Konstantin Fam
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Konstantin Kong-Takovich Fam (Russian: Константин Конг-Такович Фам, born 13 July 1972) is a Ukrainian-born independent director, producer, and screenwriter. His film "Shoes", a tribute to the memory of Holocaust victims,[1] was the only Russian short movie nominated for the Academy Awards in 2013.[2]

Key Information

Early life

[edit]

Konstantin Fam was born in the town of Pervomayskiy in Kharkiv oblast in Ukrainian SSR. His father, Nguyen (Pham) Kong Tak, a Vietnamese veteran of guerilla wars. After he sought political asylum in the Soviet Union, he was not allowed to live in big cities and the family was under the constant KGB supervision. Fam's mother, Svetlana Naumovna Malkina, was Jewish. The majority of her relatives perished in the Holocaust, and she has been hiding her Jewishness throughout her whole life. His parents' stories influenced Konstantin's creative world outlook.

Konstantin lived in the town of Pervomayskiy until the age of 15 and then entered the Dnipropetrovsk State Theatre School for the Puppetry Arts. Initially, he wished to be in acting classes as puppetry was considered to be a less prestigious theatre form. However, Fam admitted years later that his specialty provided him with the extensive experience in the construction of music, staging, as well as in the ability to animate inanimate objects. Subsequently, this experience was useful when shooting "Shoes".

Early career

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After graduation, Fam moved to Tbilisi to work in a theater. After military conflict outbreak in Georgia in 1991, he moved to Chernihiv in Ukraine, where he worked as an actor in a local theater. However, he was typically offered roles that in accordance with his Asian appearance, which didn't match his ambitions. In 1992, he moved to Moscow and started working on television projects.

In 1997, Fam entered Russian State Institute of Cinematography (VGIK), the Course of Screenwriting headed by the great Valentin Yezhov. After two years studying he decided to leave it and concentrate on business development. He started studying film equipment rental, as well as filming TV commercials, advertisements, music videos and image movies. In 1998, he was a writer of children's comic film magazine "Yeralash", as well as a director.

In the 2000s ran a large cinemachinery leasing business also shooting television commercials. During this period, Constantine acted in various production roles, ranging from small roles to producing and directing. The company was closed due to 2008 crisis. Constantine had a dream to earn the necessary amount of money, to shoot a comedy based on his own scenario and start working on his own projects.

Creative period

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From the sixteen, Costa has been forming the list of projects he would like to implement. In 2008, he became the second director and screenwriter of the comedy club, Women's League, having worked for two seasons. After this, Konstantin acted as a director of 10 episodes sketch show "Caution: Children!" His love to the sketches Konstantin refers to the manifestation of his national identity. Willing to develop himself as a filmmaker, he entered the NYFA, took all of the film production courses.

"Hedgehog"

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Education ended with 13-week production period, during which a short film based on the story of Grigori Gorin was shot. In the center of the story there is a boy, who changed a winning lottery ticket on the Hedgehog. Boy's father was trying to return the ticket by all means. The story gained the festival success, and then has been invited to many showings. It won the Grand Prix Festival in São Paulo in Brazil. The movie was taken to the Short Film Corner program in Cannes.

"Witnesses"

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Main article: Witnesses (2018 film)

"Witnesses" is the first feature film in former Soviet Union produced in memory of the Holocaust victims. Witnesses is the historical drama that consists of three short films Shoes, Brutus[3][4] and Violin united by the idea to be produced in memory of the greatest tragedy of the 20th century. The project is being elaborated in the memory of the perished people because there is hardly a single Jewish family that didn't lose their loved ones on the run of the mass destruction in the 20th-century catastrophe. The key purpose of the project is to spread the knowledge about the history and to remind the young generation of the tragedy in order to prevent it in the future.

