Hubbry Logo
Power movePower moveMain
Open search
Power move
Community hub
Power move
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Power move
Power move
Power move
View on Wikipedia
from Wikipedia
A b-boy doing an air flare at R16 in Seoul, South Korea.

Power moves are dance moves which are loosely defined as moves relying on speed, momentum, and acrobatic elements for performance. They are prominent in B-boying, often the centerpieces of routines featuring the other elements (toprock, downrock, and freezes) that make up breaking.[1] Power moves are closer to gymnastics than dancing. B-boys who focus heavily on power moves and execute them as a main part of their routines are often called "power heads".[2]

Types

[edit]

References

[edit]

See also

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Power move

View on Grokipedia
from Grokipedia
A power move is a dynamic and acrobatic maneuver in , characterized by continuous rotation, speed, and momentum that propels the dancer's body in gravity-defying ways, often using the hands, elbows, head, back, or shoulders as pivot points. These movements demand exceptional strength, balance, flexibility, and stamina, distinguishing them from other elements like or footwork. Power moves form a core component of the downrock phase in breaking routines, serving as high-impact displays of during battles or performances. Originating in the 1970s in the Bronx, New York City, as part of the emerging hip-hop culture, power moves evolved from earlier street dance influences and DJ Kool Herc's breakbeat techniques, initially manifesting as spectacular "go-downs" or freezes that transitioned into spins. By the late 1970s and early 1980s, crews like the Rock Steady Crew and Dynamic Rockers popularized foundational power moves, incorporating gymnastics and martial arts elements to create more complex rotations. The term "power moves" gained prominence in the 1980s as breaking spread globally, with innovations in Europe during the 1990s—such as those by Battle Squad—pushing boundaries in speed and combinations. This evolution continued into the 2000s, with international competitions like Red Bull BC One fostering advanced variations that blend originality and athleticism. Common examples of power moves include the headspin, where the dancer rotates on their head while supporting the body with crossed legs or arms; the windmill, a leg-driven circular sweep around the torso while balanced on one arm; the backspin, involving a full-body roll on the back with momentum from a turtle freeze; and the airflare, an advanced upside-down rotation alternating between arms in a V-shape. Other notable types are the flare, a scissor-like leg swing around the body on alternating arms, and the halo, a shoulder-supported spin resembling a halo around the head. These moves are often combined into sequences to build intensity in battles, where they score points for vocabulary, technique, execution, originality, and musicality under judging criteria established by organizations like the . In contemporary breaking, power moves symbolize the art form's athletic depth and cultural roots, gaining renewed attention with breaking's debut as an Olympic sport at the 2024 Paris Games but not included in the 2028 Games. They not only highlight individual prowess but also embody the competitive spirit of hip-hop battles, influencing global dance communities and inspiring crossovers with and . Despite their demanding nature, which can lead to injuries if not trained properly, power moves remain a hallmark of in breaking's ongoing .

Definition and Characteristics

Definition

A power move is an acrobatic dance element in breaking (also known as b-boying or b-girling) that relies on speed, momentum, and precise body control to execute dynamic rotations or circular motions primarily on the floor, often showcasing the dancer's strength and athleticism. Power moves, a subset of downrock, differ from toprock's upright rhythmic footwork and gestures, the intricate foot patterns and transitions central to foundational downrock, or the held static poses of freezes, by emphasizing continuous, gravity-defying motion and explosive energy to create visually striking displays rather than stylistic or narrative expression. The term "power move" emerged within 1970s Bronx hip-hop culture, where it described these physically demanding techniques that highlighted a dancer's prowess and bravado in competitive battles.

Key Characteristics

Power moves in breaking demand exceptional physical prowess, particularly high core strength to maintain balance and initiate rotations, upper body power for supporting the body's weight during spins, and flexibility to execute leg extensions and transitions without strain. is crucial, as performers often sustain these movements for extended sequences, requiring months of consistent —typically three to four sessions per week—to build the necessary stamina and prevent . These athletic requirements enable to propel their entire body into continuous rotational motion, balancing on hands, elbows, head, back, or shoulders while minimizing ground contact. Stylistically, power moves emphasize momentum-driven circular patterns, where generate and sustain speed through leg swings or body twists to achieve fluid, multi-revolution spins that align with the fast-paced rhythms of hip-hop beats. Variations highlight this versatility, including elbow-based executions like elbow spins for grounded stability, hand-supported moves such as hand glides for controlled hovering, and air-borne forms like air flares that incorporate gymnastic lifts for added height and spectacle. These elements underscore a focus on acrobatic flair and precision, distinguishing power moves from other breaking components through their rotational intensity and visual dynamism. In breaking routines, power moves function as high-energy highlights that inject intensity into battles, allowing performers to demonstrate dominance through technical mastery and creative combinations, often transitioning seamlessly into freezes or footwork. They serve to captivate audiences and judges by showcasing explosive athleticism and innovation, forming a core pillar of a breaker's set alongside , downrock, and freezes to convey overall musicality and personal style.

