 |
Rodrigo Balart is an Australian film editor, best known for Restraint, Road Train & Black Water, the latter of which he was nominated for Best Editing at the 2007 AFI Awards. He was also nominated for the ASE Award for editing the telemovie Hawke. He won the 2017 AACTA Award for Best Editing in Television for Seven Types of Ambiguity.[1][2]
| Year | Film | Director | Notes |
|---|---|---|---|
| 2005 | Mind the Gap | Rachel Givney | Short film |
| 2007 | Skin | Claire McCarthy | |
| Black Water | David Nerlich Andrew Traucki |
Nominated—AACTA Award for Best Editing Nominated—FCCA Award for Best Editor Nominated—Inside Film Award for Best Editing | |
| 2008 | Newcastle | Dan Castle[3] | |
| The Eternity Man | Julien Temple | ||
| Restraint | David Denneen | ||
| Cannot Buy My Soul | Paul Goldman | ||
| 2009 | Echo | Jim Lounsbury | Short film |
| Into My Arms | Angus Stevens | ||
| 2010 | Stay Awake | Rebecca Rocheford Davies | |
| David Campbell on Broadway | Larry Meltzer | TV documentary | |
| Road Train | Dean Francis | ||
| Hawke | Emma Freeman | Telemovie Nominated—ASE Award for Best Editing in a Television Drama | |
| 2012 | Storm Surfers 3D | Justin McMillan Christopher Nelius |
Documentary Nominated—AACTA Award for Best Editing in a Documentary |
| Bait 3D | Kimble Rendall[4] | ||
| 2014 | Schapelle | Khoa Do | Telemovie |
| INXS: Never Tear Us Apart | Daina Reid | Miniseries | |
| Chalk an Australian Perspective | Andi Mether | Also co-writer | |
| 2015 | Sucker | Ben Chessell | |
| 2016 | Red Dog: True Blue | Kriv Stenders | |
| 2017 | The Butterfly Tree | Priscilla Cameron | |
| 2018 | In Like Flynn | Russell Mulcahy |
Monday's luncheon also covered awards in the television industry, which were led by Seven Types of Ambiguity, the six-part drama based on the novel by Elliot Perlman. That series won three of the five awards it was nominated for: best direction in a television drama or comedy, best cinematography in television, and best editing.
