 1967, Life magazine dubbed Kennedy "America's unofficial roving ambassador" when she and David Ormsby-Gore, former British ambassador to the United States during the Kennedy administration, traveled to Cambodia, where they visited the religious complex of Angkor Wat with Chief of State Norodom Sihanouk.[146][147] According to historian Milton Osborne, her visit was "the start of the repair to Cambodian-US relations, which had been at a very low ebb".[148] She also attended the funeral services of Martin Luther King Jr. in Atlanta, Georgia, in April 1968, despite her initial reluctance due to the crowds and reminders of President Kennedy's death.[149]

Relationship with Robert F. Kennedy

[edit]

After her husband's assassination, Jacqueline Kennedy relied heavily on her brother-in-law Robert F. Kennedy; she observed him to be the "least like his father" of the Kennedy brothers.[150] He had been a source of support after she had suffered a miscarriage early in her marriage; it was he, not her husband, who stayed with her in the hospital.[151] In the aftermath of the assassination, Robert became a surrogate father for her children until eventual demands by his own large family and his responsibilities as attorney general required him to reduce attention.[133] He credited her with convincing him to stay in politics, and she supported his 1964 run for United States senator from New York.[152]

The January 1968 Tet Offensive in Vietnam resulted in a drop in President Johnson's poll numbers, and Robert Kennedy's advisors urged him to enter the upcoming presidential race. When Art Buchwald asked him if he intended to run, Robert replied, "That depends on what Jackie wants me to do".[153][154] She met with him around this time and encouraged him to run after she had previously advised him not to follow Jack, but to "be yourself". Privately, she worried about his safety; she believed that Bobby was more disliked than her husband had been and that there was "so much hatred" in the United States.[155] She confided in him about these feelings, but by her own account, he was "fatalistic" like her.[153] Despite her concerns, Jacqueline Kennedy campaigned for her brother-in-law and supported him,[156] and at one point even showed outright optimism that through his victory, members of the Kennedy family would once again occupy the White House.[153]

Just after midnight PDT on June 5, 1968, an enraged Jordanian gunman named Sirhan Sirhan mortally wounded Robert Kennedy minutes after he and a crowd of his supporters had been celebrating his victory in the California Democratic presidential primary.[157] Jacqueline Kennedy rushed to Los Angeles to join his wife Ethel, her brother-in-law Ted, and the other Kennedy family members at his bedside in Good Samaritan Hospital. Robert Kennedy never regained consciousness and died the following day. He was 42 years old.[158]

Marriage to Aristotle Onassis

[edit]

After Robert Kennedy's death in 1968, Kennedy reportedly suffered a relapse of the depression she had suffered in the days following her husband's assassination nearly five years prior.[159] She came to fear for her life and those of her two children, saying: "If they're killing Kennedys, then my children are targets ... I want to get out of this country."[160]

On October 20, 1968, Jacqueline Kennedy married her long-time friend Aristotle Onassis, a Greek shipping magnate who was able to provide the privacy and security she sought for herself and her children.[160] The wedding took place on Skorpios, Onassis's private Greek island in the Ionian Sea.[161] After marrying Onassis, she took the legal name Jacqueline Onassis and consequently lost her right to Secret Service protection, which is an entitlement of a widow of a U.S. president. The marriage brought her considerable adverse publicity. The fact that Aristotle was divorced and his former wife Athina Livanos was still living led to speculation that Jacqueline might be excommunicated by the Roman Catholic church, though that concern was explicitly dismissed by Boston's archbishop, Cardinal Richard Cushing, as "nonsense".[162] She was condemned by some as a "public sinner",[163] and became the target of paparazzi who followed her everywhere and nicknamed her "Jackie O".[164]

In 1968, billionaire heiress Doris Duke, with whom Jacqueline Onassis was friends, appointed her as the vice president of the Newport Restoration Foundation. Onassis publicly championed the foundation.[165][166]

During their marriage, Jacqueline and Aristotle Onassis inhabited six different residences: her 15-room Fifth Avenue apartment in Manhattan, her horse farm in Peapack-Gladstone, New Jersey,[167] his Avenue Foch apartment in Paris, his private island Skorpios, his house in Athens, and his yacht Christina O. Onassis ensured that her children continued a connection with the Kennedy family by having Ted Kennedy visit them often.[168] She developed a close relationship with Ted, and from then on he was involved in her public appearances.[169]

Aristotle Onassis's health deteriorated rapidly following the death of his son Alexander in a plane crash in 1973.[170] He died of respiratory failure aged 69 in Paris on March 15, 1975. His financial legacy was severely limited under Greek law, which dictated how much a non-Greek surviving spouse could inherit. After two years of legal wrangling, Jacqueline Onassis eventually accepted a settlement of $26 million from Christina Onassis—Aristotle's daughter and sole heir—and waived all other claims to the Onassis estate.[171]

Later years (1975–1990s)

[edit]
Onassis in 1985 with the president and first lady, Ronald and Nancy Reagan
Onassis with Hillary Clinton in 1993

After the death of her second husband, Onassis returned permanently to the United States, splitting her time between Manhattan, Martha's Vineyard, and the Kennedy compound in Hyannis Port, Massachusetts. In 1975, she became a consulting editor at Viking Press, a position that she held for two years.[f]

After almost a decade of avoiding participation in political events, Onassis attended the 1976 Democratic National Convention and stunned the assembled delegates when she appeared in the visitors' gallery.[173][174] She resigned from Viking Press in 1977 after John Leonard of The New York Times stated that she held some responsibility for Viking's publication of the Jeffrey Archer novel Shall We Tell the President?, set in a fictional future presidency of Ted Kennedy and describing an assassination plot against him.[175][176] Two years later, she appeared alongside her mother-in-law Rose Kennedy at Faneuil Hall in Boston when Ted Kennedy announced that he was going to challenge incumbent president Jimmy Carter for the Democratic nomination for president.[177] She participated in the subsequent presidential campaign, which was unsuccessful.[178]

Following her resignation from Viking Press, Onassis was hired by Doubleday, where she worked as an associate editor under an old friend, John Turner Sargent, Sr. Among the books she edited for the company are Larry Gonick's The Cartoon History of the Universe,[179] the English translation of the three volumes of Naghib Mahfuz's Cairo Trilogy (with Martha Levin),[180] and autobiographies of ballerina Gelsey Kirkland,[181] singer-songwriter Carly Simon,[182] and fashion icon Diana Vreeland.[181] She also encouraged Dorothy West, her neighbor on Martha's Vineyard and one of the last surviving members of the Harlem Renaissance, to complete the novel The Wedding (1995), a multi-generational story about race, class, wealth, and power in the U.S.[183][184] The book was later adapted as a miniseries in 1998, starring Halle Berry and Lynn Whitfield and produced by Oprah Winfrey's Harpo Productions.[185]

In addition to her work as an editor, Onassis participated in cultural and architectural preservation. In the 1970s, she led a historic preservation campaign to save Grand Central Terminal from demolition and renovate the structure in Manhattan.[186] A plaque inside the terminal acknowledges her prominent role in its preservation. In the 1980s, she was a major figure in protests against a planned skyscraper at Columbus Circle that would have cast large shadows on Central Park;[186] the project was canceled. A later project proceeded despite protests: a large twin-towered skyscraper, the Time Warner Center, was completed in 2003. Her historic preservation efforts also include her influence in the campaign to save Olana, the home of Frederic Edwin Church in upstate New York. She was awarded the Fine Arts Federation medal for her devotion to the cause of historic preservation in New York City.[187]

Onassis remained the subject of considerable press attention,[188] especially from the paparazzi photographer Ron Galella, who followed her around and photographed her as she went about her normal activities; he took candid photos of her without her permission.[189][190] She ultimately obtained a restraining order against him, and the situation brought attention to the problem of paparazzi photography.[191][g] From 1980 until her death, Onassis maintained a close relationship with Maurice Tempelsman, a Belgian-born industrialist and diamond merchant who was her companion and personal financial adviser.[194] Tempelsman and his wife Lilly had previously been frequent guests at the White House during the Kennedy Administration.[195] Details of their romance received limited, if any, media coverage until the short time after Onassis's death in May 1994, with the New York Times even noting that Tempelsman had been "quietly at her side" even toward the end of her life and didn't go "public" until afterwards;[196][197] even by 1989, Templesman was described as a "public escort and private companion" who only "stayed several nights a week in Onassis's Fifth Avenue Apartment" rather than living there full time.[195] In the July 11, 1994 edition of People, it was revealed that Tempelsman had in fact been living in Onassis's Fifth Avenue home since 1988;[198] by this time, Onassis had in fact been living a more private life.[199] Despite separating from his wife in 1984, Tempelsman remained legally married to Lilly throughout his relationship with Onassis.[198][200]

In 1988, Onassis became a first-time grandmother when her daughter Caroline – married to designer Edwin Schlossberg – gave birth to daughter Rose, followed by Tatiana Celia (b. 1990) and John Bouvier (b. 1993). Caroline would later recall: "I have never seen her so happy as when she's around the kids."[201]

In the early 1990s, Onassis supported Bill Clinton and contributed money to his presidential campaign.[202] Following the election, she met with First Lady Hillary Clinton and advised her on raising a child in the White House.[203] In her memoir Living History, Clinton wrote that Onassis was "a source of inspiration and advice for me".[202] Democratic consultant Ann Lewis observed that Onassis had reached out to the Clintons "in a way she has not always acted toward leading Democrats in the past".[204]