"Shoes"

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Main article: Shoes (2012 film)

The film "Shoes" is the first novel of the trilogy "Witnesses".[5] "Witnesses" is the first feature film in former Soviet Union produced in memory of the Holocaust victims. During the filming Costa has spent four months in Europe. SHOES traces the personal history of a Jewish girl from the point of view of a pair of red shoes.[6] Starting from the shop window where the shoes were purchased and ending at a mountain of discarded shoes of the victims, the viewer witnesses the effects of the tragedy of fascism.[7][8] The film is the winner of many awards and film festivals, it is invited to the Visual Centre Yad Vashem (Israel),[9] along with the outstanding films about the Holocaust made by Spielberg, Polanski, Benigni. During the 8th International Video Festival Empire (Italy)[10] the film awarded the Gran Prix Silver reel of film as one of the most important in cultural and education spheres. This festival is held under the patronage of UNESCO and listed the 13 most important festivals in the world that support the cultural heritage and education. The festival presents 721 works from 52 countries. Recently Shoes has been qualified for 2013 Academy Award consideration.[11][12]

"Brutus"

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Main article: Brutus (2016 film)

"Brutus" continues concept of The trilogy "Witnesses"[13] and tells us story of the Holocaust through the eyes of a German Shepherd dog Brutus. The Nuremberg Laws have separated the dog with his favorite mistress, Jewish woman. In the process of training and taming Brutus becomes a concentration camp beast-killer. The film is based on a novel of a Czech writer Ludvik Ashkenazy.[14][15] Filmmakers from Russia, Romania,[16][17] Israel, the United States, Moldova, Belarus and the Czech Republic participated in the production.[18] The main roles in the film were performed by Oksana Fandera, Filipp Yankovsky, Vladimir Koshevoy and Anna Churina. The Russian premiere of the film took place in the framework of the competition program Moscow International Film Festival in the summer of 2016.[19] Film was longlisted to the 89th Academy Awards by Academy Award for Live Action Short Film[20] and nominated on The Golden Eagle Award of National Academy of Motion Pictures Arts and Sciences of Russia[21]

"Violin"

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Main article: Violin (2017 film)

Filming locations were situated in Moscow, New York, Belarus, the Czech Republic and Israel. The main roles were performed by Lenn Kudryavitsky, Oksana Fandera, Vladimir Koshevoi, Vyacheslav Chepurchenko, Mikhail Gorevoy and others.[22] The film was premiered in the summer of 2017.

"Kaddish"

[edit]
Main article: Kaddish (2019 film)

In this 2019 film, the testament of a former concentration camp prisoner confronts and turns the lives of two young people from different worlds around, shedding light on the tragic history of their family. Filming locations were situated in Moscow, Prague, New York, Jerusalem, and Belarus.[23]

Other activity

[edit]

In 2015, Konstantin acted as president of the jury at the 1st Moscow Jewish Film Festival.[24] Subsequently, he joined the team of the festival's creators and from 2016 to 2021 he held the position of one of the film festival's producers.[25]

Awards and nominations

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  • For the film "Hedgehog" :
    • 2012 – Best Short Film Festival ArtDeco de Cinema, Brazil
    • 2012 – Best feature films of the International Festival of Short Film and Animation "Vision", Russia
  • For the film "Shoes" :
    • 2013 – Monaco International Film Festival (Monaco) [26]
    • 2013 – 8th International Video Festival Empire (Italy), Gran Prix Silver reel of film[27]
    • 2013 – Radiant Angel Festival (Russia), Best Live Action Short Film Award[28]
    • 2013 – Artkino Festival (Russia), The best experimental film Award[29]
    • 2013 – International Film Festival Vstreshi na Vjatke (Russia), The 1st prize
    • 2013 – International Film Festival Golden Apricot (Armenia), NewMag Award
    • 2013 – Festival KONIK (Russia), the prize For the contribution to the short film development in Russia[30]
  • For the film "Brutus" :

Filmography

[edit]
  • 2022 – The Land of Sasha, feature film; Producer
  • 2020 – Conference, feature film; Producer
  • 2019 – Kaddish, feature film; Writer, Director, Producer
  • 2018 – Witnesses, feature film; Writer, Director, Producer
  • 2017 – Violin, short film; Writer, director, Producer
  • 2016 – Brutus, short film; Writer, Director, Producer
  • 2013 – Shoes, short film; Writer, Director, Producer[36]
  • 2012 – Caution! Children, TV series on channel STS; Director
  • 2012 – Hedgehog, short film; Writer, Director, Producer
  • 2009–2010 – Women's League seasons 6-7, TV series on TNT; Skit writer, Director

