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Robert De Niro
Robert De Niro
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Robert Anthony De Niro (/də ˈnɪər/ NEER-roh, Italian: [de ˈniːro]; born August 17, 1943) is an American actor, director, and film producer. He is considered to be one of the greatest and most influential actors of his generation.[a] De Niro is the recipient of various accolades, including two Academy Awards and a Golden Globe Award as well as nominations for eight BAFTA Awards and four Emmy Awards. He was honored with the AFI Life Achievement Award in 2003, the Kennedy Center Honors in 2009, the Cecil B. DeMille Award in 2011, the Presidential Medal of Freedom in 2016, the Screen Actors Guild Life Achievement Award in 2019, and the Honorary Palme d'Or in 2025.

De Niro studied acting at HB Studio, Stella Adler Conservatory, and Lee Strasberg's Actors Studio. He won the Academy Award for Best Supporting Actor for his role as Vito Corleone in the crime drama The Godfather Part II (1974), becoming the first male to win for an Italian-language performance. Six years later, he won the Academy Award for Best Actor for his portrayal of Jake LaMotta in the biopic drama Raging Bull (1980). He was further Oscar-nominated for his performances in Taxi Driver (1976), The Deer Hunter (1978), Awakenings (1990), Cape Fear (1991), Silver Linings Playbook (2012), and Killers of the Flower Moon (2023), while also earning a nomination for Best Picture for producing The Irishman (2019).

De Niro is known for his dramatic roles in Mean Streets (1973), 1900 (1976), The King of Comedy (1982), Once Upon a Time in America (1984), Brazil (1985), The Mission (1986), Angel Heart (1987), The Untouchables (1987), Goodfellas (1990), This Boy's Life (1993), Heat (1995), Casino (1995), Jackie Brown (1997), Ronin (1998), and Joker (2019), as well as his comedic roles in Midnight Run (1988), Wag the Dog (1997), Analyze This (1999), the Meet the Parents films (2000–2010), and The Intern (2015). He directed and acted in both the crime drama A Bronx Tale (1993) and the spy film The Good Shepherd (2006). On television, he portrayed Bernie Madoff in the HBO film The Wizard of Lies (2017).

De Niro and producer Jane Rosenthal founded the film and television production company TriBeCa Productions in 1989, which has produced several films alongside his own. Also with Rosenthal, he founded the Tribeca Film Festival in 2002. Many of De Niro's films are considered classics of American cinema. Six of De Niro's films have been inducted into the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant" as of 2023.[6] Five films were listed on the AFI's 100 greatest American films of all time.

Early life and education

[edit]

Robert Anthony De Niro[7] was born in the Manhattan borough of New York City on August 17, 1943,[8] the only child of painters Virginia Admiral and Robert De Niro Sr.[9] His father was of Irish and Italian descent,[10] while his mother had Dutch, English, French, and German ancestry.[11] His parents, who had met at the painting classes of Hans Hofmann in Provincetown, Massachusetts, separated when he was two years old after his father announced that he was gay.[12] De Niro was raised by his mother in the Greenwich Village and Little Italy neighborhoods of Manhattan. His father lived nearby, and remained close with De Niro during his childhood.[13] Nicknamed "Bobby Milk" because of his pale complexion, De Niro befriended many street kids in Little Italy, much to the disapproval of his father.[14] Some, however, have remained his lifelong friends.[15] His mother was raised Presbyterian but became an atheist as an adult, while his father had been a lapsed Catholic since the age of 12.[16][17] Against his parents' wishes, his grandparents had De Niro secretly baptized into the Catholic Church while he was staying with them during his parents' divorce.[17]

De Niro attended PS 41, a public elementary school in Manhattan, through the sixth grade. He began acting classes at the Dramatic Workshop and made his stage debut in school at age 10, playing the Cowardly Lion in The Wizard of Oz.[18][19] He later went to Elisabeth Irwin High School, the upper school of the Little Red School House, for the seventh and eighth grades.[20] He was then accepted into the High School of Music & Art for the ninth grade, but attended for only a short time before transferring to a public junior high school: IS 71, Charles Evans Hughes Junior High School.[21] De Niro attended high school at McBurney School and later, Rhodes Preparatory School.[22][23] He found performing as a way to relieve his shyness, and became fascinated by cinema, so he dropped out of high school at 16 to pursue acting.[15] He later said, "When I was around 18, I was looking at a TV show and I said, 'If these actors are making a living at it, and they're not really that good, I can't do any worse than them.'"[24] He studied acting at HB Studio and Lee Strasberg's Actors Studio.[22][25] De Niro also studied with Stella Adler, of the Stella Adler Conservatory, where he was exposed to the techniques of the Stanislavski system.[26] As a young actor, De Niro was inspired by the work of Marlon Brando, Montgomery Clift, James Dean, Greta Garbo, Geraldine Page, and Kim Stanley.[27]

Career

[edit]

1963–1973: Early roles and breakthrough

[edit]
De Niro playing small time criminal "Johnny Boy" Civello in Martin Scorsese's film Mean Streets (1973)

De Niro had minor film roles in Encounter, Three Rooms in Manhattan (both released in 1965) and Les Jeunes Loups (1968). Shortly afterwards, De Niro landed a major role in Greetings (1968), a satirical film about men avoiding the Vietnam War draft. The film marked the first of a series of early collaborations between De Niro and director Brian De Palma. A year later, De Niro appeared in the drama Sam's Song in which he portrays a New York City filmmaker. Also in 1969, he appeared in De Palma's comedy The Wedding Party; although it was filmed in 1963, it was kept unreleased for six years. De Niro, who was still unknown at the time, gained a favorable review from The New York Times' Howard Thompson: "This farcical comedy, modestly produced by a trio of young people and utilizing some unfamiliar faces, is great fun."[28]

He then appeared in Roger Corman's low-budget crime drama Bloody Mama (1970), a loose adaptation of Ma Barker's life, who was the mother of four American criminals, of which De Niro portrayed one: Lloyd Barker. Thompson praised the film and thought the cast gave "fine performances."[29] Next, De Niro starred in De Palma's comedy Hi, Mom! (1970), a sequel to Greetings. Writing for The New Yorker, Richard Brody opined that De Niro "brings unhinged spontaneity" to his character.[30] He also had a small role in Jennifer on My Mind (1971) and in Ivan Passer's Born to Win (1971). His last film appearance of 1971 was in The Gang That Couldn't Shoot Straight, a crime-comedy based on the 1969 novel by Jimmy Breslin.

In 1972, De Niro starred in two performances at The American Place Theatre, directed by Charles Maryan.[31] He then returned to the big screen with Bang the Drum Slowly (1973), in which he played the lead role as Bruce Pearson, a Major League Baseball player with Hodgkin disease. His co-stars were Michael Moriarty and Vincent Gardenia. Adapted from the 1956 novel of the same name by Mark Harris, the film received critical acclaim and helped De Niro gain further recognition. The Hollywood Reporter wrote, "De Niro proves himself to be one of the best and most likable young character actors in movies with this performance."[32] Variety magazine's Alex Belth also took note of De Niro's "touching" portrayal,[33] while Gardenia was nominated for an Academy Award for Best Supporting Actor.[34] Harris later wrote about De Niro, "He learned only as much baseball as he needed for his role [...] I doubt that he ever cared to touch a baseball again."[33]

In 1973, De Niro began collaborating with Martin Scorsese when he appeared in the crime film Mean Streets (1973), co-starring Harvey Keitel.[18] Although De Niro was offered a choice of roles, Scorsese wanted De Niro to play "Johnny Boy" Civello, a small time criminal working his way up into a local mob.[35] While De Niro and Keitel were given freedom to improvise certain scenes, assistant director Ron Satlof recalls De Niro was "extremely serious, extremely involved in his role and preparation," and became isolated from the rest of the cast and crew.[36] Mean Streets debuted at the Cannes Film Festival, followed by the New York Film Festival five months later, to a generally warm response.[37] Film critic Roger Ebert thought De Niro gave a "marvelous performance, filled with urgency and restless desperation."[38] Pauline Kael of The New York Times was equally impressed by De Niro, writing he is "a bravura actor, and those who have registered him only as the grinning, tobacco-chewing dolt of that hunk of inept whimsey Bang the Drum Slowly will be unprepared for his volatile performance. De Niro does something like what Dustin Hoffman was doing in Midnight Cowboy, but wilder; this kid doesn't just act – he takes off into the vapors."[37] In 1997, Mean Streets was selected for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[39]

1974–1980: Scorsese collaboration and acclaim

[edit]

De Niro had a pivotal role in Francis Ford Coppola's crime epic The Godfather Part II (1974), playing the young Vito Corleone. De Niro had previously auditioned for the first installment, The Godfather (1972), but quit the project in favor of doing The Gang That Couldn't Shoot Straight. Coppola, having remembered him, gave De Niro a role in Part II instead.[40] To portray his character, De Niro spoke mainly in several Sicilian dialects,[18] although he delivered a few lines in English. The film was a commercial success and grossed $48 million at the worldwide box office.[41] The Godfather Part II received eleven nominations at the 47th Academy Awards, winning six, including one for De Niro as Best Supporting Actor.[42] It was De Niro's first Academy win; Coppola accepted the award on his behalf as he did not attend the ceremony. De Niro and Marlon Brando, who played the older Vito Corleone in the first film, were the first pair of actors to win Academy Awards for portraying the same fictional character.[43]

After working with Scorsese in Mean Streets, De Niro collaborated with him again for the psychological drama Taxi Driver (1976). Set in gritty and morally bankrupt New York City following the Vietnam War, the film tells the story of Travis Bickle, a lonely taxi driver who descends into insanity. In preparation for the role, De Niro spent time with members of a U.S. army base to learn their Midwestern accent and mannerisms.[44] He also lost 30 pounds (13 kg) in weight, took firearm training and studied the behavior of taxi drivers.[45] The film was critically acclaimed, in particular for De Niro's performance; The Washington Post critic hailed it as his "landmark performance,"[46] and the San Francisco Chronicle wrote "De Niro is dazzling in one of his signature roles."[47] The film was nominated for four Academy Awards, including Best Actor for De Niro.[48][49] His "You talkin' to me?" quote, which he improvised,[50] was selected as the 10th most memorable quote in the AFI's 100 Years...100 Movie Quotes by the American Film Institute. In 2005, the film was chosen by Time magazine as one of the 100 best films of all time.[51]

De Niro and Dominique Sanda play a married couple in the film 1900.

