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Natalie Portman
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Natalie Hershlag[a] (born June 9, 1981), known professionally as Natalie Portman, is an actress, film producer and director with dual Israeli and American citizenship. She has had a prolific screen career from her teenage years and has starred in various blockbusters and independent films, receiving multiple accolades, including an Academy Award, a BAFTA Award, and two Golden Globe Awards.
Key Information
Portman was born in Jerusalem and raised on Long Island, New York, where she began her acting career at twelve, starring as the young protégée of a hitman in Léon: The Professional (1994). While still in high school, she made her Broadway debut in The Diary of Anne Frank (1997) and gained international recognition for her role as Padmé Amidala in Star Wars: Episode I – The Phantom Menace (1999). From 1999 to 2003, Portman attended Harvard University, earning a bachelor's degree in psychology. During this time, she took fewer acting roles but continued to appear in the Star Wars prequel trilogy (2002 and 2005) and performed in a 2001 revival of Anton Chekhov's The Seagull at The Public Theater.
Her career gained further momentum in 2004 when she won a Golden Globe and received an Academy Award nomination for Best Supporting Actress for Closer. She then played Evey Hammond in V for Vendetta (2005), Anne Boleyn in The Other Boleyn Girl (2008), and a troubled ballerina in Black Swan (2010), for which she won the Academy Award for Best Actress. In the following years, Portman starred in the romantic comedy No Strings Attached (2011) and portrayed Jacqueline Kennedy in Jackie (2016), which earned her a third Academy Award nomination. She also became a prominent figure in the Marvel Cinematic Universe, playing Jane Foster in Thor (2011), Thor: The Dark World (2013), and Thor: Love and Thunder (2022), which established her as one of the world's highest-paid actresses.
Portman has also directed the short film Eve (2008) and the biographical drama A Tale of Love and Darkness (2015), in which she also starred. In 2021, she co-founded the production company MountainA, under which she produced and starred in the film May December (2023) and the miniseries Lady in the Lake (2024). Portman is an advocate for various causes, including women’s rights, environmental issues, and animal welfare, supporting organizations like the Human Rights Foundation and the Jane Goodall Institute.
Early life
[edit]Natalie Hershlag[8][9] was born on June 9, 1981,[10] in Jerusalem, Mount Scopus, at Hadassah Medical Center[11] to Jewish parents. She is the only child of Shelley Stevens, an Ohio-born artist, and Avner Hershlag, an Israeli-born gynecologist.[12][13] Portman’s maternal grandparents were Jewish immigrants from Russia and Austria who settled in the United States, while her paternal grandparents emigrated from Poland to Israel in the late 1930s. Her grandfather had led a Jewish youth movement in Poland and came to Israel expecting to send for his family later, but they perished in the gas chambers of Auschwitz. Her paternal grandmother, originally from Romania, worked as a spy for the British during World War II.[14][15] Portman is a dual citizen of Israel and the United States.[16][17][18]
Portman and her family migrated to the United States when she was 3,[14][19] first living in Washington, D.C., but relocating to Connecticut in 1988 and then settling in Syosset, Long Island.[20][21] While living in Washington, Portman attended Charles E. Smith Jewish Day School in Rockville, Maryland.[13] Her native language is Hebrew.[22] While living on Long Island, she attended a Jewish elementary school, the Solomon Schechter Day School of Nassau County.[20] She studied ballet and modern dance at the American Theater Dance Workshop, and regularly attended the Usdan Center for the Creative and Performing Arts.[20] Describing her early life, Portman has said that she was "different from the other kids. I was more ambitious. I knew what I liked and what I wanted, and I worked very hard. I was a very serious kid".[23]
When Portman was ten years old, a Revlon agent spotted her at a pizza restaurant and asked her to become a child model.[24] She turned down the offer but used the opportunity to get an acting agent.[8][14] She auditioned for the 1992 off-Broadway Ruthless!, a musical about a girl who is prepared to commit murder to get the lead in a school play.[25] Portman and Britney Spears were chosen as understudies for star Laura Bell Bundy.[26]
Career
[edit]1994–1998: Early work
[edit]Six months after Ruthless! ended, she auditioned for and secured a leading role in Luc Besson's action drama Léon: The Professional (1994).[14] She adopted her paternal grandmother's maiden name, Portman, as her stage name.[22][27][28] She played Mathilda, an orphan child who befriends a middle-aged hitman (played by Jean Reno). Her parents were reluctant to let her do the part due to the explicit sexual and violent nature of the script, but agreed after Besson took out the Mathilda character's nudity and killings that she committed.[29] Portman herself said that after those scenes were removed, she found nothing objectionable about the content.[30] Even so, her mother was displeased with some of the "sexual twists and turns" in the finished film, which were not part of the script.[24] Hal Hinson of The Washington Post commended Portman for bringing a "genuine sense of tragedy" to her part, but Peter Rainer of the Los Angeles Times believed that she wasn't "enough of an actress to unfold Mathilda's pain" and criticized Besson's sexualization of her character.[31][32]
"[T]here's a surprising preponderance of that kind of role for young girls. Sort of being fantasy objects for men, and especially this idealised purity combined with the fertility of youth, and all this in one. ... It was definitely interesting to think about – why men write the female characters they do. Just like the way they write the male character. How much is wish-fulfilment fantasy, and why."
After filming The Professional, Portman went back to school and during the summer break of 1994, she filmed a part in Marya Cohn's short film Developing. In it she played a young girl coping with her mother's (played by Frances Conroy) cancer.[34] She also enrolled at the Stagedoor Manor performing arts camp, where she played Anne Shirley in a staging of Anne of Green Gables.[35] Michael Mann offered her the small part of the suicidal stepdaughter of Al Pacino's character in the action film Heat (1995) for her ability to portray dysfunction without hysteria.[36][37] Impressed by her performance in The Professional, the director Ted Demme cast her as a precocious teenager who flirts with her much-older neighbor (played by Timothy Hutton) in the ensemble comedy-drama Beautiful Girls (1996).[30] Janet Maslin of The New York Times wrote, "Portman, a budding knockout, is scene-stealingly good even in an overly showy role."[38] She subsequently went back to Stagedoor Manor to appear in a production of the musical Cabaret.[39] Also in 1996, Portman had brief roles in Woody Allen's musical Everyone Says I Love You and Tim Burton's comic science fiction film Mars Attacks![40]
Portman was cast opposite Leonardo DiCaprio in Baz Luhrmann's Romeo + Juliet (1996), but she dropped out during rehearsals when studio executives found her too young for the role.[24] Luhrmann said "Natalie was amazing in the footage, but it was too much of a burden for her at that age".[41] She was also offered Adrian Lyne's Lolita, based on the novel of the same name, but she turned down the part due to its excessive sexual content.[24][30] She later bemoaned that her parts in The Professional and Beautiful Girls prompted a series of offers to play a sexualized youngster, adding that it "dictated a lot of my choices afterwards 'cos it scared me ... it made me reluctant to do sexy stuff".[33]
Portman instead signed on to star as Anne Frank in a Broadway revival of The Diary of Anne Frank, which was staged at the Music Box Theatre from December 1997 to May 1998. In preparation, she twice visited the Anne Frank House in Amsterdam and interacted with Miep Gies, who had preserved Anne's diary after the family was captured; she found a connection with Frank's story, given her own family's history with the Holocaust.[42][43] Reviewing the production for Variety, Greg Evans disliked her portrayal, which he thought had "little of the charm, budding genius or even brittle intelligence that the diary itself reveals".[44] Conversely, Ben Brantley found an "ineffable grace in her awkwardness".[45] The experience of performing the play was emotionally draining for her, as she attended high school during the day and performed at night; she wrote personal essays in Time and Seventeen magazines about her experience.[46]
1999–2006: Star Wars, education, and transition to mature roles
[edit]
Portman began filming the part of Padmé Amidala in the Star Wars prequel trilogy in 1997, which marked her first big-budget production. The first film of the series, Episode I – The Phantom Menace was released in 1999, when she was in her senior year of high school.[47] Portman was unfamiliar with the franchise when she was cast, and watched the original Star Wars trilogy before filming began.[48] She worked closely with the director George Lucas on her character's accent and mannerisms, and watched the films of Lauren Bacall, Audrey Hepburn, and Katharine Hepburn to draw inspiration from their voice and stature.[49] Filming in arduous locations in Algeria proved challenging for Portman.[50][14] She did not attend the film's premiere so she could study for her high school finals.[51] The critical response to the film was mixed, but with earnings of $924 million worldwide it was the second highest-grossing film of all time to that point, and it established Portman as a global star.[52][53]
Portman graduated from Syosset High School in 1999.[54][55][56] Her high school paper, "A Simple Method to Demonstrate the Enzymatic Production of Hydrogen from Sugar", co-authored with scientists Ian Hurley and Jonathan Woodward, was entered in the Intel Science Talent Search.[57] Following production on The Phantom Menace, Portman initially turned down a lead role in the coming-of-age film Anywhere but Here (1999) after learning it would involve a sex scene, but the director Wayne Wang and actress Susan Sarandon (who played Portman's mother in the film) demanded a rewrite of the script. She was shown a new draft, and decided to accept the part.[58][59] Mary Elizabeth Williams of Salon called Portman's performance "astonishing" and added that "unlike any number of actresses her age, she's neither too maudlin nor too plucky".[60] She received a Golden Globe Award for Best Supporting Actress nomination for it.[61]