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Konstantin Fam

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Konstantin Fam is a Ukrainian-born independent film director, producer, and screenwriter known for his Holocaust-themed films that explore the tragedy through innovative and unconventional perspectives. His most notable work is the "Witnesses" trilogy, comprising the short films Shoes (2012), Brutus (2016), and Violin (2017), which were later compiled into the feature film Witnesses (2018) as a tribute to Holocaust victims. Fam's films often avoid direct depictions of violence, instead using symbolic viewpoints—such as inanimate objects or animals—to convey the human impact of historical events.[1][2] Fam gained significant recognition with Shoes, a silent short film that portrays the fate of a Jewish couple during the Holocaust solely through images of their shoes and feet, culminating in a reference to the Auschwitz shoe exhibit; the film was submitted for consideration to the Academy Award for Best Live Action Short Film in 2013 and won multiple festival prizes, including the Grand Prix at the Festival Imperia in Italy. The second installment, Brutus, presents the Holocaust from the perspective of a German Shepherd taken from its Jewish owners and trained as a guard dog in a concentration camp, employing distinctive camera techniques to immerse viewers in the animal's viewpoint.[2][1] The trilogy's third part, Violin, traces the journey of a musical instrument across decades and locations tied to Jewish history. Fam expanded his exploration of related themes in the feature film Kaddish (2019), which he also wrote and produced. His work has been supported by institutions such as Yad Vashem and has screened at international festivals, earning acclaim for its pacifist approach and creative storytelling in addressing historical trauma.[1][3]

Early life

Birth and background

Konstantin Fam, also known as Costa Fam, was born on July 13, 1972, in Pervomayskiy (now Pervomaiskyi), Kharkiv Oblast, Ukrainian SSR, USSR (now Ukraine). [4] He was born to a Vietnamese father who immigrated to the Soviet Union as a political refugee and a Jewish mother who survived the Holocaust in Ukraine. [5]

Education and early influences

Konstantin Fam began his artistic training with an acting education at a theater school, where at the age of sixteen he first decided to become a director. [6] This early experience marked his initial immersion in the performing arts and sparked his interest in directing. [6] He later pursued formal training in screenwriting at the Gerasimov Institute of Cinematography (VGIK) in Moscow, studying in the workshop of notable mentors Valentin Ivanovich Yezhov and Anatoly Borisovich Mozhaev. [7] Fam subsequently graduated from the New York Film Academy, expanding his skills in an international filmmaking context. [8] [9] These educational experiences provided foundational training in acting, screenwriting, and directing that influenced his approach to independent filmmaking. [1]

Career

Entry into filmmaking

Konstantin Fam began his career in filmmaking through work in television and commercial production before transitioning to directing short films. His directorial debut came in 2012 with the short film Hedgehog (Ezhik), which he wrote, directed, and produced as his thesis project at the New York Film Academy.[9] The film, a poetic story about human values centered on a boy, a hedgehog, and a lottery ticket, was screened in the Short Film Corner at the Cannes Film Festival.[9] [10] This project marked his emergence as an auteur filmmaker creating personal narrative shorts. This early work preceded his creation of the Witnesses trilogy.

The Witnesses trilogy and major short films

Konstantin Fam is best known for the Witnesses trilogy, a cycle of three short films dedicated to the memory of Holocaust victims by portraying the tragedy through the perspectives of unwitting and silent witnesses.[11] The trilogy consists of Shoes (2012), Brutus (2016), and Violin (Skripka, 2017), which were filmed over five years across nine countries and later combined into the feature-length film Witnesses in 2018, where Fam served as director, writer, and producer.[11][12] The first novella, Shoes (2012), traces the history of a pair of women's shoes belonging to a Jewish girl, beginning in a shop window and ending among discarded belongings displayed at Auschwitz, presented entirely without dialogue to underscore the impact of the historical events.[11] The second installment, Brutus (2016), follows a German Shepherd puppy separated from his Jewish owner under the Nuremberg Laws and trained to become a guard dog at a concentration camp, adapted from a story by Czech writer Ludvík Aškenazy and shot from the animal's viewpoint to highlight themes of brainwashing and dehumanization.[11][1] The trilogy concludes with Violin (2017), which depicts the journey of a violin through the devastations of war.[11][12] In 2019, Fam expanded his exploration of related themes with the feature film Kaddish, which he wrote, directed, and produced.[1] These short films, collectively known as the Witnesses trilogy, have been screened at various international festivals and represent Fam's primary contribution to Holocaust-themed cinema in the post-Soviet space.[11]

