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Krzysztof Penderecki
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Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (Polish: [ˈkʂɨʂtɔf pɛndɛˈrɛt͡skʲi] ⓘ; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best-known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St Luke Passion, Polish Requiem, Anaklasis and Utrenja. His oeuvre includes five operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.[better source needed]
After graduating from the Academy of Music in Krakow, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His Threnody to the Victims of Hiroshima for string orchestra and the choral work St. Luke Passion have received popular acclaim. His first opera, The Devils of Loudun, was not immediately successful. In the mid-1970s, Penderecki became a professor at the Yale School of Music. From the mid-1970s his composition style changed, with his first violin concerto focusing on the semitone and the tritone. His choral work Polish Requiem was written in the 1980s and expanded in 1993 and 2005.
Penderecki won many prestigious awards, including the Prix Italia in 1967 and 1968; the Wihuri Sibelius Prize of 1983; four Grammy Awards in 1987, 1998 (twice), and 2017; the Wolf Prize in Arts in 1987; and the University of Louisville Grawemeyer Award for Music Composition in 1992. In 2012, Sean Michaels of The Guardian called him "arguably Poland's greatest living composer". In 2020 the composer's Alma Mater, the Academy of Music in Kraków, was named after Krzysztof Penderecki.
Penderecki was born on 23 November 1933 in Dębica, the son of Zofia and Tadeusz Penderecki, a lawyer. His grandfather Michał Penderecki was a native of Tenetnyky village near Rohatyn (now Ukraine) and belonged to the Ukrainian Greek Catholic church. He married Stefania Szylkiewicz of Armenian origin from Stanislau (now Ivano-Frankivsk in Ukraine) and they later moved to Dębica. The rest of the Penderecki family retained Ukrainian identity and some still live in their ancestral village. Krzysztof met them upon his visits to Ukraine in the 1990s. On his mother's side his grandfather, Robert Berger, was a highly talented painter and director of the local bank at the time of Penderecki's birth; Robert's father Johann, a German Protestant, moved to Dębica from Breslau (now Wrocław) in the mid-19th century. Out of love for his wife, he subsequently converted to Catholicism.
Krzysztof was the youngest of three siblings; his sister, Barbara, was married to a mining engineer, and his older brother, Janusz, was studying law and medicine at the time of his birth. Tadeusz was a violinist and also played piano.
When the Second World War broke out in 1939, Penderecki's family moved out of their apartment, for the Ministry of Food was to operate there. After the war, Penderecki began attending grammar school in 1946. He began studying the violin under Stanisław Darłak, Dębica's military bandmaster who organized an orchestra for the local music society after the war. Upon graduating from grammar school, Penderecki moved to Kraków in 1951, where he attended Jagiellonian University.
He studied violin with Stanisław Tawroszewicz and music theory with Franciszek Skołyszewski. In 1954, Penderecki entered the Academy of Music in Kraków and, having finished his studies on violin after his first year, focused entirely on composition. Penderecki's main teacher there was Artur Malawski, a composer known for his choral and orchestral works, as well as chamber music and songs. After Malawski's death in 1957, Penderecki took further lessons with Stanisław Wiechowicz, a composer primarily known for his choral works. At the time, the 1956 overthrow of Stalinism in Poland lifted strict cultural censorship and opened the door to a wave of creativity.
Upon graduating from the Academy of Music in Kraków in 1958, Penderecki took up a teaching post at the academy. His early works show the influence of Anton Webern and Pierre Boulez (Penderecki was also influenced by Igor Stravinsky). Penderecki's international recognition began in 1959 at the Warsaw Autumn with the premieres of the works Strophen, Psalms of David, and Emanations, but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). There are many novel textures in the work, which makes extensive use of tone clusters. He originally titled the work 8' 37", but decided to dedicate it to the victims of Hiroshima.