Portman's sole screen appearance in 2000 was in Where the Heart Is, a romantic drama filmed in Texas, in which she played a pregnant teenager.[62] After finishing work on the film, she began attending Harvard University to pursue her bachelor's degree in psychology, and significantly reduced her acting roles over the next few years.[58] At Harvard she served as Alan Dershowitz's research assistant for his book The Case for Israel.[63] Both spoke highly of each other and described themselves as close friends, with Dershowitz calling her a "terrific student."[64][65] She then studied advanced Hebrew literature and neurobiology,[66] In the summer of 2001, she returned to Broadway (at the Delacorte Theater) to perform Chekhov's drama The Seagull, which was directed by Mike Nichols and co-starred Meryl Streep and Philip Seymour Hoffman.[67] Linda Winer of Newsday wrote that the "major surprises come from Portman, whose Nina transforms with astonishing lyricism from the girl with ambition to Chekhov's most difficult symbol of destruction".[68] Also in 2001, Portman was among several celebrities who made cameo appearances in the comedy Zoolander.[69] The following year she reprised her role of Amidala in Star Wars: Episode II – Attack of the Clones, which she had filmed in Sydney and London during her summer break of 2000.[70] She was excited by the opportunity to play a confident young woman who did not depend on the male lead.[71] When asked about balancing her career and education, she said, "I don't care if [college] ruins my career. I'd rather be smart than a movie star."[72][73] In 2002, she contributed to a study on memory called "Frontal lobe activation during object permanence: data from near-infrared spectroscopy".[74][75] Portman graduated from Harvard in 2003 and her sole screen appearance that year was in the brief part of a young mother in the war film Cold Mountain.[58][76][77] She described this period as the "most difficult time" in her life, noting that she wasn't getting work and felt criticized for her performances in Star Wars. After taking time off, she begged for the Cold Mountain role, which Mike Nichols helped secure, offering her a letter of support that helped her regain confidence.[78]

Portman began 2004 by featuring in the romantic comedy Garden State, which was written and directed by its star Zach Braff. She was the first actor to sign on to the film after finding a connection with her part: a spirited young girl suffering from epilepsy.[21][79] Her role in it was described by Nathan Rabin of The A.V. Club. as a prime example of the Manic Pixie Dream Girl character type – a stereotypical female role designed to spiritually help a male protagonist.[80] Portman later said she found it upsetting to have contributed to the trope.[81] She followed it by playing a mysterious stripper in Closer, a romantic drama directed by Mike Nichols based on the play of the same name, and co-starring Julia Roberts, Jude Law, and Clive Owen. Portman agreed to her first sexually explicit adult role after turning down such parts in the past, saying it reflected her own maturity as a person.[21][82] She had also performed her first nude scenes for the film, but they were deleted from the final cut when she insisted that they were inessential to the story.[82] Closer grossed over $115 million worldwide against a $27 million budget, and the critic Peter Travers took note of Portman's "blazing, breakthrough performance", writing that she "digs so deep into the bruised core of her character that they seem to wear the same skin."[83][84] She won the Golden Globe for Best Supporting Actress and received an Academy Award nomination in the same category.[85][86]
Star Wars: Episode III – Revenge of the Sith, the final installment of the Star Wars prequel trilogy, was Portman's first film release of 2005. It earned over $848 million to rank as the second-highest-grossing film of the year.[87] She next played a Jewish-American girl in Free Zone (2005), a drama from Israeli filmmaker Amos Gitai.[88] During the project, which was shot in Israel —particularly in the spring of 2004—she spent six months taking graduate courses at the Hebrew University of Jerusalem, studying subjects such as the anthropology of violence and Middle Eastern studies. In 2005, she read the memoirs of Yitzhak Rabin and a novel by David Grossman, which she said helped her explore both the role and her own heritage, and remarked that, "living in Israel is really beautiful. One of the most shocking things is how peaceful it feels."[82][89][26] Critics disliked the film for its heavy-handed approach to the conflicts in the Middle East.[90]
Portman's final film role in 2005 was that of Evey Hammond in the political thriller V for Vendetta, based on the comics of the same name, about an alternative future where a neo-fascist regime has subjugated the United Kingdom. She was drawn to the provocative nature of the script, and worked with a dialect coach to speak in an English accent. In a scene in which her character is tortured, her head was shaved on camera; she considered it an opportunity to rid herself of vanity.[91] Ruthe Stein of the San Francisco Chronicle deemed it Portman's strongest performance to that point, and remarked that she "keeps you focused on her words and actions instead of her bald head."[92] She was awarded the Saturn Award for Best Actress.[93]
Portman began 2006 by hosting an episode of the television sketch comedy show Saturday Night Live.[94] One of her sketches, a song named "Natalie's Rap", was released later in 2009 on Incredibad, an album by the Lonely Island.[95] In the anthology film Paris, je t'aime, consisting of eighteen short films, she had a role in the segment named "Faubourg Saint-Denis" from director Tom Tykwer.[96] Later that year, she starred in Miloš Forman's Goya's Ghosts, about the painter Francisco Goya. Forman cast her in the film after finding a resemblance between her and Goya's portrait The Milkmaid of Bordeaux.[97] She insisted on using a body double for her nude scenes after discovering on set that she had to perform them when they were not originally in the script.[98] It received predominantly negative reviews, but Roger Ebert was appreciative of Portman for playing her dual role "with fearless conviction".[99][100]
2007–2015: Career expansion and Black Swan
[edit]
Portman began 2007 by replacing Jodie Foster in Wong Kar-wai's romantic drama My Blueberry Nights, which was his first English-language film. For her role as a gambler, she trained with a poker coach.[101] Richard Corliss of Time magazine believed that "for once she's not playing a waif or a child princess but a mature, full-bodied woman" and commended her "vibrancy, grittiness and ache, all performed with a virtuosa's easy assurance".[102] Her next appearance was in Hotel Chevalier, a short film from Wes Anderson, which served as a prolog to his feature The Darjeeling Limited (in which Portman had a cameo).[103] In the short, she and Jason Schwartzman play former lovers who reunite in a Paris hotel room. For the first time, Portman performed an extended nude scene; she was later disappointed at the undue focus on it and she subsequently swore off appearing nude again.[98][104] Keen to work in different genres, Portman accepted a role in the children's film Mr. Magorium's Wonder Emporium, playing an employee of a magical toy store.[105] She also appeared in Paul McCartney's music video "Dance Tonight" from his album Memory Almost Full, directed by Michel Gondry.[106]
Scarlett Johansson and Portman portrayed rival sisters Mary and Anne Boleyn, respectively, in the period film The Other Boleyn Girl (2008). She was excited by the opportunity to work opposite another actress her age, bemoaning that such casting was rare in film.[107] Derek Elley of Variety was critical of Portman's English accent and wrote that she "doesn't quite bring the necessary heft to make Anne a truly dominant power player".[108] The film had modest box-office earnings.[109] She served as a jury member of the 2008 Cannes Film Festival and also launched her own production company, named handsomecharlie films, after her late dog.[101][110] Portman's directorial debut, the short film Eve, opened the short-film screenings at the 65th Venice International Film Festival.[111] It is about a young woman who goes to her grandmother's romantic date, and Portman drew inspiration for the older character (played by Lauren Bacall) from her own grandmother.[112]
A poorly received adaptation of Ayelet Waldman's novel Love and Other Impossible Pursuits, entitled The Other Woman, marked Portman's first film role of 2009.[113] She appeared in a faux perfume commercial called Greed, directed by Roman Polanski, and in the anthology film New York, I Love You, she directed a segment and also starred in a different segment directed by Mira Nair.[114][115] Portman next took on a role opposite Tobey Maguire and Jake Gyllenhaal in the drama film Brothers, a remake of the 2004 Danish film of the same name. Her role was that of a war widow, for which she spoke with military wives to prepare. The film was shot during the 2007–08 Writers Guild of America strike, and Portman found it challenging to shoot certain scenes without a written script.[116] Claudia Puig of USA Today found her to be "subdued and reactive in a part that doesn't call for her to do much else".[117]
After producing and co-starring alongside Joseph Gordon-Levitt in the black comedy Hesher (2010),[118] Portman played a ballerina overwhelmed with the prospect of performing Swan Lake in Darren Aronofsky's psychological horror film Black Swan. She was trained by the professional ballerina Mary Helen Bowers, and in preparation, she trained for five to eight hours daily for six months and lost 20 pounds (9 kg).[119][120][121] Her performance was acclaimed;[122] writing for Empire, Dan Jolin found her to be "simultaneously at her most vulnerable and her most predatory, at once frostily brittle and raunchily malleable [...] before peaking at the film's denouement with a raw, alluring showstopper of a performance."[123] Black Swan emerged as a sleeper hit, grossing over $329 million worldwide against a $13 million budget, and earned Portman several awards, including the Academy Award for Best Actress.[124][125][126] Following her Oscar win, controversy arose over who performed the bulk of the on-screen dancing in the film.[127] Sarah Lane, one of Portman's dancing doubles in the film, claimed that the actress performed only about five percent of the full-body shots, adding that she was asked by the film's producers not to speak publicly about it during awards season.[128] Aronofsky defended Portman by insisting that she had performed 80 percent of the on-screen dancing.[128]

Portman next served as an executive producer for No Strings Attached (2011), a romantic comedy in which she starred with Ashton Kutcher as a young couple in a casual sex relationship. She described the experience of making it as a "palate cleanser" from the intensity of Black Swan.[129] It received unfavorable reviews but was a commercial success.[130][131] She next agreed to the film Your Highness for the opportunity of playing an athletic and foul-mouthed character, which she believed was rare for actresses.[132] Critics were dismissive of the film's reliance on scatological humor and it proved to be a box-office bomb.[133][134] In her final film release of 2011, Portman took on the part of Jane Foster, a scientist and love-interest of the titular character (played by Chris Hemsworth) in the Marvel Cinematic Universe superhero film Thor. She liked the idea of Kenneth Branagh directing a big-budget film that emphasized character; she signed on to it before receiving a script, and helped develop her part by reading the biography of scientists such as Rosalind Franklin.[135][136][137] Richard Kuipers of Variety commended Portman's "sterling work in a thinly written role" for adding dimension to the film's romantic subplot.[138] Thor earned $449.3 million worldwide to emerge as the 15th highest-grossing film of 2011.[139]
In 2012, Portman topped Forbes' listing of the most bankable stars in Hollywood.[140] Her sole screen appearance that year was in Paul McCartney's music video "My Valentine", alongside Johnny Depp.[141] The following year, she reprised the role of Jane Foster in Thor: The Dark World, which earned over $644 million worldwide to emerge as the 10th highest-grossing film of 2013.[142] Forbes featured her in their Celebrity 100 listing of 2014, and estimated her income from the previous year to be $13 million.[143]
