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Center for Folklife and Cultural Heritage
The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.
The center is composed of three distinct units. The Smithsonian Folklife Festival is planned and implemented annually by the Festival staff at the Folklife center. The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences.
The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years.
The CFCH is one of several federal institutions to have related mandates. The American Folklife Center, at the nearby Library of Congress, limits its scope to American Folklife in contrast to the international scope of the CFCH. The National Endowment for the Arts, also headquartered in Washington, D.C., offers support and funding to both new and established art media. As such, it overlaps with topical arts programs brought to the National Mall each summer during the Smithsonian Folklife Festival. The National Park Service has as one of its objectives the preservation of historic sites, partnering with CFCH in their concerns for the cultural sustainability of both tangible and natural cultural resources.
A plethora of newly minted compound concepts have been introduced into the vocabulary and discussion of culture since the turn of the century. The topics and research areas that had been labeled as folklore and folklife are increasingly rebranded as topics within the purview of cultural studies.
This linguistic shift can be documented more precisely in the language of the UNESCO treaties. At a meeting in 1989, they published a "Recommendation on the Safeguarding of Traditional Culture and Folklore". This paper defines the field as folklore and uses that term throughout its paper:
Folklore (or traditional and popular culture) is the totality of tradition-based creations of a cultural community, expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they reflect its cultural and social identity; its standards and values are transmitted orally, by imitation or by other means. Its forms are, among others, language, literature, music, dance, games, mythology, rituals, customs, handicrafts, architecture and other arts.
By 2003, the follow-up treaty was entitled the Convention for the Safeguarding of the Intangible Cultural Heritage. Once again the subject matter was defined:
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Center for Folklife and Cultural Heritage
The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.
The center is composed of three distinct units. The Smithsonian Folklife Festival is planned and implemented annually by the Festival staff at the Folklife center. The Smithsonian Folkways Record label comprises a second team working at the center; they produce this non-profit music label with the goal of promoting and supporting the cultural diversity of sound. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences.
The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years.
The CFCH is one of several federal institutions to have related mandates. The American Folklife Center, at the nearby Library of Congress, limits its scope to American Folklife in contrast to the international scope of the CFCH. The National Endowment for the Arts, also headquartered in Washington, D.C., offers support and funding to both new and established art media. As such, it overlaps with topical arts programs brought to the National Mall each summer during the Smithsonian Folklife Festival. The National Park Service has as one of its objectives the preservation of historic sites, partnering with CFCH in their concerns for the cultural sustainability of both tangible and natural cultural resources.
A plethora of newly minted compound concepts have been introduced into the vocabulary and discussion of culture since the turn of the century. The topics and research areas that had been labeled as folklore and folklife are increasingly rebranded as topics within the purview of cultural studies.
This linguistic shift can be documented more precisely in the language of the UNESCO treaties. At a meeting in 1989, they published a "Recommendation on the Safeguarding of Traditional Culture and Folklore". This paper defines the field as folklore and uses that term throughout its paper:
Folklore (or traditional and popular culture) is the totality of tradition-based creations of a cultural community, expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they reflect its cultural and social identity; its standards and values are transmitted orally, by imitation or by other means. Its forms are, among others, language, literature, music, dance, games, mythology, rituals, customs, handicrafts, architecture and other arts.
By 2003, the follow-up treaty was entitled the Convention for the Safeguarding of the Intangible Cultural Heritage. Once again the subject matter was defined: