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Kristina Esfandiari
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Kristina Esfandiari (born 4 March 1988) is an American singer-songwriter and music producer. She writes music and performs under the monikers Dalmatian,[1] Miserable,[2] and NGHTCRWLR,[3] and with the bands King Woman and Sugar High.[4]
Early life
[edit]Kristina Esfandiari was born to immigrant parents, an Iranian father and a Serbian mother.[3] They raised her in a Charismatic Christian church.[5][6] She was raised in Sacramento, California.[7] At age 22, she moved to the San Francisco Bay Area.[8]
Career
[edit]Esfandiari began her musical career as a vocalist for shoegaze band Whirr from 2012 to 2013 and was featured on the EP Around,[9] before moving onto her own projects.[10]
In her early years as a performer, Esfandiari became well known for her heavy and dramatic vocals during live shows.[citation needed] As of June 2021, Esfandiari releases music under a multitude of personas: Miserable, KRIS, Dalmatian, Sugar High, and NGHTCRWLR.
Esfandiari is best known as the lead vocalist for the band King Woman. Esfandiari began King Woman as a solo project in 2009.[11] The project later became a band, after she was joined by her childhood friend, Joey Raygoza.[10][6]
Dalmatian
[edit]Esfandiari debuted her Dalmatian persona via her social media channels. Dalmatian is a rap project, inspired by artists including Elkk and JRAL.[1] Dalmatian's first release was single "Pain Thresold", followed by "Friday the 13th", released October 2020.[12] Speaking to Revolver in October 2020, Esfandiari said that she was working on Dalmatian's first album, featuring JRAL and Elkk.[12]
King Woman
[edit]King Woman released their first successful EP, Doubt, with The Flenser[13] in 2015.[14] The EP was inspired by Esfandiari's experiences of trying to leave her religious upbringing.[15]
King Woman signed to Relapse Records[16] and released their debut LP, Created in the Image of Suffering,[17] which was labelled by Pitchfork as one of the best rock albums of 2017.[18][19] Writing for Beats Per Minute’s "Darkest Albums" feature, John Amen called the album "a disturbing journey through consternation, despair, and heretical inquiry."[20] King Woman's second album, Celestial Blues, was announced in June 2021, as was its July 2021 oncoming release by Relapse Records. The first single from the album, "Morning Star", was released ahead of the LP.[21] This was followed by a second single, "Psychic Wound",[22] and a third single, "Boghz".[23] The album was released to positive reviews.[24][25]
Miserable
[edit]Miserable is a shoegaze project debuted by Esfandiari in 2014 with EPs Halloween Dream and Dog Days.[26] Uncontrollable, Miserable's debut album, was released via The Native Sound in April 2016.[26][27][28][29] Written and recorded over the course of a year, the LP is the most emotional release in Esfandiari's history as an artist. The album quickly became a fan favourite and her breakthrough record,[30][31] according to most mainstream media. Pitchfork[32] and Spin[33] praised her work. She later toured extensively in the US.[34]
NGHTCRWLR
[edit]NGHTCRWLR has been described as a "mixture of drone, harsh noise and industrial sounds".[35] The first NGHTCRWLR record, Let the Children Scream, was released in 2020 by Amniote Editions. The second, O Z, was released in 2025 via YEAR 0001[36].
Sugar High
[edit]Sugar High is a collaboration with producer and singer-songwriter Darcy Baylis, who Esfandiari met over Instagram in 2018.[4] The duo released their debut album, Love Addict, in 2020 on Dero Arcade.[4] "Losing" and "Ugly" were released as singles from the album.[37]
Discography
[edit]Dalmatian
[edit]Singles / EPs
- Pain Threshold (2019)
- Friday the 13th (2020)
King Woman
[edit]Albums
- Created in the Image of Suffering (2017)
- Celestial Blues (2021)
Singles / EPs
- Degrida / Sick Bed (2013)
- Dove / Fond Affections (2014)
- Doubt EP (2015)
- I Wanna be Adored (The Stone Roses cover) (2018)
Miserable
[edit]Albums
- Uncontrollable (2016)
Singles / EPs
- Split with Grey Zine (2013)
- Halloween Dream EP (2014)
- Dog Days EP (2014)
- Loverboy EP (2018)
NGHTCRWLR
[edit]Albums
- Let the Children Scream (2020)
- O Z (2025)
Sugar High
[edit]Albums
- Love Addict (2020)
Whirr
[edit]Singles / EPs
- Around EP (2013)
References
[edit]- ^ a b Jones, Cat. "Hear Dalmatian, The Terrifying New Rap Project From King Woman's Kris Esfandiari". KERRANG. Retrieved 1 February 2020.