In 2015, Portman appeared alongside an ensemble cast, including Christian Bale, in Terrence Malick's experimental drama film Knight of Cups, which marked her first project after giving birth. She shot for it within a week of returning to work and she did not receive a traditional script or dialogues, improvising most of her scenes with Bale.[144][145] She said that shooting with Malick influenced her own directorial venture, A Tale of Love and Darkness which was released in the same year.[144] Based on Israeli author Amos Oz's autobiographical novel of the same name which is set in Jerusalem during the last years of the British Mandate of Palestine, the Hebrew-language film starred Portman who also produced and co-wrote it.[146][147] She had wanted to adapt the book since she first read it a decade ago, but postponed it until she was old enough to play the leading role of a mother herself. She collaborated closely with Amos, showing him drafts of her script as she adapted the book.[148][149] The film received partial funding from the rightist Israeli government,[63][150] She later remarked that it was easier to be a female director in Israel than in the U.S., "thanks to the IDF". She explained that Israeli men are accustomed to female officers and commanders, "making it easier for them to accept female authority."[151] Critics gave the film generally positive reviews.[152] A. O. Scott of The New York Times found it to be a "conscientious adaptation of a difficult book" and was appreciative of Portman's potential as a filmmaker.[153]
She next produced and starred in the western film Jane Got a Gun about a young mother seeking vengeance. Initially scheduled to be directed by Lynne Ramsay, the production was plagued with numerous difficulties. Ramsay did not turn up on set for the first day of filming and was eventually replaced with Gavin O'Connor. Michael Fassbender, Jude Law, and Bradley Cooper were all cast as the male lead, before Ewan McGregor played the part.[154] Peter Bradshaw of The Guardian reviewed that Portman's "stately performance" was not enough to save the "laborious and solemn western", and it grossed less than $4 million against its $25 million budget.[155][156]
2016–present: Jackie and production ventures
[edit]
Portman portrayed Jacqueline Kennedy in the Pablo Larraín-directed biopic Jackie (2016), about Kennedy's life immediately after the 1963 assassination of her husband. She was initially intimidated to take on the part of a well-known public figure,[157] and eventually researched Kennedy extensively by watching videos of her, reading books, and listening to audiotapes of her interviews.[158][159] She also worked with a dialect coach to adopt Kennedy's unique speaking style.[160] David Rooney of The Hollywood Reporter termed it an "incandescent performance" and added that "her Jackie is both inscrutable and naked, broken but unquestionably resilient, a mess and yet fiercely dignified".[161] She won the Critics' Choice Movie Award for Best Actress and received a nomination for the Academy Award for Best Actress.[162][163] She also served as producer for the comedy horror film Pride and Prejudice and Zombies, directed by Burr Steers, and starred in Rebecca Zlotowski's French-Belgian drama Planetarium.[164][165] The 2017 experimental romance Song to Song marked Portman's second collaboration with Terrence Malick, which like their previous film polarized critics.[166][167] That year, Portman revealed that she has experienced sexual harassment or discrimination in almost every project she has worked on, despite initially believing she had avoided such experiences.[168]
In 2018, Portman starred in the science fiction film Annihilation, based on Jeff VanderMeer's novel. She played a biologist and former soldier who studies a mysterious quarantined zone of mutating organisms.[169] She was pleased to headline a rare female-led science fiction film, and she moved her family near Pinewood Studios during filming. For the action sequences, she underwent movement training with the dancer Bobbi Jene Smith.[170] Benjamin Lee of The Guardian took note of Portman's "strong, fiercely compelling presence" and commended her for playing the part without unnecessary sentimentality.[171] It only received a limited theatrical release and was distributed on Netflix internationally.[172] Her next appearance was in Xavier Dolan's first English-language film, the ensemble drama The Death & Life of John F. Donovan (2018), which was termed a "shocking misfire" by Eric Kohn of IndieWire.[173] She then starred as a troubled pop singer in Vox Lux, sharing the part with Raffey Cassidy. She was drawn to the idea of showcasing the negative effects of fame, and in preparation, she watched documentaries on musicians and listened to the music of Sia, who wrote her songs in the film. For the climactic dance routines, she trained with her then-husband, Benjamin Millepied, who choreographed the sequence.[174] It received mixed reviews from critics, but Portman's performance earned praise.[175] Comparing it to her performances in Black Swan and Jackie, Robbie Collin of The Daily Telegraph wrote that "this role has a similar audacity and extravagance that few actresses would dare attempt, let alone be allowed to get away with".[176]

Unused footage from Thor: The Dark World and a new voice-over were used for Portman's brief appearance in the 2019 superhero film Avengers: Endgame.[177] She then portrayed a psychologically troubled astronaut (based on Lisa Nowak) in the drama Lucy in the Sky, directed by Noah Hawley.[178] She replaced the film's producer Reese Witherspoon, who backed out due to a scheduling conflict. The film was poorly received, though Portman's performance was praised.[179] The following year, she narrated the Disney+ nature documentary Dolphin Reef and voiced Jane Foster in the animated series What If...?.[180][181] In 2022, Portman reprised her role as Foster in the sequel Thor: Love and Thunder, in which her character becomes Mighty Thor.[182][183] She agreed to return to the franchise after meeting with director Taika Waititi, who offered to portray her character in an "adventurous and fun and funny" way.[184][185] In preparation, Portman took the Mjolnir prop home to practice using it for her stunts.[186] Nick Allen at RogerEbert.com opined, "In both her human and her heroic state, Portman’s performance conveys why it's great to see Jane again."[187] Portman received a nomination for the Critics' Choice Super Award for Best Actress in a Superhero Movie.[188] In a 2022 readers' poll by Empire magazine, Portman was voted one of the 50 greatest actors of all time.[189]
Portman and her producing partner, Sophie Mas, founded the production company MountainA in 2021, and signed a first-look television deal with Apple TV+.[190] The company's first project was May December, a drama from filmmaker Todd Haynes, starring Portman and Julianne Moore, which premiered at the 2023 Cannes Film Festival.[191][192] Portman played an actress researching for her role as a woman (played by Moore) whose marriage to a much younger man was highly controversial. She was pleased to work with Haynes, whose work she admired, and to play a morally ambiguous character.[193] Geoffrey Macnab of The Independent believed that the film had been "galvanised by the tremendous performances from Portman and Moore".[194] Portman received another Golden Globe nomination for her performance.[195] The company next produced the HBO documentary series Angel City, about the inaugural season of Angel City FC, which was co-founded by Portman.[191]

MountainA's third project was Lady in the Lake (2024), an Apple TV+ miniseries adaptation of Laura Lippman's thriller novel. Portman played a 1960s housewife in Baltimore who turns into an investigative journalist following an unsolved murder.[196] Production in Baltimore was briefly paused when the crew received threats of violence.[197] Continuing her collaboration with Apple TV+, Portman will next star in Fountain of Youth, an adventure film directed by Guy Ritchie.[198] She will also star alongside Jenna Ortega in Cathy Yan's thriller film The Gallerist.[199]
Endorsements
[edit]Beyond her acting career, Portman has been a longtime ambassador for Dior. She signed with the brand in 2010 and has starred in multiple advertising campaigns.[200] In March 2011, Portman began voluntarily promoting a fundraising campaign for Hadassah Medical Center in Jerusalem. The campaign was aimed at raising funds for the construction of the Sarah Wetsman Davidson Tower, a new hospitalization tower at the hospital's Ein Kerem campus, which was open in 2012. The campaign was a joint effort with the Hadassah Women's Zionist Organization of America, which owns the hospital.[11] Later in October 2012, Britain's Advertising Standards Authority banned a Dior advertisement that featured Portman wearing Dior mascara after a complaint from Dior's competitor, L'Oreal, saying that the advert "misleadingly exaggerated the likely effects of the product". The ASA ruled that "the ad was likely to mislead".[201] Portman is the face of one of the company's fragrances, Miss Dior, inspired by Catherine Dior.[202] She has starred in campaign videos for the fragrance, and promoted a new version of the fragrance, Rose N'Roses, in 2021.[203][204]
In July 2020, she became one of the leaders of the creation of NWSL soccer team Angel City FC and also became one of the owners of the team.[205]
Activism
[edit]Animal and human rights
[edit]Portman has long been an advocate for various causes, including animal rights, where she became a vegetarian at age eight after witnessing a demonstration of laser surgery on a chicken during a medical conference with her father. This experience deeply influenced her decision and has been a key part of her commitment to animal welfare.[206][207] She became a vegan in 2009 after reading Jonathan Safran Foer's Eating Animals and later produced a documentary on factory farming systems in the U.S. by the same title.[208][209] In September 2017, she was recognized for her work on the film by the Environmental Media Association Awards with the Ongoing Commitment Award.[210] She does not wear animal products and has praised animal-friendly products designed by Stella McCartney and Target. In 2007, she launched her own brand of animal-friendly footwear.[211] In 2007, Portman traveled to Rwanda with Jack Hanna to film the documentary Gorillas on the Brink.[212] Portman has been an advocate of environmental causes since childhood, when she joined an environmental song and dance troupe known as World Patrol Kids.[213]

Portman has also supported anti-poverty causes. In 2004 and 2005, she traveled to Uganda, Guatemala, and Ecuador as the Ambassador of Hope for FINCA International, an organization that promotes micro-lending to help finance women-owned businesses in developing countries.[214] In an interview appearing on the PBS program Foreign Exchange with Fareed Zakaria, she discussed microfinance. Host Fareed Zakaria said that he was "generally wary of celebrities with fashionable causes", but included the segment with Portman because "she really knew her stuff".[215] On This Week with George Stephanopoulos in April 2007, Portman discussed her work with FINCA and how it can benefit women and children in Third World countries.[216] In fall-2007, she visited several university campuses, including Harvard, USC, UCLA, UC Berkeley, Stanford, Princeton, New York University, and Columbia, to inspire students with the power of microfinance and to encourage them to join the Village Banking Campaign to help families and communities lift themselves out of poverty.[217]
Portman is a supporter of the Democratic Party, and for the 2004 presidential election she campaigned for Senator John Kerry.[218][219] Prior to the 2008 presidential election, she supported Senator Hillary Clinton of New York in the Democratic primaries. Portman later campaigned for Senator Barack Obama of Illinois. In a 2008 interview, she also stated: "I even like John McCain. I disagree with his war stance – which is a really big deal – but I think he's a very moral person."[220] In 2010, her activist work and popularity with young people earned her a nomination for VH1's Do Something Awards, which is dedicated to honoring individuals who do good.[221] In 2011, Portman and her then-fiancé Benjamin Millepied were among the signers of a petition to President Obama in support of same-sex marriage.[222] She supported Obama's re-election campaign in 2012.[223]