De Niro had two other film releases in 1976. He starred in 1900, a historical drama directed by Bernardo Bertolucci. Starring an ensemble cast, the film is set in the Emilia region of Italy, and tells the story of two men, the landowner Alfredo Berlinghieri (De Niro) and the peasant Olmo Dalcò (Gérard Depardieu), as they witness and participate in the political conflicts between fascism and communism in the first half of the twentieth century. Next, he played a CEO in The Last Tycoon, based on F. Scott Fitzgerald's novel of the same name, as adapted by British screenwriter Harold Pinter. De Niro lost 42 pounds (19 kg) for the role, and director Elia Kazan observed that De Niro would rehearse on Sundays, adding "Bobby and I would go over the scenes to be shot. Bobby is more meticulous ... he's very imaginative. He's very precise. He figures everything out both inside and outside. He has good emotion. He's a character actor: everything he does he calculates. In a good way, but he calculates."[52]: 766  The film received mixed reviews; Variety magazine's critic opined that the film was "unfocused" and called De Niro's performance "mildly intriguing."[53] Film critic Marie Brenner wrote, "it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather Part II... his performance deserves to be compared with the very finest."[54]

For De Niro's sole project of 1977, he starred in Scorsese's musical drama New York, New York opposite Liza Minnelli. De Niro learned to play the saxophone from musician Georgie Auld, to portray saxophonist Jimmy, who falls in love with a pop singer (Minnelli).[55] The film received generally mixed reception, although critics were kinder to De Niro.[56] The film was nominated for four Golden Globe awards including Best Actor in a Motion Picture Musical or Comedy for De Niro.[57][58] In 1978, De Niro starred in Michael Cimino's epic war film The Deer Hunter, in which he played a steelworker whose life was changed after serving in the Vietnam War. He co-starred with Christopher Walken, John Savage, John Cazale, Meryl Streep, and George Dzundza. The story takes place in Clairton, Pennsylvania, a working-class town on the Monongahela River south of Pittsburgh, and in Vietnam. Producer Michael Deeley pursued De Niro for the role, because the fame of his previous films would help make a "gruesome-sounding storyline and a barely known director" marketable.[59] De Niro, impressed by the script and director's preparation, was among the first to sign on to the film.[60] Reviews for The Deer Hunter were generally positive, and the cast attracted strong praise for their performances.[60] The film received nominations at the Academy Awards, Golden Globes and British Academy Film Awards (BAFTAs), and earned De Niro a nomination for Best Actor at the Academy Awards.[61][62][63] In 2007, the American Film Institute ranked it as the 53rd-greatest American film of all time in their 10th Anniversary Edition of the AFI's 100 Years...100 Movies list.[64]

The fourth collaboration between De Niro and Scorsese was in 1980, with the biographical drama Raging Bull. Adapted from Jake LaMotta's memoir Raging Bull: My Story, De Niro portrays LaMotta, the Italian-American middleweight boxer whose violent behavior and temper destroyed his relationship with his wife and family. Co-starring Joe Pesci and Cathy Moriarty, De Niro later said it was one of the toughest roles to prepare for because he had to gain 60 pounds (27 kg), and had to learn to box.[18][65] "The book's not great literature, but it's got a lot of heart," De Niro told Scorsese at the time.[66] Although the film received critical acclaim, some reviewers were divided and criticized its "exceedingly violent" content; however, De Niro garnered praise for his realistic portrayal.[67] The critic from The Hollywood Reporter declared that "De Niro is incredible and makes the actor almost unrecognizable as himself; he looks amazingly like La Motta. De Niro's appearance is also astonishing in the final scenes."[68] Michael Thomson of the BBC observed "the power of Scorsese is matched by the intensity of De Niro who delves deep into the soul of the boxer."[69][70] At the 53rd Academy Awards, the film received eight nominations, including Best Actor for De Niro for which he won.[71] Raging Bull has since been regarded as one of the greatest films of the 1980s by American critics.[69] De Niro was strongly considered for the role of Jack Torrance in Stanley Kubrick's The Shining, but it ended up going to Jack Nicholson, the director's first choice for the role.[72]

1981–1991: Dramas, comedies and awards success

[edit]

De Niro returned to the crime genre with True Confessions (1981), adapted from the 1977 novel of the same name by John Gregory Dunne. Less challenging than his previous film, De Niro played a priest who clashes with his brother (Robert Duvall), a detective investigating the murder of a prostitute. Vincent Canby of The New York Times thought the plot was hard to follow at times but praised the actors who "work so beautifully together it sometimes seems like a single performance."[73] To expand his range of acting roles and to prove his acting abilities, De Niro sought out films with a comedic tone throughout the 1980s.[74] He found it in The King of Comedy (1982), in which he played the struggling stand-up comedian Rupert Pupkin. De Niro was first to bring the script to the attention of Scorsese, who then gave it a New York setting and darker tone.[74] The film failed to find an audience, and was a box office disappointment, grossing only $2.5 million from a budget of $19 million.[75][76] However, most critics praised De Niro's performance.[77] His next film credit was in Sergio Leone's Once Upon a Time in America (1984), in which he plays David "Noodles" Aaronson, a New York City Jewish gangster. The theatrical cut, with a runtime of 229 minutes, premiered at the 1984 Cannes Film Festival and received a 15-minute standing ovation.[78] The film was shortened for theaters in the U.S. (139 minutes), but this proved to be highly unpopular with critics.[78] After seeing the full cut, Kenneth Turan of the Los Angeles Times described the film "excessive as well as tightly controlled" with the actors showing "impressive restraint and power."[79]

Falling in Love, a romantic comedy starring opposite Meryl Streep, was his last release of 1984. One year later, De Niro starred in a science fiction for the first time, Brazil, about a daydreaming man living in a dystopian society. Although the film was unsuccessful at the box office, Brazil was included in The Criterion Collection.[80] In May 1986, De Niro returned to the stage at Longacre Theatre, playing the lead role in the production Cuba and His Teddy Bear.[81] For his next feature film, he co-starred in The Mission (1986) with Jeremy Irons, a period drama about the experiences of a Jesuit missionary in eighteenth century South America. Vincent Canby reviewed the film negatively, and was critical of De Niro's casting: "De Niro, who was very fine as the street-wise priest in True Confessions, is all right here until he opens his mouth."[82] However, the film won an Academy Award for Best Cinematography, three BAFTAs, including Best Editing, and two Golden Globes for Best Screenplay and Best Original Score.[83][84][85]

In 1987, De Niro had two minor film roles. In the first, he was cast as Louis Cyphre in Alan Parker's horror Angel Heart, an adaptation of William Hjortsberg's 1978 novel Falling Angel.[86] In the second, he portrayed Al Capone in De Palma's crime drama, The Untouchables. While Pauline Kael opined that De Niro was "lazy" for undertaking small roles, De Palma defended him by saying he was "experimenting with those characters."[31] In July 1987, he traveled to Russia to serve as president of the jury at the 15th Moscow International Film Festival.[87] Finally that year, he provided a voice-over for the documentary Dear America: Letters Home from Vietnam. The buddy cop film, Midnight Run, was his next effort in 1988. Starring opposite Charles Grodin, De Niro played bounty hunter Jack Walsh. The film received amicable reception and was a commercial success, grossing $81 million worldwide.[88][89] In his mixed review, Hal Hinson of The Washington Post wrote of De Niro:

De Niro has reduced himself in scale here, too, and it's a relief to see him drop the great-actor mantle, and the theatricality. As a result, he hasn't seemed as fresh since Mean Streets or New York, New York. Walsh is more of a character role than the ones he played in those films; there's less specificity in the conception – he's more of a type – but the actor fits into him snugly, effortlessly, and the chance to play comedy, particularly opposite a comic foil as ideal as Grodin, appears to have revitalized him.[90]

He turned down an opportunity to play Jesus Christ in Scorsese's The Last Temptation of Christ (1988), although he told the director that he would do it as a favor if needed. Scorsese cast Willem Dafoe instead.[91] In 1989, De Niro starred in several films that were not widely seen. He starred alongside Ed Harris and Kathy Baker in the drama Jacknife. The film revolves around the complex relationship between a Vietnam veteran, his sister and fellow army buddy. Next, he starred in the crime comedy We're No Angels (1989) with Sean Penn and Demi Moore, a remake of the 1955 film of the same name. The pair play escaped convicts who go on the run towards Canada. A year later, he starred in the romantic drama Stanley & Iris opposite Jane Fonda. Film critics did not receive We're No Angels or Stanley & Iris positively; modern review aggregator Rotten Tomatoes gives them approval ratings of 47% and 33%, respectively.[92][93]

De Niro at the 1988 Deauville Film Festival
De Niro at the Deauville Film Festival, 1988

De Niro and Scorsese soon reunited for their sixth collaboration in 1990, with the crime film Goodfellas. It is an adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi. The film narrates the life of mob associate Henry Hill (Ray Liotta) and his friends and family from 1955 to 1980. De Niro played James Conway, an Irish truck carjacker and gangster. Goodfellas premiered at the 47th Venice International Film Festival to an "enthusiastic" response from Italian critics, although it grossed a moderate $46 million upon its wider release.[94][95] Writing for Rolling Stone magazine, Peter Travers, praised the cast performances, and called De Niro's character "a smooth killer acted with riveting restraint."[96] Chicago Tribune's Gene Siskel was equally impressed by their improvised performances and concluded "easily one of the year's best films."[97] In the awards season, the film was nominated for six Academy Awards, and De Niro was nominated for Best Actor at the BAFTAs.[98][99] In 2007, the American Film Institute ranked it as the 92nd-greatest American film of all time in their 10th Anniversary Edition of the AFI's 100 Years...100 Movies list.[64] Also in 1990, De Niro appeared in the lead role for Awakenings, directed by Penny Marshall. The drama, based on Oliver Sacks' 1973 book of the same title, tells the story of Dr. Malcolm Sayer (Robin Williams), who discovers benefits of the drug L-Dopa in 1969 and administers it to catatonic patients. The film was nominated for three Academy Awards, including Best Actor for De Niro.[98] Sacks later remarked of the film: "I was pleased with a great deal of it. I think in an uncanny way, De Niro did somehow feel his way into being Parkinsonian. [...] At other levels I think things were sort of sentimentalized and simplified somewhat."[100]

De Niro's next film project was the drama Guilty by Suspicion (1991) in which he plays David Merrill, a fictitious film director, returning to the U.S. during the McCarthy era and Hollywood blacklist. The film received generally favorable reviews.[101] He then had a minor role in the mystery drama Backdraft (1991), playing a veteran fire inspector. De Niro's biggest success of 1991 was Cape Fear, his seventh film with Scorsese and a remake of the 1962 film of the same name. De Niro portrays convicted rapist Max Cady, who seeks revenge against a former public defender who originally defended him. De Niro's performance was widely lauded.[102] David Ansen of Newsweek remarked that De Niro "dominates the film with his lip-smacking, blackly comic and terrifying portrayal of psychopathic self-righteousness."[103] The film grossed a successful $182 million and earned De Niro a Best Actor nomination at the 64th Academy Awards.[104][105]

1992–1997: Directorial debut and crime dramas

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In 1992, De Niro appeared in two films. The first, Mistress, is a comedy-drama in which he played ruthless businessman Evan Wright. Of his performance, the critic from The Independent called De Niro "more urbane and coherent than we've seen him for a while."[106] Irwin Winkler's Night and the City was his second release, a crime drama remake of the 1950 film noir of the same name. He was cast as New York lawyer Harry Fabian. Owen Gleiberman of Entertainment Weekly gave the film a rating of "B−" and was critical of De Niro: "The actor who once got so far inside his roles that he just about detonated the screen – now plays characters who don't seem to have any inner life at all."[107] Next, he served as a producer for the mystery thriller Thunderheart (1992).[108] In 1993, he played crime scene photographer Wayne Dobie in the comedy drama Mad Dog and Glory with co-stars Uma Thurman and Bill Murray. The feature received reasonable reviews and was lauded for the chemistry between De Niro and Murray; The Washington Post critic noted that their "real-life friendship spills over into this jittery, very funny look at the male bonding experience."[109] Next, De Niro starred in the coming-of-age film This Boy's Life (1993), based on the memoir of the same name by Tobias Wolff. It features Ellen Barkin and Leonardo DiCaprio. Playing stepfather Dwight Hansen of Wolff (DiCaprio), the film was mostly well received, although Timeout magazine believed that "DiCaprio steals the show."[110]

De Niro starred in his directorial debut, A Bronx Tale (1993), a coming-of-age story about an Italian-American boy who is torn between the temptations of organized crime, racism in his community, and the values of his decent father. The film also stars Chazz Palminteri, who wrote the play of the same name, and is based on his childhood. A Bronx Tale premiered at the Toronto International Film Festival to a positive response; Marjorie Baumgarten of The Austin Chronicle wrote "De Niro's choices as a director all seem prudent and un-showy, designed to draw attention to the characters and the story rather than its technical assemblage and much-lauded star."[111] Variety magazine's Todd McCarthy took issue with the film's slow start but complimented De Niro's "impressive sensitivity to the irrational roots of racism and violence."[112] A year later, De Niro was cast in the lead role of Mary Shelley's Frankenstein, an adaptation of Mary Shelley's 1818 novel Frankenstein. Although the film was commercially successful, earning $112 million worldwide, the general consensus of reviews were largely negative.[113][114] Film critic James Berardinelli opined that it was entertaining and De Niro gave a strong performance, despite the film's "frantic" pace.[115]