- ^ Bradley, Megan (28 April 2016). "Miserable Finds Grace in the Profane on 'Uncontrollable' LP". Spin. Retrieved 6 February 2025.
- ^ a b Moen, Matt. "Christian Brainwashing Videos Inspired NGHTCRWLR's Album". Paper Magazine. Retrieved 1 February 2020.
- ^ a b c LeSuer, Mike. "PREMIERE: Sugar High Announce Debut LP "Love Addict," Share Single "Losing"". FLOOD.
- ^ Mejia, Paula (27 September 2017). "Metal Singer Kristina Esfandiari on Using Dark Sounds to Heal". Rolling Stone. Penske Business Media. Retrieved 2018-07-26.
- ^ a b Reveron, Sean (11 May 2016). "CVLT NATION INTERVIEWS KRISTINA ESFANDIARI". Cvlt Nation. Retrieved 2018-07-26.
- ^ Interview with King Woman Episode 9 of Dante & Leanne In the Mourning, retrieved 2021-09-17
- ^ Lefebvre, Sam (11 March 2015). "King Woman Vanquishes the Holy Spirit". East Bay Express. Retrieved 2018-07-26.
- ^ "Whirr: Around Album Review – Pitchfork". Pitchfork. Retrieved September 6, 2022.
- ^ a b Ruskin, Zack (March 28, 2018). "Kristina Esfandiari's path to King Woman was a painful one". San Francisco Chronicle. Retrieved July 26, 2018.
- ^ Esfandiari, Kristina (17 November 2017). "A Jonestown Survivor and King Woman's Kristina Esfandiari Discuss Healing from Trauma". Vice. Vice Media. Retrieved 2018-07-26.
- ^ a b "See King Woman Singer Wield Sword to Slay Monsters in Dalmatian's Eerie New Video". Revolver. 2020-10-31. Retrieved 2021-06-29.
- ^ "King Woman – Doubt | The Flenser". theflenser.com. Retrieved 2017-09-10.
- ^ ""Burn" by King Woman Review | Pitchfork". pitchfork.com. Retrieved 2017-09-10.
- ^ Noblé, Summer (27 April 2015). "Darkness Disguised As Light: An Interview With King Woman". Huffington Post.
- ^ "King Woman – Relapse Records". Relapse Records Official Website.
- ^ "How Kristina Esfandiari Balances King Woman and Miserable". CLRVYNT. 8 February 2017. Retrieved 2017-09-10.
- ^ "The Month in Metal: The Hopelessness of Slayer, King Woman, and Shaarimoth | Pitchfork". pitchfork.com. February 2017. Retrieved 2017-09-10.
- ^ "King Woman: Created in the Image of Suffering Album Review | Pitchfork". pitchfork.com. Retrieved 2017-09-10.
- ^ Wohlmacher, John; Amen, John; Kenny, Brody; Finlayson, Ray; Dedman, Todd; Smirnov, Aleksandr; Sentz, Tim; Barton, Matthew; WIllems, Jasper (2021-05-31). "BPM's Darkest Albums | Beats Per Minute – Page 2". beatsperminute.com. Retrieved 2021-07-17.
- ^ "King Woman announce new album Celestial Blues, unveil first single "Morning Star": Stream". Consequence. 2021-06-02. Retrieved 2021-06-24.
- ^ "King Woman – "Psychic Wound"". Stereogum. 2021-06-30. Retrieved 2021-07-07.
- ^ "King Woman's "Boghz" is Another Stunner". MetalSucks. 2021-07-14. Retrieved 2021-07-16.
- ^ "King Woman: Celestial Blues". Pitchfork. Retrieved 2021-08-11.
- ^ "Album review: King Woman – Celestial Blues". Kerrang!. 29 July 2021. Retrieved 2021-08-11.
- ^ a b "Miserable Finds Grace in the Profane on 'Uncontrollable' LP". SPIN. April 28, 2016.
- ^ "The Native Sound". The Native Sound. Retrieved 2017-09-10.
- ^ Kelley, Quinn. "Miserable's Kristina Esfandiari on the relief of finishing her debut album". baltimoresun.com. Archived from the original on 2018-07-27. Retrieved 2017-09-10.