In 2009, Portman signed a petition that defended Roman Polanski, who was charged with drugging and raping a thirteen-year-old girl in 1977, and has been a fugitive for decades.[224][225][226] In February 2018, she expressed regret over signing the petition.[227]
In January 2011, Portman was appointed an ambassador of WE Charity (formerly known as Free The Children), an international charity and educational partner, spearheading their Power of a Girl campaign.[228] She hosted a contest challenging girls in North America to fundraise for one of WE Charity's all-girl schools in Kenya. As incentives for the contest winner, Portman offered the designer Rodarte dress she wore to the premiere of Black Swan, along with tickets to her next film premiere.[228] It was announced in May 2012 that Portman would be working with watch designer Richard Mille to develop a limited-edition timepiece with proceeds supporting WE Charity.[229] During WE Day California 2019 Portman gave a pro vegan speech in front of the student audience, linking vegan lifestyle and feminism.[230][231] In December 2019, she visited Kenya a second time with WE Charity and spoke with young girls determined to improve their lives through access to education.[232]
In 2006, Portman served as a guest lecturer at Columbia University for a course in terrorism and counterterrorism, where she spoke about her film V for Vendetta.[233] In February 2015, Portman was among other alumni of Harvard University including Robert F. Kennedy Jr., Darren Aronofsky and Susan Faludi who wrote an open letter to the school demanding it divest its $35,900,000,000 endowment from coal, gas, and oil companies.[234] Later that year in May, she spoke at the annual Harvard Class Day to the graduating class of 2015.[235]
In January 2018, she donated $50,000 to the Time's Up initiative.[236] Portman took part in the 2018 Women's March in Los Angeles, where she spoke about the "sexual terrorism" she experienced at age thirteen after the release of her film Léon: The Professional. She told the crowd, "I understood very quickly, even as a 13-year-old, that if I were to express myself sexually I would feel unsafe and that men would feel entitled to discuss and objectify my body to my great discomfort."[237] She drew attention to the MeToo movement, revealing that her first fan letter was a "rape fantasy" from a man and that her local radio station created a countdown until her eighteenth birthday (when she would reach legal age to consent to have intercourse).[237] In September 2023, Portman spoke at an event for the United Nations Spotlight Initiative to eliminate violence against women and girls, where she urged member states to reinvest in the Initiative and ending gender-based violence.[238]
In 2020, Portman endorsed the "defund the police" movement.[239] In 2020, Portman collaborated with JusticeLA to create a public service announcement #SuingToSaveLives about the health of people in L.A. County jails amid the COVID-19 pandemic.[240][241] Later in 2020, Portman was announced as one of the co-founders and investors in an almost all-female group that was awarded a new franchise in the National Women's Soccer League, the top level of the women's sport in the U.S. The new team, since unveiled as Angel City FC, began play in the 2022 NWSL season.[242][243]
Views on Israel
[edit]
Haaretz has described Portman as "one of Israel's outspoken supporters"; even when global public opinion has turned against Israel, she has remained steadfast in her support for "the Holy Land," advocating through academic articles, lectures, and public declarations.[244] Haaretz cited Portman raising funds for the reconstruction of northern Israel after the 2006 Lebanon War as a notable example of her support.[244] However, Portman herself has described her relationship with Israel as complex, "like family—you love it more than anything else in the world, and you are also more critical of it than anything else in the world."[245]
In 2002, at Harvard, Portman wrote a letter to The Harvard Crimson in response to an essay critical of Israeli actions toward Palestinians, arguing that it misleadingly compared the situation to racial apartheid and that instead "most Israelis and Palestinians are indistinguishable physically".[246] She has criticized the Israeli government, specifically Prime Minister Benjamin Netanyahu, being critical of his re-election in 2015, saying she was "disappointed" and found his comments racist.[247] In November 2017, Portman was announced as the Genesis Prize recipient for 2018, which includes $2,000,000 in prize money.[248][247] The following April, Portman announced that she did not plan to attend the awards ceremony scheduled for June, citing "recent events in Israel" that left her feeling uncomfortable attending public events there, leading to the ceremony being canceled.[249]
The statement did not specify which events, but was suggested as referencing the killings and wounding of Palestinian protestors by Israeli fire during the 2018–2019 Gaza border protests.[250][251][252] Portman’s decision sparked backlash from Israeli politicians, including Culture Minister Miri Regev, Minister of Public Security and Strategic Affairs Gilad Erdan and American rabbi Shmuley Boteach, who accused the actress of being influenced by the Boycott, Divestment and Sanctions movement. The Likud party condemned Portman’s position, with Knesset member Oren Hazan calling for her Israeli citizenship to be revoked.[253]
Portman clarified that she was not boycotting Israel, stating, "I am not part of the BDS movement and do not endorse it. Like many Israelis and Jews, I can be critical of Israel's leadership without wanting to boycott the nation." She explained that she did not want to "appear as endorsing" Prime Minister Netanyahu, who was scheduled to speak at the ceremony, and emphasized that "the mistreatment of those suffering from today’s atrocities is not in line with my Jewish values." She added, "Because I care about Israel, I must stand up against violence, corruption, inequality, and abuse of power".[254][255][256] Later in 2018, Portman criticized the passing of the highly controversial and widely criticized Nation-State Bill, describing the law as "racist, and there’s nothing else to say about that."[257][258] She is also a member of the One Voice movement.[259]
On October 18, 2023, Portman called for the release of hostages held by Hamas and condemned their actions. She also advocated for Israeli children who have been kidnapped, urging support for their release. Additionally, she publicized information about Dror Israel on Instagram to raise funds for children near the Gaza border and called on the Red Cross to address ongoing breaches of International Humanitarian Law within Israel.[260] On November 12, 2023, she took part in the March for the Republic and Against Antisemitism in Paris in response to the rise in antisemitism since the start of the Gaza war.[261]
Personal life
[edit]
Portman is a polyglot, and speaks English, Hebrew, French, German, Japanese and Arabic, to various degrees.[262] In 2005, Portman bought an apartment in Richard Meier's glass tower at West Village for $5.7 million. In 2008, she listed it for sale at $6.55 million.[263] In 2006, Portman expressed a strong connection to her Jewish identity, particularly in Israel, and shared her desire to raise her children Jewish: "A priority for me is definitely that I'd like to raise my kids Jewish, but the ultimate thing is to have someone who is a good person and who is a partner."[264][265] Portman has discreetly dated actors Zach Braff, Jake Gyllenhaal,[78] and Devendra Banhart.[263] She married French dancer and choreographer Benjamin Millepied, with whom she shares two children.[266] The couple met in 2009 while working together on Black Swan,[267] and wed on August 4, 2012, in a Jewish ceremony in Big Sur, California.[268]
In 2013, she was living in Los Angeles.[269] After Millepied was appointed director of dance at the Paris Opera Ballet,[270][271] the family relocated to Paris in the autumn of 2014, where Portman also expressed interest in obtaining French citizenship.[272][273] In January 2014, Millepied announced that he was in the process of converting to Judaism.[274] In 2017, she bought a Montecito mansion, which she sold in 2021 for $8 million.[275][276] She still owns a home in the Los Feliz neighborhood of Los Angeles.[277] In early 2023, reports surfaced alleging an extramarital affair by Millepied. The couple never publicly addressed the claims.[278] On March 8, 2024, it was officially announced that Portman and Millepied had divorced.[279]
Filmography and awards
[edit]Portman's most acclaimed and highest-grossing films, according to the online portal Box Office Mojo and the review aggregate site Rotten Tomatoes, include Star Wars: Episode I – The Phantom Menace (1999), Star Wars: Episode II – Attack of the Clones (2002), Closer (2004), Star Wars: Episode III – Revenge of the Sith (2005), V for Vendetta (2005), Black Swan (2010), No Strings Attached (2011), Thor (2011), Thor: The Dark World (2013), Jackie (2016), Annihilation (2018), and Thor: Love and Thunder (2022).[280][281]
Portman has received numerous accolades for her work, including an Academy Award, a BAFTA Award, two Golden Globe Awards and a Screen Actors Guild Award.
See also
[edit]Notes
[edit]References
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I'm going to college. I don't care if it ruins my career. I'd rather be smart than a movie star.
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- ^ Sulcas, Roslyn (January 24, 2013). "Paris Opera Ballet Picks Outsider for New Director". The New York Times. Archived from the original on December 10, 2013. Retrieved December 15, 2014.
- ^ Jimmy Kimmel Live (August 26, 2016). "Natalie Portman on Etiquette in France". YouTube. Archived from the original on July 13, 2022. Retrieved September 26, 2022.
- ^ Dish, Daily (September 10, 2013). "Natalie Portman wants French citizenship for Paris move". Daily Dish. Archived from the original on May 14, 2021. Retrieved February 6, 2025.
- ^ Cohen, Anne (September 10, 2013). "Natalie Portman Wants French Citizenship". The Forward. Retrieved February 6, 2025.
- ^ "Benjamin Millepied To Share Jewish Faith Of His Wife Natalie Portman: Choreographer Announces Conversion Plans". Huffington Post. January 30, 2014. Archived from the original on February 18, 2022. Retrieved December 15, 2020.
- ^ Davies, Rachel (February 4, 2022). "Natalie Portman Sells Modern Montecito Estate for $8 Million". Architectural Digest. Retrieved June 22, 2025.
- ^ Leonard, Elizabeth (March 8, 2024). "Natalie Portman and Benjamin Millepied Finalize Divorce After Quietly Separating Last Year (Exclusive)". People. Retrieved April 8, 2024.
- ^ Davies, Rachel (February 7, 2022). "Natalie Portman sells modern Montecito estate for $8 million". Vogue Australia.
- ^ "Natalie Portman finalizes divorce from French choreographer husband". The Times of Israel. March 9, 2024. Retrieved April 8, 2024.
- ^ Shafer, Ellise (March 8, 2024). "Natalie Portman and Benjamin Millepied Divorce After 11 Years of Marriage". Variety. Retrieved March 8, 2024.
- ^ "Natalie Portman". Rotten Tomatoes. Archived from the original on September 12, 2019. Retrieved August 9, 2019.
- ^ "Natalie Portman". Box Office Mojo. Archived from the original on August 12, 2019. Retrieved August 9, 2019.
Bibliography
[edit]- Dickerson, James L. (2002). Natalie Portman: Queen of Hearts. ECW Press. ISBN 9781550224924.
- Dickerson, James L. (2012). Natalie Portman's Stark Reality: A Biography. Sartoris Literary Group. ISBN 9780985513597.
