Kate Winslet CBE
Winslet in 2017
Born	Kate Elizabeth Winslet (1975-10-05) 5 October 1975 (age 49) Reading, Berkshire, England
Education	Redroofs Theatre School
Occupation	Actress
Years active	1991–present
Organisation	Golden Hat Foundation
Works	Full list
Spouses	Jim Threapleton (m. 1998; div. 2001) Sam Mendes (m. 2003; div. 2011) Edward Abel Smith^[a] (m. 2012)
Children	3, including Mia Threapleton
Awards	CBE (2012) Awards and nominations full list
Signature

Kate Elizabeth Winslet formally styled Mrs Edward Abel Smith CBE (/ˈwɪnzlət/;^[2] born 5 October 1975) is an English actress.^[3] Primarily known for her roles as headstrong and complicated women in independent films, particularly period dramas, she has received numerous accolades, including an Academy Award, a Grammy Award, two Primetime Emmy Awards, five BAFTA Awards, five Golden Globe Awards and four Screen Actors Guild Awards. Time magazine named Winslet one of the 100 most influential people in the world in 2009 and 2021. She was appointed Commander of the Order of the British Empire (CBE) in 2012.

Winslet studied drama at the Redroofs Theatre School. Her first screen appearance, at age fifteen, was in the British television series Dark Season (1991). She made her film debut playing a teenage murderess in Heavenly Creatures (1994), and went on to win a BAFTA Award and a Screen Actors Guild and received her first Academy Award nomination for playing Marianne Dashwood in Sense and Sensibility (1995). Global stardom followed with her leading role as Rose DeWitt in James Cameron's epic romance Titanic (1997), which was the highest-grossing film at the time; for that role, she received an Academy Award nomination for Best Actress, becoming the fourth youngest nominee at the time. Winslet then eschewed parts in blockbusters in favour of critically acclaimed period pieces, including Quills (2000) and Iris (2001).

The science fiction romance Eternal Sunshine of the Spotless Mind (2004), in which Winslet was cast against type in a contemporary setting, proved to be a turning point in her career, and she gained further recognition for her performances in Finding Neverland (2004), Little Children (2006), The Holiday (2006), Revolutionary Road (2008), and The Reader (2008). For playing a former Nazi camp guard in the last, she won the BAFTA Award and the Academy Award for Best Actress. Winslet's portrayal of Joanna Hoffman in the biopic Steve Jobs (2015) won her another BAFTA Award, and she received two Primetime Emmy Awards for her performances in the HBO miniseries Mildred Pierce (2011) and Mare of Easttown (2021). In 2022, she produced and starred in the single drama "I Am Ruth", winning two BAFTA TV Awards, and played a supporting role through motion capture in Cameron's top-grossing science fiction film Avatar: The Way of Water.

For her narration of a short story in the audiobook Listen to the Storyteller (1999), Winslet won a Grammy Award. She performed the song "What If" for the soundtrack of her film, Christmas Carol: The Movie (2001). A co-founder of the charity Golden Hat Foundation, which aims to create autism awareness, Winslet has also written a book on the topic. Divorced from film directors Jim Threapleton and Sam Mendes, Winslet has been married to businessman Edward Abel Smith^[a] since 2012. She has a child from each marriage, one of whom is the actress Mia Threapleton.

Early life

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Kate Elizabeth Winslet was born on 5 October 1975, in Reading, Berkshire, to Sally Ann (née Bridges) and Roger John Winslet.^[4]^[5] Her mother worked as a nanny and waitress, and her father, a struggling actor, took labouring jobs to support the family.^[6]^[7] Her maternal grandparents were both actors and ran the Reading Repertory Theatre Company.^[8] Winslet has two sisters, Anna and Beth, both of whom are actresses, and a younger brother, Joss.^[6] The siblings are of British, Irish, and Swedish descent.^[9] The family had limited financial means; they lived on free meal benefits and were supported by a charity, the Actors' Charitable Trust.^[8] When Winslet was ten, her father severely injured his foot in a boating accident and found it harder to work, leading to more financial hardships for the family.^[6] Winslet has said her parents always made them feel cared for and that they were a supportive family.^[6]

Winslet attended St Mary and All Saints' Church of England primary school.^[10] Living in a family of actors inspired her to pursue acting from a young age.^[8] She and her sisters participated in amateur stage shows at school and at a local youth theatre, named Foundations.^[6]^[7] When she was five, Winslet made her first stage appearance as Mary in her school's production of the Nativity play.^[11] She describes herself as an overweight child, and was called "blubber" by her schoolmates and was bullied for her appearance.^[12]^[13] She said she did not let this stop her.^[14]

At eleven, Winslet was accepted into the Redroofs Theatre School, an independent school in Maidenhead. The school also functioned as an agency and took students to London to audition for acting jobs.^[6]^[8] She appeared in a Sugar Puffs commercial and dubbed for foreign films.^[8]^[15] At school, she was made head girl, took part in productions of Alice's Adventures in Wonderland and The Lion, the Witch and the Wardrobe, and played the lead role of Wendy Darling in Peter Pan.^[16] She worked simultaneously with the Starmaker Theatre Company in Reading. She participated in over twenty of their stage productions, but was rarely selected as the lead due to her weight. Nonetheless, she played key roles as Miss Agatha Hannigan in Annie, the Mother Wolf in The Jungle Book, and Lena Marelli in Bugsy Malone.^[17]^[18]

In 1991, within two weeks of finishing her GCSE examinations, Winslet made her screen debut as one of the main cast members of the BBC science fiction television series Dark Season written by Russell T Davies.^[19]^[20] Her part was that of Reet, a schoolgirl who helps her classmates fight against a sinister man distributing free computers to her school.^[21]^[22] She did not earn much from the job and, at age sixteen, lack of funds forced Winslet to leave Redroofs.^[6] To support herself, she worked at a delicatessen.^[8] In 1992, she had a small part in the television film Anglo-Saxon Attitudes, an adaptation of Angus Wilson's satirical novel.^[23]^[24] Winslet, who weighed 13 stone 3 pounds (84 kg; 185 lb) at the time, played the daughter of an obese woman. During filming, after hearing an off-hand comment from the director Diarmuid Lawrence about the likeness between her and the actress who played her mother, Winslet became motivated to lose weight.^[25] She next took on the role of the young daughter of a bankrupt self-made man (played by Ray Winstone) in the television sitcom Get Back (1992–1993).^[26]^[27] She also had a guest role in a 1993 episode of the medical drama series Casualty.^[28]

Career

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Early work and breakthrough (1994–1996)

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Winslet was among 175 women to audition for Peter Jackson's psychological drama Heavenly Creatures (1994), and was cast after impressing Jackson with the intensity she brought to her part.^[29] The New Zealand-based production is based on the Parker–Hulme murder case of 1954, in which Winslet played Juliet Hulme, a teenager who assists her friend, Pauline Parker (played by Melanie Lynskey), in the murder of Pauline's mother. She prepared for the part by reading the transcripts of the girls' murder trial, their letters and diaries, and interacted with their acquaintances.^[30] She has said she learnt tremendously from the job.^[8] Jackson filmed in the real murder locations, and the experience left Winslet traumatised.^[15] She found it difficult to detach herself from her character, and said that after returning home, she often cried.^[30] The film was a critical breakthrough for Winslet;^[31]^[32] Desson Thomson, a reviewer for The Washington Post, called her "a bright-eyed ball of fire, lighting up every scene she's in".^[33] Winslet recorded "Juliet's Aria" for the film's soundtrack.^[34] Also that year, she appeared as Geraldine Barclay, a prospective secretary, in the Royal Exchange Theatre production of Joe Orton's farce What the Butler Saw.^[35]

While promoting Heavenly Creatures in Los Angeles, Winslet auditioned for the minor part of Lucy Steele for a 1995 film adaptation of Jane Austen's novel Sense and Sensibility, written by and starring Emma Thompson. Impressed by her reading, Thompson cast her in the much larger part of the recklessly romantic teenager Marianne Dashwood.^[36] The director Ang Lee wanted Winslet to play the part with grace and restraint—aspects that he felt were missing from her performance in Heavenly Creatures—and thus asked her to practise tai chi, read gothic literature, and learn to play the piano.^[36] David Parkinson of Radio Times considered Winslet to be a standout among the cast, and Mick LaSalle of the San Francisco Chronicle took note of how well she portrayed her character's growth and maturity.^[37]^[38] The film grossed over $134 million worldwide.^[39] She won the Screen Actors Guild and British Academy Film Award for Best Supporting Actress, and received an Academy Award nomination in the same category.^[40] Also in 1995, Winslet featured in the poorly received Disney film A Kid in King Arthur's Court.^[41]

Winslet had roles in two period dramas of 1996—Jude and Hamlet. As with Heavenly Creatures, her roles in these films were those of women with a "mad edge".^[30] In Michael Winterbottom's Jude, based on the novel Jude the Obscure by Thomas Hardy, she played Sue Bridehead, a young woman with suffragette leanings who falls in love with her cousin, Jude (played by Christopher Eccleston). The critic Roger Ebert believed the part allowed Winslet to display her acting range, and praised her for the defiance she brought to the role.^[42] After unsuccessfully auditioning for Kenneth Branagh's 1994 film Mary Shelley's Frankenstein, she was cast in the part of Ophelia, the doomed lover of the title character, in Branagh's adaptation of the William Shakespeare tragedy Hamlet.^[36] Twenty-year-old Winslet was intimidated by the experience of performing Shakespeare with established actors such as Branagh and Julie Christie, saying the job required a level of intellect that she thought she did not possess.^[30] Mike Jeffries of Empire believed that she had played the part "well beyond her years".^[43] Despite the acclaim, Jude and Hamlet earned little at the box office.^[44]^[45]

Worldwide recognition and independent films (1997–2003)

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Winslet was keen on playing Rose DeWitt Bukater, a socialite aboard the ill-fated RMS Titanic, in James Cameron's epic romance Titanic (1997). Cameron was initially reluctant to cast her, preferring the likes of Claire Danes and Gwyneth Paltrow, but she pleaded with him, "You don't understand! I am Rose! I don't know why you're even seeing anyone else!"^[46] Her persistence led him to give her the part.^[46] Leonardo DiCaprio featured as her love interest, Jack. Titanic had a production budget of $200 million, and its arduous principal photography was held at Baja Studios where a replica of the ship was created.^[25] Filming proved taxing for Winslet; she almost drowned, caught influenza, experienced hypothermia, and had bruises on her arms and knees. The workload allowed her only four hours of sleep per day and she felt drained by the experience.^[47]^[48] Writing for Newsweek, David Ansen commended Winslet for capturing her character's zeal with delicacy,^[49] and Mike Clark of USA Today considered her to be the film's prime asset.^[50] Against expectations, Titanic went on to become the highest-grossing film to that point, earning over $2 billion in box office receipts worldwide,^[46]^[51] and established Winslet as a global star.^[52] The film won eleven Academy Awards—tied for most for a single film—including Best Picture, and earned the 22-year-old Winslet a nomination for Best Actress.^[53] She also received Golden Globe and SAG nominations for Best Actress.^[54]^[55]

Winslet did not view Titanic as a platform for larger salaries. She avoided parts in blockbuster films in favour of independent productions that were not widely seen, believing that she "still had a lot to learn" and was unprepared to be a star.^[8]^[19]^[44] She later said her decision ensured career longevity.^[56] Hideous Kinky, a low-budget drama shot before the release of Titanic, was Winslet's sole film release of 1998.^[57] She turned down offers to star in Shakespeare in Love (1998) and Anna and the King (1999) to do the film.^[58] Based on the semi-autobiographical novel by Esther Freud, Hideous Kinky tells the story of a single British mother yearning for a new life in 1970s Morocco.^[52]^[57] Janet Maslin of The New York Times credited Winslet for her decision to follow-up Titanic with such an offbeat project and highlighted how well she captured her character's "obliviousness and optimism".^[57]