De Niro at the 1993 Venice Film Festival
De Niro at the Venice Film Festival, 1993

Casino (1995) marked De Niro's return to the crime genre with Scorsese in their eighth collaboration. Co-starring Sharon Stone and Joe Pesci, the film is based on the book Casino: Love and Honor in Las Vegas by Nicholas Pileggi. De Niro portrays Sam "Ace" Rothstein, a mob-connected casino operator in Las Vegas. The film's themes revolve around greed, betrayal, wealth, status, and murder that occur between two mobsters, Sam "Ace" Rothstein (De Niro) and Nicky Santoro (Pesci), and a trophy wife (Stone) over a gambling empire. Casino was released to mostly positive critical reception, and was a success at the worldwide box office.[116] Roger Ebert was impressed with the lead performers' abilities to "inhabit their roles with unconscious assurance,"[117] and The Globe and Mail's critic thought "De Niro does an extraordinarily subtle job of capturing the paradox [...] that lie at the heart of this picture."[118] Shortly afterwards, he starred in 1995's crime thriller Heat, about a group of professional bank robbers. Art Linson, who had previously produced films starring De Niro, sent him the script first. "It was very good, very strong, had a particular feel to it, a reality and authenticity," De Niro said.[119] Co-starring Al Pacino, Val Kilmer, Tom Sizemore, and Jon Voight among others, the film was released to wide acclaim; Michael Wilmington of the Chicago Tribune wrote:

De Niro and Pacino redeem everything. In Heat, they represent a high postwar tradition for movie actors – the ones inspired by Marlon Brando, John Cassavetes and James Dean – who aren't afraid of emotion, who run right into the jaws of a scene to grab it. Like others from their generation – Jack Nicholson, Gene Hackman, Harvey Keitel – they have a keener slant on machismo. They easily explore its darker strata.[120]

Heat marked the first time that Pacino and De Niro appeared on-screen together; they were both in The Godfather Part II but were never in any scenes together because the film takes place in two separate timelines. De Niro as Vito Corleone was in the past and Pacino as his son Michael was in the present.

In 1995, De Niro had minor roles in the French comedy One Hundred and One Nights and in the drama Panther. In 1996, De Niro starred in the sports thriller The Fan, based on the novel of the same name by Peter Abrahams. De Niro plays Gil Renard, a baseball fanatic who loses his sanity.[121] His fiftieth film credit was in the crime drama Sleepers (1996), about four boys who become involved with crime, and are sentenced to a detention center where they are abused by guards, and seek vengeance upon release. De Niro plays priest Bobby Carillo, a father figure to the four boys.[122] Afterwards, he appeared in Marvin's Room (1996) as Dr. Wallace Carter, who treats a woman (Diane Keaton) with leukemia. Writing for the British Empire magazine, Bob McCabe opined that "Performances are all eminently watchable [...] but the truncated feel robs the film of anything more than perfunctory pleasures."[123] Also in 1996, De Niro co-produced the crime-comedy Faithful.[124] In 1996 a video game produced by De Niro called 9: The Last Resort was released. A surreal point and click puzzle game about a hotel filled with strange characters. De Niro met the game's director Buzz Hayes when Hayes worked at Lucasfilm.[125] The game did not do well at launch and Hayes is quoted as saying "I wouldn’t call it a failure. it was just kind of a quiet landing."[126]

The following year, he appeared in James Mangold's Cop Land (1997), a crime-drama co-starring Sylvester Stallone, Harvey Keitel and Ray Liotta. De Niro plays Internal Affairs investigator Lt. Moe Tilden, who explores police corruption in a New Jersey town. The film opened to a generally warm response, although Barbara Shulgasser of San Francisco Examiner criticized De Niro's acting in certain scenes, suggesting Mangold put De Niro in a "manufactured situation," preventing him from realizing his full potential.[127] De Niro co-starred and co-produced Wag the Dog (1997). The film is a political satire about a biased publicist (De Niro) and a Hollywood producer (Dustin Hoffman) who fabricate a war in Albania to cover up a U.S. president's sex scandal. In January 1998, a month after its release, the Clinton–Lewinsky scandal dominated the headlines, which helped the film generate publicity.[128] As a result, Wag the Dog was well-received and made the list of Roger Ebert's ten best films of 1997.[129] De Niro also had a supporting role in Quentin Tarantino's Jackie Brown in that same year.[130]

1998–2006: Comic roles, thrillers, and slump

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De Niro in 1998

De Niro began 1998 with an appearance in Great Expectations, a modern adaptation of Charles Dickens' 1861 novel of the same name, in which he played Arthur Lustig. Later that year, his next major role came in Ronin (1998), about a team of former special operatives that are hired to steal a mysterious briefcase while navigating a maze of shifting loyalties. De Niro plays Sam, an American mercenary formerly associated with the CIA. Ronin premiered at the 1998 Venice Film Festival to favorable response; Janet Maslin of The New York Times praised De Niro's confident portrayal as an action hero.[131] In 1999, De Niro ventured back into crime-comedy; he was cast as an insecure mob boss opposite Billy Crystal and Lisa Kudrow in Harold Ramis' Analyze This. The film was a box office hit, earning $176 million worldwide, and De Niro was nominated for Best Actor at the Golden Globes.[132][133] In Flawless (1999), De Niro appeared as a homophobic police officer, who suffers a stroke, and is assigned to a rehabilitative program with a gay singer. The critic from the BBC gave the film 3 out of 5 stars, and thought De Niro gave a "refreshingly low-key" performance, in comparison to his previous work.[134]

In 2000, De Niro produced and starred in his first live-action animation comedy, The Adventures of Rocky and Bullwinkle. He voiced the character Fearless Leader, who is a dictator and employer of two mobsters. The film was critically panned, with Rotten Tomatoes giving the film a 43% approval rating.[135] De Niro played Master Chief 'Billy' Sunday in the biographical drama Men of Honor (2000), based on the life of Carl Brashear, the first African-American to become a U.S. Navy Master Diver. Although the film garnered mixed reviews, Bob Thomas of the Associated Press wrote "De Niro infuses the role with all his dynamism. It is his best performance in years."[136] That same year, he starred in the comedy Meet the Parents opposite Ben Stiller as Jack Byrnes, a former CIA operative who takes a dislike to Stiller's character. De Niro, who had been seeking comic roles at the time, was encouraged by his producing partner Jane Rosenthal, to take on the role.[137] The film was a high earner at the box office, with $330 million in receipts.[138] Film critics welcomed De Niro's transition as a comic actor and ability to make audiences laugh.[139][140]

After several comedies, De Niro landed a lead role in the crime thriller 15 Minutes (2001), a story about a homicide detective (De Niro) and a fire marshal (Edward Burns) who join forces to apprehend a pair of Eastern European murderers. The film's reception was generally unfavorable; William Arnold of the Seattle Post-Intelligencer took issue with the "in-your-face exaggeration," but he thought De Niro delivered "his usual edgy flair, [...] on the mean streets of his native Manhattan."[141] De Niro followed up with a heist, in Frank Oz's The Score (2001), starring Edward Norton, Angela Bassett and Marlon Brando. He plays a retiring thief when a young man (Norton) persuades him into doing one last heist together. Upon release, The Score fared well with critics, although Peter Rainer of New York magazine did not think the film challenged De Niro or fully utilize his talents.[142] The next year, he played an LAPD detective opposite Eddie Murphy in the action-comedy Showtime. The reviewer from LA Weekly remarked "De Niro isn't actually playing a part but riffing on his own legend," and thought the references to Taxi Driver were "cheap."[143]

De Niro at the Karlovy Vary International Film Festival, 2008
De Niro at the Karlovy Vary International Film Festival, 2008

Also in 2002, he collaborated with Michael Caton-Jones in City by the Sea, who had previously directed De Niro in This Boy's Life. Starring opposite Frances McDormand and James Franco, he portrayed another police detective in the drama. The film received mixed reviews and under-performed at the theaters.[144] He appeared in Analyze That (2002), a sequel to 1999's Analyze This. Filming began in New York City, seven months after the September 11 attacks. De Niro insisted on filming there, stating "It's a New York story, a New York movie. We always intended to keep it there and I'm glad we were able to do it."[145] Upon release, most critics thought the sequel was weak; CNN's Paul Clinton remarked "Unfortunately the result is just a bunch of one-liners strung together, of which some work and some don't. The actual story never gets off the ground."[146] Despite these failures, De Niro served as a producer for the critically acclaimed romantic-comedy About a Boy (2002), and appeared in 9/11 (2002), a CBS documentary about the September 11 attacks, told from the New York City fire department's point of view.[147]

Several critics consider De Niro's career as having begun to slump in the early 2000s, with De Niro starring in roles that were less dramatic than those in the previous decade.[148][149] He returned to the screen in 2004, playing a doctor in the fantasy drama Godsend. As of 2020, the film is De Niro's poorest-performing work; Rotten Tomatoes gave the film an approval rating of 4% based on 139 critic reviews.[150] He voiced a character in DreamWorks' animation of Shark Tale (2004). Most critics were also unimpressed, but it was a high earner at the box office.[151] After co-producing Stage Beauty (2004), De Niro reprised his role of Jack Byrnes in 2004's Meet the Fockers, the sequel to Meet the Parents. In a scathing review of De Niro, the critic from Slant Magazine wrote "In self-parody mode for the umpteenth time, De Niro mugs for the camera with a series of overblown grimaces and faux-menacing glares."[152] The Bridge of San Luis Rey, was De Niro's last release of 2004, based on Thornton Wilder's novel of the same name. It was also critically panned.[153]

In 2005, De Niro starred in the horror Hide and Seek opposite Dakota Fanning, playing Dr. David Callaway who leaves the city with his traumatized daughter after the mother's suicide. Although the film was a financial success, some critics thought De Niro had been miscast, and queried his decision to star in a mediocre feature.[154][155] In 2006, De Niro turned down a role in The Departed to direct his second film,[156] the spy thriller The Good Shepherd, a fictional account about the growth of the CIA during its formative years. The film reunited him onscreen with Joe Pesci, co-star from Raging Bull, Goodfellas, A Bronx Tale, Casino, among others. Based on the screenplay by Eric Roth, the project was personal for De Niro, who was raised during the Cold War and fascinated by it.[157] Despite starring some of Hollywood's leading actors; Matt Damon, Angelina Jolie and Alec Baldwin, the film garnered a mixed reception. Writing for The Sydney Morning Herald, Sandra Hall noted its slow pace, stating "There's a potentially fascinating slice of American history here, but De Niro has carved it up with an excruciatingly dull knife."[158] The critic from USA Today found the plot initially hard to follow, but praises De Niro for "creating a stirring personal tale."[159] The Good Shepherd was nominated for Best Art Direction at the 79th Academy Awards.[160] Finally in 2006, he voiced the character Emperor Sifrat XVI in Arthur and the Invisibles.[161]

2007–2016: Further film roles

[edit]

His sole project in 2007 was Matthew Vaughn's Stardust, a fantasy adventure, based on Neil Gaiman's 1999 novel of the same name. He plays Captain Shakespeare, the leader of a ship. The film was generally well received, although one critic from New York magazine thought De Niro's performance was "god-awful – yet his gung-ho spirit wins him Brownie points."[162] The following year, he starred in the police procedural thriller Righteous Kill opposite Al Pacino, both playing New York City detectives who investigate serial executions of criminals who escaped justice. The film's response was mainly disappointing; Peter Hartlaub of San Francisco Chronicle thought the story was unoriginal and De Niro lacked energy.[163] The film grossed $78 million from a budget of $60 million.[164] Next, he starred in What Just Happened (2008), a satirical comedy based on Art Linson's experiences as a producer in Hollywood. The film was screened at the 2008 Cannes Film Festival as an out-of-competition entry.[165] The Sydney Morning Herald opined that most reviewers gave the film a lukewarm reception because of the character he plays, which is "sympathetic" and quieter than his earlier roles.[166] In 2009, he was cast as Frank Goode in the drama Everybody's Fine, a remake of Giuseppe Tornatore's Italian film of the same name. Although the film's response was equally mixed, The Guardian's critic praised De Niro for a "his first decent, watchable performance in quite a while."[167]