External links
[edit]- Natalie Portman at IMDb
- Natalie Portman at the Internet Broadway Database
- Natalie Portman at the Internet Off-Broadway Database (archived)
Natalie Portman
View on GrokipediaEarly Life and Background
Birth and Israeli Roots
Natalie Portman was born Neta-Lee Hershlag on June 9, 1981, in Jerusalem, Israel.[10] [4] Her parents were Avner Hershlag, an Israeli-born physician specializing in gynecology and fertility treatment, and Shelley Stevens, an American homemaker and artist originally from Cincinnati, Ohio.[11] [12] [13] Portman's family background is Ashkenazi Jewish, with her father's ancestors emigrating to Israel from Poland and Romania, including relatives who perished in the Holocaust, and her mother's forebears being Jewish immigrants from Austria and Russia.[10] [14] The household observed a secular form of Judaism, emphasizing cultural rather than religious observance.[2] During her early infancy, Portman resided in Jerusalem, where she was exposed to Hebrew as a first language alongside English, reflecting her father's Israeli upbringing and the bilingual environment of her birthplace.[2] She retains dual citizenship in Israel and the United States, stemming from her birth in Israel and her mother's American nationality, which conferred U.S. citizenship by descent.[15] [16]Family Dynamics and Upbringing
Portman was the only child of Avner Hershlag, an Israeli-born physician specializing in reproductive endocrinology and infertility treatment, and Shelley Stevens, an American artist and homemaker of Ashkenazi Jewish descent from Cincinnati, Ohio.[1][11] This parental pairing created a household blending medical precision with artistic sensibility, where scientific inquiry and creative exploration were modeled as complementary values, encouraging Portman's early development of analytical thinking alongside imaginative pursuits.[17] Her father's focus on fertility research and clinical practice often required professional adaptability, contributing to family relocations that exposed her to varied cultural contexts in her pre-teen years, though the primary move from Israel occurred when she was three.[1][18] Stevens, drawing from her own artistic background, actively supported Portman's exposure to the performing arts during their time in Israel, including theater outings that sparked an initial interest in performance without immediate pursuit of professional acting.[11] The family dynamic prioritized intellectual growth over premature fame, with both parents emphasizing education and multilingualism; Portman spoke Hebrew as her first language and demonstrated early aptitude for additional tongues like French, reflecting a home environment that valued linguistic versatility and cultural fluency.[19][20] This approach stemmed from Hershlag's rigorous professional ethos and Stevens's encouragement of broad horizons, fostering resilience amid transitions rather than stability in one locale.[21]Immigration to the United States
In 1984, when Natalie Portman was three years old, her family relocated from Jerusalem to the Washington, D.C. metropolitan area in Maryland, where her father, Avner Hershlag, an Israeli-born fertility specialist, undertook medical residency training.[2][12][22] The family continued moving within the United States for her father's career advancement, shifting to Connecticut around 1988 when Portman was seven, before permanently settling in Syosset on Long Island, New York, by 1990, where Hershlag took positions at North Shore University Hospital and New York Hospital-Cornell Medical Center.[13][23][24] These relocations involved logistical adjustments to suburban American life, including enrollment in the Charles E. Smith Jewish Day School in Rockville, Maryland, which supported integration into the local Jewish community while the family preserved Israeli cultural ties through annual visits and Portman's retention of Israeli citizenship alongside her American one acquired via her mother's U.S. origins and family residency.[12][25][26]Education
Academic Pursuits in High School
Portman attended Syosset High School in Syosset, New York, from approximately 1995 to 1999, where she enrolled under her birth name, Natalie Hershlag, to preserve a sense of normalcy amid her early acting commitments.[27][28] She maintained a 4.0 grade point average throughout high school, graduating as valedictorian in June 1999, which demonstrated her ability to balance rigorous academics with extracurricular modeling and acting opportunities.[29][30][31] In addition to her coursework, Portman engaged in advanced scientific pursuits, entering the Intel Science Talent Search during her high school years and conducting independent research on enzymatic hydrogen production from sugar, which resulted in a co-authored paper published in 1998.[32][33][34] This work, detailed in the Journal of Chemical Education, provided laboratory instructions for demonstrating enzyme-catalyzed reactions, highlighting her aptitude for empirical STEM applications.[35] Her prioritization of education over entertainment accolades was evident when, following a film premiere, she chose to prepare for high school exams rather than attend the afterparty, underscoring a deliberate focus on intellectual development despite rising fame.[36]Undergraduate Studies at Harvard
Portman enrolled at Harvard College in 1999 to pursue an A.B. degree in psychology, a field emphasizing empirical methods and experimental design, which she earned upon graduation in May 2003.[7] Her coursework included rigorous quantitative analysis and neuroscience topics, contributing to her preference for evidence-based reasoning over anecdotal narratives in intellectual pursuits.[37] To maintain academic immersion amid her acting schedule, Portman resided in freshman dorms at Grays Hall during her first year, eschewing off-campus privileges or special accommodations typically available to celebrities, thereby experiencing campus life akin to peers.[38] She balanced Harvard classes with on-location filming for Star Wars: Episode II – Attack of the Clones in 2002, transporting textbooks to sets and prioritizing coursework during production breaks to avoid deferrals or extensions.[39] This dual commitment underscored her deliberate rejection of Hollywood's deferential norms in favor of structured, merit-based evaluation. Portman contributed to empirical psychological research at Harvard, co-authoring a study on frontal lobe activation during object permanence tasks using near-infrared spectroscopy, which highlighted her hands-on involvement in data-driven experimentation.[40] She also served as a research assistant to law professor Alan Dershowitz, aiding his work on The Case for Israel (2003), a defense of Israeli policies grounded in legal and historical evidence, and enrolled in his seminar on neuropsychology and the law, where discussions extended to Israel-related geopolitical issues.[37] Dershowitz later described her as an exceptional student who earned top grades, reflecting the intellectual rigor she sought through such engagements.[41] These experiences reinforced a worldview oriented toward causal analysis and verifiable claims, distinct from subjective or ideologically driven interpretations prevalent in entertainment circles.Postgraduate and Intellectual Influences
Portman pursued graduate-level coursework at the Hebrew University of Jerusalem in the spring of 2004, focusing on advanced topics amid her acting commitments.[42] [43] This period marked a return to her Israeli roots for intellectual exploration, distinct from formal degree programs, and reflected her interest in regional geopolitics and cultural anthropology without pursuing a full postgraduate qualification.[44] Her self-directed learning extended to scientific inquiry, building on undergraduate psychology research that produced peer-reviewed publications on topics like enzymatic reactions and lie detection methods, emphasizing empirical evidence over speculative theory.[34] Post-Harvard, this manifested in ongoing engagement with academia, including guest lectures on neuroscience and human behavior, underscoring a preference for data-driven analysis in understanding cognition and society.[45] Multilingual proficiency further supported Portman's intellectual breadth, with native fluency in Hebrew enabling direct access to primary sources in Jewish philosophy and history, complemented by conversational French acquired through immersion and study.[12] She has developed working knowledge of Japanese, German, and Spanish, using these languages for reading untranslated works in literature and social sciences, which facilitated independent exploration of cross-cultural perspectives without reliance on secondary interpretations.[46] [47]Acting Career
Child Acting Debut (1992–1995)
Portman entered the entertainment industry at age 11 in 1992, when a Revlon cosmetics representative approached her at a pizza parlor in Long Island, New York, after observing her post-dance class.[48] [49] This led to modeling opportunities, which her parents permitted only alongside acting pursuits, transitioning her focus from print work to auditions.[2] Her screen debut came in the 1994 short film Developing, directed by Marya Cohn, where she portrayed a supporting role in a story about a mother-daughter relationship amid breast cancer; the project, a student film by a family acquaintance, was shot prior to her major feature work.[50] Portman's breakthrough followed in Luc Besson's Léon: The Professional (1994), filmed in 1993 when she was 12, playing Mathilda Lando, a precocious 12-year-old orphan who forms a bond with a hitman after her family's murder.[51] The production adhered to child labor regulations, limiting her daily hours and incorporating on-set tutoring to maintain educational continuity, as required under New York and federal guidelines for minors.[52] Portman's parents, Avner Hershlag and Shelley Stevens, enforced strict oversight to shield her from exploitation, rejecting roles deemed inappropriate and prioritizing schooling over frequent commitments; they accompanied her to sets and vetted projects rigorously.[11] [53] This approach reflected their emphasis on normalcy, with Portman attending public school between shoots and limiting early work to avoid disrupting academics.[2] For Léon, Portman's performance earned a 1995 YoungStar Award nomination for Best Performance by a Young Actress in a Drama Film, highlighting early industry notice for her ability to convey vulnerability and defiance in a mature narrative.[54] Despite the film's intensity, her parents' involvement ensured boundaries, such as script adjustments to tone down suggestive elements initially proposed for the character.[55]Breakthrough Roles and Star Wars Prequels (1996–2005)
Portman's breakthrough in feature films came in 1996 with supporting roles in three diverse productions. In Beautiful Girls, directed by Ted Demme and released on February 9, 1996, she portrayed Marty, a 13-year-old neighbor depicted as mature beyond her years, interacting flirtatiously with an adult character played by Timothy Hutton.[56][57] Later that year, she appeared as Taffy Dale, the president's daughter, in Tim Burton's satirical science-fiction comedy Mars Attacks!, released December 13, 1996, which grossed $37.8 million domestically and $101.4 million worldwide against a $70 million budget.[58][59] In Woody Allen's musical romantic comedy Everyone Says I Love You, released December 6, 1996, Portman played Laura Dandridge, a teenage girl navigating family dynamics and romance, contributing to the ensemble cast alongside Allen, Goldie Hawn, and Julia Roberts.[60][61] These roles solidified Portman's reputation for portraying intellectually precocious young characters, a typecasting she later reflected upon as limiting her opportunities for more varied parts, with directors reportedly hesitant to cast her post-franchise due to associations with such archetypes.[55][62] Her prominence escalated with the casting as Padmé Amidala in the Star Wars prequel trilogy. Selected in 1997 for George Lucas's Star Wars: Episode I – The Phantom Menace (1999), Portman embodied the 14-year-old Queen of Naboo, a role involving elaborate costumes and dual identities as Queen Amidala and her handmaiden Padmé.[63] The film, released May 19, 1999, achieved $1.047 billion in worldwide box office, marking it as one of the highest-grossing releases at the time and launching the prequels' commercial dominance. She reprised the role in Episode II – Attack of the Clones (2002) and Episode III – Revenge of the Sith (2005), with the trilogy collectively grossing over $2.5 billion globally, though her performance drew mixed critical reception amid the franchise's spectacle-driven success.[64] Amid filming Episode II in Australia from June to September 2000, Portman balanced her Harvard University coursework by studying psychology on set and arranging extension classes, attending from 1999 to 2003 while limiting other acting commitments to maintain academic progress.[65][66] This period underscored the logistical challenges of her dual pursuits, as she deferred full enrollment to accommodate production schedules.[67]Transition to Adult Roles and Critical Recognition (2006–2010)
