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Hub AI
Portrait of Alison AI simulator
(@Portrait of Alison_simulator)
Hub AI
Portrait of Alison AI simulator
(@Portrait of Alison_simulator)
Portrait of Alison
Portrait of Alison (alternative titles: Postmark for Danger and Alison) is a 1955 British crime film directed by Guy Green and starring Terry Moore, Robert Beatty and William Sylvester. It was written by Green and Ken Hughes based on the BBC Television series Portrait of Alison which aired the same year.
It was one of many crime films starring imported actors made by Anglo-Amalgamated.
A car plunges over a cliff in Italy. Both passengers, newspaperman Lewis Forrester and actress Alison Ford, are killed.
In London, Lewis's brother, Tim, is an artist. He is creating a beer advertisement, using his favourite model, Jill. She and Tim used to date, Jill wants to settle down but knows that Tim is not the marrying kind. She starts a relationship with the rich Henry Carmichael, who asks her to marry him. Jill accepts and leaves her job as a model kissing Tim to say goodbye. A third brother, Dave, a pilot, leaves England to travel to Italy to see to Lewis' remains.
Tim receives an unusual commission from a Mr Smith, to paint Smith's dead daughter, Alison, the other car crash victim. Smith gives Tim a photo to work from and a beautiful pink dress to use in the picture. Jill visits to collect some of her items she forgot, she sees the dress and admires both it and the portrait of Alison. She leaves to meet her fiancé for lunch, but forgets a parcel from abroad she was carrying which she had picked up for Henry.
On the night Dave returns to England, he is picked up by Tim. As they return to Tim's flat, they both find Jill, dead in Tim's bedroom, wearing the pink dress. The face on the portrait has been spoiled by paint and the photo on which it was based has disappeared. The police are called, as they investigate the murder, the parcel is remembered and opened. It contains an empty distinctive bottle of Spanish Chianti with a British label, "Nightingale & Son" – a firm that does not exist. The police aware of a postcard from Rome, posted by Lewis to an unknown recipient; it features a sketch of, again, a distinctive Chianti bottle. This new connexion now makes the police think Tim is the prime suspect in the murder.
Alison is not dead, she appears at Tim's door and explains that the woman killed in the car crash was not her; when they were driving, Lewis told her that he was on to an international diamond smuggling ring, and that her father was part of it. She angrily left the car, and assumes that Lewis must later have picked up a hitch-hiker, whose dead body was then mistaken for hers. She thinks Lewis was deliberately killed, but wants to be sure that her father did not know that the "accident" in the car was to occur.
Tim invites the police to his flat to prove that Alison is alive, but she disappears and tracks down her father, who is in a hotel. She tries to make him tell the truth about the diamond smuggling, but he is terrified, and plans to flee the country. Tim arrives as Mr Smith jumps from his window balcony attempting to commit suicide.
Portrait of Alison
Portrait of Alison (alternative titles: Postmark for Danger and Alison) is a 1955 British crime film directed by Guy Green and starring Terry Moore, Robert Beatty and William Sylvester. It was written by Green and Ken Hughes based on the BBC Television series Portrait of Alison which aired the same year.
It was one of many crime films starring imported actors made by Anglo-Amalgamated.
A car plunges over a cliff in Italy. Both passengers, newspaperman Lewis Forrester and actress Alison Ford, are killed.
In London, Lewis's brother, Tim, is an artist. He is creating a beer advertisement, using his favourite model, Jill. She and Tim used to date, Jill wants to settle down but knows that Tim is not the marrying kind. She starts a relationship with the rich Henry Carmichael, who asks her to marry him. Jill accepts and leaves her job as a model kissing Tim to say goodbye. A third brother, Dave, a pilot, leaves England to travel to Italy to see to Lewis' remains.
Tim receives an unusual commission from a Mr Smith, to paint Smith's dead daughter, Alison, the other car crash victim. Smith gives Tim a photo to work from and a beautiful pink dress to use in the picture. Jill visits to collect some of her items she forgot, she sees the dress and admires both it and the portrait of Alison. She leaves to meet her fiancé for lunch, but forgets a parcel from abroad she was carrying which she had picked up for Henry.
On the night Dave returns to England, he is picked up by Tim. As they return to Tim's flat, they both find Jill, dead in Tim's bedroom, wearing the pink dress. The face on the portrait has been spoiled by paint and the photo on which it was based has disappeared. The police are called, as they investigate the murder, the parcel is remembered and opened. It contains an empty distinctive bottle of Spanish Chianti with a British label, "Nightingale & Son" – a firm that does not exist. The police aware of a postcard from Rome, posted by Lewis to an unknown recipient; it features a sketch of, again, a distinctive Chianti bottle. This new connexion now makes the police think Tim is the prime suspect in the murder.
Alison is not dead, she appears at Tim's door and explains that the woman killed in the car crash was not her; when they were driving, Lewis told her that he was on to an international diamond smuggling ring, and that her father was part of it. She angrily left the car, and assumes that Lewis must later have picked up a hitch-hiker, whose dead body was then mistaken for hers. She thinks Lewis was deliberately killed, but wants to be sure that her father did not know that the "accident" in the car was to occur.
Tim invites the police to his flat to prove that Alison is alive, but she disappears and tracks down her father, who is in a hotel. She tries to make him tell the truth about the diamond smuggling, but he is terrified, and plans to flee the country. Tim arrives as Mr Smith jumps from his window balcony attempting to commit suicide.