Production and other roles

Konstantin Fam has actively contributed to cinema as a producer, frequently collaborating with producer Katerina Mikhaylova through the Moscow-based Vega Film company, with which he is closely associated. [13] Among his notable production credits on projects he did not direct is the coming-of-age drama The Land of Sasha (2022), directed by Yulia Trofimova, which he co-produced with Mikhaylova for Vega Film. [14] [13] He has also served in production capacities on other independent films by emerging directors, including Gorod usnul (In Deep Sleep), directed by Maria Ignatenko, where Vega Film and Fam are listed as production entities. [15] Fam additionally produced Vanya (2019), directed by Evgeniya Yatskina and Alena Rubinshtein, again through Vega Film in partnership with Mikhaylova. [16] In addition to these external collaborations, he has taken producer roles on select projects he directed, such as Violin (2017). Screenwriting credits outside his directorial work are limited in available records, with his writing primarily tied to his own films.

Themes and filmmaking style

Personal life

Awards and recognition

Selected filmography

Director credits

Konstantin Fam has directed a series of short films and feature-length works, many of which explore historical and humanitarian themes, particularly the legacy of the Holocaust. His most prominent project as director is the Witnesses trilogy, consisting of three short films: Shoes (2012), Brutus (2016), and Violin (2017).[17] These shorts were later compiled and released as the feature film Witnesses (2018), which tells the history of the Holocaust through the stories of unwitting witnesses, including the journeys of a pair of red shoes, a German Shepherd puppy turned guard dog, and a violin enduring wartime horrors.[11] Fam directed, wrote, and co-produced the compilation feature, which was filmed across multiple countries over five years.[11] In 2019, Fam directed the feature film Kaddish, continuing his focus on dramatic narratives with historical resonance.[17] He also directed the 2022 film From Jerusalem with love.[12] Earlier in his career, Fam directed the short film Ezhik in 2012.[17]

Producer credits

Konstantin Fam has frequently taken on producer roles in addition to his directing and writing work, contributing to both his own projects and those of other filmmakers in independent cinema. He has producer credits on a range of short films, features, and television content, often focusing on themes of history, memory, and social issues. Among his notable producer credits are the short films Tufelki (2012), Brut (2016), and Skripka (2017), the last of which forms part of his "Witnesses" trilogy on Holocaust remembrance; he also directed and wrote these shorts. [12] Fam produced the anthology feature Svideteli (2018) and served as producer and executive producer on Kaddish (2019), another project he directed. [12] He has collaborated as producer on films directed by others, including Conference (2020) by Ivan I. Tverdovsky. [12] Fam also produced the television series Instalife (2021) and features such as In Deep Sleep (2020) and Temporary Limitations (2022). [12] In his more recent work, Fam produced Strana Sasha (The Land of Sasha, 2022), alongside other projects such as From Jerusalem with love (2022) and Achrome (2022), where he held producer or executive producer roles. [12] His producing involvement underscores his active role in developing and supporting independent Russian-language films and series. [12]

Screenwriter credits

Konstantin Fam has primarily served as screenwriter for his own directorial projects, where he develops original scripts focused on historical events, particularly those related to the Holocaust and human resilience. He wrote the scripts for the short films in his "Witnesses" trilogy—Shoes (2012), Brutus (2016), and Violin (2017)—as well as the compilation feature Witnesses/Svideteli (2018). He also wrote Kaddish (2019). In these works, Fam's writing emphasizes symbolic and unconventional perspectives to convey the scale of historical tragedy. He has not been credited as screenwriter on projects he did not direct.
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