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A Delicate Balance (play)
A Delicate Balance is a three-act play by Edward Albee, written in 1965 and 1966. Premiered in 1966, it won the Pulitzer Prize for Drama in 1967, the first of three he received for his work.
The uneasy existence of upper-middle-class suburbanites Agnes and Tobias and their permanent houseguest, Agnes's witty and alcoholic sister Claire, is disrupted by the sudden appearance of lifelong family friends Harry and Edna, fellow empty nesters with free-floating anxiety, who ask to stay with them to escape an unnamed terror. They soon are followed by Agnes and Tobias's bitter 36-year-old daughter Julia, who returns home following the collapse of her fourth marriage.
Agnes, an upper-class woman in her late 50s, discusses the possibility of losing her mind. Agnes exclaims that although she is astonished by her own thoughts of madness, it is her sister, Claire, who lives with them, who astonishes her the most. Claire appears and apologizes to Agnes that her own nature is such to bring out in her sister the full force of her brutality. Claire senses that Tobias and Agnes's daughter Julia might be going on her fourth divorce and predicts that Julia will be coming home shortly. Agnes reenters, announcing that Julia is coming home. Tobias then tells the story of a cat that he once had. There is a knock on the door. Harry and Edna, Agnes and Tobias's best friends, arrive and ask if they can stay there. They have been frightened by something intangible.
Agnes and Julia are discussing the fact that Harry and Edna are occupying Julia's old bedroom. Harry and Edna have spent the entire day in the room. Julia whines to Tobias next about not having her room. Claire enters and chides Julia about her new divorce. Julia teases Claire back about her drinking. After asking Tobias for a drink, she announces that “there is no point in pressing” the issue of Harry and Edna. At the end of scene 1, Harry and Edna appear with their coats over their arms. They announce they are going home but will return with their suitcases. Scene 2 opens with Julia and Agnes alone after dinner. Julia is disgusted with her mother's desire to control everyone's conversations and emotions. Agnes retorts, “There is a balance to be maintained...and I must be the fulcrum.” Agnes and Tobias leave to help Harry and Edna unload their suitcases from their car. Edna enters and tells Julia that it is time for her to grow up. Julia reminds Edna that she is a guest in the house, and Edna responds that she and Harry are Agnes and Tobias's best friends. When Harry enters, he goes to fix everyone a drink at the bar. Julia blocks him from the bar and insists that he stay away from it. Julia yells “I WANT...WHAT IS MINE!” and leaves the room. Agnes reminisces about the death of her son. She suspects that Tobias has been unfaithful, and asks Harry and Claire to confirm it, but they both deny it. After Tobias attempts to excuse Julia as being in hysterics, Julia reappears with a gun in her hand. She insists that Harry and Edna leave. Edna declares, “We have rights here. We belong,” and insists that she and Harry are staying there forever, “if need be.”
Tobias has stayed up all night, and is making himself a morning cocktail. Agnes comes down from her room. She tells Tobias that it is his role to make all the decisions with regards to what to do about Edna and Harry. She reminds Tobias of the time when he prevented her from getting pregnant after the death of their son. Claire, Julia, Tobias, and Agnes all discuss their versions of why Harry and Edna are there and what they should do about it. Harry and Edna join them, and everyone in the room is drinking. Edna announces that Harry wants to talk to Tobias alone, and the women exit. Harry tells Tobias that if the circumstances were reversed, he and Edna don’t think they would allow Tobias and Agnes to live at their house in spite of the fact that they are best friends. Harry asks Tobias, “You don’t want us, do you, Toby?” Tobias answers that he does not really want Harry and Edna to stay there but that Harry and Edna have the right to be there because they are friends. He goes with Harry to get their suitcases and put them back in their car. Agnes says to Edna, “Everything becomes..too late, finally.” The play ends on Agnes's rumination that people sleep at night because they are afraid of the dark: “They say we sleep to let the demons out, to let the mind go raving mad, and when the daylight comes again... comes order with it.”