Portman began transitioning from adolescent roles to more complex adult characters in 2006 with her portrayal of Evey Hammond in the dystopian action film V for Vendetta, directed by James McTeigue, where she depicted a young broadcast assistant who joins a masked revolutionary against a fascist regime.[68] Her performance, noted for its depiction of Evey's radicalization and emotional depth despite an occasionally uneven British accent, contributed to the film's commercial success, grossing over $132 million worldwide.[69] That year, she also starred in Miloš Forman's historical drama Goya's Ghosts as Inés, the young muse of painter Francisco Goya falsely accused of heresy during the Spanish Inquisition, later reappearing as Inés's adult daughter seeking justice two decades on; the role required Portman to embody both innocence and hardened resilience amid themes of religious persecution and political upheaval.[70] In 2007, Portman took on the lead in the family-oriented fantasy Mr. Magorium's Wonder Emporium, playing Molly Mahoney, a disillusioned toy store manager who rediscovers wonder upon learning of her eccentric employer's impending death; the film, while not a critical hit, showcased her ability to blend whimsy with subtle pathos in a lighter blockbuster vehicle.[71] She followed this in 2008 with the period drama The Other Boleyn Girl, portraying the ambitious and cunning Anne Boleyn in a tale of sibling rivalry and court intrigue under King Henry VIII, opposite Scarlett Johansson as Mary Boleyn; critics highlighted Portman's intense embodiment of Anne's manipulative drive, though the adaptation drew mixed reviews for historical inaccuracies.[72] This role underscored her shift toward sophisticated historical and dramatic parts, balancing mainstream appeal with character depth. Portman's dramatic range expanded in 2009's Brothers, directed by Jim Sheridan, where she played Grace Cahill, the wife of a Marine presumed dead in Afghanistan, navigating grief and an evolving bond with her husband's brother; her restrained performance amid Tobey Maguire's volatile intensity earned praise for conveying quiet familial strain and resilience in an independent war drama.[73] The period culminated in 2010's Black Swan, a psychological thriller directed by Darren Aronofsky, in which Portman starred as Nina Sayers, a perfectionist ballerina unraveling under pressure to embody both the White and Black Swans in Swan Lake; to prepare, she trained intensively in ballet for nearly 10 months—up to eight hours daily, six days a week—resulting in significant weight loss and physical transformation, compounded by close creative collaboration with Aronofsky.[74] Her raw, immersive depiction of psychological descent and artistic obsession secured widespread critical acclaim, including the Academy Award for Best Actress at the 83rd Oscars on February 27, 2011, marking her breakthrough as a critically revered adult performer.[75] This phase illustrated Portman's strategic pivot from franchise stardom to auteur-driven projects, prioritizing roles demanding physical and emotional rigor over commercial blockbusters.Mainstream Expansion and Versatility (2011–2015)
In 2011, Portman diversified into romantic comedy with No Strings Attached, portraying Emma, a physician pursuing a casual relationship with a writer played by Ashton Kutcher; the film earned $70.6 million domestically but held a 47% approval rating on Rotten Tomatoes, with critics noting its formulaic script despite Portman's committed performance.[76] [77] That same year, she entered the superhero genre as Jane Foster, an astrophysicist entangled with the Norse god Thor (Chris Hemsworth), in Kenneth Branagh's Thor, which grossed $268 million in the U.S. and achieved a 77% Rotten Tomatoes score for its blend of humor, action, and visual effects, marking Portman's entry into high-profile franchise cinema.[78] Portman reprised the role of Jane Foster in 2013's Thor: The Dark World, directed by Alan Taylor, where her character investigates cosmic anomalies amid Thor's battles against dark elves; the sequel amassed $206.4 million domestically and a 67% Rotten Tomatoes rating, praised for improved action sequences but critiqued for uneven pacing and underutilized supporting roles, including Portman's.[79] These Marvel Cinematic Universe entries demonstrated Portman's adaptability to large-scale action and science fiction, contrasting her prior dramatic work and contributing to her mainstream visibility amid blockbuster earnings exceeding $450 million worldwide for the first film alone.[78] By 2015, Portman explored experimental territory in Terrence Malick's Knight of Cups, appearing briefly as one of the enigmatic women in a screenwriter's (Christian Bale) existential wanderings through Hollywood excess; the film garnered a 47% Rotten Tomatoes score, lauded for its poetic visuals and philosophical undertones but faulted for opaque narrative structure and emotional detachment.[80] During this period, she also began intensive preparation for her portrayal of Jacqueline Kennedy in the upcoming biopic Jackie, including dialect coaching to master the former First Lady's precise New England accent and breathy timbre, showcasing her commitment to historical authenticity through vocal transformation.[81] This phase highlighted Portman's genre versatility, balancing commercial blockbusters with auteur-driven projects while prioritizing performance metrics like accent precision over box office dominance in arthouse endeavors.Recent Projects and Production Involvement (2016–present)
In 2016, Portman portrayed Jacqueline Kennedy in the biographical drama Jackie, directed by Pablo Larraín, depicting the immediate aftermath of President John F. Kennedy's assassination; her performance earned her an Academy Award nomination for Best Actress.[82] [83] She followed this with the science fiction film Annihilation in 2018, directed by Alex Garland, where she played biologist Lena, leading an expedition into a mysterious quarantined zone known as Area X.[84] That same year, Portman starred as Celeste Montgomery, a pop singer navigating fame and personal turmoil, in Vox Lux, written and directed by Brady Corbet.[85] Portman's roles in the late 2010s and early 2020s included the 2019 astronaut drama Lucy in the Sky, directed by Noah Hawley, and her reprise of Jane Foster as the Mighty Thor in the Marvel film Thor: Love and Thunder (2022), directed by Taika Waititi.[4] Shifting toward streaming platforms post-2020 amid industry changes, she took the lead as investigative journalist Maddie Schwartz in the 2024 Apple TV+ miniseries Lady in the Lake, a 1960s Baltimore-set thriller adapted from Laura Lippman's novel, co-starring Moses Ingram as Cleo Johnson.[86] In 2023, Portman appeared in May December, directed by Todd Haynes, portraying actress Elizabeth Berry researching a controversial real-life couple played by Julianne Moore and Charles Melton.[87] Her production involvement intersected with acting in hybrid capacities, such as providing the English dub voice for a character in the 2025 animated science fiction film Arco, directed by Ugo Bienvenu, which she also produced; the film premiered at the Cannes Film Festival in May 2025 and screened at the Annecy International Animation Film Festival, where it won the Cristal for best feature.[88] [89] Portman collaborated with John Krasinski in the 2025 adventure film Fountain of Youth, directed by Guy Ritchie, playing estranged siblings on a quest for the legendary fountain.[90] Following her divorce filing from Benjamin Millepied in July 2023 and finalization in February 2024, Portman adopted a more selective approach to projects, prioritizing those avoiding emotionally taxing roles during personal challenges to maintain balance amid co-parenting responsibilities.[91] [92]Other Professional Activities
Film Production and Directing Efforts
Portman established Handsomecharlie Films in 2008 as her production company, named in homage to Charlie Chaplin and her late dog, with an initial focus on acquiring and developing independent projects such as the 2009 film Hesher.[93][49] The company secured a two-year first-look deal with Participant Media in November 2008, enabling collaborative production on scripted features.[94] By 2019, Portman expanded her production slate through partnerships, including with producers like Brian Grazer, emphasizing narrative-driven films amid her expressed frustration with industry imbalances favoring male-centric stories.[95][96] Her directorial debut came with A Tale of Love and Darkness (2015), a Hebrew-language adaptation of Amos Oz's memoir about his childhood in pre-state Israel, which Portman wrote, directed, and financed partly through Handsomecharlie Films after acquiring rights in 2007.[97] The film premiered in competition at the 2015 Cannes Film Festival on May 15, earning a 72% approval rating on Rotten Tomatoes from 67 reviews, with critics praising its visual poetry but noting narrative diffuseness.[98][99] Portman described the project as a personal imperative tied to her Israeli roots, marking a shift toward behind-the-camera roles to exercise fuller creative authority after years of typecast performances in franchise films.[100] In 2025, Portman served as a producer on the animated science-fiction film Arco, directed by Ugo Bienvenu and set in a climate-altered 2075, with her involvement via the rebranded MountainA production entity midway through development.[101] The film debuted at the Annecy International Animation Film Festival in June 2025, winning the audience award, and screened at TIFF in September, receiving acclaim for its environmental themes and visual innovation despite limited box-office data as of October 2025.[102][88] This effort underscores her ongoing commitment to genre experimentation and auteur-driven projects, prioritizing thematic depth over commercial formulas.[103]Endorsements, Modeling, and Commercial Ventures
Portman was scouted for modeling opportunities early in her career; at age 10, a Revlon agent approached her in a Long Island pizzeria to participate in a campaign, but she declined in favor of pursuing acting and secured an agent instead.[42] Her primary endorsement deal began in 2011 when she became the face of Parfums Christian Dior, specifically the Miss Dior fragrance line, a role she has maintained through multiple campaigns emphasizing themes of love, sensuality, and empowerment. These campaigns feature glamorous photoshoots with her in elegant gowns, sophisticated makeup, and luxurious settings, emphasizing glamour and femininity.[104][105] The partnership, which includes advertisements directed by figures like Mikael Jansson and featuring Portman in settings from Parisian streets to beaches, has been valued in reports at over $10 million overall, with some estimates citing a three-year contract worth $28 million.[106][107] She has also appeared in glamorous high-fashion editorials for magazines such as Vogue and Vanity Fair, often styled in gowns and jewelry. In 2016, she also served as the face of Chanel's Eyes Collection, promoting makeup products in a campaign highlighting her "modern, magnetic beauty."[108] Beyond traditional endorsements, Portman has engaged in commercial ventures through investments in ethically focused startups aligned with her interests in sustainability and plant-based innovation. In 2021, she participated in a $472 million funding round for Bowery Farming, a vertical farming company producing pesticide-free produce.[109] She backed vegan meat producer Tender Food in its $12 million seed round in 2022, supporting its scale-up of cultivated proteins.[110] Additional investments include stakes in Oatly, a plant-based milk brand, during its $200 million raise in 2020, and MycoWorks, which develops mushroom-derived leather alternatives adopted by luxury brands.[111][112] These moves reflect a strategic approach to business, leveraging her capital in sectors projected for growth amid rising demand for ethical alternatives, though specific returns remain undisclosed.Activism and Public Advocacy
Animal Welfare and Vegan Advocacy
Natalie Portman adopted vegetarianism at age nine for ethical reasons related to animal treatment. She transitioned to veganism around 2009, motivated by concerns over factory farming practices after reading Jonathan Safran Foer's 2009 book Eating Animals, which details industrialized animal agriculture's impacts on welfare, environment, and health.[113][114] Portman has described veganism as rooted in "basic empathy" toward animals, emphasizing avoidance of exploitation in dairy and egg production alongside meat.[115] She temporarily lapsed during her 2011 pregnancy due to nutritional needs but resumed a plant-based diet afterward.[116] Portman has collaborated with People for the Ethical Treatment of Animals (PETA), an advocacy group known for promoting animal rights through campaigns that critics argue sensationalize issues while downplaying agricultural counterarguments. In 2018, she narrated a PETA video honoring Nobel laureate Isaac Bashevis Singer's vegetarian advocacy, likening animal suffering to historical injustices, though the comparison drew scrutiny for equating dissimilar causal chains.[117][118] She has publicly supported PETA initiatives, including wearing their apparel and endorsing anti-wool messaging, framing animal product avoidance as an "act of love."[119][120] In 2018, Portman co-produced and narrated the documentary Eating Animals, adapting Foer's book to expose factory farming via hidden footage of abuse and unsanitary conditions, highlighting economic incentives driving scale-up from approximately 50 billion land animals farmed annually to projected 100 billion without dietary shifts.[121][122] The film cites environmental data, such as agriculture's contribution to deforestation and emissions, but relies on selective footage that animal agriculture representatives contend misrepresents regulated operations.[123] In promotional interviews, Portman argued that sustaining current consumption patterns necessitates intensified confinement, potentially exacerbating disease risks like avian flu outbreaks empirically linked to dense poultry housing.[124] Critics have accused Portman of hypocrisy, noting her vocal ethical stance contrasts with acting roles involving simulated animal consumption or leather costumes, which some view as endorsing normalized harm despite personal avoidance.[125] Her pregnancy-related lapse fueled claims of inconsistent convictions, as detailed in personal essays where she acknowledged ethical trade-offs but prioritized health data on fetal development.[126] Such critiques, often from pro-agriculture outlets, highlight causal disconnects between advocacy rhetoric and practical realities like nutritional science favoring balanced diets during gestation over strict veganism.[127]Women's Rights and Industry Reform