Jane Campion's psychological drama Holy Smoke! (1999) featured Winslet as an Australian woman who joins an Indian religious cult. She found the script brave and was challenged by the idea of playing an unlikeable, manipulative woman.^[52]^[56] She learnt to speak with an Australian accent and worked closely with Campion to justify her character's vileness.^[52]^[59] The film required her to perform explicit sex scenes with co-star Harvey Keitel, and featured a scene in which her character appears naked and urinates on herself.^[52]^[60] David Rooney of Variety wrote, "Showing the kind of courage few young thesps would be capable of and an extraordinary range ... from animal cunning to unhinged desperation, [Winslet] holds nothing back."^[61] That same year, she voiced a fairy for the animated film Faeries,^[62] and won the Grammy Award for Best Spoken Word Album for Children for narrating the short story "The Face in the Lake" for the children's audiobook Listen to the Storyteller.^[63]^[64]

In Quills (2000), a biopic of the erratic Marquis de Sade, starring Geoffrey Rush and Joaquin Phoenix, Winslet played the supporting role of a sexually repressed laundress working in a mental asylum.^[65]^[66] Hailing her as the "most daring actress working today", James Greenberg of Los Angeles magazine praised Winslet for "continuing to explore the bounds of sexual liberation".^[67] She received a SAG Award nomination for Best Supporting Actress.^[68] The following year, she played a fictitious mathematician involved in the cracking of the Enigma ciphers in Michael Apted's espionage thriller Enigma. Winslet's character was vastly expanded from a subsidiary love-interest in the novel it was based on to a prominent code-breaker in the film.^[69] She was pregnant while filming, and to prevent this from showing, she wore corsets under her costume.^[70]

The biopic Iris (2001) featured Winslet and Judi Dench as the novelist Iris Murdoch at different ages. The director Richard Eyre cast the two actresses after finding a "correspondence of spirit between them".^[71] Winslet was drawn to the idea of playing an intellectual and zesty female lead, and in research, she read Murdoch's novels, studied her husband's memoir Elegy for Iris, and watched televised interviews of Murdoch.^[72] The project was filmed over four weeks and allowed Winslet to bring her daughter, who was six months old at the time, on set.^[72] Writing for The Guardian, Martin Amis remarked that "the seriousness and steadiness of [Winslet's] gaze effectively suggest the dawning amplitude of the Murdoch imagination".^[73] She received her third Oscar nomination for Iris, in addition to BAFTA and Golden Globe nominations for Best Supporting Actress.^[72]^[74]

Winslet's third film release of 2001 was the animated film Christmas Carol: The Movie, based on Charles Dickens' novel. For the film's soundtrack she recorded "What If", which proved to be a commercial hit.^[75]^[76] After a year-long absence from the screen, Winslet starred as a headstrong journalist interviewing a professor on death row in the thriller The Life of David Gale (2003). She agreed to the project to work with the director Alan Parker, whom she admired, and believed the film raised pertinent questions about capital punishment.^[77] Mick LaSalle thought the film had muddled the subject and disliked both the film and Winslet's performance.^[78]

Career progression (2004–2007)

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To avoid typecasting in historical dramas, Winslet actively looked for roles in contemporary-set films.^[79] She found it in the science fiction romance Eternal Sunshine of the Spotless Mind (2004), in which she played a neurotic and impetuous woman who decides to erase memories of her ex-boyfriend (played by Jim Carrey).^[80]^[81] Unlike her previous assignments, the role allowed her to display the quirky side to her personality.^[82] Gondry encouraged Winslet and Carrey to improvise on set, and to keep herself agile she practised kickboxing.^[81] Eternal Sunshine of the Spotless Mind proved to be a modest financial success and several critics have regarded it as one of the best films of the 21st century.^[83]^[84] Peter Travers of Rolling Stone described it as a "uniquely funny, unpredictably tender and unapologetically twisted romance" and found Winslet to be "electrifying and bruisingly vulnerable" in it.^[85] A journalist for Premiere magazine commended her for abandoning her "corseted English rose persona", and ranked it as the 81st greatest film performance of all time.^[86] Winslet considers it to be a favourite among her roles, and she received Best Actress nominations at the Oscar and BAFTA award ceremonies.^[87]^[88]^[89] She has said the film marked a turning point in her career and prompted directors to offer her a wide variety of parts.^[8]

Her next release of the year was the drama Finding Neverland, about the relationship between J. M. Barrie (played by Johnny Depp) and the Llewelyn Davies boys, which inspired Barrie to write Peter Pan. Winslet was paid £6 million to play the boys' mother, Sylvia, and despite her reluctance to star in another period piece, she agreed to the project after empathising with Sylvia's love for her children.^[90]^[79]^[91] Ella Taylor of LA Weekly found her to be "radiant and earthy as ever", and CNN's Paul Clinton thought she was "exceptional in a delicate and finely tuned performance".^[92]^[93] She received a second Best Actress nomination at that year's BAFTA Award ceremony.^[89] With a box office gross of $116 million, Finding Neverland became her most widely seen film since Titanic.^[44]^[94]

In 2005, Winslet took on a guest role in an episode of the British comedy sitcom Extras, starring Ricky Gervais and Stephen Merchant. She played a satirical version of herself in it—an actress, who in an effort to win an Oscar, takes the role of a nun in a Holocaust film.^[95] She received a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination.^[96] Within three months of giving birth to her second child, Winslet returned to work on Romance & Cigarettes, a musical romantic comedy directed by John Turturro, in which she played Tula, a promiscuous and foul-mouthed woman.^[97] The part required her to sing and dance, and it helped her lose weight gained during the pregnancy.^[79]^[98] She twisted her ankle while filming one of the dance sequences.^[79] Derek Elley of Variety wrote that despite her limited screen time, Winslet had "the showiest role and filthiest one-liners".^[99] She turned down an offer from Woody Allen to star in Match Point (2005) to spend more time with her children.^[79]

Winslet at the 60th British Academy Film Awards in 2007, where she received her fifth BAFTA Award nomination

Winslet had four film releases in 2006. She first appeared in All the King's Men, a political thriller set in 1940s Louisiana, featuring Sean Penn and Jude Law. She played the supporting part of the love interest to Law's character.^[87] The film received negative reviews for its lack of political insight and narrative cohesiveness, and failed to recoup its $55 million investment.^[100]^[101] Her next release, the Todd Field drama Little Children, was better received. Based on the novel of the same name, the film tells the story of Sarah Pierce, an unhappy housewife who has an affair with a married neighbour (played by Patrick Wilson). Winslet was challenged by the role of an uncaring mother, as she did neither understand nor respect her character's actions.^[102] Scenes requiring her to be hostile towards the child actress playing her daughter proved upsetting for her.^[87]^[103] Having borne two children, she was nervous about the sex scenes in which she had to be nude; she took on the challenge to present a positive image for women with, in her words, "imperfect bodies".^[103] A. O. Scott of The New York Times wrote that Winslet successfully "registers every flicker of Sarah's pride, self-doubt and desire, inspiring a mixture of recognition, pity and concern".^[104] Once again, she received BAFTA and Academy Award nominations for Best Actress; the latter making her, at 31, the youngest performer to accrue five Oscar nominations.^[105]

After Little Children, Winslet took on a part she found more sympathetic in Nancy Meyers's romantic comedy The Holiday.^[106] She played a Briton who temporarily exchanges homes with an American (played by Cameron Diaz) during the Christmas holiday season. It became her biggest commercial success in nine years, grossing over $205 million worldwide.^[107] The critic Justin Chang found the film formulaic yet pleasing, and took note of Winslet's radiance and charm.^[108] In her final release of the year, she voiced Rita, a scavenging sewer rat, in the animated film Flushed Away.^[109] Her sole project of 2007 was as the narrator for the English version of the French children's film The Fox and the Child.^[110]

Awards success (2008–2011)

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Winslet had two critically acclaimed roles in 2008.^[111] After reading Justin Haythe's script for Revolutionary Road, an adaptation of Richard Yates's debut novel, Winslet recommended the project to her then-husband, director Sam Mendes, and her Titanic co-star Leonardo DiCaprio.^[112] The film traces the tribulations of a young married couple in 1950s suburban America. Winslet was drawn to the idea of playing a woman whose aspirations had not been met,^[113] and she read The Feminine Mystique to understand the psychology of unhappy housewives from the era.^[112]^[113] Mendes encouraged Winslet and DiCaprio to spend time together, and she believed the small set they used helped them to develop their characters' strained relationship.^[112] Hailing her as "the best English-speaking film actress of her generation", David Edelstein of New York magazine wrote that "[t]here isn't a banal moment in Winslet's performance—not a gesture, not a word."^[114]

Kate Winslet smiles and waves at the camera. — Winslet at the 81st Academy Awards in 2009, where she won the Academy Award for Best Actress

To avoid a scheduling conflict with Revolutionary Road, Winslet turned down an offer to star in The Reader. After her replacement Nicole Kidman left the project due to her pregnancy, Winslet was signed to it.^[115] Directed by Stephen Daldry, The Reader is based on Bernhard Schlink's novel Der Vorleser and is about Hanna Schmitz, an illiterate Nazi concentration camp guard (Winslet), who has an affair with a teenage boy. Winslet researched the Holocaust and the SS guards. To educate herself on the stigma of illiteracy, she spent time with students at the Literacy Partners, an organisation that teaches adults to read and write.^[116] She was unable to sympathise with Schmitz and struggled to play the part honestly without humanising the character's actions.^[111]^[116] Despite this, some historians criticised the film for making Schmitz an object of the audience's sympathy and accused the filmmakers of Holocaust revisionism.^[117] Writing for Variety, Todd McCarthy commended Winslet for "suppl[ying] a haunting shell to this internally decimated woman," and Sukhdev Sandhu of The Daily Telegraph considered her to be "absolutely fearless here, not just in her willingness to expose herself physically, but her refusal to expose her character psychologically."^[118]^[119]

Winslet received significant awards attention for her performances in Revolutionary Road and The Reader.^[120] She won a Golden Globe Award for each of these films, and for the latter, she was awarded the Academy Award and BAFTA Award for Best Actress.^[111] At age 33, she surpassed her own record as the youngest performer to accrue six Oscar nominations.^[111] She also became the third actress in history to win two Golden Globe Awards at the same ceremony.^[121] Exhausted by the media attention during this period, Winslet took two years off work until she was ready to creatively engage again.^[122]

Winslet returned to acting with the five-part HBO series Mildred Pierce (2011), an adaptation of James M. Cain's novel from the director Todd Haynes. It is about the titular heroine (Winslet), a divorcée during the Great Depression struggling to establish a restaurant business while yearning for the respect of her narcissistic daughter (played by Evan Rachel Wood). Winslet, who had recently divorced Mendes, believed certain aspects of her character's life mirrored her own.^[122] She was intimidated by the scope of the production, as she featured in every scene of the 280-page script.^[123] She was disturbed and upset by the story, and was particularly fascinated by the complex relationship between the mother-daughter pair.^[123]^[124] She collaborated closely with the production and costume designers, and learnt to bake pies and prepare chickens.^[123] The broadcast received a limited audience but gained positive reviews.^[125]^[126] Matt Zoller Seitz of Salon called the series a "quiet, heartbreaking masterpiece" and described Winslet's performance as "terrific—intelligent, focused and seemingly devoid of ego".^[127] She won the Primetime Emmy Award, Golden Globe and SAG Award for Best Actress in a miniseries.^[128]