De Niro at the 2011 Cannes Film Festival
De Niro at the Cannes Film Festival, 2011

In 2010, he had a minor part as Senator John McLaughlin in the action film Machete. That same year, he starred in Stone opposite Milla Jovovich and Edward Norton, co-star from The Score. It is a crime drama where De Niro plays a manipulated parole officer. The film was met with a divided reception; Toronto Star's critic thought De Niro delivered a respectable performance due to Jovovich's support.[168] Another critic, Jesse Cataldo from Slant Magazine noted the film's restraint and thought De Niro is repeating himself by playing the same basic characters.[169] Next he starred in Little Fockers (2010), the second sequel to Meet the Parents and Meet the Fockers. Despite universally negative reviews from critics, the film was a box office success, grossing over $310 million worldwide.[170] In one review, The Daily Telegraph wrote "Despite the farcical script, De Niro in particular has his paterfamilias character sensitively tuned."[171] That year, De Niro was cast in Edge of Darkness, but he left the project citing creative differences. He was replaced by Ray Winstone.[172][173]

In 2011, De Niro starred in the Italian comedy Manuale d'amore 3.[174] He also appeared in three other films: Killer Elite, Limitless, and New Year's Eve. Except for Limitless, which received an approval rating of 69% from Rotten Tomatoes, the other two films were met with mixed-to-negative reviews.[175] De Niro was also appointed president of the jury for the 2011 Cannes Film Festival, making it the second time he has served.[176] Continuing into 2012, he starred in the drama Being Flynn, based on Another Bullshit Night in Suck City, a memoir by Nick Flynn. It was met with a mixed response; critic A. O. Scott complimented De Niro's ability for playing an estranged father (opposite Paul Dano), calling him "unpredictable and subtle," despite an uncertain plot.[177] De Niro also appeared in the thrillers Red Lights and Freelancers (both 2012).[178][179]

De Niro made his first appearance in a David O. Russell film, in the romantic comedy Silver Linings Playbook (2012), as the father of Pat Solatano (Bradley Cooper), who is released from a psychiatric hospital and moves back in with his parents to rebuild his life. The film was a critical and commercial success, earning eight Academy Award nominations, including Best Supporting Actor for De Niro.[180] The film grossed $236 million worldwide.[181] Critics lauded the entire cast; Variety magazine's Justin Chang noted De Niro's calm performance, writing "it's hard to remember the last time De Niro was this effortlessly endearing and relaxed onscreen."[182] In 2012, De Niro served as an executive producer for the television series NYC 22.[183]

Next, he was cast in 2013's The Big Wedding, Killing Season, and The Family; all three were met with mainly a negative response. His other 2013 release, Last Vegas, received some respectable reviews. Co-starring Michael Douglas, Morgan Freeman, Kevin Kline and Mary Steenburgen, the film is about three retirees who travel to Las Vegas to have a bachelor party for their last remaining single friend. In a harsh assessment of De Niro's performance, the A.V. Club's critic considered it "arguably the low point of De Niro's career."[184] Shortly afterwards, he starred in Grudge Match (2013) opposite Sylvester Stallone, as aging boxers stepping into the ring for one last match. They had previously worked together in 1997's Cop Land.[185] That same year he starred in the crime thriller, The Bag Man. In 2014, De Niro appeared in a documentary about his father, Robert De Niro Sr., titled Remembering the Artist Robert De Niro Sr. which aired on HBO.[186] In 2015, he starred in Nancy Meyers' comedy The Intern alongside Anne Hathaway. The latter fared better with critics; Mark Olsen of the Los Angeles Times cordially remarked "De Niro brings a fresh, relaxed lightness to his performance, tinged with the gruff charm of Spencer Tracy."[187] His performance won him a nomination from the Critics Choice Movie Awards for Best Actor in a Comedy.[188]

Also in 2015, he appeared in two short films, Scorsese's The Audition and JR's Ellis. Returning to the heist genre, he starred in Heist, playing Francis "The Pope" Silva, a gangster casino owner who is targeted by criminals. The film was not a box office success.[189] He starred in the biographical drama Joy (2015), opposite Jennifer Lawrence and Bradley Cooper, about an American inventor Joy Mangano; it gained generally mixed reviews. In 2016, he co-starred in Dirty Grandpa, playing a grandfather who goes to Florida during spring break with his grandson (Zac Efron). Upon release, the film received a polarized reception for its reputedly distasteful content, and appeared in several critics' lists of worst films of 2016.[190][191] He also appeared in Hands of Stone (2016), a biographical sports drama about the career of Panamanian former professional boxer Roberto Durán. His last release of the year was The Comedian, which premiered at the AFI Fest, a film festival celebrating filmmakers' achievements.[192]

2017–present: Resurgence and Scorsese reunion

[edit]

In 2017, De Niro starred as Bernie Madoff in Barry Levinson's HBO film The Wizard of Lies, a performance which earned him critical praise and a Primetime Emmy Award nomination for Outstanding Lead Actor in a Limited Series or Television Movie.[193] In 2019, De Niro won acclaim for portraying Robert Mueller alongside Alec Baldwin's Donald Trump in various episodes of Saturday Night Live, earning him an Emmy nomination for Outstanding Guest Actor in a Comedy Series.[194] He received another Emmy Award nomination for Outstanding Limited Series his work as a producer on Ava DuVernay's acclaimed historical miniseries When They See Us for Netflix.[195][196]

In 2019, De Niro returned to the screen by playing talk show host Murray Franklin in Todd Phillips' Joker, a possible origin story for the Batman character The Joker (Joaquin Phoenix).[197] The film was a commercial success, and earned eleven nominations at the Academy Awards.[198] Also that year, De Niro reunited with Scorsese for The Irishman, based on the 2004 book I Heard You Paint Houses by Charles Brandt.[199] It is their ninth feature film together and the first since 1995's Casino, and co-stars Al Pacino, Harvey Keitel, and Joe Pesci. The film received critical acclaim; Robbie Collin of The Daily Telegraph, praised De Niro's "sensational" performance and the chemistry between his co-stars, whom he has worked with in earlier films.[200] Variety magazine's critic also noted the chemistry, calling him "superb," despite perceived weaknesses in the film's special effects.[201]

De Niro (right) and Al Pacino during the 25th Critics' Choice Awards in January 2020

In September 2020, De Niro appeared in Nancy Meyers' comedy short film Father of the Bride Part 3(ish). The short co-starred Diane Keaton, Steve Martin, Kieran Culkin, Martin Short and Florence Pugh.[202] Also in that year, De Niro appeared in The Comeback Trail, a crime comedy directed by George Gallo.[203] De Niro was cast in James Gray's period drama Armageddon Time, but he dropped out of the project by the time production began.[204] In January 2021, De Niro signed on for the historical comedy Amsterdam, playing an army veteran. Released in October 2022, the ensemble includes Christian Bale, Margot Robbie, John David Washington, Michael Shannon, Mike Myers, Timothy Olyphant and Anya Taylor-Joy.[205] The reviewer from South China Morning Post thought De Niro "brings just the right gravitas to his decorated general."[206] In August 2022, De Niro signed on to star in the Warner Bros. mob drama The Alto Knights, directed by Barry Levinson.[207] De Niro appeared in Savage Salvation as Sheriff Church, which was released on December 2, 2022.[208]

In 2023, De Niro played William King Hale, a cattleman and perpetrator of the Osage Indian murders, in Killers of the Flower Moon, directed by Scorsese and adapted from the book of the same name by David Grann. He starred alongside Leonardo DiCaprio and Lily Gladstone.[209][210] It was reported that the film's budget of $200 million had prompted Scorsese to seek Netflix or Apple TV+ for production and distribution,[211] and in May 2020, Apple TV+ was announced to co-finance and co-distribute the film with Paramount.[212] De Niro received an Academy Award for Best Supporting Actor nomination for the role. Niles Schulz praised the performance as "one of De Niro’s best," evoking "a figure of beguiling charm, with a good humor that cloaks bottomless indifference."[213]

In 2023, De Niro also appeared in the comedy About My Father,[214] and in the television series Nada.[215] On March 1, 2023, it was announced that De Niro will produce and star in the six-episode limited series Zero Day for Netflix, a conspiracy thriller created by Eric Newman and Noah Oppenheim, who will also executive produce along with Jonathan Glickman.[216] The series premiered in 2025.[217] Another film he starred in, Ezra, made its premiere at Toronto International Film Festival 2023 and was acquired by Bleecker Street for theatrical release in 2024. De Niro said he took interest in the film as it features the complexities of parenting an autistic child; De Niro has an autistic son himself.[218]

De Niro was due to receive a leadership award from the National Association of Broadcasters in 2024, before the honour was withdrawn following De Niro's criticism of Donald Trump outside the former President's criminal trial in New York.[219]

Reception and legacy

[edit]

Several journalists consider De Niro to be among the best actors of his generation.[2][3][220][4] John Naughton of GQ magazine believes that De Niro has "redefined what we can expect of an actor."[5] A. O. Scott said that De Niro "was transforming himself – physically, vocally, psychologically – with each new role. And in the process, before our eyes, reinventing the art of acting."[221] As early as 1977, Newsweek remarked that the actor "gives you the shock of becoming, of a metamorphosis that can be thrilling, moving, or frightening."[222] Biographer Douglas Brode praises De Niro's versatility and ability to inhabit any role, although Pauline Kael once said in 1983 that she did not like how the actor was "disfiguring" himself in films such as Raging Bull.[223] When asked why he undertook such roles, De Niro responded, "To totally submerge into another character and experience life through him, without having to risk the real-life consequences—well it's a cheap way to do doing things that you would never dare to do yourself."[222]

In 2009, he was announced as one of the Kennedy Center Honorees with the commemoration: "One of America's greatest cinematic actors, Robert De Niro has demonstrated a legendary commitment to his characters and has co-founded one of the world's major film festivals."[224] Martin Scorsese and Meryl Streep honored him at the event. In 2016, he received the Presidential Medal of Freedom from President Barack Obama.[225] Obama said "Everybody on this stage has touched me in a very powerful, very personal way [...] These are folks who have helped make me who I am."[226] White House Press Secretary Josh Earnest added, "There is no arguing that the individuals who will be honored today are richly deserving," he said.[226]

Many of De Niro's films have become classics of American cinema, in which six of them have been inducted into the U.S. National Film Registry as of 2022.[6] Five films are featured on the American Film Institute's (AFI) list of the 100 greatest American films of all time. De Niro and James Stewart share the title for the most films represented on the AFI list.[227][228] In 2006, De Niro donated his collection of film-related materials, such as scripts, wardrobe pieces and props, to the Harry Ransom Center at the University of Texas at Austin.[229] The collection, which took more than two years to process and catalog, opened to the public in 2009.[230] Time Out magazine's list of 100 best movies included seven of De Niro's films, as chosen by actors in the industry.[231] In 2025, De Niro is set to receive the Cannes Film Festival's Honorary Palme d'Or.[232]

Fan song
In 1984, the English girl group Bananarama's fan song "Robert De Niro's Waiting..." reached the third place of the UK Singles Chart, remaining on the charts for 12 weeks.[233]

Honors

Business interests

[edit]