Portman served as a founding member of the Time's Up Legal Defense Fund, launched on January 1, 2018, to address sexual harassment and workplace inequality in Hollywood following the Harvey Weinstein scandal and broader #MeToo revelations.[128] [129] The initiative raised over $21 million in its first year for legal support and policy advocacy, though Portman later described its decline by 2023 as "heartbreaking" amid internal scandals and reduced momentum.[130] [131] In advocating for pay equity, Portman disclosed in 2017 that Ashton Kutcher earned three times her salary for the 2011 romantic comedy No Strings Attached, attributing the gap to his higher negotiating leverage despite her recent Oscar win for Black Swan.[132] [133] She has highlighted such disparities as evidence of systemic undervaluation of female talent, citing data from industry analyses showing women directors and actors often receive 20-30% less compensation for comparable roles.[132] At the 92nd Academy Awards on February 9, 2020, Portman wore a custom Dior gown featuring a cape embroidered with the names of female directors overlooked in the Best Director nominations, including Greta Gerwig, Lorene Scafaria, and Lulu Wang, as a symbolic protest against the Academy's gender imbalance—no women were nominated that year despite qualifying films like Little Women.[134] [135] This gesture drew backlash from #MeToo pioneer Rose McGowan, who labeled it "deeply offensive" and accused Portman of tokenism, arguing it prioritized optics over action given Portman's limited collaborations with female directors in her three-decade career.[136] [137] McGowan later softened her stance, acknowledging the broader visibility it brought to the issue, though critiques persisted on the performative nature of celebrity-led reforms amid stagnant female representation (only 11% of top-grossing films directed by women from 2007-2022).[138][139] Portman's #MeToo commentary has emphasized systemic predation over personal victimhood from high-profile abusers; she recounted "sexual terrorism" experiences starting at age 13, including a rape fantasy fan letter and industry pressures to sexualize her image, which led her to avoid provocative roles.[140] [141] She claimed in 2017 to possess "100 stories" of harassment but focused critiques on cultural normalization rather than naming perpetrators, contrasting with accusers like McGowan who detailed direct assaults.[142] [143] This approach underscores her reform emphasis on education and prevention, though skeptics argue it sidesteps accountability for entrenched power imbalances in Hollywood, where female-led projects remain underrepresented (e.g., only 16% of 2023's top films directed by women).[144]Environmentalism and Global Human Rights
Portman was appointed the first Ambassador of Hope for FINCA International in 2004, an organization focused on alleviating poverty through microfinance by providing small loans to entrepreneurs, primarily women, in developing nations. In this role, she advocated for village banking models that establish community-based financial groups with initial capital as low as $5,000, enabling borrowers to launch businesses and repay loans collectively to build credit and stability. She traveled to FINCA operations in countries including Mexico and Uganda, where she met clients using loans for ventures like livestock rearing and retail, reporting that such access allowed families to afford children's education and break intergenerational poverty cycles. Portman co-chaired FINCA's Village Banking Campaign, aiming to extend services to one million individuals by mobilizing resources for sustainable lending over direct handouts, which she argued fosters self-reliance rather than aid dependency.[145][146][147][148] Portman has extended her economic development advocacy to United Nations forums, emphasizing microfinance and women's financial autonomy as drivers of broader progress in impoverished regions. During a 2023 UN Sustainable Development Goals event, she recounted her Uganda visit, linking women's loan access to reduced vulnerability and enhanced family outcomes, while urging greater investment in female education and economic empowerment to accelerate gender parity and societal advancement. She positioned these efforts as complementary to global human rights, arguing that empowering women through market-oriented tools like microloans yields more enduring results than traditional charity, based on observed repayment rates exceeding 97% in FINCA programs. At Stanford in 2007, she highlighted empirical benefits, such as increased school attendance among borrowers' children, attributing this to income stability from entrepreneurship.[149][150][146] On environmentalism, Portman delivered a keynote at the IAA Mobility conference in Munich on September 5, 2023, calling for equitable access to sustainable transportation solutions amid climate challenges. She stressed the need for behavioral shifts toward eco-friendly practices, noting that affordability barriers hinder adoption in low-income areas, and advocated integrating poverty reduction with green mobility to avoid exacerbating inequalities. Her stance reflects a preference for pragmatic, incentive-driven policies over regulatory mandates, aligning with her microfinance views by prioritizing scalable, individual-level changes. While supportive of veganism's environmental benefits through reduced emissions, she frames such actions within personal agency rather than systemic overhauls.[151][152] Portman's emphasis on microfinance has drawn scrutiny for potentially overlooking implementation hurdles in corrupt or unstable environments, where high interest rates—often 20-30%—can lead to debt traps despite high repayment stats, as evidenced by randomized trials showing limited net poverty reduction in some contexts. Conservative analysts, wary of celebrity-led interventions, contend her firsthand anecdotes from controlled NGO visits may undervalue grassroots institutional failures and cultural factors impeding scalability, favoring instead localized reforms over external financing schemes.[153][154]Positions on Israel, Antisemitism, and Middle East Conflicts
Natalie Portman, born in Jerusalem to Jewish parents with ancestral ties to Poland—where her family endured the Holocaust—has frequently emphasized her Jewish identity and connection to Israel, describing herself as proud to represent Jewish people while attending Jewish day schools in her youth.[25][155] In December 2022, she expressed alarm at rising antisemitism in the United States, stating that remarks targeting Jews were "frightening to listen to" and that the trend "makes my heart drop."[8] Following the October 7, 2023, Hamas attacks on southern Israel, which killed approximately 1,200 people and resulted in 251 kidnappings, Portman publicly conveyed that her "heart was shattered for the people of Israel."[156][157] She has defended Israel's right to exist and condemned antisemitism, including instances within Hollywood, while advocating for a two-state solution to the Israeli-Palestinian conflict as a path to peace.[158][159] Portman has also voiced criticisms of Israeli government policies under Prime Minister Benjamin Netanyahu, particularly regarding West Bank settlements and the 2018 Nation-State Law, which she described as discriminatory toward non-Jews. In April 2018, she declined to attend the Genesis Prize ceremony in Jerusalem—where she was to receive the $1 million award, dubbed the "Jewish Nobel"—citing "extremely distressing recent events," including Netanyahu's praise for settlers and violence in Gaza as making her feel unsafe.[160][161][162] She clarified that her stance stemmed from criticism of leadership rather than opposition to Israel itself, stating, "Like many Israelis and Jews around the world, I can be critical of the leadership in Israel without wanting to boycott the entire nation," and explicitly distancing herself from the Boycott, Divestment, and Sanctions (BDS) movement.[162][163] In August 2025, Portman shared social media posts supporting Gaza aid campaigns and referencing Palestinian civilians "affected by the genocide," alongside endorsements of anti-war protests in Israel, which reignited backlash from pro-Israel groups accusing her of downplaying Hamas's role and echoing contested terminology amid ongoing hostilities.[164][165] By October 2025, however, she described a potential Gaza ceasefire and hostage release deal as a "momentous day" and "very emotional," expressing relief while noting the war's toll on both sides following the 2023 attacks.[157][166]Critiques and Effectiveness of Her Activism
Portman's high-profile gestures in support of women's rights in Hollywood, such as her 2020 Oscars gown embroidered with names of female directors snubbed by the Academy, drew accusations of performative activism from actress and activist Rose McGowan, who described it as "deeply offensive" and emblematic of selective, superficial solidarity lacking substantive action like hiring or collaborating with those directors.[139] McGowan argued that Portman's approach prioritized symbolic displays over the rigorous work required for industry reform, highlighting a pattern where celebrity advocacy amplifies visibility but fails to translate into measurable shifts in hiring practices or pay equity, as evidenced by persistent gender disparities in film compensation reported by outlets like the Hollywood Reporter in subsequent years.[167] Critiques from right-leaning and pro-Israel Jewish commentators have portrayed Portman's public distancing from Israeli policies—such as her 2018 decision to decline the $1 million Genesis Prize amid Benjamin Netanyahu's scheduled speech—as virtue-signaling that undermines communal solidarity without advancing concrete resolutions to Middle East conflicts.[158] Her characterization of Israel's Nation-State Law as "racist" elicited backlash for oversimplifying complex national security and demographic realities, with observers noting that such statements from diaspora figures like Portman often prioritize international optics over fostering internal Israeli debate or unity against external threats like antisemitism.[168] Similarly, her vegan advocacy, while promoting alternatives to factory farming, has been faulted in broader agricultural analyses for overlooking economic dependencies on animal husbandry in developing regions, where abrupt shifts could exacerbate poverty without scalable high-tech substitutes immediately available. Despite these criticisms, Portman has channeled resources into tangible fundraising, directing her Genesis Prize funds toward 37 Israeli women's organizations and supporting initiatives like WE Charity's programs that enabled schooling for approximately 3,000 Kenyan children.[169] [170] However, causal assessments of her activism's effectiveness reveal a predominance of awareness-raising over sustained policy outcomes; for instance, Time's Up—co-founded with her involvement—garnered initial pledges exceeding $20 million but faced internal scandals and dissolution by 2022, correlating with minimal verifiable progress in closing Hollywood's gender pay gap, which lingered at around 20-30% for comparable roles per industry audits.[130] This pattern underscores a common limitation in celebrity-driven causes, where short-term donations boost visibility but rarely alter entrenched economic or institutional incentives without deeper structural interventions.Personal Life
Romantic Relationships and Marriages