Illness, death, and funeral

[edit]
Onassis's grave at Arlington National Cemetery

In November 1993, Onassis was thrown from her horse while participating in a fox hunt in Middleburg, Virginia, and was taken to the hospital to be examined. A swollen lymph node was discovered in her groin, which was initially diagnosed by the doctor to be caused by an infection.[205] The fall from the horse contributed to her deteriorating health over the next six months.[206] In December, Onassis developed new symptoms, including a stomach ache and swollen lymph nodes in her neck, and was diagnosed with non-Hodgkins lymphoma.[205][207] She began chemotherapy in January 1994 and publicly announced the diagnosis, saying the initial prognosis was good.[205] She continued to work at Doubleday, but by March the cancer had spread to her spinal cord, brain and liver and by May it was deemed terminal.[205][207]

Onassis made her last trip home from New York Hospital–Cornell Medical Center on May 18, 1994.[205][207] The following night at 10:15 p.m., she died in her sleep in her Manhattan apartment at age 64, with her children by her side.[207] In the morning, her son, John F. Kennedy Jr., announced his mother's death to the press saying she had been "surrounded by her friends and her family and her books, and the people and the things that she loved". He added that "she did it in her very own way, and on her own terms, and we all feel lucky for that."[208]

On May 23, 1994, her funeral Mass was held a few blocks away from her apartment at the Church of St. Ignatius Loyola—the Catholic parish where she was baptized in 1929 and confirmed as a teenager—and asked for no cameras to film the event, for privacy.[209][210] She was interred at Arlington National Cemetery in Arlington, Virginia, alongside President Kennedy, their son Patrick, and their stillborn daughter Arabella.[14][205] President Bill Clinton delivered a eulogy at her graveside service.[211][212]

She left an estate that its executors valued at US$43.7 million (equivalent to $92.7 million in 2024).[213]

Legacy

[edit]

Popularity

[edit]
Official portrait of Kennedy at the White House. Her pleated linen dress was designed by Irish fashion designer Sybil Connolly.[214]

Jacqueline Kennedy's marriage to Aristotle Onassis caused her popularity to decline sharply among an American public who viewed it as a betrayal of the assassinated president.[215][216] Her lavish lifestyle as Onassis's "trophy wife",[217] in contrast to "the shy, selfless, and sacrificing mother the American public had come to respect" as First Lady,[218] led the press to portray her as "a spendthrift and a reckless woman".[219]

Jacqueline Kennedy Onassis took conscious control of her public image and, by the time of her death, succeeded in rehabilitating it.[220] By moving back to New York City after Onassis's death, working as an editor for Viking Press and Doubleday, focusing on her children and grandchildren, and participating in charitable causes, she reversed her "reckless spendthrift" image.[221] She also reestablished her relationship with the Kennedy family and supported the John F. Kennedy Library and Museum.[222]

Onassis remains one of the most popular First Ladies. She was featured 27 times on the annual Gallup list of the top 10 most admired people of the second half of the 20th century; this number is surpassed by only Billy Graham and Queen Elizabeth II and is higher than that of any U.S. president.[223]

Both Tina Turner[224] and Jackie Joyner-Kersee[225] have cited Jacqueline Kennedy Onassis as an influence.

Style icon

[edit]
Kennedy wearing her pink Chanel suit

Jacqueline Kennedy became a global fashion icon during her husband's presidency. After the 1960 election, she commissioned French-born American fashion designer and Kennedy family friend Oleg Cassini to create an original wardrobe for her appearances as First Lady. From 1961 to 1963, Cassini dressed her in many of her ensembles, including her Inauguration Day fawn coat and Inaugural gala gown, as well as many outfits for her visits to Europe, India, and Pakistan. In 1961, Kennedy spent $45,446 more on fashion than the $100,000 annual salary her husband earned as president.[226]

Kennedy preferred French couture, particularly the work of Chanel, Balenciaga, and Givenchy, but was aware that in her role as first lady, she would be expected to wear American designers' work.[227] After noticing that her taste for Paris fashion was being criticized in the press, she wrote to the fashion editor Diana Vreeland to ask for suitable American designers, particularly those who could reproduce the Paris look.[227] After considering the letter, which expressed her dislike of prints and her preference for "terribly simple, covered-up clothes," Vreeland recommended Norman Norell, who was considered America's first designer and known for his high-end simplicity and fine quality work. She also suggested Ben Zuckerman, another highly regarded tailor who regularly offered re-interpretations of Paris couture, and the sportswear designer Stella Sloat, who occasionally offered Givenchy copies.[227] Kennedy's first choice for her Inauguration Day coat was originally a purple wool Zuckerman model that was based on a Pierre Cardin design, but she instead settled on a fawn Cassini coat and wore the Zuckerman for a tour of the White House with Mamie Eisenhower.[227]

In her role as first lady, Kennedy preferred to wear clean-cut suits with a skirt hem down to middle of the knee, three-quarter sleeves on notch-collar jackets, sleeveless A-line dresses, above-the-elbow gloves, low-heel pumps, and pillbox hats.[226] Dubbed the "Jackie" look, these clothing items rapidly became fashion trends in the Western world. More than any other First Lady, her style was copied by commercial manufacturers and a large segment of young women.[27] Her influential bouffant hairstyle, described as a "grown-up exaggeration of little girls' hair," was created by Mr. Kenneth, who worked for her from 1954 until 1986.[228][229] Her tastes in eyewear were also influential, the most famous of which were the bespoke pairs designed for her by French designer, François Pinton. The coinage 'Jackie O glasses' is still used today to refer to this style of oversized, oval-lensed sunglasses.[230]

After leaving the White House, Kennedy underwent a style change. Her new looks consisted of wide-leg pantsuits, silk Hermès headscarves, and large, round, dark sunglasses.[231] She began wearing jeans in public as part of a casualization of her look.[232]

Kennedy at a State dinner on May 22, 1962

Jacqueline Kennedy Onassis acquired a large collection of jewelry throughout her lifetime. Her triple-strand pearl necklace, designed by American jeweler Kenneth Jay Lane, became her signature piece of jewelry during her time as first lady in the White House. Often referred to as the "berry brooch", the two-fruit cluster brooch of strawberries made of rubies with stems and leaves of diamonds, designed by French jeweler Jean Schlumberger for Tiffany & Co., was personally selected and given to her by her husband several days prior to his inauguration in January 1961.[233] She wore Schlumberger's gold and enamel bracelets so frequently in the early and mid-1960s that the press called them "Jackie bracelets"; she also favored his white enamel and gold "banana" earrings. Kennedy wore jewelry designed by Van Cleef & Arpels throughout the 1950s,[234] 1960s[234] and 1970s; her sentimental favorite was the Van Cleef & Arpels wedding ring given to her by President Kennedy.

Kennedy, a Catholic, was known for wearing a mantilla at Mass and in the presence of the Pope.[235]

Mary Tyler Moore's Dick Van Dyke Show character Laura Petrie, who symbolized the "feel-good nature" of the Kennedy White House, often dressed like Kennedy.[236]

Kennedy was named to the International Best Dressed List Hall of Fame in 1965.[237][238] Many of her signature clothes are preserved at the John F. Kennedy Library and Museum; pieces from the collection were exhibited at the Metropolitan Museum of Art in New York in 2001. Titled "Jacqueline Kennedy: The White House Years", the exhibition focused on her time as a first lady.[239]

In 2012, Time magazine included Jacqueline Kennedy Onassis on its All-TIME 100 Fashion Icons list.[240] In 2016, Forbes included her on the list "10 Fashion Icons and the Trends They Made Famous".[241]

Historical assessments

[edit]

In 2020, Time magazine included her name on its list of 100 Women of the Year. She was named Woman of the Year 1962 for her efforts in uplifting American history and art.[242]

Jacqueline Kennedy Onassis is seen as being customary in her role as first lady,[243][244] though Frank N. Magill argued that her life was validation that "fame and celebrity" changed the way that first ladies are evaluated historically.[245] Hamish Bowles, curator of the "Jacqueline Kennedy: The White House Years" exhibit at the Metropolitan Museum of Art, attributed her popularity to a sense of unknown that was felt in her withdrawal from the public which he dubbed "immensely appealing".[246] After her death, Kelly Barber referred to Jacqueline Kennedy Onassis as "the most intriguing woman in the world", furthering that her stature was also due to her affiliation with valuable causes.[247] Historian Carl Sferrazza Anthony summarized that the former first lady "became an aspirational figure of that era, one whose privilege might not be easily reached by a majority of Americans but which others could strive to emulate".[223] Since the late 2000s, Onassis's traditional persona has been invoked by commentators when referring to fashionable political spouses.[248][249] A wide variety of commentators have positively credited the work of Jacqueline Kennedy Onassis in restoring the White House, including Hugh Sidey,[223][250] Letitia Baldrige,[251] Laura Bush,[252] Kathleen P. Galop,[253] and Carl Anthony.[254]

Since 1982 Siena College Research Institute has periodically conducted surveys asking historians to assess American first ladies according to a cumulative score on the independent criteria of their background, value to the country, intelligence, courage, accomplishments, integrity, leadership, being their own women, public image, and value to the president. Consistently, Onassis has ranked among the three-eight highly regarded first ladies in these surveys.[255] In terms of cumulative assessment, Onassis has been ranked:

  • 8th-best of 42 in 1982[255]
  • 7th-best of 37 in 1993[255]
  • 4th-best of 38 in 2003[255]
  • 3rd-best of 38 in 2008[255]
  • 3rd-best of 39 in 2014[255]
  • 4th-best of 40 in 2020[256]

In the 2008 Siena Research Institute survey, Onassis was ranked in the top-five of all criteria, ranking the 2nd-highest in background, 4th-highest in intelligence, 2nd-highest in value to the country, 4th-highest in being her "own woman", 4th-highest in integrity, 5th-highest in her accomplishments, 2nd-highest in courage, 4th-highest in leadership, 1st in public image, and 3rd-highest in her value to the president.[257] In the 2003 survey, Onassis made the top-five in half of the categories, being ranked 1st-highest in background, 5th-highest in intelligence, 4th-highest in courage, 4th-highest in value to the country, and 1st-highest in public image.[258] In the 2014 Siena Research Institute survey, in the rankings of 20th and 21st century American first ladies in additional survey questions, Onassis was ranked 2nd-highest for management of family life, 4th-highest for advancement of women's issues, 3rd-greatest as a political asset, 4th-strongest public communicator, and 2nd-highest for creation of a lasting legacy.[255] In the 2014 survey, Onassis and her first husband were also ranked the 6th-highest out of 39 first couples in terms of being a "power couple".[259]

In the 1982 Siena College Research Institute survey, Onassis had been ranked the lowest in the criteria of integrity. In subsequent iterations of the survey, historians' regard for her integrity markedly improved. The initial disapproving view of her integrity may have been due to sentiments towards her marriage to Aristotle Onassis. Historians' overall opinions towards Onassis as a whole appear to have become more favorable in the subsequent years as she, in her second widowhood, demonstrated her independence with her career in publishing.[260]

Honors and memorials

[edit]
External videos
video icon Jacqueline Kennedy, First Ladies, Influence and Image, C-SPAN

Portrayals

[edit]

Jaclyn Smith portrays Jacqueline Kennedy in the 1981 television film Jacqueline Bouvier Kennedy, depicting her life until the end of the JFK presidency.[274] The film's producer Louis Rudolph stated an interest in creating a "positive portrait of a woman who I thought had been very much maligned," comments that were interpreted by John J. O'Connor of The New York Times as erasing any chances of critique toward her.[275] Though Smith received praise for her performance,[276] with Marilynn Preston calling her "convincing in an impossible role",[277] Tom Shales wrote "Jaclyn Smith couldn't act her way out of a Gucci bag".[278]

Blair Brown portrays Jacqueline Kennedy in the 1983 miniseries Kennedy, set during the Kennedy presidency.[279] Brown used wigs and makeup to better resemble Kennedy and said through playing the role she gained a different view of the assassination: "I realized that this was a woman witnessing the public execution of her husband."[280] Jason Bailey praised her performance,[281] while Andrea Mullaney noted her resemblance to Kennedy and general shyness.[282] Brown was nominated for a television BAFTA as Best Actress and a Golden Globe as Best Actress in a Miniseries or Television Film.[283]

Marianna Bishop, Sarah Michelle Gellar, and Roma Downey portray Jacqueline Kennedy Onassis in the 1991 miniseries A Woman Named Jackie, covering her entire life until the death of Aristotle Onassis.[284] Of being contacted for the role, Downey reflected: "I thought I was a strange choice because I didn't think I looked anything like her and I was Irish."[285] Half of Downey's wardrobe was designed by Shelley Komarov[286] and Downey stated that though she had long harbored "great respect and admiration" for Jacqueline Kennedy Onassis, she was unaware of the troubles in her childhood.[287] Reviewer Rick Kogan praised Downey with doing "a surprisingly fine job in the demanding title role",[288] while Howard Rosenberg lamented Downey's performance failing to "pierce this thick glaze of superficiality".[289] Ability credited the role with raising Downey's profile.[290] In 1992, the miniseries won the Emmy Award for Outstanding Miniseries.[291]

Rhoda Griffis portrays Jacqueline Kennedy in the 1992 film Love Field, set shortly before and in the aftermath of JFK's assassination.[292] It was Griffis's feature film debut.[293] Griffis said she had been told by her orthodontist of her resemblance to Kennedy and was cast as her upon walking into the auditions for the role.[294]

Sally Taylor-Isherwood, Emily VanCamp, and Joanne Whalley portray Jacqueline Kennedy Onassis in the 2000 television miniseries Jackie Bouvier Kennedy Onassis, covering chronologically her entire life.[295] Whalley prepared for the role by listening to recordings of Jacqueline Kennedy Onassis's voice along with working with a dialect coach; by the end of production, she developed an attachment to her.[296] Laura Fries assessed Whalley as lacking Jacqueline Kennedy Onassis's charisma despite being "soulful and regal" in her own right[297] while Ron Wertheimer viewed Whalley as being passive in the role and lamented "the filmmakers render Jackie as Forrest Gump in a pillbox hat, someone who keeps passing close to the center of things without really touching – or being touched by – very much."[298]

Stephanie Romanov portrays Jacqueline Kennedy in the 2000 film Thirteen Days, taking place during the Cuban Missile Crisis.[299] Philip French of The Guardian noted her small role and being out of "the loop" was accurate of women's roles in "the early Sixties".[300] Laura Clifford called Romanov "unconvincing" in the role.[301]

Jill Hennessy portrays Jacqueline Kennedy in the 2001 television film Jackie, Ethel, Joan: The Women of Camelot.[302][303] Hennessy prepared for the performance by watching hours of archival footage of Kennedy and cited one of the reasons for her favoring of the miniseries was its distinctiveness in not focusing "strictly on the men or only on Jackie".[304] Reviewers Anita Gates[305] and Terry Kelleher[306] believed Hennessy brought "elegance" to the role while Steve Oxman panned the performance: "Hennessy simply doesn't possess the right natural grace. But this pic has a habit of telling us more that [sic] it shows us, and the actress manages to communicate the most important elements of the story without ever making it especially convincing."[307]

Jacqueline Bisset portrays Jacqueline Kennedy in the 2003 film America's Prince: The John F. Kennedy Jr. Story.[308] Bisset said the glasses she used during the film were holdovers from a prior role in The Greek Tycoon.[309] Neil Genzlinger thought Bisset "should have known better" in taking on the role[310] while Kristen Tauer wrote Bisset portraying Kennedy as a mother was a "different central light than many proceeding films".[311]

Jeanne Tripplehorn portrays Jacqueline Kennedy in the 2009 film Grey Gardens for a single scene.[312][313] Tripplehorn said questions she had about Edith Bouvier Beale that she thought would be answered by being a part of the film remained unresolved.[314] Tripplehorn received diverse reactions to her performance[315][316][317] while Brian Lowry noted her resemblance to Kennedy and small role.[318]

Katie Holmes portrays Jacqueline Kennedy in the 2011 miniseries The Kennedys, set during the Kennedy presidency and its 2017 sequel The Kennedys: After Camelot, focusing on her life after 1968.[319][320] Mary McNamara[321] and Hank Stuever[322] regarded Holmes's performance with neutrality in their reviews of The Kennedys while Hadley Freeman called her "bloodless" in the role.[323] Holmes stated reprising the role was a "bigger challenge" for having to act through later periods of Kennedy's life.[324] When asked of the concurrent Jackie film, Holmes said, "I think its [sic] really exciting. It's [sic] just is a testament to how amazing Jacqueline Kennedy Onassis was and how much she meant to our country."[325] Holmes also stated both should be watched due to covering different periods of Jackie's life.[326] In The Kennedys: After Camelot, Holmes's performance was viewed favorably by Daniel Feinberg[327] and Allison Keane[328] while Kristi Turnquist panned her.[329]

Minka Kelly portrays Jacqueline Kennedy in the 2013 film The Butler, giving the film's protagonist Cecil one of her husband's neckties after his assassination.[330][331] Kelly said she was intimidated and scared taking on the role.[332] Kelly admitted to having difficulty with perfecting Kennedy's voice, going "to sleep listening to her", and having discomfort with the wool clothing associated with the role.[331]

Ginnifer Goodwin portrays her in the 2013 television film Killing Kennedy.[333][334] Goodwin used intimate photos to better portray Jacqueline Kennedy and was concerned "to do her justice and to play her as accurately as possible without ever doing an impression of her".[335] Costar Rob Lowe said of seeing Goodwin in the pink Chanel suit, "It made it real. If I were under any illusions about what we were doing, seeing her in that iconic moment was, I would say, sobering."[336] Tom Carson wrote that Goodwin's "trademark vulnerability humanizes Jackie considerably"[337] while Bruce Miller called her a miscast[338] and Robert Lloyd[339] and Brian Lowry[340] panned her performance.