The ensemble thriller Contagion from Steven Soderbergh was Winslet's first film release of 2011. She was cast as a disease detective for the CDC, and she modelled her role on Anne Schuchat, the director of the NCIRD.^[129] Contagion was a commercial success, and David Denby of The New Yorker credited Winslet for capturing the essence of an exasperated woman.^[130]^[131] Her next project was the Roman Polanski-directed Carnage, adapted from the play God of Carnage by Yasmina Reza. Set entirely inside an apartment, the black comedy follows two sets of parents feuding over their respective children. Jodie Foster, John C. Reilly, and Christoph Waltz co-starred. The cast rehearsed the script like a play for two weeks, and Winslet brought her children with her to Paris for the eight weeks of filming.^[132]^[133] Critics found the adaptation to be less compelling than the play, but praised the performances of Winslet and Foster.^[134] They both received Golden Globe nominations for it.^[135]

Career fluctuations (2012–2019)

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Winslet said her workload in 2011 helped her overcome heartbreak from her divorce, and after completing work on Carnage she took a break from acting to focus on her children.^[6]^[122] A short part that she had filmed four years prior for the anthology film Movie 43 was her sole screen appearance of 2012, and it received the worst reviews of her career.^[136]^[137] Winslet also performed an audiobook recording of Émile Zola's novel Thérèse Raquin.^[138]^[139] She was reluctant to accept Jason Reitman's offer to star in his 2013 film adaptation of Joyce Maynard's novel Labor Day, but agreed after Reitman postponed the production for a year to accommodate Winslet's commitment to her children.^[6] Set over a Labor Day weekend, it tells the story of Adele (Winslet), an agoraphobic single mother who falls in love with an escaped convict. Describing Adele's characterisation as having "more vulnerability than strength", Winslet found her a departure from the strong-willed women she typically played.^[6] A scene in the film required her to make a pie, for which she drew on her baking experience from Mildred Pierce.^[140] Reviews of the film were negative; Chris Nashawaty of Entertainment Weekly dismissed it as "mawkish and melodramatic" but credited Winslet for adding layers to her passive role.^[141]^[142] She received her tenth Golden Globe nomination.^[143]

The novelty of playing a villain drew Winslet to the part of Jeanine Matthews in the science fiction film Divergent (2014).^[144]^[145] Set in a dystopian future, the adaptation of Veronica Roth's young adult novel stars Shailene Woodley as a heroine fighting an oppressive regime headed by Winslet's character. She was pregnant with her third child during production, and her tight-fitting costumes had to be altered to accommodate the pregnancy.^[145] To maintain her character's intimidating persona, she remained aloof from her co-stars for much of the filming.^[144] Richard Lawson of Vanity Fair compared the film unfavourably to the Hunger Games series, and found Winslet to be underutilised in it.^[146] The film grossed $288 million worldwide.^[147] A Little Chaos marked her return to the period film genre.^[148] Directed by Alan Rickman, it is about a rivalry among gardeners commissioned to create a fountain at the Palace of Versailles. Winslet's role was that of fictional architect Sabine de Barra, a character she believed had overcome extreme grief and hardship like herself.^[148] Catherine Shoard of The Guardian took note of the "emotional honesty" Winslet brought to her part, but criticised the implausibility of her role.^[149] Also that year, she read audiobooks of Roald Dahl's children's novels Matilda and The Magic Finger.^[150]^[151]

In 2015, Winslet reprised the role of Jeanine Matthews in the second instalment of the Divergent series, subtitled Insurgent, which despite negative reviews grossed $297 million worldwide.^[152]^[153] Her next film, an adaptation of the Australian gothic novel The Dressmaker, was described by the director Jocelyn Moorhouse as being reminiscent of the western Unforgiven (1992).^[154] Winslet starred as the femme fatale Tilly Dunnage, a seamstress who returns to her hometown years after she was accused of murder. She learnt to sew for the part and designed some of her own costumes.^[154] The project was filmed in the Australian desert and she found it difficult to wear couture dresses in the harsh weather.^[155] Despite disliking the film, Robert Abele of the Los Angeles Times credited Winslet for underplaying her over-the-top part.^[156] The film emerged as one of the highest-grossing Australian films of all time, but earned little elsewhere.^[157]^[158] Winslet won the AACTA Award for Best Actress.^[159]

While filming The Dressmaker, Winslet became aware of a forthcoming Steve Jobs biopic written by Aaron Sorkin and directed by Danny Boyle. Keen to play Jobs's marketing chief and confidante Joanna Hoffman, she sent a picture of herself dressed as Hoffman to the film's producer.^[160] Steve Jobs, starring Michael Fassbender in the title role, is told in three acts, each depicting a key milestone in Jobs's career. In preparation, Winslet spent time with Hoffman, and worked with a dialect coach to speak in Hoffman's accent, a mixture of Armenian and Polish, which she considered to be the most difficult of her career.^[160] The cast rehearsed each act like a play and filmed it in sequence. Winslet collaborated closely with Fassbender, and their off-screen relationship mirrored the collegial dynamic between Jobs and Hoffman.^[160] The film earned her some of the best reviews of her career, though it was a box-office flop.^[45]^[161]^[162] Peter Howell of the Toronto Star commended Winslet for finding "strength and grace" in her part, and Gregory Ellwood of HitFix thought she improved on Hoffman's characterisation.^[163]^[164] She won the Golden Globe and BAFTA Awards for Best Supporting Actress, and received her seventh Oscar nomination.^[165]

John Hillcoat's ensemble crime-thriller Triple 9 (2016) featured Winslet as Irina Vlaslov, a ruthless Russian-Israeli gangster.^[166] The critic Ann Hornaday of The Washington Post felt Winslet had failed to effectively portray her.^[167] Her next release of the year, Collateral Beauty, about a man (played by Will Smith) struggling with the death of his daughter, was panned by critics.^[168] Writing for Vulture, Emily Yoshida dismissed the film as a vacuous remake of A Christmas Carol and added that Winslet had "never looked more painted and tired".^[169] It was a modest earner at the box office.^[170] Winslet agreed to the romantic disaster film The Mountain Between Us (2017) to take on the challenge of a role requiring physical exertion.^[171]^[172] It featured her and Idris Elba as two strangers who crash land on an icy and isolated mountain range. They filmed in the mountains of Western Canada at 10,000 feet (3,000 metres) above sea level where the temperature was well below freezing.^[172] Winslet performed her own stunts and described it as the most physically gruelling experience of her career.^[173] Moira Macdonald of The Seattle Times opined that the duo's charisma and chemistry enhanced a mediocre film.^[174]

Woody Allen's Wonder Wheel, a drama set in 1950s Coney Island, was Winslet's final release of 2017. She played Ginny, a temperamental housewife having an affair with a lifeguard (played by Justin Timberlake). She described Ginny as permanently dissatisfied and uneasy, and playing her proved difficult for Winslet, who experienced anxiety.^[172]^[175] Manohla Dargis of The New York Times disliked Allen's writing but credited Winslet for filling her "shabby character with feverish life".^[176] When asked during the film's promotion about her decision to work with Allen despite an allegation of child sexual abuse against him, Winslet chose not to comment on the filmmaker's personal life but said she was pleased with the collaboration.^[172] She would later go on to express regret over working with both Allen and Roman Polanski.^[177] In 2019, Winslet provided her voice to Moominvalley, an animated television series about the Moomins, and took on a leading role alongside Susan Sarandon and Mia Wasikowska in Blackbird, a remake of the Danish film Silent Heart (2014).^[178] Benjamin Lee of The Guardian dismissed it as "less of a film and more of an actors' workshop" and found Winslet miscast.^[179]

Resurgence and expansion (2020–present)

[edit]

Winslet portrayed paleontologist Mary Anning in Ammonite (2020), a period drama about a romance between Anning and Charlotte Murchison (played by Saoirse Ronan) set in 1840s England.^[180] She dropped out of Wes Anderson's The French Dispatch to have more preparation time for the project. She collaborated closely with Ronan, and they choreographed their own sex scenes.^[181] For much of the filming, she lived in isolation in a rented cottage in Dorset, where the film was shot, to get into her character's headspace.^[177] Caryn James of the BBC credited Winslet for portraying Anning as "stern and brittle but immensely sympathetic" and considered her "contained, potent performance" to be one of the best of her career, and Manuel Betancourt of New York magazine welcomed it as a "return to form".^[182]^[183] She next voiced the titular horse in a film adaptation of the novel Black Beauty, which was released on Disney+.^[184]

In 2021, Winslet executive produced and starred in Mare of Easttown, an HBO miniseries about a troubled police detective solving a murder case.^[185] Set in Delaware County, Winslet insisted on using the "Delco accent", a version of Philadelphia English used in the county; she considered it to be one of the hardest accents she has had to learn.^[186]^[187] To play Mare, a woman who has lost a child to suicide, she created a backstory for her character and collaborated closely with a grief counsellor.^[188] The series and Winslet's performance received critical acclaim;^[189] Richard Roeper wrote that she "adds to a long list of magnificent, disappear-into-the-character performances" and Lucy Mangan of The Guardian opined, "If you can have a defining performance this late in a career, this is surely Winslet's."^[190]^[191] Mare of Easttown proved to be a ratings hit for HBO,^[192] and Winslet once again won the Primetime Emmy, Golden Globe, and SAG Awards for Best Actress in a miniseries.^[193]

Following Mare of Easttown, Winslet took a year off work to spend time with her family.^[194] She narrated the documentary Eleven Days in May (2022), about the 2021 bombing of Gaza by Israel.^[195] She starred with her daughter Mia Threapleton in an improvised feature-length episode of the Channel 4 anthology series I Am..., titled "I Am Ruth", about the negative effects of social media.^[196] She won two BAFTA TV Awards for Best Actress and Best Single Drama (as producer).^[197] In her acceptance speech, she urged lawmakers to criminalise harmful digital content.^[198] In 2017 and 2018, Winslet concurrently filmed two sequels to James Cameron's science fiction film Avatar (2009) using motion capture technology.^[199]^[200] She learnt freediving for her role and was able to hold her breath underwater for seven minutes, setting a new record for any film scene shot underwater.^[201]^[202] Released in 2022, Avatar: The Way of Water earned over $2 billion to rank as the third highest-grossing film of all time and Winslet's second film after Titanic to cross the $2 billion mark.^[203]

After being attached to a biopic of model and war photographer Lee Miller for eight years, Winslet produced and starred in Lee (2023). She hired cinematographer Ellen Kuras (who had filmed her in Eternal Sunshine of the Spotless Mind) to make her feature directorial debut with the project.^[204]^[205] Winslet slipped and fell while filming, leading to three haematomas on her spine; she continued working despite the pain.^[206] Reviewers for The Hollywood Reporter and The Daily Beast noted how much Winslet's performance helped elevate a conventional biopic.^[207]^[208] Winslet next executive produced and starred in the HBO miniseries The Regime (2024), a satire about a fictional authoritarian country.^[209] To play a megalomaniac dictator, she consulted a neuroscientist and a psychotherapist to create a backstory for her character.^[210] Critics deemed her performance superior to the series.^[211] She earned Golden Globe nominations for her performances in both Lee and The Regime, in addition to a BAFTA nomination for Outstanding British Film as a producer on Lee.^[212]^[213]

Winslet will next reprise her role in the sequel Avatar: Fire and Ash.^[200] She is set to make her directorial debut with the Netflix drama film Goodbye June, written by her son Joe Anders, in which she will also star and produce.^[214]