- ^ "Uncontrollable, by Miserable". Miserable. Retrieved 2017-09-10.
- ^ "Miserable's Shoegazey "Violet" Will Destroy Your Heart". The FADER. Retrieved 2017-09-10.
- ^ "9 Best Songs of the Week: Billboard.com Editors' Picks – April 15". Billboard. Retrieved 2017-09-10.
- ^ ""Violet" by Miserable Review | Pitchfork". pitchfork.com. Retrieved 2017-09-10.
- ^ "Miserable's Kristina Esfandiari Makes Death Sound Like a Dream with "Oven"". Noisey. 24 February 2016. Retrieved 2017-09-10.
- ^ "Miserable touring behind 'Uncontrollable' (dates, LP stream)". BrooklynVegan. 8 August 2016. Retrieved 2017-09-10.
- ^ "NGHTCRWLR Premieres Debut Album "Let the Children Scream" - PAPER Magazine". www.papermag.com. Retrieved 2026-01-17.
- ^ "NGHTCRWLR | YEAR0001 INDEX". index.year0001.com. Retrieved 2026-01-17.
- ^ "King Woman Singer's New Project Sugar High: Hear Brooding New Song "Ugly"". Revolver. 2020-04-02. Retrieved 2021-06-29.
Kristina Esfandiari
View on GrokipediaCareer
Whirr
Kristina Esfandiari provided vocals for Whirr's debut EP Around, released on July 9, 2013, by Graveface Records.[10] She contributed ethereal vocals alongside lead vocalist Loren Rivera, blending with the group's dense shoegaze instrumentation.[11] The EP's tracklist includes:- "Drain" – featuring her nearly translucent style amid slow-building distortion.[11]
- "Swoon" – emphasizing modal cooing within the wall of sound.[10]
- "Keep" – highlighted by clear lyrical moments like "insecurities make me shy."[11]
- "Around" – closing the EP with fluttering, distended expressions.[10]
King Woman
King Woman, the shoegaze and doom metal project led by Kristina Esfandiari, released its debut EP Doubt on February 17, 2015, through The Flenser.[13] The four-track EP, which includes songs like "Wrong," "King of Swords," "Burn," and "Candescent Soul," marked the band's initial foray into atmospheric sludge metal.[14] The project's first full-length album, Created in the Image of Suffering, followed on February 24, 2017, via Relapse Records.[15] This debut studio album features tracks such as "Utopia," "Deny," "Shame," and "Hierophant," blending doom metal with post-metal elements.[16] In 2021, King Woman issued its sophomore album Celestial Blues on July 30 through Relapse Records.[17] The record includes singles "Morning Star," released earlier that year to preview the album; "Psychic Wound," which debuted in June 2021 with an accompanying music video; and "Boghz," shared in July 2021.[18] "Psychic Wound" was re-released as a standalone single on May 10, 2024, by A24 Music.[19] Beyond album tracks, King Woman has put out standalone singles, including a cover of The Stone Roses' "I Wanna Be Adored" on January 17, 2018.[20] In 2024, the band contributed "Bury" to the soundtrack for the film I Saw the TV Glow, released on May 10 via A24 Music.[21]Miserable
Miserable is the solo project of Kristina Esfandiari, through which she explores deeply personal themes of insecurity, grief, and emotional turmoil in a shoegaze and dream pop style.[22][23] The project's debut full-length album, Uncontrollable, was released on April 29, 2016, by The Native Sound.[24][22] Comprising nine tracks written and recorded over the course of a year, the album delves into feelings of uncontrollability and heartache, succeeding earlier digital EPs like Halloween Dream and Dog Days.[22][25] In 2018, Esfandiari issued the double EP Loverboy / Dog Days on October 26 via Sargent House, combining four new tracks from the Loverboy EP with a reissued version of the 2015 Dog Days EP.[26][27] The release captures evolving emotional landscapes, blending raw vulnerability with atmospheric introspection across eight songs.[28] Preceding the double EP, the single "Gasoline" was released on August 2, 2018, serving as a lead track that highlights Esfandiari's shift toward wistful, power-pop-inflected shoegaze elements.[29][30]Dalmatian
Dalmatian, Kristina Esfandiari's rap project, has issued two limited singles to date. The debut single, "Pain Threshold" featuring Elkk, was self-released on October 30, 2019, as a digital file in FLAC and MP3 formats.[31][32] The track runs for 2:57 and blends heavy trap elements with Esfandiari's vocal delivery.[32][33] The follow-up single, "Friday the 13th," arrived on October 30, 2020, also as a digital release via Bandcamp.[34] Produced by Esfandiari and mixed by KANGA, it clocks in at 3:42 and continues the project's eerie, horror-infused rap style.[34][35]NGHTCRWLR
