Lavender's Blue

"Lavender's Blue" (also called "Lavender Blue") is an English folk song and nursery rhyme from the 17th century. Its Roud Folk Song Index number is 3483. It has been recorded in various forms and some pop versions have been hits in the U.S. and U.K. charts.

There are as many as thirty verses to the song, and many variations of each verse. A typical version, described by James Halliwell in 1849, is:

Lavender's blue, dilly dilly, lavender's green,
When I am king, dilly dilly, you shall be queen:
Who told you so, dilly dilly, who told you so?
'Twas mine own heart, dilly dilly, that told me so.

Call up your men, dilly dilly, set them to work,
Some with a rake, dilly dilly, some with a fork;
Some to make hay, dilly dilly, some to thresh corn,
Whilst you and I, dilly dilly, keep ourselves warm.

If you should die, dilly dilly, as it may hap,
You shall be buried, dilly dilly, under the tap;
Who told you so, dilly dilly, pray tell me why?
That you might drink, dilly dilly, when you are dry.

The earliest surviving version of the song is in a broadside printed in England between 1672 and 1679, under the name Diddle Diddle, or The Kind Country Lovers. The broadside indicates it is to be sung to the tune of "Lavender Green", implying that a tune by that name was already in existence. The lyrics printed in the broadside are fairly bawdy, celebrating sex and drinking.

According to Robert B. Waltz, "The singer tells his lady that she must love him because he loves her. He tells of a vale where young man and maid have lain together, and suggests that they might do the same". Waltz cites Sandra Stahl Dolby as describing this broadside version as being about a girl named Nell keeping the singer's bed warm.

Here is the first of ten verses:

Lavender's green, diddle, diddle,
—Lavender's blue
You must love me, diddle, diddle,
—cause I love you,
I heard one say, diddle, diddle,
—since I came hither,
That you and I, diddle, diddle,
—must lie together.

Both Waltz (citing Eloise Hubbard Linscott) and Halliwell have noted the song's association with Twelfth Night and the choosing of the king and queen of the festivities of that holiday.