Reception and acting style

[edit]

Journalists consider Winslet to be among the finest actresses of her generation.^[8]^[112]^[111]^[215] Despite achieving stardom early in her career with the blockbuster Titanic, she has rarely acted in commerce-driven films.^[160]^[216] A journalist for Elle believes that her choices reflect the "soul and attitude of a jobbing actress, trapped in the body of a movie star".^[217] Winslet was voted one of the 50 greatest actors of all time in a 2022 readers' poll by Empire; the magazine termed her "a dramatic force, turning her hand to all kinds of periods and genres with an inimitable sense of dignity and strength".^[218]

Winslet belongs to a group of esteemed British actresses who are typically showing "restraint, rendering emotions through intellect rather than feelings, and a sense of irony, which demonstrates the heroine's superior understanding".^[219] Tom Perrotta, the author of Little Children, has said that Winslet "gravitates toward troubling roles in smaller films", typically those of "thorny, potentially unsympathetic" women.^[220] The journalist Mark Harris writes that she specialises in "unsentimentalized, restless, troubled, discontented, disconcerted, difficult women" and John Hiscock of The Daily Telegraph has identified a theme of characters who are free-spirited with a sexual edge to them.^[11]^[111] Anthony Lane of The New Yorker associates Winslet with stubbornness, writing that "the set of her jaw and the blaze of her glance suggest a self-freeing spirit who knows the path ahead and is determined to take it".^[221] Stephen Whitty of NJ.com associates Winslet with "serious, almost despairing material", although he finds it hard to pigeonhole her as an actress.^[216] Josephine Livingstone of The New Republic, however, finds Winslet unconvincing in roles where she has "no real emotional vulnerability", believing she is most compelling when she has "the opportunity to get hysterical".^[222]

"I can't just learn my lines and do [my job], but perhaps that's because I don't want to act, I want to be. And I do think there's a difference."

—Winslet on acting^[216]

Leonardo DiCaprio, her co-star in Titanic and Revolutionary Road, considers Winslet to be "the most prepared and well-researched actor on set", and Jude Law, her co-star in The Holiday, believes that despite her seriousness she remains "very calm and good-natured".^[122]^[223] Her Steve Jobs director Danny Boyle has identified a willingness in Winslet to avoid typecasting and said that she takes an effort "to reposition directors' and producers' perspective on her" to allow herself to be challenged as an artist.^[160]

Winslet has said she is interested in playing "angst-ridden women" with strong dispositions masking flaws and insecurities,^[111]^[172] and that she connects with "women who are either finding their way out of a situation, looking for love, having some struggle within love, or questioning the big things in life".^[6] Drawn to parts that are in tandem with her personal struggles at certain points in her life,^[8] she finds it difficult to detach herself from her roles, saying that "you have to confront your true feelings every single day. And that's pretty exhausting. Then you have to go home and make dinner".^[216]^[223] Even so, she finds it therapeutic to perform.^[122] Winslet is known for her willingness to perform nude scenes, having done so in over a dozen of her films, although she considers its contribution to the narrative before agreeing to it.^[160]^[224] She believes that such scenes promote a positive body image amongst women.^[225]

Personal life

[edit]

While filming Dark Season, a fifteen-year-old Winslet began a romantic relationship with actor-writer Stephen Tredre, who was twelve years her senior.^[15]^[226] She considered him a major influence in her life and they lived together in London from 1991.^[7]^[25]^[227] They broke up in 1995, but remained close until Tredre died of bone cancer two years later.^[15]^[228] Winslet decided not to attend the premiere of Titanic to attend his funeral.^[229] In 2008, she said that she had not overcome his death.^[7]

A year after Tredre's death, Winslet met Jim Threapleton on the set of Hideous Kinky, on which he served as an assistant director.^[226]^[229] They married in November 1998 at her family's local church, and their daughter, Mia, was born in 2000.^[10]^[15]^[230] Describing her marriage to Threapleton as a "mess", Winslet later said that she lost control of her instincts during this period.^[82] They divorced in 2001.^[231]^[232]

Soon after separating from Threapleton, she met director Sam Mendes when he offered her a part in a play; she turned down the offer but began dating him.^[233] Dismayed at how the British tabloids portrayed her personal life, Winslet relocated to New York City.^[82] She married Mendes in May 2003 on the island of Anguilla, and their son, Joe, was born later that year.^[7]^[234] The family divided their time in New York with frequent visits to their estate in the Cotswolds, England.^[233] Amid intense media speculation of an affair between Mendes and actress Rebecca Hall, he and Winslet announced their separation in 2010 and were divorced a year later.^[122]^[235] She reported being heartbroken by the split, but affirmed her determination to look after her children in spite of her marital break-ups.^[236]

While holidaying at Richard Branson's estate on Necker Island in 2011, Winslet met his nephew Edward Abel Smith^[237] (legally known as Ned Rocknroll from 2008 to 2019)^[1] during a house fire.^[160]^[238] They married in December 2012 in New York, and their son, Bear Blaze Winslet Abel Smith, was born the following year.^[239]^[240] After moving back to England, Winslet purchased a property worth £3.25 million by the sea in West Wittering, Sussex, where she lives with Abel Smith and her children as of 2015^[update].^[241] In a 2015 interview, she commented on how much she enjoyed living in the countryside.^[242]

Winslet has stated that despite three marriages and a family structure that might be perceived by some as "unconventional", she does not consider it to be any "less of a family".^[8] She turns down offers of work that otherwise would take her away from her children for too long, and likes to schedule her filming commitments around their school holidays.^[6] Discussing her parenting style, she said she enjoys packing lunches and doing the school run.^[243]

Activism and charity

[edit]

Winslet has lent her support to several charities and causes, along with financial donations and items for auctions.^[244]^[75]^[245] In 2006, she became a patron of a Gloucester-based charity, the Family Haven, which provides counselling services to vulnerable families.^[246] The same year, hand-made envelopes designed by Winslet were auctioned for the "Pushing the Envelope" campaign created by the National Literacy Trust.^[247] Winslet was one of the celebrities to participate in a 2007 auction to raise funds for the Afghanistan Relief Organization.^[248] In 2009, she contributed to the Butterfly Book, a compilation of doodles made by several celebrities, to raise money for leukaemia research.^[249] Also in 2009, Winslet participated in a joint effort with Titanic co-star Leonardo DiCaprio, James Cameron, and Celine Dion, financially to help Millvina Dean, the then last living survivor of the sinking of the Titanic. The donation amounted to $30,000 which was used to pay the fees of the nursing home in the United Kingdom where Dean was living.^[250]

In 2009, Winslet narrated the English version of an Icelandic documentary named A Mother's Courage: Talking Back to Autism, about Margret Ericsdottir, whose child Keli Thorsteinsson has non-verbal autism. Inspired by the story, she teamed with Ericsdottir in 2010 to form an NGO named the Golden Hat Foundation.^[251] The organisation aims to create autism awareness and was named after a poem written by Thorsteinsson.^[252]^[253] As the ambassador for the luxury brands Lancôme and Longines, Winslet partnered with these companies to raise awareness and funds for the foundation. She created a make-up collection for Lancôme in 2011 and, in 2017, she designed a new watch for Longines.^[251]^[254]^[255]

In 2012, Winslet wrote a book about autism, entitled The Golden Hat: Talking Back to Autism, which was published by Simon & Schuster. It contains correspondence between Winslet and Ericsdottir, personal statements from various celebrities, and contributions from Thorsteinsson.^[256] A reviewer for Publishers Weekly praised the book for its "warmth and sincerity".^[257] The United Nations featured the book during a ceremony on the World Autism Awareness Day of 2012.^[258] For her work with the Golden Hat Foundation, Winslet received Spain's Yo Dona award for Best Humanitarian Work.^[259]

Winslet narrated a video for PETA in 2010 that showed animal cruelty in the production of foie gras.^[260] She encouraged chefs to remove the item from their menu and urged consumers to boycott it.^[261] In 2015, she lent her support to the UNICEF campaign World's Largest Lesson, which creates awareness among children about sustainable development and global citizenship.^[262] Teased as a child for her weight, Winslet takes a stand against body-shaming and bullying.^[263] She narrated an Australian animated short film named Daisy Chain (2015), about a victim of cyberbullying.^[264] In 2017, Winslet teamed with Leonardo DiCaprio's environmental foundation for a fundraiser on global warming.^[265] Also that year, she and DiCaprio auctioned a private dinner with themselves to raise money for a British woman's cancer treatment.^[266] Winslet teamed with Lancôme and the National Literacy Trust in 2018 to launch a programme that aims to educate underprivileged women in the UK.^[267] In 2020, Winslet read a bedtime story as part of Save with Stories to raise funds for Save the Children's Emergency Coronavirus Appeal.^[268] In 2021, Winslet commented on homophobia in Hollywood, saying that she knew actors "who are terrified their sexuality will be revealed and that it will stand in the way of their being cast in straight roles".^[269]

Public image

[edit]

In a 2015 article for Elle, Sally Holmes described Winslet's ability to establish rapport with her manner.^[270] Jo Ellison of Vogue writes that she has an "authoritative, almost ambassadorial aura", and Kira Cochrane of The Guardian considers her to be "articulate, sophisticated, [with] a definite hint of grandeur".^[113]^[122] Describing Winslet as plain-spoken, Krista Smith of Vanity Fair believes that despite her stardom she is unpretentious.^[112]

A bust shot of Kate Winslet. — Winslet at the 2011 Venice International Film Festival

Winslet's weight fluctuations over the years have been well-documented by the media.^[226]^[271] She has been outspoken in her refusal to allow Hollywood to dictate her weight.^[19]^[112] In 2003, the British edition of GQ magazine published photographs of Winslet which had been digitally altered to make her look thinner and taller.^[272] She said the alterations were made without her consent, and GQ subsequently issued an apology.^[273]^[19]^[274] In 2007, Winslet won a libel case against Grazia magazine after it claimed she had visited a dietitian.^[275] She claimed £10,000 in damages, and donated the amount to an eating disorder charity.^[244] She won another case in 2009 against the British tabloid Daily Mail after it claimed she had lied about her exercise regimen.^[276] She received an apology and a payout of £25,000.^[276]

Winslet was included on People magazine's "Most Beautiful People" listing in 2005.^[277] Her beauty and sex appeal have been picked up by several other publications, including Harper's Bazaar, Who, and Empire magazines.^[278] She has said she does not subscribe to the beauty ideal of Hollywood, and uses her celebrity to empower women to accept their appearance with pride.^[225] She has spoken against Botox and plastic surgery.^[279] In an effort to encourage natural ageing, she formed the British Anti-Cosmetic Surgery League, alongside fellow actresses Emma Thompson and Rachel Weisz.^[280] She instructs magazines and brands not to digitally smooth her wrinkles in photographs.^[281]^[282] Winslet is reluctant to discuss the gender pay gap in the film industry, as she dislikes speaking publicly about her salary.^[283] She has expressed an aversion to elaborate press junkets and red carpet events, terming them a waste of money.^[177]

In 2009, Forbes reported her annual salary to be $2 million, a majority of that stemming from her endorsement deals.^[284] Also that year, the UK Film Council calculated that she had earned £20 million from her acting roles since 1995.^[285] She was named one of the 100 most influential people in the world by Time magazine in 2009 and 2021.^[286]^[287] Madame Tussauds in London unveiled a wax statue of Winslet in 2011.^[288] The following year, she received the Honorary César award, and in 2014, she received a star on the Hollywood Walk of Fame.^[289]^[290] Winslet was appointed Commander of the Order of the British Empire (CBE) in the 2012 Birthday Honours for her services to drama.^[291]