Kim Allen portrays Jacqueline Kennedy in the 2016 film LBJ.[341] Ray Bennett noted in his review of the film that Allen was in a non-speaking role.[342]

Natalie Portman portrays Jacqueline Kennedy in the 2016 film Jackie, set during the JFK presidency and the immediate aftermath of the assassination.[343][344] Portman admitted being intimidated taking the role and doing research in preparation for filming.[345] Nigel M. Smith wrote that by portraying Kennedy, Portman was "taking on arguably the biggest challenge of her career".[346] Manohla Dargis,[347] David Edelstein,[348] and Peter Bradshaw[349] praised her performance. Portman was nominated for Best Actress by Academy Awards,[350] AACTA Awards,[351] AWFJ,[352] AFCA,[353] and BSFC,[354] and won the category by the Online Film Critics Society.[355]

Jodi Balfour portrays Jacqueline Kennedy in the 2017 eighth episode of the second season of Netflix's drama series, The Crown, titled "Dear Mrs. Kennedy", set during the June 1961 visit of the Kennedy couple to Buckingham Palace and the immediate reaction to the assassination of John F. Kennedy.[356]

See also

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Notes

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Jacqueline Lee Bouvier Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, photographer, and editor who served as of the from 1961 to 1963 as the wife of President . During her tenure, she spearheaded the restoration of the , transforming its public rooms into a showcase of American history by retrieving and cataloging period furnishings and artwork, raising over a million dollars for the effort, and establishing the and a fine arts committee for acquisitions. Following Kennedy's assassination, she married Greek shipping magnate on October 20, 1968, a union that drew widespread public attention and controversy due to her status as a national icon and his background. After Onassis's death in 1975, she returned to New York and worked as an associate editor at Viking Press and later Doubleday, acquiring nearly 100 books over two decades in a career focused on and history until her death from non-Hodgkin's .

Early Life and Education (1929–1951)

Family Background and Upbringing

Jacqueline Lee Bouvier was born on July 28, 1929, at Southampton Hospital in . She was the elder daughter of John Vernou "Black Jack" Bouvier III (1891–1957), a and of French Huguenot descent, and Janet Norton Lee (1907–1989), whose family traced its roots to Irish immigrants and amassed wealth through via her father, . The Bouviers represented established , while the Lees embodied newer American affluence, a dynamic that influenced Janet's social ambitions. Her younger sister, Caroline Lee Bouvier (later Radziwiłł), was born on June 3, 1933. The family divided time between a apartment and seasonal residences in East Hampton, , where they enjoyed equestrian activities and country pursuits at properties like the Bouvier estate. John Bouvier, known for his and good looks, provided a privileged but unstable environment marked by his and financial inconsistencies amid the , though the family's wealth buffered early hardships. Bouvier's parents separated around 1936 and divorced in 1940, after which she maintained close ties with her father despite his personal failings, while her mother remarried Hugh D. Auchincloss in 1942, relocating the family to his estate in . This upheaval shaped her upbringing, fostering resilience amid shifting family dynamics and social circles, with emphasizing discipline and cultural refinement in response to her ex-husband's indulgences.

Schooling and Early Interests


Jacqueline Bouvier commenced her primary education at Miss Chapin's School, an elite all-girls institution on East End Avenue in New York City, entering first grade in 1935 following kindergarten. She remained there through elementary years, earning praise from teachers for her brightness and artistic inclinations, though she occasionally received demerits for mischievous conduct, such as a D in "Form" for discipline. In 1942, amid her parents' divorce and family relocation to Washington, D.C., Bouvier transferred to Holton-Arms School in Bethesda, Maryland, attending for two years until 1944. She then enrolled at Miss Porter's School, a prestigious boarding school in Farmington, Connecticut, graduating in June 1947 as a top student.
Bouvier displayed early aptitude in equestrian pursuits, influenced by her Janet, an accomplished rider who placed her on a at age one; by eleven, in 1940, she secured a double victory in a national horsemanship competition, as reported contemporaneously. This passion for riding, involving named Bud and Bit of Irish, persisted lifelong and complemented her active childhood, marked by skinned knees from outdoor play rather than dolls. She pursued lessons at the Metropolitan Opera House and nurtured interests in literature and the arts, immersing herself in books featuring characters like and , while her envisioned her as a ; teachers noted her as "very artistic."

College Years and Initial Career

Jacqueline Bouvier enrolled at in , in 1947 as a member of the class of 1951, where she spent her freshman and sophomore years studying history, , art, and French. Her professors later described her as intelligent, enthusiastic, and friendly during her time there. Dissatisfied with Vassar, Bouvier took a after her sophomore year to pursue her junior year abroad in from 1949 to 1950, attending the University of Grenoble and the Sorbonne in through a study-abroad program affiliated with . This period immersed her in and culture, profoundly influencing her appreciation for art and history, which she later credited as formative. Upon returning to the United States in 1950, Bouvier transferred to George Washington University in Washington, D.C., completing her studies and graduating in 1951 with a Bachelor of Arts degree in French literature. Her education emphasized languages and humanities, aligning with her interests in European culture and aesthetics developed during her Paris sojourn. Following graduation, Bouvier entered journalism in the fall of 1951 as the "Inquiring Camera Girl" for the Washington Times-Herald, a role that involved photographing and interviewing pedestrians on Washington, D.C., streets about topical issues to capture public opinion. In this position, she roved the city with a camera, soliciting brief responses to questions on current events, politics, and social matters, often published with her byline and photos. The job honed her skills in photography and reporting, reflecting her prior amateur interest in the medium, and provided financial independence amid her family's modest circumstances after her parents' divorce. She continued in this capacity until early 1953, when her engagement to John F. Kennedy shifted her priorities.

Marriage to John F. Kennedy and Family Life

Courtship and Wedding

Jacqueline Bouvier first met John F. Kennedy, then a U.S. senator from Massachusetts, at a dinner party hosted by mutual friends Charles and Martha Bartlett in Georgetown, Washington, D.C., in May 1952. The two began dating shortly thereafter, though their courtship was intermittent due to Kennedy's demanding political schedule and health issues, including chronic back pain. Bouvier, a 22-year-old photographer for the Washington Times-Herald, and Kennedy, aged 35, shared interests in politics and society, but early romantic encounters were complicated by Kennedy's reputation for womanizing, which Bouvier reportedly learned of during their initial months together. In May 1953, Kennedy proposed to Bouvier, presenting her with a 2.88-carat diamond-and-emerald ring from . Their engagement was publicly announced on June 25, 1953, via the , with Bouvier described as a "tall, dark-haired beauty" suitable for the senator's ambitions. The couple's union aligned with Kennedy's rising political profile, as he prepared for potential higher office, though Bouvier had reservations about his fidelity and the Kennedy family's influence. Bouvier and Kennedy married on September 12, 1953, in a nuptial Mass at St. Mary's Roman Catholic Church in Newport, Rhode Island, officiated by Archbishop Richard Cushing of Boston. The ceremony drew approximately 750 invited guests, including political figures and socialites, while the reception at the bride's mother Janet Auchincloss's Hammersmith Farm estate hosted over 1,200 attendees on the 300-acre oceanfront property. Bouvier wore an ivory silk taffeta gown designed by Ann Lowe, featuring a portrait neckline and a 103-yard train, emblematic of the event's grandeur amid Newport's elite summer society. The wedding, covered extensively by media such as Life magazine, marked the formal alliance of the Bouvier and Kennedy families, blending old money with emerging political power.

Marital Dynamics and Infidelities

Jacqueline Bouvier and John F. Kennedy married on September 12, 1953, in Newport, Rhode Island, amid a union that blended political ambition with personal affection, yet was soon tested by Kennedy's chronic health ailments and persistent extramarital activities. Kennedy's Addison's disease, diagnosed in the 1940s, and debilitating back pain—exacerbated by wartime injuries and spinal surgeries, including one in 1954—imposed physical limitations that strained their intimacy, often resulting in separate sleeping quarters and reliance on medications like corticosteroids, which may have heightened his libido. These conditions contributed to early marital tensions, compounded by Jacqueline's miscarriages in 1955 and 1956, and the stillbirth of their daughter Arabella in August 1956, events that deepened emotional distances despite public displays of partnership during his Senate campaigns. Kennedy's infidelities, which predated the marriage, persisted throughout, involving multiple women and facilitated by his political circle's discretion. Prior to the wedding, Jacqueline was informed by Kennedy's close friend Kirk LeMoyne "Lem" Billings in January 1953 of his likely non-monogamous tendencies, a disclosure tacitly approved by Kennedy himself; she viewed it as a "challenge" rather than a deal-breaker, influenced by her own family's history of paternal infidelity. Documented liaisons during the marriage included Judith Campbell Exner from late 1960 to 1962, a relationship Jacqueline later acknowledged to friends like and ; staffer Priscilla Wear, whom Jacqueline openly identified to a reporter as "the girl that's sleeping with my husband"; and intern , whose affair began in 1962 and continued into 1963, as detailed in Alford's 2012 . Kennedy's rumored involvement with peaked around her May 19, 1962, performance at his birthday gala, prompting Jacqueline to confront him beforehand, stating, "This one's different, Jack. This one worries me," distinguishing it from his other indiscretions due to its perceived emotional risk. Jacqueline's responses evolved from initial shock to pragmatic resignation, shaped by Catholic upbringing, financial dependencies, and commitment to family stability amid Kennedy's rising profile. She considered at least twice—once after the 1956 stillbirth amid revelations of multiple affairs—but reconciled following assurances and material gestures from Kennedy, including promises of reform that proved short-lived. Friends reported her adopting a "turn the other cheek" stance, confiding that while hurtful, the affairs were "of its time" and that Kennedy invariably returned to her, reflecting an unspoken marital compact prioritizing discretion over fidelity. This dynamic persisted into the presidency, where aides managed assignations to shield the image, though Jacqueline's awareness grew through gossip and direct observations, fostering a household of controlled tolerance rather than confrontation. No credible evidence indicates Jacqueline engaged in affairs during the marriage.