History

Origins in Breaking

Power moves emerged in the 1970s Bronx as an acrobatic component of breaking, developed by African-American and Latino youth amid the rise of hip-hop culture at neighborhood block parties. Pioneers such as Richard "Crazy Legs" Colón of the Rock Steady Crew and members of the New York City Breakers, formed in 1981, innovated these dynamic floor techniques, often starting from basic spins and freezes that evolved into continuous rotations. These early power moves drew from diverse influences, including the floor acrobatics of James Brown's performances—such as drops and spins in tracks like "Get on the Good Foot"—and adaptations of street gang dances that emphasized physicality and improvisation. Additional inspirations came from gymnastics for rotational skills, capoeira for fluid, evasive motions, and martial arts films for explosive energy, which breakers incorporated into their routines during the mid-1970s. The first documented power moves, including initial backspins and headspins, surfaced around 1973–1977, coinciding with DJ Kool Herc's extension of song breaks at events like the 1973 back-to-school party, providing rhythmic spaces for such displays. Within the cultural fabric of hip-hop's four elements—DJing, MCing, , and breaking—power moves embodied youthful rebellion and creative expression in underserved communities plagued by and . These maneuvers served as a non-violent outlet for gang-affiliated youth, transforming competitive energy into artistic battles at block parties and ciphers.

Evolution and Innovation

The expansion of power moves in breaking during the 1980s and 1990s was significantly propelled by mainstream media exposure, which transformed these acrobatic elements from Bronx street ciphers into global phenomena. Films such as Wild Style (1983), a seminal documentary capturing early hip-hop culture, and Breakin' (1984), a narrative feature showcasing dynamic routines, introduced audiences to rotational techniques like windmills and headspins, inspiring widespread imitation among youth worldwide. Concurrently, innovators pushed boundaries with complex variations; for instance, the airflare—a continuous rotational move lifting the body off the ground—was developed by Paulo Nunes around 1989, building on earlier European influences and quickly integrated into longer combinations by crews like Soul Control. B-boys such as Mr. Wiggles, a Rock Steady Crew member, further advanced power move styles through creative footwork-power fusions in performances and VHS tapes during this era, emphasizing precision and flair. By the 1990s, power moves spread globally, particularly to and , where local scenes adapted and innovated upon American foundations. In , crews like Battle Squad in concentrated on endurance and combo length, elevating moves like (elbow-supported spins) to new levels of complexity. Japan's breaking community adopted these techniques while infusing unique stylistic elements, exemplified by crews like Floorriorz, contributing to 's rapid rise in the dance form. with played a pivotal role, as breakers incorporated flips, planches, and flare variations—originally from gymnastic rings—enhancing the acrobatic demands and rotational dynamics of power moves, with many advancements tracing back to such hybrid influences. From the 2000s onward, digital media platforms like and international competitions accelerated the hybridization of power moves, blending them seamlessly with footwork and freezes for more fluid routines. Events such as , launched in 2004 as a premier one-on-one battle, showcased evolving combos with increased speed and creativity, drawing top talents and fostering innovations like extended airflare chains and multi-plane rotations. The inclusion of breaking in the 2024 Paris Olympics, marking its debut as an official sport, further boosted professional training infrastructures, with power moves central to judging criteria like technique and athleticism, encouraging standardized progressions and global talent pipelines, although it will not return for the 2028 Games.