Portman dated actor Jake Gyllenhaal intermittently from 2006 to 2009, with the pair first linked in 2002 before briefly reconnecting years later; their relationship remained largely private despite public sightings, such as at the 2006 Toronto International Film Festival.[171][172] She was also linked to musician Devendra Banhart in 2008 and briefly to actor Gael García Bernal around the same period, though neither connection was publicly confirmed by the parties involved.[173][174] In 2009, Portman met French choreographer Benjamin Millepied while he served as a consultant on the film Black Swan, leading to a romantic partnership that culminated in their private Jewish ceremony in Big Sur, California, on August 4, 2012.[175][176] The couple resided primarily in Paris and Los Angeles, with Portman citing Millepied's influence on her decision to embrace French culture and language immersion.[177] Their marriage faced strain in 2023 amid media reports alleging Millepied's extramarital affair with French climate activist Camille Étienne, prompting Portman to file for divorce in French courts in July of that year; the dissolution was finalized in February 2024 after amicable negotiations focused on co-parenting arrangements.[178][177][179] Following the divorce, Portman was photographed in May 2024 appearing sociable with actor Paul Mescal during an outing in London, sparking unconfirmed speculation of a romantic link; she later described Mescal as a talented colleague she admires professionally, without addressing dating rumors directly.[180][181][182] Portman has consistently expressed a preference for shielding her personal relationships from public scrutiny, stating in interviews that she values discretion to maintain authenticity amid Hollywood's invasive media environment.[174]Family and Children
Natalie Portman has two children from her marriage to choreographer Benjamin Millepied: a son named Aleph, born on June 14, 2011, and a daughter named Amalia, born on February 22, 2017.[183][184] The family resided primarily in Paris, France, prior to the couple's divorce, providing the children with exposure to a multilingual environment influenced by their French father and Portman's Israeli-American heritage.[178] Portman and Millepied finalized their divorce in France in February 2024, with the terms of custody and financial arrangements kept private to protect the children's privacy; the couple continues to co-parent Aleph and Amalia.[178][185] In a rare public comment on family life following the split, Portman shared in an April 2025 Interview magazine profile that her children serve as a "source of excitement" amid personal transitions, highlighting their ongoing development into independent individuals.[186][187]Lifestyle, Health, and Residences
Portman has adhered to a vegan diet since 2011, building on her vegetarianism adopted at age nine, which she attributes to ethical considerations toward animals.[188][189] Her daily intake emphasizes plant-based staples such as whole grains, legumes, vegetables, and healthy fats, supplemented occasionally with pasta and vegan ice cream to maintain energy and muscle tone without animal products.[190] To support her physical health, Portman sustains ballet-derived exercises initiated for her role in Black Swan (2010), where she underwent a year of intensive training six days a week, including eight hours daily of ballet, cardio, and cross-training, resulting in a 20-pound weight loss over six months.[191] This regimen, customized by former New York City Ballet dancer Mary Helen Bowers, incorporates mat work, endurance drills like abdominal crunches and weighted arm raises, and stretching, which Portman continues for long, lean muscle development as of 2025.[192][193] In her personal habits, Portman engages in intellectual pursuits such as avid reading, a practice rooted in her childhood and sustained through adulthood, often balancing it with acting demands by studying on film sets.[194][195] She has avoided alcohol and recreational drugs in her professional life, crediting early decisions to prioritize career stability over substance use, despite limited college experimentation.[196][197] Regarding residences, Portman maintains a primary home in the Los Feliz neighborhood of Los Angeles, purchased in 2009 for $3.3 million, while spending considerable time in Paris, France, where she values the city's polite culture and privacy for daily life.[198][199] She periodically visits Israel, her birthplace and site of dual citizenship, though it does not serve as a fixed residence.[200] Portman has discussed building mental resilience through disciplined focus amid industry pressures, including child acting challenges that prompted her to reject roles with romantic elements and emphasize self-protection in early interviews.[201][202] This approach, drawn from personal reflections, underscores her emphasis on emotional self-regulation over external validation.[203]Controversies and Public Scrutiny
Allegations of Performative Activism
In February 2020, actress Rose McGowan publicly criticized Natalie Portman's protest at the 92nd Academy Awards, where Portman wore a custom Dior gown featuring a cape embroidered with the names of female directors overlooked for Best Director nominations, including Greta Gerwig, Lorene Scafaria, Melina Matsoukas, and Lulu Wang.[136] McGowan described the gesture as "deeply offensive," accusing Portman of performative activism that prioritized symbolism over substantive action, noting Portman's limited history of collaborating with female directors in her own projects.[204] McGowan emphasized that Portman had worked with only a handful of female directors, such as herself in the 2002 short film Evita Peron, and argued this undermined the protest's credibility, stating, "I find Portman's type of activism deeply offensive to those of us who actually do the work."[139] Portman responded via Instagram, acknowledging the validity of the critique by admitting she had not collaborated sufficiently with female directors over her nearly three-decade career and committing to greater efforts in the future, citing past work with directors like Marya Cohen on commercials and herself on A Tale of Love and Darkness (2015).[167] Despite this, McGowan's comments highlighted a pattern alleged by critics: Portman's high-profile endorsements of industry reform, such as her 2018 Golden Globes remark decrying the all-male Best Director nominees and her involvement with Time's Up amid the #MeToo movement, contrasted with selective project choices that rarely featured female helmers in major features.[128] For instance, Portman's filmography up to 2020 included few substantial roles under female directors, with most credits under males like Darren Aronofsky, the Wachowskis (on V for Vendetta), and Pablo Larraín.[205] Critics have extended these allegations to Portman's broader advocacy, pointing to engagement in low-personal-risk causes—like vocal #MeToo support without exposing herself to the professional repercussions faced by less insulated figures—while empirical follow-through on pledges, such as increasing female director hires, remained limited post-2020, as evidenced by subsequent projects like Thor: Love and Thunder (2022, directed by Taika Waititi) and May December (2023, directed by Todd Haynes).[206] McGowan later softened her stance, admitting she had "lost sight of the bigger picture" in focusing on Portman amid wider industry failures.[138] Supporters, including Portman allies in Time's Up, have defended her intent as genuine, citing her financial contributions to legal defense funds and public platforming of survivors, though skeptics argue her elite status enables symbolic gestures detached from causal impact on systemic barriers.[128]Statements on Israel and Backlash from Jewish Communities
In April 2018, Portman declined to attend the Genesis Prize ceremony in Israel, where she was awarded the $1 million prize dubbed the "Jewish Nobel," citing discomfort with Prime Minister Benjamin Netanyahu's scheduled speech amid "extremely distressing recent events," including violence along the Gaza border during protests and the passage of Israel's Nation-State Law.[160][162][161] She stated that her decision stemmed from not wanting to appear to endorse Netanyahu and from concerns over "violence, corruption, inequality, and abuse of power" in Israel, though she emphasized her criticism targeted leadership rather than the nation itself and rejected any boycott of Israel.[163][207] This move provoked backlash from pro-Israel Jewish figures and Israeli officials, who viewed it as an unnecessary public shaming of the Jewish state at a time when the Boycott, Divestment, and Sanctions (BDS) movement posed external threats, with critics arguing it lent credence to anti-Israel narratives without equivalent scrutiny of Palestinian actions.[208][209] Portman's positions intensified intra-Jewish divisions following the October 7, 2023, Hamas attacks and subsequent Gaza war, alienating Zionist segments of Jewish communities who saw them as disproportionately emphasizing Israeli actions while downplaying Hamas's role and the empirical security imperatives driving Israel's response, such as rocket barrages and tunnel networks. Defenders of Portman, including some liberal Zionists, highlighted her longstanding advocacy for a two-state solution that recognizes Israel's right to exist alongside a Palestinian state, positioning her critiques as aligned with Jewish values of justice rather than anti-Zionism.[158][210] However, right-leaning pro-Israel voices, such as legal scholar Alan Dershowitz—under whom Portman once researched for his pro-Israel book The Case for Israel—implicitly underscored tensions through broader commentary on celebrity interventions that they argue undermine Israel's defensive posture without firsthand experience of its threats. This backlash reflects deeper causal divides: Portman, born in Jerusalem with dual Israeli-American citizenship, received an exemption from mandatory IDF service due to her U.S. residence and early departure from Israel at age three, allowing her to critique from a position of relative privilege insulated from the daily realities of terrorism and conscription faced by Israeli Jews.[211][212] Such detachment, critics contend, fosters statements that prioritize distant moral posturing over the empirical necessities of a state under existential siege, exacerbating rifts between diaspora Jews and those in Israel prioritizing survival over internal reforms.[208][213]Professional and Personal Disputes
In the production of Black Swan (2010), a controversy arose regarding the extent of Natalie Portman's dance performance, with her ballet double Sarah Lane claiming in 2011 that Portman performed only about five percent of the on-screen dancing, relying heavily on close-up shots and body doubles for more demanding sequences.[214] Portman did not publicly respond to Lane's assertions, while the film's director Darren Aronofsky defended the portrayal as a collaborative effort emphasizing Portman's facial expressions and emotional intensity over full physical replication.[215] This dispute highlighted tensions between method acting preparation—Portman underwent rigorous ballet training for nearly a year—and the practical realities of film production, later prompting Portman in 2024 to describe extreme method acting as "a luxury that women can't afford" due to its physical and emotional toll.[216] Portman publicly addressed Hollywood's gender pay disparities in January 2017, revealing she earned one-third of co-star Ashton Kutcher's salary for No Strings Attached (2011), despite having won an Academy Award for Black Swan the previous year.[132] She described the gap as "crazy," attributing it to entrenched industry norms favoring male leads in negotiation power and perceived marketability.[217] This disclosure fueled broader discussions on wage inequities but did not result in a formal legal challenge from Portman. As the face of Christian Dior's Miss Dior perfume campaign under a multi-year contract starting in 2010, Portman faced a professional conflict in February 2011 when designer John Galliano was fired following his antisemitic tirade captured on video.[218] Portman condemned Galliano's remarks as "outrageous" and wore a Rodarte gown to the Academy Awards instead of Dior, signaling disapproval amid uncertainty over her endorsement deal's future.[219] The incident strained her association with the brand but did not lead to a reported breach or termination. On the personal front, Portman's marriage to choreographer Benjamin Millepied ended amid reports of his extramarital affair, with the couple quietly separating in May 2023 after 11 years.[220] She filed for divorce in July 2023, and it was finalized in France in February 2024, where they share custody of their two children, Aleph (born 2011) and Amalia (born 2017).[178] The publicity surrounding Millepied's infidelity and his subsequent quick transition to a new relationship drew media scrutiny, with Portman reportedly viewing it as unsurprising given prior marital strains, though she maintained a low public profile on the matter.[221]Reception, Awards, and Legacy
Critical and Commercial Success Metrics
Natalie Portman's films have collectively grossed over $4 billion worldwide in roles where she received prominent billing, with the majority attributable to franchise installments such as the Star Wars prequel trilogy and the Marvel Cinematic Universe's Thor series.[64] Her appearance in Star Wars: Episode I – The Phantom Menace (1999) contributed to a worldwide total of $1.027 billion, while Star Wars: Episode III – Revenge of the Sith (2005) added $868 million. The Thor films, including Thor: Love and Thunder (2022) at $760 million, further bolstered these figures through ensemble-driven blockbusters.| Film | Worldwide Gross | Release Year |
|---|---|---|
| Star Wars: Episode I – The Phantom Menace | $1.027 billion | 1999 |
| Star Wars: Episode III – Revenge of the Sith | $868 million | 2005 |
| Thor: Love and Thunder | $760 million | 2022 |
| Star Wars: Episode II – Attack of the Clones | $649 million | 2002 |
| Thor: The Dark World | $644 million | 2013 |