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Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (Polish: [ˈkʂɨʂtɔf pɛndɛˈrɛt͡skʲi] ⓘ; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best-known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St Luke Passion, Polish Requiem, Anaklasis and Utrenja. His oeuvre includes five operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.[better source needed]
After graduating from the Academy of Music in Krakow, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His Threnody to the Victims of Hiroshima for string orchestra and the choral work St. Luke Passion have received popular acclaim. His first opera, The Devils of Loudun, was not immediately successful. In the mid-1970s, Penderecki became a professor at the Yale School of Music. From the mid-1970s his composition style changed, with his first violin concerto focusing on the semitone and the tritone. His choral work Polish Requiem was written in the 1980s and expanded in 1993 and 2005.
Penderecki won many prestigious awards, including the Prix Italia in 1967 and 1968; the Wihuri Sibelius Prize of 1983; four Grammy Awards in 1987, 1998 (twice), and 2017; the Wolf Prize in Arts in 1987; and the University of Louisville Grawemeyer Award for Music Composition in 1992. In 2012, Sean Michaels of The Guardian called him "arguably Poland's greatest living composer". In 2020 the composer's Alma Mater, the Academy of Music in Kraków, was named after Krzysztof Penderecki.
Penderecki was born on 23 November 1933 in Dębica, the son of Zofia and Tadeusz Penderecki, a lawyer. His grandfather Michał Penderecki was a native of Tenetnyky village near Rohatyn (now Ukraine) and belonged to the Ukrainian Greek Catholic church. He married Stefania Szylkiewicz of Armenian origin from Stanislau (now Ivano-Frankivsk in Ukraine) and they later moved to Dębica. The rest of the Penderecki family retained Ukrainian identity and some still live in their ancestral village. Krzysztof met them upon his visits to Ukraine in the 1990s. On his mother's side his grandfather, Robert Berger, was a highly talented painter and director of the local bank at the time of Penderecki's birth; Robert's father Johann, a German Protestant, moved to Dębica from Breslau (now Wrocław) in the mid-19th century. Out of love for his wife, he subsequently converted to Catholicism.
Krzysztof was the youngest of three siblings; his sister, Barbara, was married to a mining engineer, and his older brother, Janusz, was studying law and medicine at the time of his birth. Tadeusz was a violinist and also played piano.
When the Second World War broke out in 1939, Penderecki's family moved out of their apartment, for the Ministry of Food was to operate there. After the war, Penderecki began attending grammar school in 1946. He began studying the violin under Stanisław Darłak, Dębica's military bandmaster who organized an orchestra for the local music society after the war. Upon graduating from grammar school, Penderecki moved to Kraków in 1951, where he attended Jagiellonian University.
He studied violin with Stanisław Tawroszewicz and music theory with Franciszek Skołyszewski. In 1954, Penderecki entered the Academy of Music in Kraków and, having finished his studies on violin after his first year, focused entirely on composition. Penderecki's main teacher there was Artur Malawski, a composer known for his choral and orchestral works, as well as chamber music and songs. After Malawski's death in 1957, Penderecki took further lessons with Stanisław Wiechowicz, a composer primarily known for his choral works. At the time, the 1956 overthrow of Stalinism in Poland lifted strict cultural censorship and opened the door to a wave of creativity.
Upon graduating from the Academy of Music in Kraków in 1958, Penderecki took up a teaching post at the academy. His early works show the influence of Anton Webern and Pierre Boulez (Penderecki was also influenced by Igor Stravinsky). Penderecki's international recognition began in 1959 at the Warsaw Autumn with the premieres of the works Strophen, Psalms of David, and Emanations, but the piece that truly brought him to international attention was Threnody to the Victims of Hiroshima (see threnody and atomic bombing of Hiroshima), written in 1960 for 52 string instruments. In it, he makes use of extended instrumental techniques (for example, playing behind the bridge, bowing on the tailpiece). There are many novel textures in the work, which makes extensive use of tone clusters. He originally titled the work 8' 37", but decided to dedicate it to the victims of Hiroshima.
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