In 1989, De Niro and partner Jane Rosenthal co-founded the film production company TriBeCa Productions, which also organizes the Tribeca Film Festival. De Niro owns Tribeca Grill (co-owned with Broadway producer Stewart F. Lane), a New American restaurant located at 375 Greenwich Street (at Franklin Street) in Tribeca, Manhattan.[234] It opened in 1990.[235] He is also the owner of the Greenwich Hotel in Tribeca.[236] De Niro co-owns Nobu restaurants and hotels with partners Meir Teper and Chef Nobu Matsuhisa. The first Nobu Hotel opened inside Caesars Palace, Las Vegas, in 2013. Two years later, the second Nobu Hotel opened at City of Dreams in Manila, Philippines. In 2015, De Niro partnered with James Packer after the billionaire acquired a 20 percent stake in Nobu for $100 million.[237] He is a stakeholder in Paradise Found Nobu Resort, a company planning to build a luxury resort on the island of Barbuda.[238][239][240] In 2025, De Niro appeared alongside Al Pacino in Moncler's "Warmer Together" fashion campaign.[241]

Personal life

[edit]

De Niro is a long-term resident of New York City, and has been investing in Manhattan's Tribeca neighborhood since 1989. He has properties on the east and west sides of Manhattan. He also has a 78-acre (32-hectare) estate in Gardiner, New York, which serves as his primary residence.[242]

In 1998, De Niro lobbied U.S. Congress against impeaching President Bill Clinton.[243]

In October 2003, De Niro was diagnosed with prostate cancer. He underwent surgery at the Memorial Sloan-Kettering Cancer Center in December 2003.[244]

In 2006, De Niro received Italian citizenship, despite opposition by the Sons of Italy, who believe that De Niro damaged the public image of Italians by portraying criminals.[245][246]

In 2012, De Niro joined the anti-fracking campaign Artists Against Fracking.[247]

In 2013, De Niro attended Israeli President Shimon Peres's 90th birthday celebration, as well as the Israeli Presidential conference. He praised Peres as "a great person, [and] a great statesman."[248][249][250]

In 2016, De Niro initially defended the inclusion of a controversial documentary, Vaxxed, at the 2016 Tribeca Film Festival; the film was directed and co-written by discredited anti-vaccine activist Andrew Wakefield and echoed Wakefield's fraudulent claim that there was a causal link between the MMR vaccine and autism.[251][252][253] De Niro explained that his interest in the film was from his personal experience with his autistic son, Elliot.[252] The film was withdrawn from the schedule after consultation with the festival organizers and scientific community.[252][254] During a subsequent appearance on NBC's Today, De Niro expressed regret that he agreed to exclude Vaxxed from the festival and stated, "I think the movie is something that people should see." Also during the appearance, De Niro promoted the 2014 anti-vaccination film Trace Amounts and stated that he doubted the scientific consensus that there was no link between autism and vaccines.[255][256] In February 2017, De Niro took part in a joint presentation with Robert F. Kennedy Jr., chairman of the anti-vaccine non-profit Children's Health Defense, to discuss their concerns with vaccine safety. De Niro has stated that he is not anti-vaccination, but does question their efficacy.[257]

Later in 2016, De Niro attended an annual celebrity gala for the Friends of the Israel Defense Forces at the Beverly Hilton in Los Angeles. The event raised $38 million for the organization.[258][259][260]

In October 2018, De Niro was targeted by an explosive device. The device was found at the Tribeca Grill, which also houses his production company in Manhattan. According to the FBI, similar devices were sent to high-profile politicians including Barack Obama, Hillary Clinton, Joe Biden, former Attorney General Eric Holder, and former CIA Director John Brennan.[261][262]

De Niro was a supporter of President Joe Biden for re-election in 2024,[263] and backed Vice President Kamala Harris's campaign after Biden dropped out of the race.[264] He had previously criticized President Donald Trump, calling him a "buffoon", believing that he could become a "vicious dictator" and comparing his politics to fascism.[265][266]

Relationships

[edit]
De Niro with Grace Hightower in April 2012

De Niro married actress Diahnne Abbott in 1976. They have a son, Raphael, a former actor who works in New York real estate.[267] De Niro also adopted Abbott's daughter Drena from a previous relationship. He and Abbott divorced in 1988. Afterwards, he was in a relationship with model Toukie Smith between 1988 and 1996. The couple has twins, son Julian and daughter Airyn, conceived by in vitro fertilization and delivered by a surrogate mother in 1995.[268][269] Airyn came out as a trans woman in April 2025,[270] and Robert stated that he supported her identity.[271]

In 1997, De Niro married actress Grace Hightower.[272] Their son, Elliot, was born in 1998 and the couple split in 1999. The divorce was never finalized and in 2004 they renewed their vows.[272] In December 2011, their daughter Helen was born via surrogate.[273] In 2014, he and Hightower moved into a 6,000-square-foot, five-bedroom apartment at 15 Central Park West.[274][275] Four years later, De Niro and Hightower separated after 20 years of marriage.[276] De Niro has four grandchildren: one from his daughter Drena and three from his son Raphael.[277][278] On April 19, 2021, De Niro's lawyer argued in a virtual divorce hearing presided by a Manhattan judge that he is "working at an unsustainable pace" in order "to support Hightower and pay off all his back taxes." Hightower's lawyer claimed that since the pair filed for divorce in 2018, De Niro had been "unfairly decreasing" the agreed-upon payments to her.[279]

In April 2023, De Niro welcomed his seventh child, a daughter Gia, with his girlfriend Tiffany Chen.[280][281][282][283] At age 79, De Niro is one of the oldest fathers on record.[284][285]

In July 2023, it was announced that De Niro's grandson through his daughter Drena, Leandro De Niro Rodriguez, had died at age 19.[286] The cause of death was determined as a combined drug intoxication involving fentanyl and cocaine.[287]

[edit]

In February 1998, De Niro was held for questioning by French police in connection with an international prostitution ring.[288] De Niro denied any involvement,[289] and later filed a complaint against the examining magistrate for "violation of secrecy in an investigation."[290][291][292] He stated he would not return to France, but has since traveled there several times including for the 2011 Cannes Film Festival.[293]

In 1999, De Niro threatened to sue the owners of "De Niro's Supper Club" in Vancouver, under section 3 of the BC Privacy Act.[294] The restaurant subsequently changed its name to "Section (3)."[295]

In 2006, the trust that owns De Niro's Gardiner estate sued the town to have its property tax assessment reduced, arguing that $6 million was too high and should be compared only with similar properties in Ulster County, where Gardiner is located. The town, which had been comparing its value to similar estates in Dutchess County, across the Hudson River, and Connecticut's Litchfield County, where many other affluent New York residents maintain estates on large properties, won in State Supreme Court.[296] In 2014, the trust's lawyers appealed the decision and the town was unsure if it should continue to defend the suit because of financial limitations (it would have earned far less in payments on the increased taxes than it had spent on legal costs). This angered many residents, who initially sympathized with De Niro, and some proposed to raise money privately to help the town continue the suit.[242] The dispute was publicized by The New York Times. "When he (De Niro) read about it on Election Day, he went bananas," due to the negative publicity, said Gardiner town councilman Warren Wiegand.[297] He was unaware that a lawsuit was filed; the trust's accountants took responsibility citing fiduciary duty.[297] Shortly afterwards, De Niro directed his lawyer, Tom Harvey, to withdraw the suit and reimburse the town's legal bills of $129,000. Harvey conveyed to Wiegand that "De Niro didn't want to screw the town."[298]

In August 2019, De Niro's company Canal Productions filed a $6-million lawsuit against former employee Graham Chase Robinson, for breaching her fiduciary duties and violating New York's faithless servant doctrine by misusing company funds and watching hours of Netflix during work hours.[299][300] In October 2019, Robinson filed a lawsuit against De Niro, claiming harassment and gender discrimination.[301] In November 2023 the jury found De Niro not personally liable for gender discrimination but his production company was ordered to pay her $1.2 million in damages.[302]

Filmography and accolades

[edit]

Prolific in film since the 1970s, De Niro's most critically acclaimed films, according to the review aggregate site Rotten Tomatoes, include Bang the Drum Slowly (1973), Mean Streets (1973), The Godfather Part II (1974), Taxi Driver (1976), The Deer Hunter (1978), Raging Bull (1980), The King of Comedy (1983), Once Upon a Time in America (1984), Brazil (1985), The Mission (1986), Midnight Run (1988), Goodfellas (1990), Casino (1995), Heat (1995), Meet the Parents (2000), Silver Linings Playbook (2012), The Irishman (2019), and Killers of the Flower Moon (2023).[303]

De Niro has been recognized by the Academy of Motion Picture Arts and Sciences for the following performances:[304]

De Niro has won two Golden Globe Awards: Best Actor – Motion Picture Drama for Raging Bull and a Cecil B. DeMille Award for "outstanding contributions to the world of entertainment."[305] He was also the 56th recipient of Screen Actors Guild Life Achievement Award; Leonardo DiCaprio, who co-starred with De Niro in This Boy's Life, presented him the award, citing him as an inspiration and influence.[306][307]

On May 13, 2025, De Niro received the Honorary Palme d'Or at the Cannes Film Festival, celebrating his five-decade career in cinema.[308][309]

See also

[edit]

Notes

[edit]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Robert De Niro (born August 17, 1943) is an American , director, , and entrepreneur, regarded as one of the greatest actors of his generation, recognized for his immersive portrayals of psychologically intense characters in cinema. His career spans over five decades, marked by transformative techniques that often involve extreme physical and behavioral preparations to embody roles. De Niro has collaborated extensively with director on nine feature films, including (1973), (1976), (1980), and (1990), which established him as a defining figure in New Hollywood's gritty realism. He received for Best Supporting Actor in (1974) and Best Actor in (1980), earning additional nominations for films like , (1978), and Cape Fear (1991). Beyond acting, De Niro directed (1993) and (2006), while co-founding Tribeca Productions in 1989 and the chain, contributing to an estimated exceeding $500 million through diversified ventures in film, restaurants, and real estate. In , De Niro has been outspoken against former President , employing profane and hyperbolic rhetoric—such as labeling advisors "Nazis"—that has elicited significant backlash and highlighted divisions in cultural discourse.

Early life

Family background and childhood

Robert Anthony De Niro Jr. was born on August 17, 1943, in , , as the only child of , a painter and poet, and , a painter and sculptor. His parents, both artists immersed in the bohemian scene, met while studying at the School of Fine Arts. Admiral's work included paintings exhibited in group shows, while De Niro Sr. pursued , though his career was later overshadowed by personal struggles. De Niro's parents separated amicably when he was two years old, around 1945, with his father openly identifying as gay, a factor in their parting. Raised primarily by his mother in the artistic enclaves of and the adjacent neighborhood of , De Niro experienced a peripatetic early childhood amid his parents' modest circumstances and creative pursuits. His father resided nearby and sustained an involved presence in his son's life, fostering a non-traditional family dynamic without rigid structure. The household lacked strong religious influence, as Admiral had shifted from to , and De Niro Sr. had lapsed from Catholicism in adolescence. Of quarter Italian descent via his paternal grandfather from , , De Niro's ancestry also encompassed substantial Irish roots from his paternal grandmother, alongside Dutch, English, French, and German heritage from his mother's side. This mixed background placed him in the culturally vibrant, predominantly Italian-American , where his fair complexion earned him the childhood nickname "Bobby Milk" among local children. The environment exposed him to street life and immigrant community dynamics from an early age, shaping his later affinity for authentic urban portrayals, though his upbringing remained rooted in his parents' artistic rather than commercial influences.

