Madeline Hurlock
Madeline Hurlock
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Madeline Hurlock

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Madeline Hurlock
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Madeline Hurlock and Ben Turpin in Pitfalls of a Big City (1923).[2]

Key Information

Madeline Hurlock (December 12, 1897[3] – April 4, 1989[3]) was an American silent film actress.

Biography

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Madeline Hurlock was born in Federalsburg, Maryland on December 12, 1897[4] (some sources say 1899[5][6] or 1900[7]), the daughter of John W. Hurlock, an engineer, and Sallie Hurlock.[8] She was of English and Italian ancestry. Hurlock attended a finishing school in Philadelphia, after which she acted in a repertory theatre company there.[9]

In New York, Hurlock acted and danced in musical comedies at the Century Roof Garden[10][11] and made her Broadway debut in the ensemble cast of The Rose of China in 1919.

Hurlock appeared in many short comedies for Mack Sennett, debuting as one of the Sennett Bathing Beauties in 1923, and was one of the WAMPAS Baby Stars of 1925. She was a talented comedian, also known for her beauty. She appeared in over 50 short films, the first of which, Where's My Wandering Boy This Evening? was made in 1923, and the last, Pink Pajamas, in 1929. She featured in one of Laurel and Hardy's early films, Duck Soup.

Hurlock married three times:[12]

According to Myrna Loy's autobiography, Hurlock and Sherwood had a difficult time getting married. In Budapest, she told Loy, "These suspicious old men kept saying, 'You have to be examined to see if you are... if you are... why are you getting married? Are you pregnant?'"[17]

Selected filmography

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References

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Madeline Hurlock

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Madeline Hurlock was an American silent film actress known for her sophisticated, comedic performances in Mack Sennett-produced two-reel comedy shorts during the 1920s. [1] She was selected as one of the thirteen WAMPAS Baby Stars of 1925, an annual promotional honor recognizing promising young actresses, and is best remembered for her supporting role as Lady Tarbotham in the early Laurel and Hardy short Duck Soup (1927). [1] Born on December 12, 1897, in Federalsburg, Maryland, Hurlock began her career in theater, performing on stage in Philadelphia before making her Broadway debut in the ensemble of the musical comedy The Rose of China in 1919. [1] Discovered by producer Mack Sennett in 1923, she debuted as one of his Bathing Beauties and became a leading lady and comedienne in his comedy series, often appearing opposite comedians such as Ben Turpin, Harry Langdon, and Billy Bevan in dozens of short films that showcased her poise and timing, even in physically demanding scenes. [1] She was described as a dark-haired vamp with strong comic presence in silent screen comedies. [2] Hurlock retired from acting in 1928 [3] and later became part of New York's literary and theatrical circles through her marriages to Pulitzer Prize-winning playwrights Marc Connelly and Robert E. Sherwood. [2] She lived quietly in her later years and died in New York City on April 4, 1989. [1]

Early life

Birth and family background

Madeline Hurlock was born on December 12, 1899, in Federalsburg, Maryland, United States. [2] [4] She was of English and Italian heritage. [2] Hurlock was the daughter of an engineer. [1]

Education and early years

Madeline Hurlock attended college in Philadelphia. [3] [5] After completing her education, she relocated to New York City to pursue a career on the stage. [3] [6] This move marked the transition from her early years of formal schooling to her ambitions in the performing arts. [5]

Career beginnings

Broadway debut

Madeline Hurlock made her Broadway debut in 1919 as part of the ensemble in the musical comedy The Rose of China, which opened on November 25, 1919. [7] This marked her entry into professional theater before her transition to motion pictures. [7] Her brief Broadway experience provided initial acting exposure in the competitive New York theater scene of the late 1910s. [7]

Silent film career

Transition to motion pictures

In 1923, Madeline Hurlock transitioned from stage acting to motion pictures when producer Mack Sennett signed her to a contract after spotting her in a New York production. [8] [3] Following limited success on Broadway and minor extra roles in New York films, she relocated to Hollywood to seek opportunities in the growing silent film industry. [3] Her entry into films aligned with the era's demand for performers in short comedies, and she quickly became active at Sennett's studios. [1] Between 1924 and 1928, she accumulated 52 credits as an actress, primarily in two-reel silent shorts. [1] This period represented the entirety of her motion picture career, which concluded with the transition to sound films. [1]