Children and Personal Tragedies

Jacqueline Kennedy experienced a in 1955 during her first with , which medical professionals attributed to difficulties in carrying and delivering a child to term. Her second resulted in the of a , Arabella, on August 23, 1956; the infant was buried privately in , and later reinterred at with her parents and brother Patrick. The Kennedys' first surviving child, daughter Caroline Bouvier Kennedy, was born on November 27, 1957, at New York Hospital in . Their second surviving child, son , arrived on November 25, 1960, shortly after his father's presidential election victory. Kennedy's fourth , announced publicly in May 1963, ended tragically when son was born five-and-a-half weeks prematurely on August 7, 1963, at Otis Air Force Base Hospital on due to placental complications and elevated in the . Weighing 4 pounds 10.5 ounces and suffering from hyaline membrane disease—a form of respiratory distress syndrome—Patrick was airlifted to , where he died at 4:04 a.m. on August 9, 1963, after 39 hours of life; President Kennedy informed his of the death, and the couple attended a private mass the following day. These repeated losses, including two prior failures, compounded the emotional strain on the marriage amid Kennedy's demanding political career and health issues.

Tenure as First Lady (1961–1963)

Involvement in the 1960 Campaign

Despite her advanced pregnancy—announced in April 1960 and resulting in the birth of John F. Kennedy Jr. on November 25, 1960—Jacqueline Kennedy limited her physical campaigning but contributed through media and written efforts to appeal particularly to women and ethnic voters. Following medical advice amid a history of pregnancy complications, including a 1955 miscarriage and the 1956 stillbirth of daughter Arabella, she reduced travel during the summer of 1960, remaining largely at the family home in Hyannis Port, Massachusetts. Her efforts focused on providing a personal, relatable perspective to soften her husband's image and highlight policy issues relevant to homemakers. Kennedy authored a series of seven syndicated "Campaign Wife" columns for the , published weekly from September 17 to November 1, 1960, in newspapers nationwide. These pieces offered glimpses into daily life, such as child-rearing challenges with daughter Caroline, maternity shopping, and home management, while weaving in endorsements of her husband's positions on , civil rights, and . Written from her Georgetown home, where she typed them personally—as documented on October 5, 1960—the columns aimed to engage female readers sidelined by her absence from rallies. In media appearances, Kennedy recorded television commercials and interviews, leveraging her fluency in French, Italian, and Spanish to reach immigrant communities. A notable Spanish-language spot urged Hispanic voters to support the Democratic ticket on November 8 for strong leadership against communist threats, a humanitarian government, and children's future, concluding with "¡Que viva Kennedy!" She also participated in an interview with actress Myrna Loy and other spots featuring endorsements like pediatrician Benjamin Spock. Prompted by Lady Bird Johnson's post-convention visit in July 1960, Kennedy invited journalists home to discuss domestic topics, answered campaign correspondence, and ramped up these virtual engagements to compensate for her travel restrictions. By mid-October, she resumed limited travel, accompanying her husband on a Northeast swing.

White House Restoration and Cultural Projects

Upon entering the in 1961, Jacqueline Kennedy launched an extensive restoration project to return the to its historical authenticity, replacing mismatched modern furnishings with period-appropriate American antiques from the 18th and 19th centuries. She viewed the existing decor as a dilution of the building's heritage, drawing inspiration from her prior experience with historic properties and consultations with experts like of the Museum. The effort extended to state rooms, family quarters, and guest areas, uncovering long-stored artifacts such as a custom desk originally crafted for President . In 1961, Kennedy established the Fine Arts Committee for the , appointing du Pont as chairman to guide acquisitions of authentic furnishings through loans, purchases, and donations from private collectors. She also hired Lorraine Waxman Pearce as the first curator of the to catalog and manage the collection. A congressional appropriation of $50,000 was initially allocated for refurbishing the private living quarters but was rapidly depleted, prompting reliance on private funding and gifts, including significant contributions from donors like du Pont. The project emphasized empirical historical accuracy, with items selected based on and stylistic fidelity to federal period designs. Kennedy's cultural initiatives complemented the restoration by positioning the as a venue for artistic and intellectual events. She hosted performances by prominent figures, such as cellist on November 13, 1961—the first such concert by a head-of-state-hosted artist since —and facilitated cultural exchanges, including the 1963 loan of Leonardo da Vinci's for public display. In 1961, she founded the to fund preservation efforts and produce the first official guidebook for visitors, published in 1962. Additionally, upon learning of plans to demolish historic Lafayette Square properties in 1962, she advocated successfully for their preservation, influencing urban policy to prioritize architectural heritage. The restoration's visibility peaked with a pioneering televised tour on February 14, 1962, co-hosted with journalist Charles Collingwood and broadcast simultaneously on and to an estimated 56 million viewers, highlighting restored rooms and sparking nationwide interest in presidential history. This effort culminated in substantial completion by November 1963, though ongoing; it prompted President Lyndon B. Johnson's 11145 on March 7, 1964, formalizing the Committee for the Preservation of the to ensure future stewardship. The projects elevated the from functional residence to public museum, grounded in verifiable historical precedents rather than contemporary tastes.

Public Engagements, Style, and Criticisms

During her tenure as First Lady, Jacqueline Kennedy fulfilled public duties through hosting formal events and cultural showcases at the , emphasizing elegance and intellectual pursuits over traditional political activism. She organized dinners and receptions for foreign dignitaries, such as the March 13, 1961, event for Latin American ambassadors, which aimed to strengthen diplomatic ties. On May 22, 1962, she co-hosted a state dinner honoring French Minister of Culture , featuring performances by cellist and highlighting American arts. Kennedy also hosted numerous concerts, infusing the presidency with youth and cultural vitality by inviting performers like and the . A landmark public engagement was her February 14, 1962, televised tour of the restored White House for CBS, which drew a record 56 million viewers and showcased historical furnishings and renovations. This broadcast elevated her profile, presenting the Executive Mansion as a living museum and setting a precedent for media-savvy first ladies. Kennedy's style as First Lady emphasized refined simplicity, favoring tailored suits, sheath dresses, and pillbox hats designed by Oleg Cassini, whom she appointed as her official couturier in 1961. Her monochrome ensembles in pastel tones and A-line skirts reflected influences from Audrey Hepburn and French haute couture, promoting American designers and boosting domestic fashion sales by an estimated $100 million annually during the early 1960s. This aesthetic not only projected poise amid John F. Kennedy's youthful administration but also spurred trends like the "Jackie look," with pillbox hat sales surging post-inauguration. Criticisms of Kennedy centered on her perceived aloofness and , stemming from her equestrian background and upbringing, which some viewed as disconnected from average Americans. Her cool reserve and reluctance to embrace the "" title—privately likening it to "a saddle "—irritated those expecting a more approachable figure, with detractors labeling her a " from Newport." Additionally, her aversion to politics led her to limit campaign appearances in 1960, prioritizing family amid personal health issues and pregnancies, which fueled perceptions of detachment despite her diplomatic contributions. These views persisted among contemporaries who contrasted her with predecessors like , though empirical measures of her popularity, such as tour viewership, indicated broad public admiration.

Foreign Trips and Soft Diplomacy

Jacqueline Kennedy engaged in foreign travel as to support U.S. efforts, utilizing her linguistic abilities, cultural knowledge, and personal appeal to cultivate favorable international perceptions of America. Her trips emphasized through cultural exchanges and goodwill gestures, complementing the Kennedy administration's goals amid tensions. Unlike predecessors, she undertook more overseas journeys, including both joint state visits with President Kennedy and independent goodwill missions. The Kennedys' to France from May 31 to June 2, 1961, highlighted her diplomatic value, as she conversed fluently in French with President and other officials, easing strains from prior U.S.-French disagreements over Algeria and nuclear policy. President Kennedy later quipped at a June 2 , "I am the man who accompanied Jacqueline Kennedy to ," underscoring her prominence in captivating French audiences and media. Her familiarity with and history facilitated rapport, contributing to improved bilateral ties; she later secured the Mona Lisa's loan to the U.S. in 1962 as a reciprocal cultural gesture. In March 1962, Kennedy conducted a solo 17-day goodwill tour of India and Pakistan, arriving in New Delhi on March 12 to engage non-aligned nations amid U.S. efforts to counter Soviet influence. Accompanied by her sister Lee Radziwill, she met Prime Minister Jawaharlal Nehru, visited the Taj Mahal on March 15, and participated in public events that drew massive crowds, with LIFE magazine noting she changed outfits up to five times daily across 22 ensembles to suit local customs and climates. The tour, documented by the U.S. Information Agency, projected American vitality and openness, fostering personal connections that bolstered U.S. strategic interests in South Asia without formal negotiations. Kennedy also accompanied President Kennedy to in December 1961 and visited other nations including and the , where her presence amplified U.S. prestige through media coverage and elite interactions. These engagements positioned her as a symbolic envoy, embodying ideals of youth, sophistication, and cultural refinement to advance American influence abroad.