Types of Power Moves

Spins

Spins represent a foundational category of power moves in breaking, characterized by continuous 360-degree rotations of the body around a central pivot point in the upper body, typically supported by the hands, elbows, forearms, or back. These moves emphasize balance, momentum generation through initial pushes or kicks, and sustained rotational force, often performed on smooth surfaces to minimize . The core involve positioning the body in a compact or extended form while using the pivot as the contact point with the ground, allowing the torso and legs to circle dynamically; common supports include the forearms for stability, elbows for elevated spins, or the shoulders and back for lower-contact variations. A prominent example is the headspin, where the dancer balances on the crown of the head as the pivot, with the body continuously or in intermittent bursts. Mechanics involve initiating from a position, using a single push for a one-shot or repeated or motions to maintain , often with legs tucked, extended, or varied for stylistic flair; protective helmets are commonly used to prevent injuries during prolonged practice or performance. This move demands exceptional strength to support the body's weight and to control speed and direction, making it a high-difficulty spin that progresses from basic stop-and-go variations (2-3 rotations) to advanced continuous headspins incorporating flares for added complexity. The backspin, executed in a with the body curled or extended on the back, serves as an accessible entry-level spin that builds foundational rotational skills. Dancers generate by whipping the or arms from a lying or side position, using the shoulders or mid-back as the primary pivot to drive 360-degree turns, often transitioning into other moves like windmills. Variations include the New York backspin, initiated from a stabbed pose with a sharp , and the hopping backspin, which adds vertical bounces for dynamism; it requires moderate core and upper body strength but is limited in early forms to 1-2 rotations due to and control challenges. Difficulty escalates in continuous or traveling backspins, where sustained (beyond 3 rotations) demands enhanced coordination and . Elbow spin variations extend the spin category into more advanced, elevated rotations, typically performed on one as a one-arm freeze that evolves into continuous circling. The mechanics rely on leaning into a forearm or plant for support, with the free and legs pumping to propel the body around the pivot, often clockwise on the dominant ; common forms include the drilled elbowspin (legs straight upward) and reverse elbowspin (counter-directional ). These demand significant and strength for , along with core engagement to prevent wobbling, positioning them at an intermediate-to-advanced difficulty level—basic versions achieve 2-3 rotations, while elite practitioners sustain longer sequences with integrated leg variations.

Flares

The flares, also known as Thomas flares, represent a foundational power move in breaking characterized by leg-sweeping circular motions that elevate and rotate the body into a V-shape, relying primarily on arm strength for support. To execute flares, the performer plants both hands on the ground approximately shoulder-width apart, with fingers pointing outward at a 45-degree angle to facilitate weight distribution and wrist flexibility. The body is positioned parallel to the ground, forming a or V-shape with the legs scissored and extended wide; momentum is generated by swinging the legs in full, continuous circles while alternating weight between the arms to maintain balance and propulsion. This hovering motion demands precise coordination, as the remains elevated through core engagement and stability, preventing collapse during the rotation. Common variations include basic flares, which typically involve 2-3 rotations before transitioning out, emphasizing control and height for beginners. Continuous flares extend this by linking multiple cycles seamlessly, requiring sustained momentum and endurance to achieve extended sets of 10 or more rotations. A tucked variation, achieved by drawing the knees toward the chest during the swing, increases rotational speed and reduces air resistance, allowing for faster execution at the cost of some height. Originating in in the 1970s as the Thomas flare—invented by American gymnast Kurt Thomas—the move was adapted into breaking during the , where it became a staple power move showcasing athletic prowess. Flares require exceptional shoulder and wrist stability, often developed through progressive like planche holds and hip flexibility drills, to handle the compressive forces during prolonged sets.

Swipes

Swipes are explosive, linear power moves in breaking that utilize rapid leg kicks to generate momentum for spins or transitions into other elements, distinguishing them through their short, burst-like execution rather than sustained rotations. Performed typically from a bridge position with hands and feet on the ground and hips elevated, the dancer balances on one arm while twisting the hips and swinging both legs under the body in a whipping motion to complete a 360-degree turn, landing back on the feet to repeat or link to subsequent moves such as headspins. This mechanic emphasizes precise timing to maintain balance and control, often originating from foundational evolutions of footwork and freezes into modern power techniques. Key variations of swipes adapt the core motion for increased complexity or stylistic flair, such as the master swipe, which involves a full executed on one while keeping the other elevated, allowing for sharper twists and potential drops like the two-drop to the belly with added spin. Another common variant is the one-leg swipe, where a single drives the momentum while the supporting remains planted, enhancing the move's accessibility for building into more advanced combos. These adaptations highlight swipes' versatility as entry points for broader routines, with the master swipe notably featured in performances by practitioners like B-Girl Jo. Athletically, swipes demand explosive hip power for the leg whip, combined with to sustain the arched bridge and arm strength for during the spin, requiring coordinated timing to avoid collapse and ensure smooth landings. These requirements make swipes a foundational yet challenging move, often incorporated into breaking routines to showcase dynamic transitions and physical prowess. Speed and momentum in swipes align with broader power move characteristics, providing burst propulsion for linking elements.

