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Jan Stussy
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Jan Stussy

Jan Stussy (August 13, 1921 – July 31, 1990)[1] was an American artist, film producer, and professor. He was a professor emeritus from the University of California, Los Angeles (UCLA), he taught there for 42 years.[1][2] He was awarded an Academy Award for the documentary film, Gravity Is My Enemy (1977). Stussy was a prolific painter and printmaker.[2][3]

Key Information

Early life and education

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Jan Stussy was born on August 13, 1921, in Benton County, Missouri.[4] While he was young, his family moved to Bellflower, California.[1] He attended Excelsior High School, graduating in 1939.[1]

Stussy attended classes at Long Beach City College, and the Art Center (now the ArtCenter College of Design), under Barse Miller.[1][5] At the University of California, Los Angeles he obtained a B.F.A. degree in 1943, and studied under George J. Cox.[1][5] He served as a Naval Intelligence officer during World War II.[1] After his military service, he attended the University of Southern California (USC) and obtained a M.F.A. degree in 1953.[1] Stussy had studied lithography with Lynton Richards Kistler and Joe Funk,[6] and painting and drawing at USC with Francis de Erdely, and Stanton Macdonald-Wright.[5][6]

Stussy was married to artist Maxine Kim (née Carlyle) in 1949, they met while working as teaching assistants at UCLA.[7] Together they had one child, however the marriage ended in divorce.[8]

Career

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He was elected as vice-president of the California Water Color Society in 1950.[5]

Stussy taught visual arts at the University of California, Los Angeles, from 1942 until 1989.[2] He also taught at the UCLA Extension, from 1957 to 1980.[2]

In 1977, Stussy co-produced the documentary Gravity Is My Enemy with John C. Joseph. The film portrays one of Stussy's art students, Mark Hicks, who has been paralyzed since a childhood accident and paints and draws by holding tools between his teeth. Both producers received an Academy Award in 1978 at the 50th Academy Awards in the Best Documentary Short Film category.[9]

Death and legacy

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References

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Further reading

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