The Assassination of John F. Kennedy (1963)

Events of the Assassination Day

On November 22, 1963, Jacqueline Kennedy accompanied President on a political trip to , arriving at 's Love Field airport around 11:40 a.m. after departing Fort Worth. The couple, dressed in coordinated outfits—Kennedy in a dark suit and her in a pink suit with a —greeted enthusiastic crowds before entering an open-top 1961 limousine for a through . Seated in the rear, with Governor and his wife Nellie in front, the Kennedys waved to supporters along the route, which passed through shortly after noon. At approximately 12:30 p.m., as the traversed , shots rang out from the . Kennedy was struck in the head by a fatal bullet, causing her to react instinctively by cradling his head in her lap amid the chaos. In the moments following the head shot, captured on the , Jacqueline Kennedy climbed onto the rear trunk of the accelerating , reaching backward to retrieve fragments of her husband's skull scattered on the limo. Secret Service agent Clint Hill, assigned to her detail, sprinted from a follow-up car, leaped onto the limousine, and pushed her back into the seat while shielding both with his body as the driver sped toward , arriving around 12:35 p.m. At Parkland Hospital, medical staff pronounced President Kennedy dead at 1:00 p.m., though Jacqueline Kennedy remained by his side in Trauma Room One, holding his hand and refusing to release it even as priests administered . Blood from the wounds soaked her gloves and suit, yet she declined offers to change clothes, reportedly stating to aides and , "Let them see what they've done," as she accompanied the casket to later that afternoon. Vice President was sworn in aboard the plane at 2:38 p.m., with Kennedy present in her stained attire, before the flight departed for Washington, D.C., around 2:47 p.m.

Immediate Response and Mourning

Following the declaration of President Kennedy's death at in at 1:00 p.m. CST on November 22, 1963, Jacqueline Kennedy remained beside her husband's body, her pink suit stained with his blood and brain matter. When urged by aides and to change out of the bloodied outfit before boarding , she refused, reportedly stating, "Let them see what they've done," emphasizing the visible horror of the . Aboard Air Force One at Love Field, Kennedy stood stoically next to Vice President Lyndon B. Johnson and his wife during Johnson's swearing-in as president at 2:38 p.m., her demeanor marked by shock yet resolute presence amid the chaos. The aircraft then departed for Andrews Air Force Base in Washington, D.C., carrying the president's casket, with Kennedy traveling in the rear compartment near the body for the duration of the flight. Upon arrival around 5:58 p.m. EST, she accompanied the casket to the White House, where it was placed in the East Room, initiating a period of national and personal vigil. Kennedy's immediate mourning blended private devastation with public duty, as she rejected despite profound intensified by the recent loss of her infant son Patrick in August 1963. In the ensuing days, she remained at the , coordinating with family and advisors while displaying outward composure that helped stabilize national mourning, though witnesses noted her entering a state of emotional numbness and withdrawal. By December 6, 1963, two weeks after the assassination, she relocated from the to a private residence, marking the end of her initial isolation in the executive mansion. Her actions during this phase, including retaining the suit until late that night, underscored a deliberate choice to confront the tragedy's reality head-on, influencing the public's visceral engagement with the event.

Funeral Arrangements and Public Composure

Following the of President on November 22, 1963, Jacqueline Kennedy assumed a central role in directing the funeral arrangements, drawing explicit inspiration from Abraham Lincoln's 1865 . She instructed White House staff to replicate elements such as the horse-drawn caisson procession and the on the same used for Lincoln in the Capitol Rotunda. Kennedy specifically requested the inclusion of a named Black Jack, boots reversed in the stirrups as a symbol of the fallen leader, a tradition evoking historical precedents from generals like . The body lay in state from November 24, viewed by approximately 250,000 mourners, before the funeral Mass at St. Matthew's Cathedral on November 25. On November 25, the casket was transported by caisson along to the cathedral, followed on foot by Kennedy, her children Caroline and John Jr., brother-in-law , and other family members, eschewing a limousine in favor of a visible amid throngs of spectators. The service, attended by over 1,200 guests including dignitaries from more than 90 nations, featured Cardinal presiding, with musical selections including the Navy hymn "" at Kennedy's behest. Following the Mass, the continued to [Arlington National Cemetery](/page/Arlington National Cemetery), where Kennedy lit the she had proposed for the gravesite, joined by Robert and Edward Kennedy, marking the burial under full military honors. Kennedy maintained a composed public demeanor throughout the mourning period, refusing to change from her blood-stained pink suit after the to convey the violence's reality, stating she wanted others to "see what they’ve done." During the events, she exhibited silent dignity, holding her children's hands as the casket passed and briefly whispering to three-year-old John Jr. to salute his father, an image broadcast worldwide. She broke composure only once during the before communion, otherwise projecting restraint amid national grief, which elicited over 800,000 condolence letters by early 1964.

Post-Assassination Years (1963–1968)

Grief Management and Semi-Public Role

Following the assassination of President on November 22, 1963, Jacqueline Kennedy experienced profound private grief, marked by severe depression, , and reliance on amphetamines and alcohol as coping mechanisms. In the immediate aftermath, she confided to a her fear of eternal separation from her husband if she took her own life, reflecting intense emotional turmoil amid public expectations of . Biographers have suggested she exhibited symptoms consistent with (PTSD), including recurrent nightmares of the shooting and , though formal diagnosis was not pursued publicly; she reportedly consulted a to manage these effects. Her children's dependence—Caroline, aged five, and John Jr., three—provided a stabilizing focus, motivating her to endure for their sake despite personal despair. Kennedy channeled aspects of her mourning into preserving her husband's legacy, engaging selectively in efforts to shape historical narratives while shielding her family from scrutiny. She participated in confidential interviews, such as those with Arthur Schlesinger Jr. in 1964, which later informed public perceptions of the Kennedy administration, and cooperated with Theodore H. White's December 1963 Life magazine article, where she evoked the "Camelot" metaphor to romanticize the — a deliberate framing that endured despite her private reservations about its idealism. These activities allowed limited influence over her widowhood's portrayal without full immersion in public life. By October 1964, she relocated from , to a penthouse at in , seeking partial seclusion from intense media attention while navigating the city's social circles on her terms; this move balanced child-rearing with occasional visibility, such as escorted walks in that drew but were managed to minimize intrusion. Her semi-public posture emphasized privacy and family protection over formal roles, rejecting persistent suitors and political overtures while rejecting reclusive isolation. Kennedy rebuffed advances from figures like Jack Warnecke, who noted her guarded demeanor during redesign discussions in 1964, prioritizing emotional recovery over romantic entanglement. She fielded thousands of condolence letters—over 800,000 by some estimates—acknowledging global sympathy selectively to affirm resilience without exploiting grief commercially. This approach sustained her as a poignant symbol of national loss, enabling gradual stabilization by 1967–1968, when emerging preservation advocacy, such as opposition to New York landmarks' demolition, hinted at tentative public reengagement rooted in her White House-era cultural interests. Throughout, her management reflected pragmatic realism: leveraging icon status for autonomy while insulating personal healing from spectacle.

Ties to Robert F. Kennedy

Following the assassination of her husband, President , on November 22, 1963, Jacqueline Kennedy relied heavily on her brother-in-law, , the U.S. , for emotional and practical support. visited her and the children frequently in the ensuing weeks, including at the and their family compound in , where he assisted in shielding them from intense public scrutiny and helped navigate immediate family decisions amid profound grief. Their bond, already familial through the Kennedy marriage since 1953, intensified as assumed a protective role, often described by contemporaries as surrogate paternal or fraternal guidance for Caroline and John Jr., who were aged five and three at the time. This closeness persisted through the mid-1960s, with the pair maintaining regular contact during Robert F. Kennedy's tenure as U.S. Senator from New York (1965–1968); they shared holidays and private gatherings, including a reported May 1964 dinner cruise on the USS Sequoia where poignant exchanges underscored their mutual mourning. Speculation of a romantic affair emerged in subsequent biographies, notably C. David Heymann's book Bobby and Jackie: A Love Story, which alleged intimacy beginning shortly after John F. Kennedy's death and lasting until 1968, citing anonymous sources and purported observations of physical affection like hand-holding on vacations. However, these claims rely on unverified anecdotes without documentary proof, such as letters or eyewitness corroboration, and have been contested by associates; Robert F. Kennedy remained married to Ethel Skakel Kennedy, with whom he had 11 children, and no primary evidence substantiates extramarital involvement with Jacqueline Kennedy beyond platonic solidarity forged by tragedy. Jacqueline Kennedy actively supported Robert F. Kennedy's 1968 presidential campaign, endorsing him as a ideological successor to her late husband and providing private counsel on strategy and public image. She viewed his platform—emphasizing civil rights, poverty alleviation, and anti-war sentiments—as aligned with John F. Kennedy's unfinished agenda, though she avoided overt campaigning to preserve her privacy. His assassination on June 5, 1968, at the Ambassador Hotel in , following his California primary victory, devastated her anew; present in New York during the event, she attended memorial services and later reflected that the loss eroded her faith in public life, influencing her swift marriage to three months later on October 20, 1968, as a means to escape persistent vulnerability. This sequence of familial ties underscored a relationship rooted in resilience amid recurrent tragedies, rather than unsubstantiated romantic narratives.