Airflares

Airflares represent an advanced evolution of power moves in breaking, characterized by continuous mid-air rotations where the dancer's body travels in a circular path above the floor. The technique involves swinging the legs and hips high off the ground while the hands briefly touch down for support between each rotation, creating a series of airborne hops that maintain momentum and height. This dynamic motion requires precise coordination, with the torso angled away from vertical to facilitate the rotational flow, distinguishing it from more static aerial maneuvers. Building on the foundational grounded flare, airflares were pioneered by B-Boy Paulo (also known as Pablo Flores or Paulo Nunes) around 1989, marking a significant innovation in airborne power moves. Early demonstrations, such as those captured in 1998 footage with the Soul Control crew, showcased initial single or double rotations, which gradually progressed to continuous airflares involving six or more seamless hops. The move's transmission accelerated through instructional tapes like and Swift Rock's B-Boying 1 & 2 in 1993, enabling wider adoption among breakers. Executing airflares demands superior upper body strength to propel and control the body weight during lifts, alongside keen air awareness to manage rotation speed and landing precision. These requirements make airflares a high-risk, high-reward element, frequently deployed in breaking battles to captivate audiences and judges with their visual spectacle and athletic prowess.

Floats

Floats represent a category of sustained power moves in breaking, characterized by the body being held horizontally parallel to the ground while supported exclusively by the arms, creating an of . The core form involves balancing on the hands or elbows, often with the elbows pressed into the lower or sides for stability, while the legs are extended, tucked, or slowly circled to facilitate controlled around a vertical axis. This isometric technique demands exceptional upper body strength, core engagement, and precise weight shifting between the arms to maintain equilibrium without full ground contact beyond the hands. Key examples of floats include the turtle float, the foundational variation where the elbows dig into the abdomen like a turtle's shell, and the legs are either tucked close or alternately kicked to generate for slow . The UFO float extends the arms straight out with knees positioned on the outer sides of the arms, allowing for a wider base and smoother circling motion, while the deadman float features rigidly straight legs locked behind the body for a streamlined, hovering appearance. These variations highlight the move's adaptability, emphasizing slow, deliberate control over speed. In breaking style, floats serve primarily as transitional elements between top rock or footwork and more explosive power moves, or as dramatic freezes to punctuate a routine and captivate audiences in battles. Their execution requires meticulous balance to avoid collapse, often integrating brief acrobatic handstand-like positions for entry and exit. Originating in 1979 with b-boy P. Man of the , floats gained prominence through innovations by Powerful Pexster in 1981 and widespread adoption by b-boys like Buck 4 and Lil Alex in the early , who refined variations such as walks and straight-arm supports.

Windmills

Windmills are a continuous power move in breaking involving circular leg sweeps around the upper body while supported on the back, , or hand, creating a rolling that emphasizes fluidity and . The basic form starts from a backspin or bridge, with the legs scissored and swung in 360-degree arcs over the , landing to initiate the next cycle; support can vary from full back contact in beginner versions to or hand plants for advanced height and speed. Variations include the basic windmill (back-supported), elbow windmill (elevated on one elbow for faster rotations), and hand glide windmill (using hands for propulsion, resembling a continuous freeze). These progress from 2-3 cycles for novices, focusing on leg control and hip flexibility, to extended sets of 10+ with arm hops or direction changes for complexity. Originating in the late 1970s scene, windmills evolved from backspins and were popularized by crews like Rock Steady in the 1980s, requiring strong core and lower body strength to sustain the inverting motion without pausing.

