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Opera Theatre of Saint Louis AI simulator
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Opera Theatre of Saint Louis AI simulator
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Opera Theatre of Saint Louis
Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by the St. Louis Symphony Orchestra, which is divided into two ensembles, each covering two of the operas, for the season. The company's performances are presented in the Loretto-Hilton Center for the Performing Arts on the campus of Webster University.
In 1976, Leigh Gerdine, Laurance L. Browning Jr. and James Van Sant co-founded OTSL. They hired Richard Gaddes, who at the time was working at The Santa Fe Opera, as the company's first artistic director. They signed him as full-time general director in 1978 at the suggestion of Ed Korn, who was brought in as a consultant from the Metropolitan Opera. Gaddes acknowledged that the model for OTSL was The Santa Fe Opera:
That was not a coincidence. I always say that John Crosby sired the Opera Theater of St. Louis. The whole concept was modeled on Santa Fe, and part of the idea was that the apprentices here would feed into St. Louis. Which they did.
The first season in 1976 presented eleven performances of Britten's Albert Herring, Mozart's The Impresario, Menotti's The Medium, and Donizetti's Don Pasquale. This mixture of some standard works, and some new and unconventional operas, was to continue in future seasons and characterize the company's approach. This was achieved on a budget of $135,000. The young singers included Sheri Greenawald and Vinson Cole.
During the early seasons, the company had a major influence with such achievements as first joint BBC/WNET telecast of Albert Herring and in 1983 the first appearance by any U.S. opera company at the Edinburgh International Festival. The first production of a Japanese opera in Japan by any American company was followed by a return to Tokyo in September 2001 to present the Japanese premiere of the classic Genji Monogatari, adapted as an opera by Minoru Miki as The Tale of Genji.
Well-known directors Graham Vick, Jonathan Miller, and Mark Lamos have made U.S. operatic debuts with OTSL, as did conductors Leonard Slatkin and Christopher Hogwood. Colin Graham served as OTSL's director of productions from 1978 until 1985. John Nelson was OTSL's music director from 1985 to 1988, and principal conductor from 1988 to 1991.
Other notable U.S. singers, including Christine Brewer, Susan Graham, Denyce Graves, Dwayne Croft, Thomas Hampson, Jerry Hadley, Patricia Racette, Sylvia McNair, and Stephanie Blythe have made appearances in St. Louis productions. As of their 2025 Festival Season, OTSL has presented 45 world premieres, including:
Champion, Twenty-Seven, and Shalimar the Clown were part of an OTSL series of commissioning new operas, under the "New Works, Bold Voices" initiative. In addition, OTSL has given at least 14 American premieres, including Michael Berkeley's Jane Eyre; Benjamin Britten's Paul Bunyan; Rossini's Il viaggio a Reims (The Journey to Reims); and Judith Weir's The Vanishing Bridegroom (under the title Highland Wedding).
Opera Theatre of Saint Louis
Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by the St. Louis Symphony Orchestra, which is divided into two ensembles, each covering two of the operas, for the season. The company's performances are presented in the Loretto-Hilton Center for the Performing Arts on the campus of Webster University.
In 1976, Leigh Gerdine, Laurance L. Browning Jr. and James Van Sant co-founded OTSL. They hired Richard Gaddes, who at the time was working at The Santa Fe Opera, as the company's first artistic director. They signed him as full-time general director in 1978 at the suggestion of Ed Korn, who was brought in as a consultant from the Metropolitan Opera. Gaddes acknowledged that the model for OTSL was The Santa Fe Opera:
That was not a coincidence. I always say that John Crosby sired the Opera Theater of St. Louis. The whole concept was modeled on Santa Fe, and part of the idea was that the apprentices here would feed into St. Louis. Which they did.
The first season in 1976 presented eleven performances of Britten's Albert Herring, Mozart's The Impresario, Menotti's The Medium, and Donizetti's Don Pasquale. This mixture of some standard works, and some new and unconventional operas, was to continue in future seasons and characterize the company's approach. This was achieved on a budget of $135,000. The young singers included Sheri Greenawald and Vinson Cole.
During the early seasons, the company had a major influence with such achievements as first joint BBC/WNET telecast of Albert Herring and in 1983 the first appearance by any U.S. opera company at the Edinburgh International Festival. The first production of a Japanese opera in Japan by any American company was followed by a return to Tokyo in September 2001 to present the Japanese premiere of the classic Genji Monogatari, adapted as an opera by Minoru Miki as The Tale of Genji.
Well-known directors Graham Vick, Jonathan Miller, and Mark Lamos have made U.S. operatic debuts with OTSL, as did conductors Leonard Slatkin and Christopher Hogwood. Colin Graham served as OTSL's director of productions from 1978 until 1985. John Nelson was OTSL's music director from 1985 to 1988, and principal conductor from 1988 to 1991.
Other notable U.S. singers, including Christine Brewer, Susan Graham, Denyce Graves, Dwayne Croft, Thomas Hampson, Jerry Hadley, Patricia Racette, Sylvia McNair, and Stephanie Blythe have made appearances in St. Louis productions. As of their 2025 Festival Season, OTSL has presented 45 world premieres, including:
Champion, Twenty-Seven, and Shalimar the Clown were part of an OTSL series of commissioning new operas, under the "New Works, Bold Voices" initiative. In addition, OTSL has given at least 14 American premieres, including Michael Berkeley's Jane Eyre; Benjamin Britten's Paul Bunyan; Rossini's Il viaggio a Reims (The Journey to Reims); and Judith Weir's The Vanishing Bridegroom (under the title Highland Wedding).