Transition to Marriage with Aristotle Onassis

Following the on June 5, 1968, Jacqueline Kennedy conveyed deep apprehension regarding the safety of her children, Caroline and John Jr., amid what she perceived as a persistent pattern of violence targeting the . This event intensified her desire for a stable, insulated existence away from American political perils and incessant media scrutiny, prompting her to prioritize financial autonomy and robust personal security over romantic sentiment. , the Greek shipping billionaire she had encountered socially as early as 1963, positioned himself as a solution by offering marriage terms that emphasized protection and wealth preservation. Onassis, then 62 and previously involved with opera singer , had courted Kennedy intermittently for years, leveraging his vast resources—including private islands and yachts—to appeal to her need for seclusion. By mid-1968, their interactions grew more frequent, culminating in a that guaranteed her at least $3 million plus $1 million annually in upon separation, alongside control over trusts for her children to shield assets from his existing family obligations. Kennedy rejected a concurrent from British ambassador Ormsby Gore, informing him in a private letter that her affection for him was fraternal rather than conjugal, and that Onassis represented essential safeguards against vulnerability. The Kennedy clan, led by Ted Kennedy, opposed the union, viewing Onassis as a crass opportunist whose reputation for ruthless business tactics and extramarital affairs clashed with Camelot's idealized legacy; Ted reportedly offered to enhance her financial security himself to avert the match. Undeterred, Kennedy accepted Onassis's proposal around October 15, 1968, with the engagement announced abruptly on October 19 via a terse statement from Onassis's office, catching allies and the press off-guard. This swift pivot from widowhood elicited widespread public dismay, with many interpreting it as a mercenary exchange that diminished her status as JFK's devoted survivor, though primary accounts underscore her pragmatic calculus rooted in safeguarding her family's future amid recurrent threats.

Marriage to Aristotle Onassis (1968–1975)

Courtship, Wedding, and Early Adjustment

Jacqueline Kennedy, widowed after the assassinations of her husband in 1963 and brother-in-law in June 1968, entered a courtship with magnate that summer, driven by her desire for financial security and protection from ongoing media scrutiny and perceived threats to her family. The two had known each other since the through social circles in and the , with Onassis having pursued her unsuccessfully before her marriage to Kennedy, but their relationship intensified following Robert Kennedy's death, as she confided concerns about her children's safety to close associates. Onassis, then 62 years old and a self-made with a reputation for and personal extravagance, proposed multiple times during this period, offering substantial prenuptial settlements including a $1 million outright payment to Kennedy and guaranteed annual support equivalent to her late husband's trust funds for her children, Caroline and John Jr. The wedding occurred on October 20, 1968, in a small, candlelit Greek Orthodox chapel on Onassis's private island of , attended by fewer than 100 guests including Kennedy's children, her mother Janet Auchincloss, brother-in-law , and a select few Onassis family members such as his daughter Christina. The civil ceremony preceded the religious one, with Kennedy, aged 39, wearing a knee-length beige silk dress designed by Valentino, marking a departure from the elaborate gown of her 1953 Kennedy wedding. The union provoked widespread public and familial , with many Americans viewing it as a betrayal of the Kennedy legacy due to Onassis's non-American background, prior infidelities, and vast wealth disparity; reportedly attempted to dissuade her, citing concerns over the children's inheritance and public image. In the early years of the marriage, Kennedy Onassis adjusted to a life of opulent seclusion aboard Onassis's yacht Christina and across his estates in , , and New York, where the ensured her access to $20,000 monthly allowances and properties, providing the she sought amid post-assassination vulnerabilities. The couple maintained separate social orbits—Onassis continuing his business dealings and rumored liaisons, including with opera singer , while she focused on family privacy and redecorating interiors—leading observers to describe their dynamic as more companionate than passionate, with Kennedy Onassis gaining respite from American press hounding but facing Greek intrusions and tensions over Onassis's adult children's resentment toward her influence. This arrangement afforded her strategic security, as evidenced by her relocation to New York by 1970 for her children's schooling, though it drew media portrayals of extravagance that clashed with her prior Camelot-era restraint.

Relationship Strains and Controversies

The marriage between Jacqueline Kennedy Onassis and , which began on October 20, 1968, was marked by persistent infidelity on Onassis's part, particularly his ongoing with opera singer , which predated the union and continued until his death in 1975. Onassis, who had initiated the relationship with Callas in 1957 while both were married to others, reportedly viewed her as integral to his identity, with his longtime secretary Kiki Feroudi Moutsatsos describing her as "a piece of his soul, of his body, of his brain." Kennedy Onassis, aware of the liaison but choosing not to confront it directly, tolerated the indiscretions partly due to her prior experiences with her first husband's infidelities and the financial security the marriage provided; friends noted she expressed melancholy privately but maintained composure, advised by Onassis's sister to avoid confrontation. Onassis exacerbated tensions by flaunting the , such as applying heavy before flights to visit Callas—lying about business trips to —leaving traces detectable upon his return. Financial disagreements further strained the relationship, as Kennedy Onassis's lavish spending drew Onassis's resentment. In the first year of , her expenditures reportedly reached $1.5 million, exceeding the terms of their , which provided a $30,000 monthly allowance later reduced amid disputes. Onassis, who had married her initially for prestige rather than deep affection, grew increasingly bitter over these habits, viewing them as emblematic of her detachment from his more pragmatic worldview. The 1973 death of Onassis's son in a plane crash intensified familial rifts, with the superstitious tycoon irrationally attributing the tragedy—and his own declining health from —to Kennedy Onassis, whom he nicknamed "The Widow" or "The Witch" for supposedly importing misfortune. His daughter Christina echoed this blame, heightening animosity toward her . By the mid-1970s, these pressures culminated in Onassis's preparations for , as detailed in Arianna Stassinopoulos's of Callas; he hired a private detective to seek evidence of Kennedy Onassis's and instructed lawyers to draft proceedings aimed at , while reducing her share in his will—though no occurred before his death on March 15, 1975. She later contested the will, settling for $25 million with .

Financial Security and Family Conflicts

Aristotle Onassis's death on March 15, 1975, from complications of myasthenia gravis triggered a contentious dispute over his approximately $500 million estate between Jacqueline Onassis and his daughter Christina Onassis. Christina, who had vehemently opposed her father's 1968 marriage to Jacqueline and maintained a distant relationship with her stepmother, challenged provisions in Onassis's will that favored Jacqueline, including a fixed annual income and use of properties like the yacht Christina. These family tensions were exacerbated by longstanding resentments; Christina sympathized with her father's complaints about Jacqueline's spending habits during the marriage, viewing her as extravagant. The dispute culminated in a 1977 settlement agreement, in which Jacqueline relinquished claims to one-third of the estate in exchange for a lump sum of $20 million (equivalent to about $26 million in some adjusted estimates), providing her with substantial thereafter. This fixed payout, negotiated amid Christina's legal opposition, freed Jacqueline from reliance on fluctuating estate revenues or ongoing family oversight, allowing her to manage her affairs autonomously and invest wisely in subsequent years. The agreement, signed by both parties, underscored the irreconcilable rift, as Christina retained control of the bulk of the Onassis shipping empire and assets. Prior to Onassis's death, marital finances had been a source of friction, with Jacqueline accessing funds for personal and family needs, including support for her children Caroline and John Jr., amid reports of high expenditures on residences and travel that strained relations with Onassis's heirs. The of 1968 had stipulated a $3 million payment to Jacqueline in case of , but Onassis's will altered dynamics by designating her a primary , prompting Christina's resistance rooted in to her late mother and perceptions of Jacqueline as an outsider. This resolution not only secured Jacqueline's economic stability—enabling her later career pursuits without financial pressure—but also formalized the family's enduring estrangement.

Later Professional and Private Life (1975–1994)

Career as a Book Editor

Following the death of Aristotle Onassis on March 15, 1975, Jacqueline Kennedy Onassis entered the publishing industry, joining Viking Press as a consulting editor that summer at age 46. Her initial responsibilities included acquiring new manuscripts in fiction, nonfiction, biography, and history, with a starting salary of about $10,000 annually. She approached the role with a focus on quality literature, leveraging her personal interest in books to identify promising works while maintaining a low public profile in the office. Onassis resigned from Viking in early 1978 and transitioned to Doubleday as an associate editor starting , under the supervision of longtime acquaintance John Turner Sargent Jr. At Doubleday, she advanced to senior editor and continued acquiring manuscripts, eventually handling nearly 100 titles over her tenure, which lasted until her death. Her editorial style emphasized meticulous line edits, structural guidance, and author encouragement, often drawing on her own experiences to refine narratives in and memoirs. Among her notable acquisitions and edits were Barbara Chase-Riboud's Sally Hemings (1979), a historical novel depicting the relationship between and his enslaved mistress; Michael Jackson's autobiography Moonwalk (1988); and Bill Moyers's The Power of Myth (1988); and Louis Auchincloss's The Education of Oscar Fairfax (1995, posthumously published). She also edited children's books by , including The Boy of the Bells (1990) and The Fisherman's Song (1991), prioritizing lyrical storytelling and illustrations. Onassis nurtured emerging authors and collaborated with established ones, rejecting in favor of substantive content, though she occasionally faced internal pressures from commercial priorities at larger houses like Doubleday. Her 19-year career demonstrated professional competence and adaptability, with colleagues noting her punctuality, discretion, and hands-on involvement despite her celebrity status. Onassis worked steadily through the 1980s and into 1994, commuting to offices and balancing editing with family responsibilities, until health issues from prompted her to reduce hours shortly before her death on May 19, 1994.

