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Warwick Films

Warwick Films was a film company founded by film producers Irving Allen and Albert R. Broccoli in London in 1951. The name was taken from the Warwick Hotel in New York City where Broccoli and his wife were staying at the time of the final negotiations for the company's creation. Their films were released by Columbia Pictures.

The reason for the creation of Warwick Films was a combination of several economic factors in the 1950s.

In December 1951 it was announced the company's first film would be Wyoming Trail. It was not made.

Their first film based on a best selling book was The Red Beret (1953), based on Operation Biting. Originally Warwick arranged to do a two-picture deal with RKO, but that fell through and the company signed with Columbia.

Although the story was British, the producers decided to use an American star. Broccoli was a former agent who knew that Alan Ladd had left Paramount Pictures over monetary disputes. Ladd and Sue Carol, his agent and wife agreed to a three-picture contract with Warwick Films on condition that Ladd's personal screenwriter Richard Maibaum co-write the films.

The Red Beret was economically filmed with Parachute Regiment extras at their installations in England and Wales, under the direction of Terence Young. The film cost US$700,000 to make and grossed US$8 million worldwide leading to more Warwick films. (It also began a collaboration between Maibaum, Young and Broccoli that would lead to the James Bond films). According to Filmink the movie established the formula of subsequent Warwick Films - "a foreign (i.e. non-American) setting, imported American male star and British male-co star, a prominent female love interest, an action-adventure story based on some pre-existing IP (a novel, or historical event, or combination of both), a solid pro director, an American screenwriter, and American investment."

Warwick's next two movies both featured Alan Ladd and were in the action genre directed by Americans: Hell Below Zero, a whaling drama based on a script by Hammond Innes, directed by Mark Robson; The Black Knight (1954), a medieval swashbuckler directed by Tay Garnett. Both movies were a success and Columbia signed another three-picture contract with Warwick. Broccoli said in a 1954 interview:

We're not making British pictures, but American pictures in Britain. We're trying to Americanize the actors' speech in order to make the Englishman understood down in Texas and Oklahoma – in other words, break down a natural resistance and get our pictures out of the art houses and into the regular theatres. And we're doing it. Furthermore, we'll soon be shooting all over the world, bringing to the public the beauty and scope of the outdoors in new mediums – real backgrounds, but always with an American star.

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