Education and early acting pursuits

De Niro attended public schools in , including P.S. 41 and later junior high and high school, but showed little interest in formal academics from an early age. Briefly involved with a street gang in where he earned the nickname "Bobby Milk" due to his pale complexion, he soon disengaged to prioritize . At age 16, he dropped out of high school to dedicate himself fully to acting training, forgoing a traditional education. Following his dropout, De Niro enrolled in acting classes at the Dramatic Workshop at age 16 for approximately one year. He then studied with at her Conservatory of Acting starting around age 15 or 18, absorbing her emphasis on imagination and script analysis over pure emotional recall. Complementing this, he trained at the and later at Lee Strasberg's , where he engaged with techniques involving and psychological immersion. These programs, rooted in the Group Theatre tradition, equipped him with a versatile toolkit that blended Adler's external preparation with Strasberg's internal intensity. De Niro's early acting pursuits involved small roles and uncredited film appearances in the early , such as a in a 1963 short . By age 20 in 1963, he secured his first credited role in the independent feature The Wedding Party, directed by , marking his entry into professional cinema though the film remained unreleased until 1969. These initial efforts, often low-budget and exploratory, honed his craft amid New York's vibrant but competitive theater scene, setting the foundation for his immersion in character-driven performances.

Acting career

Early roles and breakthrough (1963–1973)

De Niro's screen acting debut occurred in Brian De Palma's The Wedding Party, filmed in 1963 but not released until 1969, where he played a supporting role as Cecil. Following this, he took on minor parts in European and American independent films, including uncredited appearances in Three Rooms in Manhattan (1965), a French drama, and Les Jeunes Loups (Young Wolves, 1968). His first credited film role came in De Palma's Greetings (1968), portraying an aspiring actor navigating draft evasion schemes during the Vietnam War era. In the early 1970s, De Niro continued with small but noticeable roles in low-budget productions. He reprised a character in De Palma's sequel Hi, Mom! (1970), expanding on his Greetings persona in a satirical take on and urban unrest. That same year, he appeared as the son of a notorious criminal in Corman's (1970), depicting a fictionalized version of and her gang, with De Niro as the disturbed Sonny Grogan. Additional credits included (1971), a psychedelic , and (also known as Addict, 1971), where he played a addict in New York City's underworld. De Niro's breakthrough arrived in 1973 with dual lead roles that showcased his intensity and versatility. In John Hancock's , he portrayed baseball catcher Bruce Pearson, a terminally ill player whose quiet determination earned critical praise for De Niro's subtle emotional depth, marking his first significant dramatic lead. Concurrently, in Martin Scorsese's , De Niro exploded as the reckless small-time hoodlum Johnny Boy Civello, a role requiring immersive —including living in and adopting a volatile persona—that propelled his reputation for raw, authentic portrayals of urban grit and established a pivotal collaboration with Scorsese. These performances, released amid New Hollywood's rise, shifted De Niro from obscurity to emerging stardom, highlighting his physical commitment and ability to embody troubled characters.

Scorsese collaborations and critical acclaim (1974–1980)

De Niro's collaboration with continued with Taxi Driver (1976), in which he portrayed the alienated veteran , a vigilante taxi driver descending into urban paranoia. To immerse himself in the role, De Niro spent time driving a cab in and adopted elements of the character's mannerisms, contributing to the film's raw authenticity. The performance earned De Niro an Academy Award nomination for , alongside praise for its intensity amid the film's win at the and four total Oscar nominations. Critics lauded the acting, with De Niro's work singled out as a standout in a production that grossed approximately $28 million domestically against a $1.3 million budget. Their follow-up, New York, New York (1977), marked a departure into musical drama, with De Niro as Jimmy Doyle, an ambitious saxophonist pursuing singer Francine Evans (Liza Minnelli) in post-World War II New York. The film emulated classic MGM musicals but drew mixed reviews for its uneven tone and De Niro's portrayal of an abrasive, unlikable protagonist, though Scorsese's visual style and musical sequences were noted for ambition. Commercially, it struggled, barely recouping its budget and failing to achieve the critical or box-office success of prior efforts. De Niro attained peak critical acclaim with (1980), embodying middleweight boxer in Scorsese's black-and-white biopic of the fighter's self-destructive life marked by rage, jealousy, and physical decline. For the role, De Niro employed extreme , training extensively with LaMotta, competing in three matches in (winning two), and gaining about 60 pounds to depict the character's later obesity, altering his physique dramatically between filming periods. This transformative commitment secured De Niro the , his first competitive Oscar, widely regarded as a career-defining achievement for its visceral physicality and emotional depth. The film's acclaim extended to Scorsese's direction, cementing their partnership as a cornerstone of New Hollywood's gritty realism.

Genre expansion and awards peak (1981–1991)

De Niro's Academy Award win for Best Actor in Raging Bull (1980), received on April 15, 1981, marked the height of his early critical recognition, with the performance involving a 60-pound weight gain followed by loss to portray boxer Jake LaMotta's physical decline. This success propelled him into diverse roles, beginning with True Confessions (1981), where he played a district attorney entangled in corruption alongside Robert Duvall, though the film received mixed reviews. In 1982's The King of Comedy, directed by Martin Scorsese, De Niro portrayed Rupert Pupkin, a delusional aspiring comedian who kidnaps a talk show host, demonstrating his ability to blend menace with pathos in a black comedy that explored fame's dark underbelly and earned praise for its prescience. Expanding further, De Niro starred in Sergio Leone's Once Upon a Time in America (1984), a sprawling epic spanning decades, as David "Noodles" Aaronson, a role requiring him to age from youth to old man through makeup and demeanor shifts, contributing to the film's status as a critical darling despite initial U.S. box office struggles due to editing controversies. In Terry Gilliam's (1985), he played the enigmatic repairman Harry Tuttle in a surreal dystopian , showcasing versatility in a smaller but memorable part amid the film's visual chaos. The Mission (1986) saw him as Rodrigo Mendoza, a reformed slaver turned Jesuit in 18th-century , involving grueling jungle shoots and earning the film a Palme d'Or nomination at , with De Niro's portrayal of redemption highlighted for its emotional depth. De Niro ventured into action-oriented genres with The Untouchables (1987), as the ruthless gangster under , delivering a chilling intensity that complemented Sean Connery's Oscar-winning support, while the film grossed over $106 million worldwide. That year, Angel Heart (1987) cast him as the devilish Louis Cyphre in a horror, his subtle menace amplifying the twists. His comedic range peaked in Midnight Run (1988), an action-buddy film with as a escorting a accountant, where De Niro's exasperated humor and led to a Golden nomination for in a Musical or Comedy and box office earnings of $38.4 million. The period culminated in high-profile 1990-1991 releases reinforcing his prestige. In (1990), Scorsese's mobster masterpiece released September 19, De Niro's Jimmy Conway balanced loyalty and greed, earning universal acclaim for authenticity drawn from real-life research. (1990), based on ' accounts and released December 22, featured De Niro as Leonard Lowe, a catatonic revived by experimental drugs, involving meticulous study of neurological conditions and resulting in an Award nomination for at the 63rd Oscars on March 25, 1991. Cape Fear (1991), a Scorsese released November 15, had De Niro as the vengeful ex-convict , undergoing extreme physical transformation including dental work and tattoos, which intensified the thriller's tension and drew a Golden Globe nomination. (1991) added action-hero grit as arson investigator Donald Rimgale, contributing to the film's $152 million global gross amid realistic fire sequences. This decade's output diversified De Niro from gritty realism to satire, comedy, and spectacle, solidifying his status as a transformative while accumulating nominations that underscored his peak influence.

Directorial debut and 1990s crime roles (1992–1999)


De Niro made his feature directorial debut with the coming-of-age crime drama , released on September 29, 1993, which he also co-produced and starred in as Lorenzo Anello, a working-class bus driver striving to steer his son Calogero away from the influence of local mobster Sonny, played by . The film, adapted from Palminteri's autobiographical one-man play, explores themes of loyalty, racial tensions, and in 1960s , earning praise for De Niro's restrained direction and authentic depiction of Italian-American life. Despite positive critical reception, including a 97% approval rating on , it underperformed at the , grossing approximately $17.2 million domestically against a $22 million budget.
Throughout the 1990s, De Niro gravitated toward intense crime roles, often portraying mob figures or criminals navigating high-stakes underworlds. In Martin Scorsese's Casino (1995), he depicted Sam "Ace" Rothstein, a meticulous Jewish bookmaker appointed by the Chicago Outfit to oversee the Tangiers Casino in Las Vegas, based loosely on real-life figure Frank Rosenthal, with the character managing operations amid corruption, gambling, and violent turf wars. That same year, in Michael Mann's Heat, De Niro embodied Neil McCauley, a disciplined professional thief leading armored truck heists in Los Angeles, whose cat-and-mouse pursuit with LAPD lieutenant Vincent Hanna (Al Pacino) culminates in a iconic downtown shootout involving over 70 extras and live ammunition blanks. De Niro's supporting turn in Quentin Tarantino's (1997) featured him as Louis Gara, a recently paroled associate of gun runner Ordell Robbie (), entangled in a bungled money-laundering plot with Jackie Brown (), showcasing a bumbling, paranoid criminal whose incompetence leads to fatal mishaps. In John Frankenheimer's Ronin (1998), he starred as Sam, a skilled ex-CIA operative recruited for a team to intercept a mysterious briefcase in , delivering taut action sequences including high-speed car chases through and streets using real vehicles without CGI enhancements. The decade closed with Analyze This (1999), where De Niro played Paul Vitti, a New York mob boss plagued by panic attacks ahead of a summit, forcing him into reluctant sessions with Ben Sobel (), satirizing tropes while grossing over $176 million worldwide. These roles reinforced De Niro's affinity for morally complex criminals, blending psychological depth with visceral action, though none garnered Oscar nominations during this period.

Comedic turns and career variability (2000–2009)

De Niro expanded into comedic roles during the early 2000s, departing from his predominant dramatic portrayals. In Meet the Parents (2000), he portrayed Jack Byrnes, the stern ex-CIA operative and father-in-law to Ben Stiller's character, blending intimidation with humor in a role that highlighted his ability to convey authority through subtle menace. The film achieved substantial commercial success, grossing over $330 million worldwide against a $55 million budget. This success followed his comedic mafia boss in Analyze This (1999), leading into its sequel Analyze That (2002), where De Niro reprised Paul Vitti, a mobster feigning mental illness for comedic effect, though the film earned $55 million globally on a $60 million budget, underperforming relative to the original. These roles marked a deliberate pivot toward lighter fare, as De Niro sought to demonstrate versatility beyond intense characters, influenced by industry advice and prior comedic attempts like The King of Comedy. Further comedic efforts included The Adventures of Rocky & Bullwinkle (2000), where De Niro voiced the villain Fearless Leader in a live-action/animated hybrid that received poor reviews and modest returns, and Shark Tale (2004), voicing the mafia boss Don Lino in the animated feature, which appealed to family audiences. The franchise continued with (2004), reuniting De Niro with Stiller and introducing and ; it became one of his biggest hits, grossing $522 million worldwide. De Niro's comedic timing in these films, often playing authoritative figures pushed into absurd situations, contrasted his roots, yielding financial gains but mixed critical praise, with some outlets noting his stiffness in broad humor. Amid these comedies, De Niro maintained genre diversity with thrillers like (2001) and (2005), heist dramas such as The Score (2001), and cop films including (2008) opposite , which underperformed commercially. He also directed and starred in The Good Shepherd (2006), a historical spy drama spanning the CIA's origins, earning mixed reviews for its dense narrative and length, with a 56% approval rating on . This period reflected career variability, as De Niro balanced high-grossing comedies—prioritizing viability after decades of prestige projects—with dramatic ventures that varied in reception, amid perceptions of selective role choices for personal or financial incentives rather than consistent artistic rigor.