Acting credits and awards

[edit]

Prolific in film since 1994, Winslet's most acclaimed and highest-grossing films, according to the online portal Box Office Mojo and the review aggregate site Rotten Tomatoes, include Heavenly Creatures (1994), Sense and Sensibility (1995), Hamlet (1996), Titanic (1997), Eternal Sunshine of the Spotless Mind (2004), Finding Neverland (2004), The Holiday (2006), Contagion (2011), Divergent (2014), Insurgent (2015), Steve Jobs (2015), and Avatar: The Way of Water (2022).^[44]^[45] Her television projects include the miniseries Mildred Pierce (2011) and Mare of Easttown (2021).^[123]^[185]

Winslet has been recognised by the Academy of Motion Picture Arts and Sciences for the following performances:^[292]

68th Academy Awards: Best Supporting Actress, nomination, for Sense and Sensibility (1995)
70th Academy Awards: Best Actress, nomination, for Titanic (1997)
74th Academy Awards: Best Supporting Actress, nomination, for Iris (2001)
77th Academy Awards: Best Actress, nomination, for Eternal Sunshine of the Spotless Mind (2004)
79th Academy Awards: Best Actress, nomination, for Little Children (2006)
81st Academy Awards: Best Actress, win, for The Reader (2008)
88th Academy Awards: Best Supporting Actress, nomination, for Steve Jobs (2015)

Winslet has won five BAFTA Awards: Best Actress in a Leading Role for The Reader (2008); Best Actress in a Supporting Role for Sense and Sensibility (1995) and Steve Jobs (2016); Best Leading Actress and Best Single Drama for I Am Ruth.^[292] She has also won two Primetime Emmy Awards for Outstanding Actress in a Leading Role in a Limited or Anthology Series or Movie for Mildred Pierce (2011), and Mare of Easttown (2021) as well as the Grammy Award for Best Spoken Word Album for Children for narrating the children's audiobook Listen to the Storyteller (1999).^[64]^[96] Winslet is the recipient of five Golden Globe Awards from the Hollywood Foreign Press Association, winning Best Supporting Actress – Motion Picture for The Reader and Steve Jobs, Best Actress in a Motion Picture – Drama for Revolutionary Road, and Best Actress in a Miniseries or Motion Picture – Television for Mildred Pierce and Mare of Easttown.^[293] She is among the few actresses to have won three of the four major American entertainment awards.^[294]^[295]

See also

[edit]

Notes

[edit]

^ ^a ^b Abel Smith was legally known as Ned Rocknroll from 2008 to 2019.^[1]

References

[edit]

^ ^a ^b Kurp, Josh (15 January 2021). "Kate Winslet Explains Why Husband Is No Longer Named 'Ned Rocknroll'". Uproxx. Archived from the original on 9 April 2021. Retrieved 23 May 2021.
^
As pronounced by Winslet in the following:
- "A Slate Show" with Stephen Colbert, Feat. Megan Thee Stallion, Tom Hanks and More. The Late Show with Stephen Colbert. YouTube. 13 March 2021. Event occurs at 3:20. Archived from the original on 14 November 2021. Retrieved 14 March 2021.
^ Lusher, Adam (7 December 2015). "Kate Winslet claims that being English is a one-way ticket to a Hollywood acting career". The Independent. Archived from the original on 29 September 2021. Retrieved 26 September 2021. When you are an English actor and you go into another country," she said, "They automatically assume you are fully trained … Which I've played on, believe me.
^ "Kate Winslet Biography: Film Actress, Television Actress (1975–)". Biography.com (FYI/A&E Networks). Archived from the original on 17 July 2016. Retrieved 7 July 2016.
^ Barratt, Nick (5 December 2005). "Family detective: Kate Winslet". The Daily Telegraph. London. Archived from the original on 3 March 2008. Retrieved 16 October 2021.
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l Fox, Chloe (3 January 2013). "Kate Winslet: 'I don't do theatre because I'm not prepared to miss my children's bedtime'". The Daily Telegraph. Archived from the original on 28 July 2017. Retrieved 29 October 2017.
^ ^a ^b ^c ^d ^e Benson, Richard (12 December 2008). "Kate Winslet: girl interrupted". The Daily Telegraph. Archived from the original on 4 March 2011. Retrieved 14 April 2011.
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l Feinberg, Scott (11 November 2013). "'Labor Day' Star Kate Winslet on Defying Expectations, Onscreen and Off (Q&A)". The Hollywood Reporter. Archived from the original on 24 March 2016. Retrieved 30 October 2017.
^ "Kate Winslet discovers her Irish roots". Irish Central. 6 August 2019. Archived from the original on 7 August 2019. Retrieved 12 August 2019. Kate Winslet can trace her roots back to Dublin. She learns about this link, courtesy of her paternal great-great-great-grandmother Eliza O'Brien... her roots are primarily British, Irish, and Swedish... The actress had long had a hunch her maternal ancestors were from Sweden but sadly was unable to confirm this before her mother, Sally, died
^ ^a ^b "Titanic star in low-key wedding". BBC News. 22 November 1998. Archived from the original on 27 September 2015. Retrieved 1 November 2017.
^ ^a ^b Hiscock, John (18 September 2013). "Kate Winslet: 'I still absolutely believe in true love'". The Daily Telegraph. Archived from the original on 9 June 2016. Retrieved 1 November 2017.
^ Real, Evan (3 January 2016). "Kate Winslet Opens Up About Being Bullied as a Kid: "I Was Teased for How I Looked"". Marie Claire. Archived from the original on 30 September 2016. Retrieved 30 October 2017.
^ Berrington, Katie (23 September 2016). "Kate Winslet's "Sweet" Revenge". Vogue. Archived from the original on 25 June 2017. Retrieved 30 October 2017.
^ "Kate Winslet, who is from Reading, took part in the WE Day arena tour". The Reading Chronicle. 23 March 2017. Archived from the original on 23 March 2017. Retrieved 30 October 2017.
^ ^a ^b ^c ^d ^e Millea, Holly (November 1999). "The New Passions of Kate Winslet". Premiere: 127–140. ASIN B000A7IUZA.
^ Foster, Patrick; Ward, Victoria (15 February 2016). "Kate Winslet's school denies claims that teacher told her to settle for 'fat girl parts'". The Daily Telegraph. Archived from the original on 2 February 2017. Retrieved 30 October 2017.
^ "Kate Winslet passed over for being too fat". The Daily Telegraph. 21 February 2011. Archived from the original on 3 April 2015. Retrieved 13 March 2015.
^ Midgley, Emma (24 February 2011). "Reading charity celebrates birthday with Winslet film". BBC News. Archived from the original on 3 April 2015. Retrieved 13 March 2015.
^ ^a ^b ^c ^d Vallely, Paul (17 January 2009). "Kate Winslet: The golden girl". The Independent. Archived from the original on 22 March 2010. Retrieved 3 December 2009.
^ "Profile: Kate Winslet". BBC News. 23 February 2009. Archived from the original on 30 September 2009. Retrieved 3 December 2009.
^ Cornell, Paul; Day, Martin; Topping, Keith (30 July 2015). The Classic British Telefantasy Guide. Orion. p. 28. ISBN 978-0-575-13352-5. Archived from the original on 30 October 2017.
^ Docherty, Mark J.; McGown, Alistair D. (26 April 2003). The Hill and Beyond: Children's Television Drama – An Encyclopedia. British Film Institute. pp. 237–238. ISBN 978-0-85170-878-2.
^ Roberts, Jerry (5 June 2009). Encyclopedia of Television Film Directors. Scarecrow Press. p. 327. ISBN 978-0-8108-6378-1. Archived from the original on 30 October 2017.
^ Wiegand, David (13 July 2008). "DVD review: 'Anglo-Saxon Attitudes'". San Francisco Chronicle. Archived from the original on 27 October 2017. Retrieved 26 October 2017.
^ ^a ^b ^c Lipsky, David (5 March 1998). "The Unsinkable Kate Winslet". Rolling Stone. Archived from the original on 26 October 2017. Retrieved 26 October 2017.
^ Leith, William (20 September 1992). "It's a funny business". The Independent. Archived from the original on 9 November 2012. Retrieved 25 September 2010.
^ Chagollan, Steve (17 March 2014). "Walk of Fame Honoree Kate Winslet Keeps Raising the Bar". Variety. Archived from the original on 27 October 2017. Retrieved 26 October 2017.
^ "Casualty's Oscar links". BBC News. 26 February 2009. Archived from the original on 11 November 2012. Retrieved 26 October 2017.
^ Sibley, Brian (2006). Peter Jackson: A Film-maker's Journey. HarperCollins Entertainment. p. 243. ISBN 978-0-00-717558-1. Archived from the original on 30 October 2017.
^ ^a ^b ^c ^d Dening, Penelope (9 March 1996). "Winslet ways". Irish Times. Archived from the original on 1 November 2017. Retrieved 26 October 2017.
^ "Heavenly Creatures". Rotten Tomatoes. 16 November 1994. Archived from the original on 29 October 2014. Retrieved 6 October 2014.
^ Masters, Tim (3 April 2014). "Kate Winslet: 'I wish I'd had help dealing with fame'". BBC News. Archived from the original on 27 October 2017. Retrieved 26 October 2017.
^ Howe, Desson (25 November 1994). "Heavenly Creatures". The Washington Post. Archived from the original on 19 March 2012. Retrieved 2 February 2008.
^ "Heavenly Creatures (Original Soundtrack)". BMG Rights Management. 1 January 1994. Archived from the original on 6 November 2017. Retrieved 6 November 2017.
^ "Venice Preserved". Plays and Players: 32. 1994. Archived from the original on 30 October 2017.
^ ^a ^b ^c Elias, Justine (7 December 1995). "Kate Winslet: No 'Period Babe'". The New York Times. Archived from the original on 11 November 2012. Retrieved 2 February 2008.
^ Parkinson, David. "Sense and Sensibility". Radio Times. Archived from the original on 29 August 2012. Retrieved 1 September 2012.
^ LaSalle, Mick (13 December 1995). "A fine 'Sensibility', Emma Thompson adapts Jane Austen's classic story". San Francisco Chronicle. Archived from the original on 26 October 2012. Retrieved 31 August 2012.
^ "Sense and Sensibility (1995)". Box Office Mojo. Archived from the original on 25 July 2012. Retrieved 23 August 2012.
^ "The 2nd Annual Screen Actors Guild Awards". Screen Actors Guild. Archived from the original on 18 January 2014. Retrieved 13 August 2011.
Macdonald, Marianne (22 April 1996). "Emma Thompson adds Bafta to Oscar trophies". The Independent. UK. Archived from the original on 26 January 2012. Retrieved 13 August 2011.
"Nominees & Winners for the 68th Academy Awards". Academy of Motion Picture Arts and Sciences. Archived from the original on 1 February 2014. Retrieved 13 August 2011.
^ Nashawaty, Chris (2 December 2011). "24 Stars' Worst Movies". Entertainment Weekly. Archived from the original on 17 February 2018. Retrieved 16 February 2018.
^ Ebert, Roger (1 November 1996). "Jude Movie Review". Chicago Sun-Times. Archived from the original on 26 October 2017. Retrieved 26 October 2017.
^ Jeffries, Mike (1 January 1996). "Hamlet Review". Empire. Archived from the original on 26 October 2017. Retrieved 26 October 2017.
^ ^a ^b ^c ^d "Kate Winslet Movie Box Office Results". Box Office Mojo. Archived from the original on 27 October 2017. Retrieved 26 October 2017.
^ ^a ^b ^c "Kate Winslet". Rotten Tomatoes. Archived from the original on 30 August 2017. Retrieved 26 October 2017.
^ ^a ^b ^c "Titanic". Entertainment Weekly. 7 November 1997. pp. 1–7. Archived from the original on 10 October 2008. Retrieved 24 January 2010.
^ Gritten, David (11 May 1997). "Back From the Abyss". Los Angeles Times. Archived from the original on 4 February 2017. Retrieved 27 October 2016.
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External links