Halos

Halos, also known as shoulder plans or shoulder spins, are rotational power moves where the body circles around the s as the pivot point, with the head and arms extended to form a halo-like shape above the ground. Execution involves planting the s flat on the surface, tucking the head to the side, and using arm and leg pumps to generate continuous 360-degree turns while keeping the body low and compact. This move demands intense upper body and neck endurance to bear weight and control speed, often limited to 3-5 rotations in basic forms before fatigue sets in. Common variations include the basic halo (continuous shoulder rolls) and advanced elbow halo (incorporating elbow support for elevation). Developed in the early as an evolution of backspins, halos highlight rotational creativity and are used for transitions or as stylistic accents in routines, with practitioners like early Dynamic Rockers contributing to their refinement.

Techniques and Training

Basic Execution Techniques

Power moves in breaking demand precise body mechanics to generate and sustain rotational momentum while minimizing injury risk. Foundational skills begin with proper hand placement, where fingers are spread wide to maximize surface area and grip on the floor, allowing for stable support during weight-bearing rotations such as those in windmills or . This technique ensures hands remain positioned close to the hips or to keep the body compact and hips elevated, facilitating smoother transitions between support points. Core engagement is equally critical, as a contracted abdominal and lower back musculature provides the necessary for initiating and controlling spins, preventing uncontrolled flailing that could lead to falls. Common transitions integrate power moves fluidly into other elements of breaking, such as linking a backspin exit to downrock footwork via a controlled leg sweep or concluding a with a baby freeze for stylistic . Spotting plays a key role during spins, where breakers fix their gaze on a stationary visual point—such as a marker or edge—to maintain spatial orientation and counteract from rapid head turns. This method allows for multiple continuous rotations while preserving balance. Safety basics are paramount given the high-impact nature of power moves, which often involve full-body inversion or rapid floor contact. Protective gear, including helmets for headspins to cushion potential impacts and wrist guards for load-bearing on arms, is recommended to mitigate risks like concussions or sprains. Warm-up routines should target vulnerable areas, starting with dynamic circles, wrist flexions, and forearm stretches to increase joint mobility and blood flow before progressing to full executions. Practitioners emphasize practicing on padded surfaces to further reduce strain on and , which account for a significant portion of breaking-related injuries.

Training Methods and Progressions

Training power moves in breaking requires a structured progression that builds foundational strength, technique, and while minimizing risk, ideally under the guidance of experienced instructors or with spotters. For beginners, drills emphasize controlled support to develop and body awareness. Wall-supported headstands serve as an initial exercise for headspins, where practitioners position their hands and head against a wall to practice balance and neck strength, gradually increasing hold time to build confidence before attempting free rotations. Similarly, knee-based simulations for windmills involve starting in a tabletop position on knees and hands, practicing the leg sweep motion in slow segments to isolate hip and shoulder coordination without full inversion. These drills allow for recovery and gradual adaptation to the demands of rotational forces. As practitioners advance to intermediate and advanced levels, training shifts toward integrated strength conditioning and seamless progressions between moves. Core exercises such as planks and plank s enhance the stability needed for sustained power moves, progressing to variations like side planks or dynamic integrations. Upper body strength is further developed through pull-ups and s against a , starting with assisted versions using resistance bands or spotters, which directly supports transitions from basic windmills or to continuous chains like airflares. Mats and spotters are essential during these phases to provide a safe landing surface and guidance, reducing the risk of falls during experimentation with and linking sequences. Injury management is integral to long-term progression, incorporating and recovery protocols to address the high-impact nature of power moves. Yoga and dynamic stretching routines improve flexibility in the hips, shoulders, and spine, helping prevent common issues like strain or lower back discomfort by enhancing joint mobility. Post-session recovery includes ice baths to reduce and muscle soreness, particularly after intensive rotational drills. Overall, a periodized approach—alternating strength-focused days with technique drills and active recovery—ensures sustainable advancement, with practitioners monitoring fatigue to avoid overuse injuries like wrist tendinitis.