Later dramas and resurgence (2010–2020)

De Niro's roles in the early 2010s included supporting parts in thrillers and dramas, such as the ambitious pharmaceutical executive Carl Van Loon in Limitless (2011), a film that explored cognitive enhancement through a fictional drug. He followed with a critically praised performance as Pat Sr., the quirky father of Bradley Cooper's character, in Silver Linings Playbook (2012), earning an Academy Award nomination for Best Supporting Actor and contributing to the film's success with over $236 million in worldwide box office earnings. In 2015, De Niro portrayed in The Big Wedding (though comedic) and Rudy, the supportive father figure, in , directed by , highlighting family dynamics in the biographical drama about entrepreneur . He also took the lead as boxing trainer in the biographical sports drama (2016), depicting the mentor to , though the film received mixed reviews for its pacing despite De Niro's committed portrayal. De Niro's television work included the HBO biopic (2017), where he embodied , the financier behind the largest in history, earning a Primetime Emmy nomination for Outstanding Lead Actor in a Limited Series; the performance was lauded for its intensity in capturing Madoff's manipulative charisma and downfall. Later, in Joker (2019), he played Murray Franklin, a host whose interaction with Arthur Fleck escalates the narrative's tension, adding to the film's $1 billion global gross and cultural impact. The decade culminated in a major resurgence with Martin Scorsese's (2019), where De Niro starred as , a turned hitman reflecting on his life and alleged ties to ; the epic crime drama employed de-aging technology for his younger self, earning widespread acclaim and 10 Academy Award nominations, including Best for and , signaling a return to the profound character studies that defined his earlier career. This role, alongside collaborations with Scorsese, was cited by reviewers as revitalizing De Niro's standing after years of lighter fare, with scores indicating an upward trend in critical reception.

Recent projects and ongoing work (2021–present)

De Niro starred as Vincenzo Manzoni, a family advisor, in Ridley Scott's (2021), a biographical crime drama chronicling the dynasty's scandals and murders, which grossed $153 million worldwide against a $75 million budget. In 2022, he appeared in David O. Russell's ensemble comedy-drama as Gil Dillenbeck, a fictionalized and spy, though the film received mixed reviews and underperformed at the with $32.9 million in earnings. That year, he also took supporting roles in the thriller Savage Salvation as Jimmy, and in James Gray's semi-autobiographical drama as a grandfather figure, both of which saw limited theatrical releases. The year 2023 marked De Niro's collaboration with on Killers of the Flower Moon, where he played William Hale, a manipulative rancher central to the ; the Apple TV+ release earned widespread praise for its historical depth and De Niro's chilling performance, garnering a Best Supporting Actor Oscar nomination and contributing to the film's 10 Academy Award nods. He also led the comedy as Sal Maniscalco, a traditional Italian immigrant father in a story inspired by comedian Sebastian Maniscalco's life, which opened to $3.5 million domestically. Additionally, De Niro portrayed Max De Luca in the autism-themed road drama , focusing on a father's custody battle, released in late 2023 with modest reception. In 2025, De Niro made his television series debut in Netflix's limited thriller Zero Day, portraying former U.S. President George Mullen investigating a catastrophic cyberattack amid conspiracies; the six-episode run premiered on February 20 and drew 54% approval on Rotten Tomatoes for its timely premise despite criticisms of uneven plotting. Later that year, he tackled dual roles as rival mob bosses Frank Costello and Vito Genovese in Barry Levinson's biographical crime film Alto Knights, released March 21 to theaters; produced for $45 million, it bombed commercially with under $10 million in global box office, attributed to audience fatigue with gangster tropes and competition. Ongoing projects include the Meet the Parents sequel Focker In-Law, set for 2026 release with De Niro reprising Jack Byrnes, and the crime thriller The Whisper Man in post-production.

Political views and activism

Shift to public political engagement

De Niro's entry into public political discourse occurred in February 2008, when he endorsed Democratic presidential candidate , releasing a campaign video in which he urged support for Obama's leadership and appearing at a rally in to deliver remarks emphasizing unity and change. Prior to this, De Niro had largely avoided overt political statements, channeling any civic interests through philanthropy, such as post-9/11 reconstruction efforts via the rather than partisan advocacy. This 2008 involvement represented an initial foray into visible alignment with Democratic causes, though it remained episodic compared to his later intensity. By March 2012, De Niro escalated his public profile with appearances at Obama reelection fundraisers, including one in New York where he quipped about the nation's unreadiness for a white after , a remark that prompted clarification amid perceptions of racial undertones. These events, attended by high-profile donors, highlighted De Niro's willingness to leverage his celebrity for fundraising, marking a progression from endorsement to event participation. Federal Election Commission records indicate De Niro's contributions to Democratic committees dated back to at least the early , but public expressions were sparse until Obama's campaigns provided a platform. This period laid groundwork for broader engagement, as De Niro began critiquing policy issues like in benefit speeches by 2017, though his pre-2016 centered on electoral support rather than sustained commentary or protests. Observers noted a contrast with his earlier reticence, attributing the change to personal convictions amplified by electoral stakes, though mainstream outlets often framed such shifts without scrutinizing potential career incentives in Hollywood's dominant .

Anti-Trump rhetoric and Democratic endorsements

De Niro's public criticisms of began intensifying during the 2016 presidential campaign, when he described Trump as a "," a "bully," and a "con" in interviews, stating he would like to "punch him in the face" because Trump was a "bullshit artist." These remarks escalated in June 2016, as De Niro offered to pay $1 million for someone to confront Trump physically, framing it as a response to Trump's perceived lack of respect and toughness. On June 10, 2018, while presenting at the , De Niro deviated from his script to declare "Fuck Trump" twice, pumping his fists and receiving a from the audience at . He elaborated in subsequent statements that his opposition stemmed from viewing Trump as a threat to democratic norms, though De Niro later reflected in 2019 that he had initially underestimated Trump's intentions but now saw him as unequivocally destructive. De Niro endorsed Joe Biden's 2020 presidential campaign, joining other celebrities in public support amid Biden's efforts to consolidate Democratic backing against Trump. This alignment continued into 2024, when De Niro narrated a Biden-Harris campaign advertisement released on May 24, using his voice to highlight Trump's past administration as chaotic and warning of authoritarian risks in a potential second term. On May 28, 2024, he appeared with Biden campaign surrogates outside Trump's New York hush money trial, labeling Trump a "clown," "buffoon," and "sinner" intent on "destroying" the United States and American democracy, while clashing verbally with Trump supporters nearby. De Niro's persisted post-2024 election, with statements in October 2025 reiterating that Trump sought to "destroy" and the country, urging stronger resistance against him as a "bully." During an MSNBC appearance around October 20, 2025, he used profanity to criticize Democratic responses to Trump, comparing advisor Stephen Miller to a Nazi and speculating on Trump's potential unconstitutional maneuvers for power. On January 11, 2026, at the Golden Globes, De Niro stated onstage, "I'm gonna say one thing: Fuck Trump," prompting applause and a standing ovation from the audience. These positions reflect De Niro's consistent alignment with Democratic figures opposing Trump, though sourced primarily from his own interviews and campaign events rather than neutral analyses.

Protests, statements, and associated controversies

De Niro's political statements escalated in 2016 when, in a video for the #VoteYourFuture campaign, he expressed a desire to "punch [Trump] in the face" and described him as a "bozo" and "punk." This remark drew accusations of promoting violence, though De Niro later clarified it as rhetorical frustration with Trump's behavior. At the 2018 Tony Awards on June 10, De Niro deviated from his script to twice declare "Fuck Trump," earning a from the audience but broadcast and widespread media coverage. The outburst amplified his anti-Trump stance but fueled debates over politicization of entertainment events. On May 28, 2024, De Niro appeared outside the courthouse during Donald Trump's criminal trial as a surrogate for Joe Biden's campaign, labeling Trump a "" intent on "destroy[ing] not only the city but the country and eventually the world." He engaged in a verbal altercation with pro-Trump protesters, calling them "gangsters" and "paid to do this," which escalated into mutual shouting and was criticized as inflammatory by Trump supporters. The event, organized by the Biden campaign, was decried by opponents as a political stunt exploiting . In October 2025, amid nationwide "No Kings" protests against Trump's second administration, De Niro voiced support on MSNBC, urging persistence because "Trump does not understand anything about humanity" and labeling him a "bully" who "does not want to leave the ." He described the situation as a "classic bully situation" requiring continued resistance to avert a potential third term. During the same MSNBC appearance on October 19, 2025, De Niro compared advisor Stephen —who is Jewish—to Nazi propagandist , calling a "Nazi" and using , which prompted immediate backlash including from himself, who dismissed De Niro as a "sad, bitter, broken old man." Critics highlighted the remark's irony and potential given Miller's heritage, intensifying accusations of De Niro's rhetoric veering into extremism.

Business ventures

Tribeca Enterprises and film festival

Tribeca Film Festival was established in 2001 by Robert De Niro, , and in the wake of the , with the explicit aim of fostering economic and cultural revitalization in Lower Manhattan's neighborhood. The initiative sought to draw visitors and stimulate local business through film screenings, events, and premieres, countering the area's post-attack downturn; the inaugural edition ran from May 3 to 12, 2002, showcasing over 400 films from 38 countries alongside panels and performances that attracted more than 150,000 attendees. Over time, the festival expanded beyond cinema to encompass television, music, immersive media, gaming, and audio storytelling, positioning itself as a platform for emerging and established creators while maintaining an annual footprint in , typically in June. Tribeca Enterprises, co-founded by De Niro, Rosenthal, and Hatkoff in 2003, operates as the parent organization overseeing the and broader ventures in storytelling production. Building on De Niro and Rosenthal's earlier Tribeca Productions—launched in 1989 for film and television development—the company produces content across formats, curates exhibitions, and hosts live events to connect artists with audiences. In 2019, James Murdoch's Lupa Systems acquired a majority stake, enabling expansion into initiatives like Studios and large-scale projects such as the 2024 Studios in —a vertical production facility touted as the world's first of its kind, spanning 515,000 square feet with 32 soundstages. De Niro has remained actively involved, including through programming and special events like the 2024 "De Niro Con," an immersive retrospective of his career.

Nobu Hospitality and restaurant empire

In 1994, Robert De Niro co-founded the first Nobu restaurant in with Japanese-Peruvian Nobuyuki Matsuhisa and producer , establishing a high-end Japanese-Peruvian fusion dining concept that emphasized fresh seafood and innovative dishes like black cod miso. De Niro had first encountered Matsuhisa's cuisine in 1988 at the 's Los Angeles restaurant, where he became a regular patron and spent several years persuading Matsuhisa to partner on a Manhattan venture, viewing it as an opportunity to bring the 's style to a broader audience. De Niro's role extended beyond initial investment; as a co-owner of , he actively contributed to site selection, branding, and global expansion decisions, leveraging his industry connections to secure prime locations and attract high-profile clientele. The partnership formalized Enterprises, which grew from the original outpost to multiple outposts by the early 2000s, including expansions to in 1997 and Malibu in 1999. By 2011, the chain operated 19 restaurants worldwide, prompting further scaling into hotels and resorts under the banner. As of 2025, encompasses over 60 restaurants and 19 hotels across five continents, with properties in cities like , , and , as well as integrated resorts in destinations such as and . De Niro has maintained involvement in strategic growth, including recent ventures like Nobu-branded offerings in the , though his direct ownership stakes vary by property. The empire's success stems from consistent , celebrity appeal, and adaptation to luxury trends, generating substantial through dining, , and branded experiences.

Real estate, production, and other investments

De Niro owns several personal properties in New York, reflecting his long-term ties to the region. In 1997, he purchased an 78-acre estate in Gardiner, New York, for $1.5 million; the property includes a 2,222-square-foot main house with six bedrooms, a recreation center, gym, pool, tennis court, ski slope, and two guest houses, serving as his primary residence. He inherited a 2,278-square-foot beach house on 1.5 acres in Montauk, New York, from his father in 1993, originally built in the 1950s. In the 2000s, he acquired a Central Park West apartment in Manhattan for $23 million, which sustained a fire in 2012 but was subsequently rehabilitated. De Niro also owned a duplex penthouse in Greenwich Village, spanning 11,000 square feet with 5,200 square feet of outdoor space, which he rented out from 2012 to 2014 before selling it in 2018 for $18 million. In film production infrastructure, De Niro co-invested in Wildflower Studios, a $1 billion vertical production complex in Astoria, Queens, developed with his son Raphael De Niro, real estate firm Wildflower Ltd., and partners including Adam Gordon. The facility, designed by architect Bjarke Ingels and comprising 775,000 square feet with 11 sound stages, opened in 2024 as the world's first vertical film studio, intended to attract productions to New York City amid competition from other locations. A precursor investment involved a company linked to De Niro acquiring 5.3 acres in Astoria in 2019 to support expanding television and film operations in the area. Beyond these, De Niro's other investments include stakes in developments tied to production facilities, though specifics on additional startups or unrelated ventures remain limited in .