[edit]

Awards for Kate Winslet

v t e Academy Award for Best Actress
1928–1950	Janet Gaynor (1928) Mary Pickford (1929) Norma Shearer (1930) Marie Dressler (1931) Helen Hayes (1932) Katharine Hepburn (1933) Claudette Colbert (1934) Bette Davis (1935) Luise Rainer (1936) Luise Rainer (1937) Bette Davis (1938) Vivien Leigh (1939) Ginger Rogers (1940) Joan Fontaine (1941) Greer Garson (1942) Jennifer Jones (1943) Ingrid Bergman (1944) Joan Crawford (1945) Olivia de Havilland (1946) Loretta Young (1947) Jane Wyman (1948) Olivia de Havilland (1949) Judy Holliday (1950)
1951–1975	Vivien Leigh (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Simone Signoret (1959) Elizabeth Taylor (1960) Sophia Loren (1961) Anne Bancroft (1962) Patricia Neal (1963) Julie Andrews (1964) Julie Christie (1965) Elizabeth Taylor (1966) Katharine Hepburn (1967) Katharine Hepburn / Barbra Streisand (1968) Maggie Smith (1969) Glenda Jackson (1970) Jane Fonda (1971) Liza Minnelli (1972) Glenda Jackson (1973) Ellen Burstyn (1974) Louise Fletcher (1975)
1976–2000	Faye Dunaway (1976) Diane Keaton (1977) Jane Fonda (1978) Sally Field (1979) Sissy Spacek (1980) Katharine Hepburn (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Geraldine Page (1985) Marlee Matlin (1986) Cher (1987) Jodie Foster (1988) Jessica Tandy (1989) Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Susan Sarandon (1995) Frances McDormand (1996) Helen Hunt (1997) Gwyneth Paltrow (1998) Hilary Swank (1999) Julia Roberts (2000)
2001–present	Halle Berry (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Reese Witherspoon (2005) Helen Mirren (2006) Marion Cotillard (2007) Kate Winslet (2008) Sandra Bullock (2009) Natalie Portman (2010) Meryl Streep (2011) Jennifer Lawrence (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Emma Stone (2016) Frances McDormand (2017) Olivia Colman (2018) Renée Zellweger (2019) Frances McDormand (2020) Jessica Chastain (2021) Michelle Yeoh (2022) Emma Stone (2023) Mikey Madison (2024)

AACTA Award for Best Actress in a Leading Role

1971–2000

Monica Maughan (1971)
Jacki Weaver (1972)
Judy Morris (1973)
Julie Dawson (1974)
Helen Morse (1976)
Pat Bishop (1977)
Angela Punch McGregor (1978)
Michele Fawdon (1979)
Tracy Mann (1980)
Judy Davis (1981)
Noni Hazlehurst (1982)
Wendy Hughes (1983)
Angela Punch McGregor (1984)
Noni Hazlehurst (1985)
Judy Davis (1986)
Judy Davis (1987)
Nadine Garner (1988)
Meryl Streep (1989)
Catherine McClements (1990)
Sheila Florance (1991)
Lisa Harrow (1992)
Holly Hunter (1993)
Toni Collette (1994)
Jacqueline McKenzie (1995)
Judy Davis (1996)
Pamela Rabe (1997)
Deborah Mailman (1998)
Sacha Horler (1999)
Pia Miranda (2000)

2001–present

Kerry Armstrong (2001)
Maria Theodorakis (2002)
Toni Collette (2003)
Abbie Cornish (2004)
Cate Blanchett (2005)
Emily Barclay (2006)
Joan Chen (2007)
Monic Hendrickx (2008)
Frances O'Connor (2009)
Jacki Weaver (2010)
Judy Davis (2011)
Deborah Mailman (2012)
Rose Byrne (2013)
Sarah Snook (2014)
Kate Winslet (2015)
Odessa Young (2016)
Emma Booth (2017)
Angourie Rice (2018)
Aisling Franciosi (2019)
Eliza Scanlen (2020)
Judy Davis (2021)
Leah Purcell (2022)
Sophie Wilde (2023)
Sarah Snook (2024)

BAFTA Award for Best Actress in a Leading Role

1952–1967

British	Vivien Leigh (1952) Audrey Hepburn (1953) Yvonne Mitchell (1954) Katie Johnson (1955) Virginia McKenna (1956) Heather Sears (1957) Irene Worth (1958) Audrey Hepburn (1959) Rachel Roberts (1960) Dora Bryan (1961) Leslie Caron (1962) Rachel Roberts (1963) Audrey Hepburn (1964) Julie Christie (1965) Elizabeth Taylor (1966) Edith Evans (1967)
Foreign	Simone Signoret (1952) Leslie Caron (1953) Cornell Borchers (1954) Betsy Blair (1955) Anna Magnani (1956) Simone Signoret (1957) Simone Signoret (1958) Shirley MacLaine (1959) Shirley MacLaine (1960) Sophia Loren (1961) Anne Bancroft (1962) Patricia Neal (1963) Anne Bancroft (1964) Patricia Neal (1965) Jeanne Moreau (1966) Anouk Aimée (1967)

1968–present

Katharine Hepburn (1968)
Maggie Smith (1969)
Katharine Ross (1970)
Glenda Jackson (1971)
Liza Minnelli (1972)
Stéphane Audran (1973)
Joanne Woodward (1974)
Ellen Burstyn (1975)
Louise Fletcher (1976)
Diane Keaton (1977)
Jane Fonda (1978)
Jane Fonda (1979)
Judy Davis (1980)
Meryl Streep (1981)
Katharine Hepburn (1982)
Julie Walters (1983)
Maggie Smith (1984)
Peggy Ashcroft (1985)
Maggie Smith (1986)
Anne Bancroft (1987)
Maggie Smith (1988)
Pauline Collins (1989)
Jessica Tandy (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Susan Sarandon (1994)
Emma Thompson (1995)
Brenda Blethyn (1996)
Judi Dench (1997)
Cate Blanchett (1998)
Annette Bening (1999)
Julia Roberts (2000)
Judi Dench (2001)
Nicole Kidman (2002)
Scarlett Johansson (2003)
Imelda Staunton (2004)
Reese Witherspoon (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Carey Mulligan (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Emmanuelle Riva (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Emma Stone (2016)
Frances McDormand (2017)
Olivia Colman (2018)
Renée Zellweger (2019)
Frances McDormand (2020)
Joanna Scanlan (2021)
Cate Blanchett (2022)
Emma Stone (2023)
Mikey Madison (2024)

BAFTA Award for Best Actress in a Supporting Role

1968–2000

Billie Whitelaw (1968)
Celia Johnson (1969)
Susannah York (1970)
Margaret Leighton (1971)
Cloris Leachman (1972)
Valentina Cortese (1973)
Ingrid Bergman (1974)
Diane Ladd (1975)
Jodie Foster (1976)
Jenny Agutter (1977)
Geraldine Page (1978)
Rachel Roberts (1979)
Rohini Hattangadi / Maureen Stapleton (1982)
Jamie Lee Curtis (1983)
Liz Smith (1984)
Rosanna Arquette (1985)
Judi Dench (1986)
Susan Wooldridge (1987)
Judi Dench (1988)
Michelle Pfeiffer (1989)
Whoopi Goldberg (1990)
Kate Nelligan (1991)
Miranda Richardson (1992)
Miriam Margolyes (1993)
Kristin Scott Thomas (1994)
Kate Winslet (1995)
Juliette Binoche (1996)
Sigourney Weaver (1997)
Judi Dench (1998)
Maggie Smith (1999)
Julie Walters (2000)

2001–present

v t e BAFTA TV Award for Best Actress
1955–1975	Googie Withers (1955) Virginia McKenna (1956) Rosalie Crutchley (1957) Gwen Watford (1959) Catherine Lacey (1960) Billie Whitelaw (1961) Ruth Dunning (1962) Brenda Bruce (1963) Vivien Merchant (1964) Katharine Blake (1965) Gwen Watford (1966) Vanessa Redgrave (1967) Judi Dench (1968) Wendy Craig (1969) Margaret Tyzack (1970) Annette Crosbie (1971) Patricia Hayes (1972) Billie Whitelaw (1973) Celia Johnson (1974) Lee Remick (1975)
1976–2000	Annette Crosbie (1976) Siân Phillips (1977) Penelope Keith (1978) Francesca Annis (1979) Cheryl Campbell (1980) Peggy Ashcroft (1981) Judi Dench (1982) Beryl Reid (1983) Coral Browne (1984) Peggy Ashcroft (1985) Claire Bloom (1986) Anna Massey (1987) Emma Thompson (1988) Thora Hird (1989) Diana Rigg (1990) Geraldine McEwan (1991) Helen Mirren (1992) Helen Mirren (1993) Helen Mirren (1994) Juliet Aubrey (1995) Jennifer Ehle (1996) Gina McKee (1997) Daniela Nardini (1998) Thora Hird (1999) Thora Hird (2000)
2001–present	Judi Dench (2001) Julie Walters (2002) Julie Walters (2003) Julie Walters (2004) Anamaria Marinca (2005) Anna Maxwell Martin (2006) Victoria Wood (2007) Eileen Atkins (2008) Anna Maxwell Martin (2009) Julie Walters (2010) Vicky McClure (2011) Emily Watson (2012) Sheridan Smith (2013) Olivia Colman (2014) Georgina Campbell (2015) Suranne Jones (2016) Sarah Lancashire (2017) Molly Windsor (2018) Jodie Comer (2019) Glenda Jackson (2020) Michaela Coel (2021) Jodie Comer (2022) Kate Winslet (2023) Sarah Lancashire (2024)

v t e Britannia Awards
Excellence in Film	Albert R. Broccoli (1989) Michael Caine (1990) Peter Ustinov (1992) Martin Scorsese (1993) Anthony Hopkins (1995) Bob Weinstein and Harvey Weinstein (1996) Dustin Hoffman (1997) John Travolta (1998) Stanley Kubrick (1999) Steven Spielberg (2000) George Lucas (2002) Hugh Grant (2003) Tom Hanks (2004) Tom Cruise (2005) Clint Eastwood (2006) Denzel Washington (2007) Sean Penn (2008) Robert De Niro (2009) Jeff Bridges (2010) Warren Beatty (2011) Daniel Day-Lewis (2012) George Clooney (2013) Robert Downey Jr. (2014) Meryl Streep (2015) Jodie Foster (2016) Matt Damon (2017) Cate Blanchett (2018) Jane Fonda (2019)
Excellence in Directing	Peter Weir (2003) Jim Sheridan (2004) Mike Newell (2005) Anthony Minghella (2006) Martin Campbell (2007) Stephen Frears (2008) Danny Boyle (2009) Christopher Nolan (2010) David Yates (2011) Quentin Tarantino (2012) Kathryn Bigelow (2013) Mike Leigh (2014) Sam Mendes (2015) Ang Lee (2016) Ava DuVernay (2017) Steve McQueen (2018) Jordan Peele (2019)
Worldwide Contribution to Entertainment	Howard Stringer (2003) Kirk Douglas (2009) Ridley Scott & Tony Scott (2010) John Lasseter (2011) Will Wright (2012) Ben Kingsley (2013) Judi Dench (2014) Harrison Ford (2015) Samuel L. Jackson (2016) Kenneth Branagh (2017) Kevin Feige (2018) Jackie Chan (2019)
British Artist of the Year	Rachel Weisz (2006) Kate Winslet (2007) Tilda Swinton (2008) Emily Blunt (2009) Michael Sheen (2010) Helena Bonham Carter (2011) Daniel Craig (2012) Benedict Cumberbatch (2013) Emma Watson (2014) James Corden (2015) Felicity Jones (2016) Claire Foy (2017) Emilia Clarke (2018) Phoebe Waller-Bridge (2019)
Excellence in Comedy	Betty White (2010) Ben Stiller (2011) Trey Parker and Matt Stone (2012) Sacha Baron Cohen (2013) Julia Louis-Dreyfus (2014) Amy Schumer (2015) Ricky Gervais (2016) Aziz Ansari (2017) Jim Carrey (2018) Steve Coogan (2019)
Excellence in Television	Aaron Spelling (1999) HBO Original Programming (2002) Dick Van Dyke (2017) Damian Lewis (2018) Norman Lear (2019)
Humanitarian Award	Richard Curtis (2007) Don Cheadle (2008) Colin Firth (2009) Idris Elba (2013) Mark Ruffalo (2014) Orlando Bloom (2015) Ewan McGregor (2016)
Retired Awards	BBC (1999) Tarsem Singh (1999) Angela Lansbury (2003) Helen Mirren (2004) Elizabeth Taylor (2005) Ronald Neame (2005) Sidney Poitier (2006) Bob Shaye and Michael Lynne (2007)