Pursuit of Privacy and Select Philanthropy

Following Aristotle Onassis's death on March 15, 1975, Jacqueline Kennedy Onassis relocated permanently to , establishing residence in a apartment and prioritizing seclusion from media scrutiny in her daily routine of editing, reading, and family activities. She cultivated an unassuming lifestyle, often walking incognito in or browsing the , while destroying personal correspondence to safeguard intimate details from posthumous exposure. This deliberate opacity contrasted with her earlier public roles, as she rejected overtures for memoirs or interviews that might commodify her experiences, viewing such pursuits as invasions rather than opportunities. Onassis extended her privacy defenses through litigation against aggressive , exemplified by her countersuit against photographer , initiated in 1971 and culminating in a 1972 federal ruling that barred him from approaching within 75 feet of her or 30 feet of her children, citing and emotional distress. Though the case predated 1975, its injunctions influenced her later encounters, including incidents where she instructed security to intervene against intrusive filming, reinforcing boundaries amid persistent tabloid interest. Her approach underscored a causal prioritization of personal over , declining even lucrative deals that demanded revelations about her Kennedy or Onassis years. In parallel, Onassis channeled energies into targeted philanthropy centered on New York City's architectural heritage, joining the Municipal Art Society board in 1975 to combat threats to landmarks. She spearheaded opposition to Penn Central Railroad's 1975 proposal to erect a 55-story tower over , testifying at public hearings and mobilizing public support, which aided the Municipal Art Society's legal challenge. This advocacy culminated in the U.S. Supreme Court's 6-3 decision on June 28, 1978, in Penn Central Transportation Co. v. City of New York, affirming the constitutionality of landmark preservation laws and preserving the terminal's integrity. Her involvement extended to defending St. Bartholomew's Church against incompatible high-rise developments in the 1980s, reflecting a consistent focus on urban conservation without broader charitable engagements. These efforts, though public, were selective and issue-driven, aligning with her pre-presidential interests in cultural stewardship while minimizing personal exposure.

Final Years, Illness, and Death

In the years following her professional establishment in , Jacqueline Kennedy Onassis resided in a apartment in , prioritizing family and privacy amid occasional public scrutiny over unauthorized biographies and commercial uses of the Kennedy legacy. She actively opposed efforts to exploit her first husband's image, such as successfully challenging the proposed development of a high-rise near the Kennedy gravesite at in the early 1980s and later litigating against biographers like in the 1960s (with echoes in 1990s disputes). By the early 1990s, her children—Caroline Kennedy Schlossberg and John F. Kennedy Jr.—were adults with their own families, allowing Onassis to enjoy time with grandchildren while maintaining her editorial role at Doubleday, where she oversaw projects emphasizing quality literature and historical works until her health declined. Onassis's health issues emerged prominently in late 1993 when she was diagnosed with non-Hodgkin's lymphoma, a cancer originating in the , following symptoms initially linked to a fall. She publicly announced the diagnosis in January 1994, noting an initially favorable prognosis, and began treatments while continuing her daily routines, including walks with her dog in and work at Doubleday. The disease progressed rapidly despite treatment; in April 1994, she underwent for a bleeding ulcer related to her condition. By early May, the cancer was deemed terminal, and she declined further aggressive interventions to remain at home. Jacqueline Kennedy Onassis died on May 19, 1994, at her apartment, surrounded by family including Caroline, John Jr., and companion ; she was 64 years old. Her funeral Mass was conducted on May 23 at St. Ignatius Loyola Church in , attended by figures such as President and , with eulogies emphasizing her grace and resilience. She was interred at beside and their son Patrick, who had died in infancy.

Legacy and Critical Assessments

Enduring Popularity and Iconic Image

Jacqueline Kennedy Onassis cultivated an iconic public image through her distinctive fashion choices and poised demeanor, which elevated the role of into a symbol of American sophistication during the early . As , she popularized the "Jackie Look," featuring tailored sheath dresses, A-line skirts, pillbox hats, and bold colors, often designed by , who created over 300 outfits for her. Her style emphasized simplicity and elegance, influencing global fashion trends and earning her induction into the International Best Dressed List Hall of Fame in 1965. Following the of President Kennedy on November 22, 1963, Onassis's bloodstained pink suit and composed presence during the swearing-in of aboard became enduring symbols of stoic grace under tragedy, captured in photographs that shaped national mourning. Her orchestration of the , drawing on historical precedents like Abraham Lincoln's, further reinforced her image as a figure of dignified resilience. In her post-White House years, particularly after marrying Aristotle Onassis in 1968, Onassis adopted a more casual yet chic aesthetic, pairing oversized sunglasses, headscarves, and simple shifts that maintained her aura of effortless sophistication while signaling a deliberate retreat from intense scrutiny. This evolution sustained public fascination, as evidenced by her inclusion in Time magazine's All-Time 100 Fashion Icons list and Forbes' 2016 ranking of fashion influencers, reflecting a legacy that extended beyond politics into cultural and stylistic realms. Designers like Moschino continued to reference her motifs, such as pillbox hats and monochromatic suits, in collections as late as fall 2018. Her enduring popularity stems partly from her role in elevating , including the television tour that reached 80 million viewers and showcased restored historical furnishings, for which she received an honorary Emmy Award. This blend of accessibility and refinement, combined with her multilingual diplomatic engagements—speaking French, Spanish, and Italian during state visits—positioned her as an international emblem of American elegance, a perception that persisted through her editorial career and philanthropic selectivity in later decades.

Evaluations of Achievements and Shortcomings

Historians credit Jacqueline Kennedy Onassis with elevating the role of through her restoration of the , where she chaired a Fine Committee that acquired over 60 historically significant furnishings and artworks, often donated by private collectors, and advocated for in that facilitated tax incentives for such contributions to preserve presidential artifacts. Her televised tour of the refurbished on February 14, 1962, drew an audience of 56 million viewers—nearly 80% of American households with televisions—and fostered national pride in historical preservation by framing the residence as a of American heritage rather than a mere executive . This initiative not only democratized access to cultural history but also influenced subsequent administrations to maintain rigorous standards for authenticity in decor. In her post-White House career as an associate editor at Doubleday from 1975 to 1994, Onassis edited over 100 books, spanning genres from to memoirs, demonstrating intellectual discipline and a commitment to literary quality that sustained her after Onassis's death in 1975, when she received a settlement of approximately $26 million but chose salaried work over idle . Supporters highlight her resilience in shielding her children from public scrutiny post-assassination, relocating them multiple times for privacy, and her selective , such as supporting the New York School of Ballet and environmental causes, as evidence of pragmatic amid personal tragedies including miscarriages and the loss of her infant son Patrick in 1963. Critics, drawing from biographical accounts, have portrayed Onassis as emotionally detached, particularly in child-rearing, where she delegated informing Caroline and John Jr. of their father's death to a on November 22, 1963, and prioritized social engagements over consistent maternal presence, fostering perceptions of aloofness amid her public poise. Her 1968 marriage to , providing financial security estimated at $20 million in assets but amid rumors of his and her prior affairs, drew accusations of , with contemporary media amplifying scrutiny over the union's opulence— including a $1 million —contrasting her earlier image of dignified restraint. Some assessments question the depth of her cultural impact, arguing that her emphasis on aesthetic symbolism overshadowed substantive policy engagement, rendering her legacy more emblematic of mythology than transformative governance, though such views often stem from sensationalized narratives in popular biographies rather than peer-reviewed historical analysis.

Cultural Portrayals and Modern Reassessments

Jacqueline Kennedy Onassis has been depicted in numerous films and television productions, often emphasizing her poise amid tragedy and her role in shaping the Kennedy mythos. In the 2016 biographical drama Jackie, directed by , portrayed Onassis in the immediate aftermath of President John F. Kennedy's assassination on November 22, 1963, highlighting her orchestration of the funeral arrangements and her invocation of the "" metaphor to memorialize the administration. Earlier television depictions include Jill Hennessy's role in the 2001 Jackie, Ethel, Joan: Women of , which presented her as a devoted wife and mother navigating family dynamics within the Kennedy clan. These portrayals frequently romanticize her elegance and resilience, drawing from her public image while selectively addressing private struggles such as health issues and marital infidelity. Literary works have similarly explored Onassis's evolving persona, from to . In Our Jackie: A Portrait of the First Lady as Icon (2014), author Michael Sean Winters traces her transformation across phases of her life, attributing her enduring appeal to a deliberate curation of mystique that blended accessibility with enigma. Such narratives often reinforce the archetype of Onassis as a symbol of American grace, though they occasionally critique the performative aspects of her tenure, including her restoration projects that cost taxpayers over $50,000 in 1961 for furnishings authenticated as historic. Modern reassessments have challenged hagiographic elements of Onassis's legacy, particularly the "Camelot" narrative she helped construct. In a December 6, 1963, Life magazine interview conducted by shortly after the assassination, Onassis described the Kennedy years as a "brief, shining moment" akin to the Arthurian legend, a framing that critics argue idealized the administration and distracted from substantive policy shortcomings, such as unresolved civil rights enforcement and foreign policy missteps like the . Historians have noted her relative absence from broader discussions of American womanhood, despite her navigation of traditional femininity alongside emerging professional autonomy, as evidenced by her post-1975 career editing over 100 books at Doubleday, where she earned acclaim for championing diverse authors from to unknown poets. Reevaluations also debunk popularized myths about her background and . Contrary to the notion of an heiress upbringing, Onassis's father, , suffered financial collapse during the , forcing her mother to pursue divorce and remarriage for stability by 1940. As , she invested significant effort in cultural initiatives, including televised tours viewed by 80 million on February 14, 1962, and international diplomacy that enhanced U.S. , such as her 1961 visit where she conversed fluently in French with . These efforts underscore a pragmatic realism beneath the , with recent scholarship portraying her not merely as a style exemplar but as an active shaper of legacy who prioritized privacy and selective influence after , rejecting overt political engagement in favor of that sustained her until her death on May 19, 1994.

References

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