Cultural and Competitive Impact

Role in Breaking Battles

In breaking battles, power moves serve as a strategic tool to outshine opponents through their visual flash and demonstration of endurance, allowing to establish dominance by showcasing high athleticism and stamina during rounds. These moves, such as flares or airflares, are often deployed to set a challenging benchmark early or to counter an opponent's performance, emphasizing the breaker's ability to maintain control and variety without repetition, which can penalize scores. In major events like , judges evaluate power moves on criteria including —through unique variations or combinations—difficulty in execution, and in syncing with the track's , contributing to overall battle dynamics where flash can captivate audiences and judges alike. Strategically, breakers frequently reserve power moves for climactic moments in their rounds to build tension and maximize impact, transitioning from foundational elements like footwork to explosive sequences that highlight progression and narrative flow. Linking multiple power moves into seamless combos is particularly rewarded, as it demonstrates technical mastery and adaptability, elevating a performance's score by illustrating a cohesive response to the opponent rather than isolated displays. This placement helps conserve energy across the battle's multiple rounds, typically lasting 60 seconds each, while avoiding early exhaustion that could diminish later effectiveness. Since the , judging in international breaking competitions and cyphers has evolved to prioritize and stylistic over sheer raw power in moves, reflecting the sport's maturation into a globally recognized discipline ahead of its Olympic inclusion. This shift, evident in formalized systems for events like the Olympics, weights criteria such as (60% alongside technique and ) more heavily, encouraging breakers to infuse power moves with personal flair and musical interpretation rather than relying solely on athletic prowess. As a result, while power moves remain essential for demonstrating difficulty, battles now reward those that integrate them imaginatively within broader routines, fostering a balance between spectacle and artistic depth.

Notable Practitioners and Milestones

Richard "Crazy Legs" Colón, a founding member of the in the late 1970s, is widely recognized as the inventor of the , a foundational power move that revolutionized breaking by enabling continuous circular sweeps around the body while supported on the upper back and arms. This innovation, developed during the early 1980s in New York City's , helped elevate power moves from sporadic to fluid, repeatable elements integral to b-boy routines. Crazy Legs' contributions through performances and battles established power moves as a hallmark of breaking's athletic evolution. In the modern era, B-Boy Lil G from has emerged as a leading airflare specialist, renowned for advancing power moves with creative combinations and high-endurance executions that push the boundaries of rotational control. He has competed in five World Finals, including reaching the 2011 final in , where his airflare progressions showcased innovative linking of flares to other aerial elements. Lil G's style has inspired global b-boys to refine air-based power moves for competitive precision. B-Boy Issei from , who began breaking at age six in the early , has innovated elbow-based variations in the , incorporating elbow tracks and spins into fluid power sequences that emphasize stamina and musicality. As a since 2014, Issei has won multiple international titles, including the 2016 World Final in , , using his elbow-supported air moves to dominate battles with consistent, high-impact displays. His contributions have popularized hybrid power techniques blending traditional spins with precise arm isolations. A landmark milestone occurred in 1998 when B-Boy Pablo Flores of the Climax crew in , is credited with performing the first continuous airflares, executing multiple rotations in succession during a local battle on August 1, marking a shift toward sustained aerial power moves. This breakthrough was further highlighted at the Freestyle Session 3 event in November 1998, where Pablo linked two airflares, inspiring widespread adoption and evolution of the move in international competitions like . The inclusion of breaking in the 2024 Paris Olympics represented a global milestone, with power moves prominently featured in the men's breaking event, where B-Boy Victor Montalvo of the secured bronze in the medal battle against Japan's Shigekix by integrating dynamic windmills, flares, and spins. Victor's performance, which included seamless power transitions, helped legitimize breaking as an Olympic and highlighted the enduring impact of these acrobatic elements on the stage. Following the 2024 Olympics, breaking was not included in the 2028 program, shifting focus back to events like , where power moves continued to evolve in 2024 and 2025 competitions.