Chicago Film Critics Association Award for Best Supporting Actress

Critics' Choice Movie Award for Best Supporting Actress

v t e Critics' Choice Television Award for Best Actress in a Limited Series or Movie
Julianne Moore (2012) Elisabeth Moss (2013) Jessica Lange (2014) Frances McDormand (2015) Kirsten Dunst (2016) Sarah Paulson (2016) Nicole Kidman (2017) Amy Adams / Patricia Arquette (2018) Michelle Williams (2019) Anya Taylor-Joy (2020) Kate Winslet (2021) Amanda Seyfried (2022) Ali Wong (2023) Cristin Milioti (2024)

v t e Detroit Film Critics Society Award for Best Actress
Ellen Page (2007) Kate Winslet (2008) Gabourey Sidibe (2009) Jennifer Lawrence (2010) Michelle Williams (2011) Jennifer Lawrence (2012) Brie Larson (2013) Rosamund Pike (2014) Saoirse Ronan (2015) Emma Stone (2016) Frances McDormand (2017) Toni Collette (2018) Scarlett Johansson (2019) Frances McDormand (2020) Jessica Chastain (2021)

v t e Primetime Emmy Award for Outstanding Lead Actress in a Limited or Anthology Series or Movie
1953–1975	Helen Hayes (1953) Judith Anderson (1954) Mary Martin (1955) Claire Trevor (1956) Polly Bergen (1957) Julie Harris (1959) Ingrid Bergman (1960) Judith Anderson (1961) Julie Harris (1962) Kim Stanley (1963) Shelley Winters (1964) Lynn Fontanne (1965) Simone Signoret (1966) Geraldine Page (1967) Maureen Stapleton (1968) Geraldine Page (1969) Patty Duke (1970) Lee Grant (1971) Glenda Jackson (1972) Susan Hampshire / Cloris Leachman (1973) Mildred Natwick / Cicely Tyson (1974) Katharine Hepburn / Jessica Walter (1975)
1976–2000	Susan Clark / Rosemary Harris (1976) Patty Duke / Sally Field (1977) Meryl Streep / Joanne Woodward (1978) Bette Davis (1979) Patty Duke (1980) Vanessa Redgrave (1981) Ingrid Bergman (1982) Barbara Stanwyck (1983) Jane Fonda (1984) Joanne Woodward (1985) Marlo Thomas (1986) Gena Rowlands (1987) Jessica Tandy (1988) Holly Hunter (1989) Barbara Hershey (1990) Lynn Whitfield (1991) Gena Rowlands (1992) Holly Hunter (1993) Kirstie Alley (1994) Glenn Close (1995) Helen Mirren (1996) Alfre Woodard (1997) Ellen Barkin (1998) Helen Mirren (1999) Halle Berry (2000)
2001–present	Judy Davis (2001) Laura Linney (2002) Maggie Smith (2003) Meryl Streep (2004) S. Epatha Merkerson (2005) Helen Mirren (2006) Helen Mirren (2007) Laura Linney (2008) Jessica Lange (2009) Claire Danes (2010) Kate Winslet (2011) Julianne Moore (2012) Laura Linney (2013) Jessica Lange (2014) Frances McDormand (2015) Sarah Paulson (2016) Nicole Kidman (2017) Regina King (2018) Michelle Williams (2019) Regina King (2020) Kate Winslet (2021) Amanda Seyfried (2022) Ali Wong (2023) Jodie Foster (2024)

European Film Award for Best Actress

Carmen Maura (1988)
Ruth Sheen (1989)
Carmen Maura (1990)
Clotilde Courau (1991)
Juliette Binoche (1992)
Maia Morgenstern (1993)
Emily Watson (1996)
Juliette Binoche (1997)
Élodie Bouchez / Natacha Régnier (1998)
Cecilia Roth (1999)
Björk (2000)
Isabelle Huppert (2001)
Catherine Deneuve / Isabelle Huppert / Emmanuelle Béart / Fanny Ardant / Virginie Ledoyen / Danielle Darrieux / Ludivine Sagnier / Firmine Richard (2002)
Charlotte Rampling (2003)
Imelda Staunton (2004)
Julia Jentsch (2005)
Penélope Cruz (2006)
Helen Mirren (2007)
Kristin Scott Thomas (2008)
Kate Winslet (2009)
Sylvie Testud (2010)
Tilda Swinton (2011)
Emmanuelle Riva (2012)
Veerle Baetens (2013)
Marion Cotillard (2014)
Charlotte Rampling (2015)
Sandra Hüller (2016)
Alexandra Borbély (2017)
Joanna Kulig (2018)
Olivia Colman (2019)
Paula Beer (2020)
Jasna Đuričić (2021)
Vicky Krieps (2022)
Sandra Hüller (2023)
Karla Sofía Gascón (2024)

Evening Standard British Film Award for Best Actress

v t e Golden Globe Award for Best Actress in a Motion Picture – Drama
1943–1975	Jennifer Jones (1943) Ingrid Bergman (1944) Ingrid Bergman (1945) Rosalind Russell (1946) Rosalind Russell (1947) Jane Wyman (1948) Olivia de Havilland (1949) Gloria Swanson (1950) Jane Wyman (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Elizabeth Taylor (1959) Greer Garson (1960) Geraldine Page (1961) Geraldine Page (1962) Leslie Caron (1963) Anne Bancroft (1964) Samantha Eggar (1965) Anouk Aimée (1966) Edith Evans (1967) Joanne Woodward (1968) Geneviève Bujold (1969) Ali MacGraw (1970) Jane Fonda (1971) Liv Ullmann (1972) Marsha Mason (1973) Gena Rowlands (1974) Louise Fletcher (1975)
1976–2000	Faye Dunaway (1976) Jane Fonda (1977) Jane Fonda (1978) Sally Field (1979) Mary Tyler Moore (1980) Meryl Streep (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Whoopi Goldberg (1985) Marlee Matlin (1986) Sally Kirkland (1987) Jodie Foster / Shirley MacLaine / Sigourney Weaver (1988) Michelle Pfeiffer (1989) Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Sharon Stone (1995) Brenda Blethyn (1996) Judi Dench (1997) Cate Blanchett (1998) Hilary Swank (1999) Julia Roberts (2000)
2001–present	Sissy Spacek (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Felicity Huffman (2005) Helen Mirren (2006) Julie Christie (2007) Kate Winslet (2008) Sandra Bullock (2009) Natalie Portman (2010) Meryl Streep (2011) Jessica Chastain (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Isabelle Huppert (2016) Frances McDormand (2017) Glenn Close (2018) Renée Zellweger (2019) Andra Day (2020) Nicole Kidman (2021) Cate Blanchett (2022) Lily Gladstone (2023) Fernanda Torres (2024)

v t e Golden Globe Award for Best Supporting Actress – Motion Picture
1943–1975	Katina Paxinou (1943) Agnes Moorehead (1944) Angela Lansbury (1945) Anne Baxter (1946) Celeste Holm (1947) Ellen Corby (1948) Mercedes McCambridge (1949) Josephine Hull (1950) Kim Hunter (1951) Katy Jurado (1952) Grace Kelly (1953) Jan Sterling (1954) Marisa Pavan (1955) Eileen Heckart (1956) Elsa Lanchester (1957) Hermione Gingold (1958) Susan Kohner (1959) Janet Leigh (1960) Rita Moreno (1961) Angela Lansbury (1962) Margaret Rutherford (1963) Agnes Moorehead (1964) Ruth Gordon (1965) Jocelyne LaGarde (1966) Carol Channing (1967) Ruth Gordon (1968) Goldie Hawn (1969) Karen Black / Maureen Stapleton (1970) Ann-Margret (1971) Shelley Winters (1972) Linda Blair (1973) Karen Black (1974) Brenda Vaccaro (1975)
1976–2000	Katharine Ross (1976) Vanessa Redgrave (1977) Dyan Cannon (1978) Meryl Streep (1979) Mary Steenburgen (1980) Joan Hackett (1981) Jessica Lange (1982) Cher (1983) Peggy Ashcroft (1984) Meg Tilly (1985) Maggie Smith (1986) Olympia Dukakis (1987) Sigourney Weaver (1988) Julia Roberts (1989) Whoopi Goldberg (1990) Mercedes Ruehl (1991) Joan Plowright (1992) Winona Ryder (1993) Dianne Wiest (1994) Mira Sorvino (1995) Lauren Bacall (1996) Kim Basinger (1997) Lynn Redgrave (1998) Angelina Jolie (1999) Kate Hudson (2000)
2001–present	Jennifer Connelly (2001) Meryl Streep (2002) Renée Zellweger (2003) Natalie Portman (2004) Rachel Weisz (2005) Jennifer Hudson (2006) Cate Blanchett (2007) Kate Winslet (2008) Mo'Nique (2009) Melissa Leo (2010) Octavia Spencer (2011) Anne Hathaway (2012) Jennifer Lawrence (2013) Patricia Arquette (2014) Kate Winslet (2015) Viola Davis (2016) Allison Janney (2017) Regina King (2018) Laura Dern (2019) Jodie Foster (2020) Ariana DeBose (2021) Angela Bassett (2022) Da'Vine Joy Randolph (2023) Zoe Saldaña (2024)

Golden Globe Award for Best Actress in a Limited or Anthology Series or Television Film