Work with Mack Sennett

Madeline Hurlock achieved prominence in the silent film era through her association with Mack Sennett's comedy studio, where she became a leading lady after he offered her a contract. [2] She frequently appeared in his short slapstick comedies throughout the 1920s, contributing to the ensemble that defined Sennett's brand of physical humor and glamour. [1] Often cast as a sophisticated, dark-haired leading lady or straight woman, Hurlock provided contrast to the chaotic antics of Sennett's comedians, balancing beauty and poise within the fast-paced farces. [1] Her roles emphasized elegance and comedic timing in these silent shorts. [9] Evidence of her ongoing work with Sennett includes appearances in productions documented in archival collections, such as scenes opposite performers like Billy Bevan. [10]

WAMPAS Baby Star recognition

In 1925, Madeline Hurlock was selected as one of the thirteen WAMPAS Baby Stars by the Western Association of Motion Picture Advertisers (WAMPAS), a group of studio publicists formed in 1921 to promote the industry and its emerging talents. [11] [12] This annual honor recognized promising young actresses in the silent film era, with the thirteen chosen women typically introduced at a high-profile event known as the Frolic, which generated media attention comparable to major industry ceremonies. [13] The WAMPAS Baby Stars promotion served as a key publicity campaign to bring exposure to actresses seen as "stars in training," offering them valuable recognition and assistance in advancing their Hollywood careers. [11] [13] It was regarded as one of the most prized accolades available to rising performers, with eligibility often requiring youth, prior film credits, and demonstrated potential rather than established fame. [13] Hurlock's inclusion came at the height of her work in Mack Sennett short comedies, marking a notable moment of industry acknowledgment for her contributions as a comedienne. [3]

Notable roles and collaborations

Madeline Hurlock frequently collaborated with prominent silent-era comedians during her tenure at Mack Sennett's studio, often appearing as a leading lady or comic foil in two-reel shorts. [3] She worked opposite Ben Turpin in several films, including Butter Fingers (1925), A Harem Knight (1926) as the Harem Girl, Ice Cold Cocos (1926) as the Newlywed Wife, and Whispering Whiskers (1926) as Madame Murino the Clairvoyant, roles that drew on her established persona as a stylish, vampish character in slapstick scenarios. [14] Hurlock also appeared alongside Harry Langdon in The Half-Back of Notre Dame (1924), portraying Alma Matter in one of the comedian's early Sennett efforts. [14] Her most widely recognized role came in the 1927 Hal Roach production Duck Soup, where she played Lady Tarbotham in an early screen pairing of Stan Laurel and Oliver Hardy. [15] [16] In this silent comedy short directed by Fred Guiol, Hurlock portrayed an aristocratic Englishwoman whose arrival at a mansion sets off the central ruse involving Laurel and Hardy's impersonations. [16] This appearance stands as her best-known contribution to silent comedy, highlighting her ability to perform in ensemble farces beyond the Sennett brand. [15]

Later life and death

Retirement from acting

Madeline Hurlock retired from acting in the late 1920s due to boredom with the monotony of filmmaking. In a 1986 letter, she explained that she had become "fed up with movies" after the initial two years of enjoyment, and the transition to sound films did not factor into her decision to leave. [3] No further screen credits are documented after the final years of the silent era, with her last appearances around 1928 or 1929, and she made no transition to talking pictures. [1][17] After retiring, she left Hollywood and married playwright Marc Connelly in 1930 (the year he won the Pulitzer Prize for Drama); the marriage later ended in divorce. [3] In 1935, she married playwright Robert E. Sherwood in Budapest; she remained with him until his death in 1955 and thereafter used the name Mrs. Robert E. Sherwood. [3][1] These marriages brought her into New York's literary and theatrical circles, though she lived privately away from the film industry and the public eye in her later years. [2]

Death

Madeline Hurlock died on April 4, 1989, in New York City, New York, at the age of 91. [1][8][3] No cause of death was publicly disclosed. [1] She had lived in retirement for decades prior to her passing. [3]
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