References

  1. https://www.olympics.com/en/news/breaking-breakdancing-rules-format-moves
  2. https://www.redbull.com/us-en/history-of-breakdancing
  3. https://thebreaks.org/articles/power.html
  4. https://www.olympics.com/en/news/breaking-judging-system-scoring-olympic-qualifier-series-paris-2024
  5. https://www.forbes.com/sites/jasonpu/2024/08/15/breaking-will-not-be-in-the-2028-los-angeles-olympics-whats-next/
  6. https://www.hss.edu/health-library/move-better/breakdance-and-injuries
  7. https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/hip-hop/hip-hop-a-culture-of-vision-and-voice/
  8. https://www.mygrooveguide.com/dance-info/breaking/power-moves
  9. https://www.redbull.com/int-en/understand-the-basic-elements-of-breaking
  10. http://www.freestylemotions.com/breakdancing/power-moves/
  11. https://www.businessinsider.com/crazy-legs-b-boy-breaking-hip-hop-richard-colon-dance-2023-8
  12. https://www.undertheradarmag.com/interviews/the_origins_of_breaking_with_its_biggest_namecrazylegs/
  13. https://historyofthehiphop.wordpress.com/hip-hop-cultures/break-dancingdance/
  14. https://www.societydanceacademy.com/hip-hop-history
  15. https://www.npr.org/2023/07/11/1186407223/50-years-ago-teenagers-partied-in-the-bronx-and-gave-rise-to-hip-hop
  16. https://thebreaks.org/articles/windmill.html
  17. https://www.vice.com/en/article/exploring-the-birth-of-the-b-boy-in-70s-new-york/
  18. https://thebreaks.org/articles/breaking.html
  19. https://www.teamusa.com/news/2023/november/04/the-history-of-breaking
  20. https://thebreaks.org/articles/airflare.html
  21. https://www.redbull.com/us-en/event-series/bc-one
  22. https://olympics.com/en/news/paris-olympics-2024-breaking-debut-takes-to-the-stage
  23. https://thebreaks.org/articles/headspin.html
  24. https://image.aausports.org/handbooks/gymnastics/Freestyle_Acrobatic_Rules.pdf
  25. https://thebreaks.org/articles/backspin.html
  26. https://thebreaks.org/articles/elbowspin.html
  27. https://www.redbull.com/in-en/how-to-do-flare-breaking
  28. https://dancewithceech.com/mastering-the-thomas-flare-a-powerful-breaking-move/
  29. https://breakdancingninja.com/proto/how-to-flare/
  30. https://www.youtube.com/watch?v=8A-WbV2zJg0
  31. https://www.angelfire.com/bc2/boyzmentality/flare.html
  32. https://www.redbull.com/in-en/how-to-do-master-swipe-breaking
  33. https://www.youtube.com/watch?v=TrShDnZ7tR0
  34. https://bboydojo.com/breakdance/how-to-airflare-in-breakdance-in-4-steps/
  35. https://gymnasticscoaching.com/2012/08/15/pablo-flores-first-airflares/
  36. https://obsgroup.org/how-the-obs-group-rescued-the-air-flare-a-david-and-goliath-story/
  37. https://learnbreakdance.net/airflare-history-and-revolution/
  38. https://thebreaks.org/articles/floats.html
  39. https://bboydojo.com/breaking-training/how-to-do-floats/
  40. https://www.redbull.com/us-en/breaking-windmill-move-tutorial
  41. https://thebreaks.org/articles/halo.html
  42. https://breakdancingninja.com/Music/Encyclopedia_Of_Breakdancing.pdf
  43. https://bboydojo.com/breaking-training/top-10-must-learn-breakdance-moves/
  44. https://www.redbull.com/us-en/understand-the-basic-elements-of-breaking
  45. https://www.redbull.com/us-en/iconic-dance-moves-head-spin
  46. https://bboydojo.com/breakdance/how-to-do-a-headspin/
  47. https://www.redbull.com/us-en/b-boy-fitness-and-training-red-bull-bc-one
  48. https://www.redbull.com/us-en/top-breakers-reveal-their-intense-fitness-workouts
  49. https://www.bboyfactory.com/post/5-steps-to-prevent-injuries
  50. https://www.redbull.com/us-en/art-of-battle-strategies-breakdance
  51. https://www.redbull.com/us-en/judges-criteria-breaking-competitions
  52. https://www.olympics.com/en/news/breaking-at-the-olympic-qualifier-series-everything-you-need-to-know
  53. https://www.redbull.com/in-en/history-of-breakdancing
  54. https://www.redbull.com/us-en/artist/lil-g
  55. https://www.redbull.com/us-en/b-boy-lil-g-facts-portrait
  56. https://www.youtube.com/watch?v=RS0mFARO1x4
  57. https://www.redbull.com/us-en/issei-things-to-know
  58. https://glissando.medium.com/why-issei-is-the-best-b-boy-in-the-world-eb315d847b51
  59. https://www.youtube.com/watch?v=2JNENC8PCwM
  60. https://www.teamusa.com/news/2024/august/10/b-boy-victor-claims-bronze-medal-breaking-concludes-in-paris
  61. https://www.nbcolympics.com/news/victor-montalvo-meet-athlete
  62. https://www.olympics.com/en/news/breaking-dropped-from-la-2028-olympics-programme
Add your contribution
Related Hubs
User Avatar
No comments yet.