Jane Seymour (1981)
Ingrid Bergman (1982)
Ann-Margret (1983)
Ann-Margret (1984)
Liza Minnelli (1985)
Loretta Young (1986)
Gena Rowlands (1987)
Ann Jillian (1988)
Christine Lahti (1989)
Barbara Hershey (1990)
Judy Davis (1991)
Laura Dern (1992)
Bette Midler (1993)
Joanne Woodward (1994)
Jessica Lange (1995)
Helen Mirren (1996)
Alfre Woodard (1997)
Angelina Jolie (1998)
Halle Berry (1999)
Judi Dench (2000)
Judy Davis (2001)
Uma Thurman (2002)
Meryl Streep (2003)
Glenn Close (2004)
S. Epatha Merkerson (2005)
Helen Mirren (2006)
Queen Latifah (2007)
Laura Linney (2008)
Drew Barrymore (2009)
Claire Danes (2010)
Kate Winslet (2011)
Julianne Moore (2012)
Elisabeth Moss (2013)
Maggie Gyllenhaal (2014)
Lady Gaga (2015)
Sarah Paulson (2016)
Nicole Kidman (2017)
Patricia Arquette (2018)
Michelle Williams (2019)
Anya Taylor-Joy (2020)
Kate Winslet (2021)
Amanda Seyfried (2022)
Ali Wong (2023)
Jodie Foster (2024)

v t e Grammy Award for Best Spoken Word Album for Children
1993–2000	Audrey Hepburn's Enchanted Tales – Audrey Hepburn (1993) The Lion King Read-Along – Robert Guillaume & Various Artists (1994) Prokofiev: Peter and the Wolf – Patrick Stewart (1995) Stellaluna – David Holt (1996) Winnie-the-Pooh – Charles Kuralt (1997) The Children's Shakespeare – Various Artists (1998) Listen to the Storyteller – Graham Greene, Wynton Marsalis, and Kate Winslet (1999) Harry Potter and the Goblet of Fire – Jim Dale (2000)
2001–2010	Mama Don't Allow – Tom Chapin (2001) There Was an Old Lady Who Swallowed a Fly – Tom Chapin (2002) Prokofiev: Peter and the Wolf/Beintus: Wolf Tracks – Bill Clinton, Mikhail Gorbachev, and Sophia Loren (2003) The Train They Call the City of New Orleans – Tom Chapin (2004) Marlo Thomas and Friends: Thanks & Giving All Year Long – Marlo Thomas & Various Artists (2005) Blah Blah Blah: Stories About Clams, Swamp Monsters, Pirates and Dogs – Bill Harley (2006) Harry Potter and the Deathly Hallows – Jim Dale (2007) Yes to Running! Bill Harley Live – Bill Harley (2008) Aaaaah! Spooky, Scary Stories & Songs – Buck Howdy (2009) Julie Andrews' Collection of Poems, Songs, and Lullabies – Julie Andrews and Emma Walton Hamilton (2010)
In 2011, the category was merged back into Best Children's Album.

Honorary César

1976–2000

Ingrid Bergman (1976)
Diana Ross (1976)
Henri Langlois (1977)
Jacques Tati (1977)
Robert Dorfmann (1978)
René Goscinny (1978)
Marcel Carné (1979)
Charles Vanel (1979)
Walt Disney (1979)
Pierre Braunberger (1980)
Louis de Funès (1980)
Kirk Douglas (1980)
Marcel Pagnol (1981)
Alain Resnais (1981)
Georges Dancigers (1982)
Alexandre Mnouchkine (1982)
Jean Nény (1982)
Andrzej Wajda (1982)
Raimu (1983)
René Clément (1984)
Georges de Beauregard (1984)
Edwige Feuillère (1984)
Christian-Jaque (1985)
Danielle Darrieux (1985)
Christine Gouze-Rénal (1985)
Alain Poiré (1985)
Maurice Jarre (1986)
Bette Davis (1986)
Jean Delannoy (1986)
René Ferracci (1986)
Claude Lanzmann (1986)
Jean-Luc Godard (1987)
Serge Silberman (1988)
Bernard Blier (1989)
Paul Grimault (1989)
Gérard Philipe (1990)
Jean-Pierre Aumont (1991)
Sophia Loren (1991)
Michèle Morgan (1992)
Sylvester Stallone (1992)
Jean Marais (1993)
Marcello Mastroianni (1993)
Gérard Oury (1993)
Jean Carmet (1994)
Jeanne Moreau (1995)
Gregory Peck (1995)
Steven Spielberg (1995)
Lauren Bacall (1996)
Henri Verneuil (1996)
Charles Aznavour (1997)
Andie MacDowell (1997)
Michael Douglas (1998)
Clint Eastwood (1998)
Jean-Luc Godard (1998)
Pedro Almodóvar (1999)
Johnny Depp (1999)
Jean Rochefort (1999)
Josiane Balasko (2000)
Georges Cravenne (2000)
Jean-Pierre Léaud (2000)
Martin Scorsese (2000)

2001–present

Darry Cowl (2001)
Charlotte Rampling (2001)
Agnès Varda (2001)
Anouk Aimée (2002)
Jeremy Irons (2002)
Claude Rich (2002)
Bernadette Lafont (2003)
Spike Lee (2003)
Meryl Streep (2003)
Micheline Presle (2004)
Jacques Dutronc (2005)
Will Smith (2005)
Hugh Grant (2006)
Pierre Richard (2006)
Marlène Jobert (2007)
Jude Law (2007)
Jeanne Moreau (2008)
Roberto Benigni (2008)
Romy Schneider (2008)
Dustin Hoffman (2009)
Harrison Ford (2010)
Quentin Tarantino (2011)
Kate Winslet (2012)
Kevin Costner (2013)
Scarlett Johansson (2014)
Sean Penn (2015)
Michael Douglas (2016)
George Clooney (2017)
Penélope Cruz (2018)
Robert Redford (2019)
Cate Blanchett (2022)
David Fincher (2023)
Agnès Jaoui (2024)
Christopher Nolan (2024)
Julia Roberts (2025)
Costa-Gavras (2025)

London Film Critics' Circle Award for Actress of the Year

London Film Critics' Circle Award for British Actress of the Year

v t e London Film Critics' Circle Award for Supporting Actress of the Year
Sareh Bayat (2011) Anne Hathaway (2012) Lupita Nyong'o (2013) Patricia Arquette (2014) Kate Winslet (2015) Naomie Harris (2016) Lesley Manville (2017) Rachel Weisz (2018) Laura Dern (2019) Maria Bakalova (2020) Ruth Negga (2021) Kerry Condon (2022) Da'Vine Joy Randolph (2023) Zoe Saldaña (2024)

Los Angeles Film Critics Association Award for Best Supporting Actress

1977–2000

Vanessa Redgrave (1977)
Maureen Stapleton / Mona Washbourne (1978)
Meryl Streep (1979)
Mary Steenburgen (1980)
Maureen Stapleton (1981)
Glenn Close (1982)
Linda Hunt (1983)
Peggy Ashcroft (1984)
Anjelica Huston (1985)
Cathy Tyson / Dianne Wiest (1986)
Olympia Dukakis (1987)
Geneviève Bujold (1988)
Brenda Fricker (1989)
Lorraine Bracco (1990)
Jane Horrocks (1991)
Judy Davis (1992)
Anna Paquin / Rosie Perez (1993)
Dianne Wiest (1994)
Joan Allen (1995)
Barbara Hershey (1996)
Julianne Moore (1997)
Joan Allen (1998)
Chloë Sevigny (1999)
Frances McDormand (2000)

2001–2021

Kate Winslet (2001)
Edie Falco (2002)
Shohreh Aghdashloo (2003)
Virginia Madsen (2004)
Catherine Keener (2005)
Luminița Gheorghiu (2006)
Amy Ryan (2007)
Penélope Cruz (2008)
Mo'Nique (2009)
Jacki Weaver (2010)
Jessica Chastain (2011)
Amy Adams (2012)
Lupita Nyong'o (2013)
Agata Kulesza (2014)
Alicia Vikander (2015)
Lily Gladstone (2016)
Laurie Metcalf (2017)
Regina King (2018)
Jennifer Lopez (2019)
Youn Yuh-jung (2020)
Ariana DeBose (2021)

Montecito Award

Award

Festival editions

2024
2025

Online Film Critics Society Award for Best Actress

RTS Programme Award for Best Performance by a Female Actor

Maggie Smith (1989)
Janet McTeer (1990)
Charlotte Coleman (1991)
Helen Mirren (1992)
Julia Sawalha (1993)
Kathy Burke (1994)
Jane Horrocks (1995)
Helen McCrory (1996)
Stella Gonet (1997)
Sinéad Cusack (1998)
Thora Hird (1999)
Thora Hird (2000)
Katy Murphy (2001)
Diane Parish (2002)
Julie Walters (2003)
Kate Ashfield (2004)
Anamaria Marinca (2005)
Lesley Sharp (2006)
Helen Mirren (2007)
Sally Hawkins (2008)
Andrea Riseborough (2009)
Naomie Harris (2010)
Vicky McClure (2011)
Emily Watson (2012)
Olivia Colman (2013)
Olivia Colman (2014)
Sarah Lancashire (2015)
Suranne Jones (2016)
Sophie Okonedo (2017)
Sinéad Keenan (2018)
Jodie Comer (2019)
Tamara Lawrance (2020)
Michaela Coel (2021)
Gabrielle Creevy (2022)
Kate Winslet (2023)
Tamara Lawrance (2024)

San Diego Film Critics Society Award for Best Actress

Satellite Award for Best Actress in a Miniseries, Limited Series or Television Film

Helen Mirren (1996)
Jennifer Beals (1997)
Angelina Jolie (1998)
Linda Hamilton (1999)
Jill Hennessy (2000)
Judy Davis (2001)
Vanessa Williams (2002)
Meryl Streep (2003)
Dianne Wiest (2004)
Kristen Bell (2005)
Judy Davis (2006)
Samantha Morton (2007)
Judi Dench (2008)
Drew Barrymore (2009)
Claire Danes (2010)
Kate Winslet (2011)
Julianne Moore (2012)
Elisabeth Moss (2013)
Frances McDormand (2014)
Sarah Hay (2015)
Sarah Paulson (2016)
Nicole Kidman (2017)
Amy Adams (2018)
Michelle Williams (2019)
Cate Blanchett (2020)
Kate Winslet (2021)
Lily James (2022)
Rachel Weisz (2023)
Cate Blanchett (2024)

Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role

Dianne Wiest (1994)
Kate Winslet (1995)
Lauren Bacall (1996)
Kim Basinger / Gloria Stuart (1997)
Kathy Bates (1998)
Angelina Jolie (1999)
Judi Dench (2000)
Helen Mirren (2001)
Catherine Zeta-Jones (2002)
Renée Zellweger (2003)
Cate Blanchett (2004)
Rachel Weisz (2005)
Jennifer Hudson (2006)
Ruby Dee (2007)
Kate Winslet (2008)
Mo'Nique (2009)
Melissa Leo (2010)
Octavia Spencer (2011)
Anne Hathaway (2012)
Lupita Nyong'o (2013)
Patricia Arquette (2014)
Alicia Vikander (2015)
Viola Davis (2016)
Allison Janney (2017)
Emily Blunt (2018)
Laura Dern (2019)
Youn Yuh-jung (2020)
Ariana DeBose (2021)
Jamie Lee Curtis (2022)
Da'Vine Joy Randolph (2023)
Zoe Saldaña (2024)

Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie

St. Louis Film Critics Association Award for Best Actress

Vancouver Film Critics Circle Award for Best Actress

Laura Linney (2000)
Sissy Spacek (2001)
Julianne Moore (2002)
Charlize Theron (2003)
Imelda Staunton (2004)
Felicity Huffman (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Carey Mulligan (2009)
Jennifer Lawrence (2010)
Elizabeth Olsen (2011)
Jessica Chastain (2012)
Cate Blanchett (2013)
Tilda Swinton (2014)
Brie Larson (2015)
Isabelle Huppert (2016)
Saoirse Ronan (2017)
Olivia Colman / Regina Hall / Melissa McCarthy (2018)
Scarlett Johansson (2019)
Frances McDormand (2020)
Olivia Colman (2021)
Michelle Yeoh (2022)
Sandra Hüller (2023)
Mikey Madison (2024)

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