Personal life

Marriages and long-term relationships

Robert De Niro married actress in 1976 after meeting on the set of . The couple had one biological son, , born on November 9, 1976, and De Niro adopted Abbott's daughter Drena from a prior relationship. Their ended in in 1988. Following the divorce, De Niro began a relationship with model and actress in 1988, which lasted nearly a without . The pair welcomed twins Julian and (later identifying as Aryn) in 1995 via surrogate. They separated around 1996 but maintained a co-parenting arrangement. De Niro married former Grace on June 17, 1997. They had son in 1998 and daughter Helen in 2011. The marriage faced strains, including a 1999 divorce filing followed by reconciliation, but De Niro and Hightower separated in 2018 after over two decades together. In 2021, De Niro started dating instructor , with whom he welcomed daughter Gia Virginia Chen-De Niro in April 2023. The relationship remains ongoing as of 2025.

Children, family dynamics, and tragedies

De Niro has seven children born between 1971 and 2023 from relationships with four women. His eldest, (born September 3, 1971), and son (born November 9, 1976), were with first wife , whom he married in 1976 and divorced in 1988; De Niro adopted Drena, who was Abbott's daughter from a prior relationship. With model , with whom he had a relationship from 1988 to around 1996, De Niro fathered twin sons Julian Henry De Niro and Aaron Kendrick De Niro (born October 20, 1995). His to from 1997 until their 2018 divorce produced son Elliot De Niro (born March 18, 1998) and daughter Helen Grace De Niro (born December 23, 2011, via gestational surrogate). In April 2023, at age 79, De Niro welcomed daughter Gia Virginia Chen-De Niro with girlfriend . De Niro's family life reflects a blended structure marked by serial relationships and divorces, with children spanning nearly five decades and varying degrees of involvement across households. He has described himself as an "OK" parent attentive to his children's needs but challenged by the age gap with younger offspring, noting increased awareness of family dynamics as an older father. Early divorces, including a contentious 1988 split from Abbott and a 1999 filing from Hightower that involved custody disputes over before reconciliation and vow renewal in 2004, highlight tensions over responsibilities. Despite separations, De Niro maintained co-parenting ties, such as with Hightower post-2018, and his children have pursued independent paths: in , Drena in and production, and the twins in modeling and music. Among family challenges, De Niro's son Elliot was diagnosed with autism spectrum disorder as a young child, a condition De Niro publicly disclosed in 2016 to advocate for research and support services. The family incorporated into Elliot's routine to build social skills and manage symptoms, with De Niro crediting the sport for positive developmental impacts. A profound tragedy struck in July 2023 when De Niro's 19-year-old grandson Leandro De Niro Rodriguez—Drena's only child with former partner Carlos Rodriguez—died of an accidental overdose from the toxic effects of , bromazolam, alprazolam, 7-aminoclonazepam, , and , as ruled by the chief . Drena attributed the death to fentanyl-laced counterfeit pills amid the opioid crisis, describing it as resulting from "addiction and fentanyl overdose." De Niro expressed shock and grief, emphasizing the sudden loss's disbelief-inducing nature. In 2019, Graham Chase Robinson, who had served as Robert De Niro's executive assistant from 2008 to 2019, filed a lawsuit against De Niro's production company, Canal Productions, alleging gender discrimination, retaliation, and a hostile work environment. Robinson claimed she was subjected to verbal abuse, including De Niro calling her names and demanding personal tasks like scratching his back, while being paid approximately $300,000 annually toward the end of her employment. In response, Canal Productions countersued Robinson for $6 million, accusing her of breach of fiduciary duty, misuse of company resources—such as excessive use of a company credit card for flights and groceries—and unauthorized watching of Netflix during work hours. The case proceeded to a federal jury trial in in October 2023, where De Niro testified in his defense, denying and describing Robinson as difficult and neglectful. On November 9, 2023, the jury found Canal Productions liable for gender and retaliation but cleared De Niro of personal liability; Robinson was awarded $1.26 million in damages, including $500,000 in against the company. The jury rejected all counterclaims against Robinson, exonerating her of financial misconduct allegations. De Niro's legal team maintained that the verdict vindicated his personal conduct and emphasized the company's perspective on workplace expectations. De Niro's from , announced as a separation in November 2018 after 21 years of marriage, involved protracted disputes over financial support and property division governed by a 2004 . sought half of De Niro's earnings during the marriage, arguing they constituted marital property, but a New York appeals court ruled in October 2021 that the prenup classified his acting income as separate property, denying her claim and protecting De Niro's estimated $500 million estate from equitable distribution of those funds. De Niro's attorneys contended that 's lavish spending—exceeding $100,000 monthly on luxury items like clothing—necessitated his continued work at age 77 to cover support payments, describing it as unsustainable. The couple, who share an adopted son born in 1997, finalized aspects of the by 2023, though earlier filings highlighted failures to annually account for commingled assets over 13 years, complicating asset tracing.

Reception and legacy

Critical assessment of acting technique and versatility

Robert De Niro's acting technique is characterized by rigorous physical and psychological preparation, often involving extreme bodily transformations and immersive research to embody characters. For his portrayal of boxer in (1980), De Niro gained approximately 60 pounds, increasing from around 145 pounds to 215 pounds during to depict the character's later decline, a commitment that halted filming for months to accommodate the change. Similarly, for (1976), he reduced his weight to 127 pounds to capture the emaciated intensity of , while for (1978), he spent weeks working in a in and living among locals to internalize the role of a steelworker-turned-soldier. This method-influenced approach, shaped by training under rather than strict techniques, emphasizes and character immersion over pure emotional recall, enabling De Niro to deliver raw, authentic performances grounded in experiential realism. De Niro's versatility spans intense psychological dramas, gangster epics, and later comedic turns, showcasing an ability to adapt across genres while maintaining a core intensity derived from New York-rooted archetypes. Early roles like the volatile Johnny Boy in (1973) and the unhinged demonstrated his capacity for brooding menace and subtle vulnerability, evolving into nuanced portrayals such as the aging mobster Jimmy Conway in (1990), where he balanced charm with latent violence. His foray into comedy, beginning prominently with (1999) and (2000), leveraged this intensity for humor, portraying overbearing or paranoid figures whose reactions amplified situational without relying on overt comedic timing. Critics have praised this range for its transformative depth, as in , where De Niro's physicality conveyed LaMotta's self-destructive psyche through guttural vocalizations and feral movement. However, assessments of De Niro's versatility reveal limitations, particularly in emotional breadth and later-career consistency, with some observers noting a tendency to reprise variations of brooding, inarticulate tough-guy personas even in lighter fare. While early works earned acclaim for subtlety and physical precision—such as in (1995), where he conveyed quiet menace through minimalistic restraint—post-1990s comedies like (2016) and The Comedian (2016) drew criticism for formulaic phoning-in, where his signature intensity felt mismatched or underdeveloped, contributing to perceptions of range contraction compared to peers like . This shift, often attributed to commercial choices over artistic risk, has led to debates on whether his technique's demands—intense but physically taxing—sustained innovation, as evidenced by uneven late performances in films like The Intern (2015), where critics highlighted phoned-in delivery amid a string of low-quality projects. Overall, De Niro's strengths lie in visceral authenticity and genre-spanning grit, but critiques underscore a narrower palette in expressiveness, potentially amplified by selective role acceptance in his later decades.

Public image, polarization, and cultural influence

De Niro's public image is inextricably linked to his screen personas as brooding, volatile anti-heroes and mobsters, exemplified by roles like in Taxi Driver (1976) and Jimmy Conway in (1990), which cemented his reputation as the archetype of a gritty, authentic New Yorker. Despite this, personal accounts portray him as introspective and elusive in private, deliberately cultivating a low-profile demeanor that contrasts with the aggressive characters he embodies. His Italian-American heritage further shapes this image, positioning him as a cultural ambassador who authentically represented working-class immigrant experiences in films like (1973), avoiding caricatures while highlighting urban resilience. De Niro's cultural influence stems from his rigorous preparation techniques, often involving physical and experiential immersion—such as gaining over 60 pounds for (1980) or driving a taxi for weeks before —which elevated standards and emphasized realism over superficial performance. This approach influenced actors like and , prioritizing transformative authenticity in character work. Beyond acting, his co-founding of the Tribeca Film Festival in 2002, alongside and , aided Lower Manhattan's post-September 11 economic and artistic recovery, fostering independent cinema and community engagement in . De Niro's image polarized sharply after his entry into partisan politics, particularly his vehement opposition to Donald Trump starting around 2016. At the 2018 Tony Awards on June 10, he deviated from script to declare "Fuck Trump" twice while introducing Bruce Springsteen, drawing a standing ovation from the live audience but nationwide backlash and broadcast censorship. Subsequent outbursts, including labeling Trump a "threat" during a May 2024 press event outside his New York trial—where he clashed with supporters—and calling advisor Stephen Miller a "Nazi" in October 2025, intensified divisions. These led to tangible fallout, such as the National Association of Broadcasters revoking a leadership award in May 2024, and criticism from conservatives who view his rhetoric as unhinged and detrimental to his legacy, arguing it supplants artistic gravitas with celebrity vitriol. While applauded by progressive circles as courageous, such activism has eroded his cross-ideological appeal, with detractors citing it as evidence of elite disconnect from broader audiences.

Impact of politics on professional reputation

De Niro's vocal opposition to Donald Trump, beginning prominently around 2016, has contributed to a polarization in his public image, with conservative audiences and critics citing diminished respect for his work due to perceived partisanship. In multiple public appearances, including at the 2018 Tony Awards where he stated "Fuck Trump," and subsequent interviews labeling Trump a "bully" and "clown," De Niro positioned himself as a leading Hollywood critic of the former president, endorsing Joe Biden in 2020 and speaking outside Trump's 2024 hush money trial. This activism alienated segments of the audience, as evidenced by online sentiment and commentary from outlets like National Review, which described his outbursts as an "utter disgrace" that overshadowed his acting legacy. Professionally, the impact manifested in tangible setbacks, such as the rescinding a planned leadership award in May 2024 after De Niro's courthouse remarks against Trump, citing concerns over politicization. Box office performance of recent films has also suffered, with the March 2025 release Alto Knights opening to just $3.2 million domestically—one of the weakest starts for a De Niro-led theatrical project—partly attributed by industry analysts to backlash from his anti-Trump rhetoric amid a politically divided electorate. Despite claims circulating online of lost roles or studio fallout, no verified instances of De Niro being dropped from projects due to politics have been confirmed, with satirical sources debunked on this point. Within Hollywood's predominantly left-leaning ecosystem, De Niro's stance has not curtailed high-profile collaborations, as seen in his continued work with and series like Zero Day in 2025, suggesting insulated professional opportunities but eroded broader commercial appeal. Continued outspokenness into 2025, including calling Trump aide Stephen Miller a "Nazi" on MSNBC, has sustained conservative backlash, reinforcing perceptions of De Niro as a "whiny liberal" figure rather than a neutral , per aggregated . This shift highlights a causal divide: while empirical data shows no halt in elite industry access, audience metrics and award rescissions indicate a net reputational cost among non-aligned viewers, potentially limiting mainstream viability in an era of fragmented .

References

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