NGHTCRWLR is a solo electronic and noise project by Kristina Esfandiari, emphasizing experimental soundscapes that blend industrial elements with electronic production.[36] The project's debut album, Let the Children Scream, was released on January 29, 2020, via Amniote Editions.[37] Produced entirely by Esfandiari, the record features seven tracks characterized by harsh noise, industrial rhythms, and 808 bass elements, including "Bolt (RIP Miss Maryam 999)," "Let the Children Scream," and "Nation Under Creep."[37] It was issued in digital formats and on 12-inch vinyl, with limited neon green pressings later available through DERO Arcade.[38] In 2025, NGHTCRWLR released the full-length album OZ on October 24 via YEAR0001.[39] Written and primarily produced by Esfandiari, with additional production from Jared Breneman on most tracks and Lecxi Doumer on track 8, the album comprises ten pieces such as "OZ," "Infrared," "Madhouse," "Replicant," and "Lifeblood," mixed by Esfandiari and Doumer and mastered by Gabriel Schuman.[39] Distributed in high-resolution digital formats, OZ extends the project's experimental scope into warped club and drum & bass influences.[40]Sugar High
Sugar High is a collaborative duo formed by Kristina Esfandiari and producer Darcy Baylis.[41] The duo's debut album, Love Addict, was released on April 28, 2020, via Dero Arcade.[42] The record features seven tracks, including "Vein," "Flowers and Pollution," "Alone," "Losing," "Asleep" (featuring Mirsy), "Ugly," and the title track "Love Addict."[42] Preceding the album, Sugar High issued two singles: "Losing" on March 11, 2020, and "Ugly" on April 2, 2020, both through Dero Arcade.[41][43][44]Other projects
In 2022, Esfandiari contributed vocals to the track "Glass" by French post-punk band Mareux, creating an icy, atmospheric collaboration that explores themes of fragile relationships and emotional detachment. The single marked a departure into colder, synth-driven sounds while showcasing her versatile vocal delivery.[45] Beyond her primary projects, Esfandiari has made notable guest appearances and production contributions. She provided lead vocals on tracks from M83's 2023 album Fantasy, adding ethereal layers to the dream pop record.[46] Additional one-off features include her role in Boy Harsher's 2022 short film The Runner, where she starred, and production work on Taraneh's 2024 album New Age Prayer. As of 2025, she continues to engage in sporadic collaborations, including composing elements for Elliott Fullam's End of Ways (2023).[47] Esfandiari's artistic influences draw from her religious upbringing in a charismatic Christian household, which exposed her to stories of demons and exorcisms, profoundly shaping themes of trauma, spirituality, and healing in her music.[5][6] Musically, she was introduced to classic rock by her father, including Neil Young, Cat Stevens, Led Zeppelin, and the Rolling Stones, alongside classical music and disco.[48] Other key influences include the Velvet Underground, The Replacements, Big Star, Frank Ocean, Peter Perrett, Type O Negative, FKA twigs, and Ty Segall.[48][2] She has cited Stevie Nicks and Aretha Franklin as significant vocal and songwriting inspirations.[6] Literarily, John Milton's Paradise Lost inspired her album Celestial Blues (2021), particularly its exploration of Lucifer and rebellion.[2][7] Additionally, filmmaker Wong Kar-wai's works, such as Fallen Angels, and elements of Japanese culture have influenced her creative identity.[7]Discography
Whirr
Kristina Esfandiari contributed vocals to Whirr's debut EP Around, released on July 9, 2013, by Graveface Records.[10] As the band's lead vocalist during this period, she provided lead vocals across all four tracks, blending her ethereal delivery with the group's dense shoegaze instrumentation.[11] The EP's tracklist includes:- "Drain" – lead vocals by Esfandiari, featuring her nearly translucent style amid slow-building distortion.[11]
- "Swoon" – lead vocals by Esfandiari, emphasizing modal cooing within the wall of sound.[10]
- "Keep" – lead vocals by Esfandiari, highlighted by clear lyrical moments like "insecurities make me shy."[11]
- "Around" – lead vocals by Esfandiari, closing the EP with fluttering, distended expressions.[10]