Notable casts
Agnes is the main female character of the play. She is a woman in her 50s, well off, and married to Tobias. She is also the mother of Julia and the sister of Claire. Agnes believes herself to be the fulcrum of the family, keeping everyone in balance. She often maintains this balance, or order, by not confronting issues, not taking a stand, and not processing emotions. She tries to keep the peace by not dealing with anything that might upset it.
On the surface, Agnes is completely supportive of her husband Tobias. She looks to him to confirm her thoughts, and likewise, she confirms his. It is not until near the end of the play that she brings up issues that show cracks in her relationship with her husband. When the memory of the death of her son is brought to the surface of her thoughts, she reminisces about how difficult a time that was for her, a time when she questioned everything, including her husband's love and faithfulness to her.
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A Delicate Balance (play)
A Delicate Balance is a three-act play by Edward Albee, written in 1965 and 1966. Premiered in 1966, it won the Pulitzer Prize for Drama in 1967, the first of three he received for his work.
The uneasy existence of upper-middle-class suburbanites Agnes and Tobias and their permanent houseguest, Agnes's witty and alcoholic sister Claire, is disrupted by the sudden appearance of lifelong family friends Harry and Edna, fellow empty nesters with free-floating anxiety, who ask to stay with them to escape an unnamed terror. They soon are followed by Agnes and Tobias's bitter 36-year-old daughter Julia, who returns home following the collapse of her fourth marriage.
Agnes, an upper-class woman in her late 50s, discusses the possibility of losing her mind. Agnes exclaims that although she is astonished by her own thoughts of madness, it is her sister, Claire, who lives with them, who astonishes her the most. Claire appears and apologizes to Agnes that her own nature is such to bring out in her sister the full force of her brutality. Claire senses that Tobias and Agnes's daughter Julia might be going on her fourth divorce and predicts that Julia will be coming home shortly. Agnes reenters, announcing that Julia is coming home. Tobias then tells the story of a cat that he once had. There is a knock on the door. Harry and Edna, Agnes and Tobias's best friends, arrive and ask if they can stay there. They have been frightened by something intangible.
Agnes and Julia are discussing the fact that Harry and Edna are occupying Julia's old bedroom. Harry and Edna have spent the entire day in the room. Julia whines to Tobias next about not having her room. Claire enters and chides Julia about her new divorce. Julia teases Claire back about her drinking. After asking Tobias for a drink, she announces that “there is no point in pressing” the issue of Harry and Edna. At the end of scene 1, Harry and Edna appear with their coats over their arms. They announce they are going home but will return with their suitcases. Scene 2 opens with Julia and Agnes alone after dinner. Julia is disgusted with her mother's desire to control everyone's conversations and emotions. Agnes retorts, “There is a balance to be maintained...and I must be the fulcrum.” Agnes and Tobias leave to help Harry and Edna unload their suitcases from their car. Edna enters and tells Julia that it is time for her to grow up. Julia reminds Edna that she is a guest in the house, and Edna responds that she and Harry are Agnes and Tobias's best friends. When Harry enters, he goes to fix everyone a drink at the bar. Julia blocks him from the bar and insists that he stay away from it. Julia yells “I WANT...WHAT IS MINE!” and leaves the room. Agnes reminisces about the death of her son. She suspects that Tobias has been unfaithful, and asks Harry and Claire to confirm it, but they both deny it. After Tobias attempts to excuse Julia as being in hysterics, Julia reappears with a gun in her hand. She insists that Harry and Edna leave. Edna declares, “We have rights here. We belong,” and insists that she and Harry are staying there forever, “if need be.”
Tobias has stayed up all night, and is making himself a morning cocktail. Agnes comes down from her room. She tells Tobias that it is his role to make all the decisions with regards to what to do about Edna and Harry. She reminds Tobias of the time when he prevented her from getting pregnant after the death of their son. Claire, Julia, Tobias, and Agnes all discuss their versions of why Harry and Edna are there and what they should do about it. Harry and Edna join them, and everyone in the room is drinking. Edna announces that Harry wants to talk to Tobias alone, and the women exit. Harry tells Tobias that if the circumstances were reversed, he and Edna don’t think they would allow Tobias and Agnes to live at their house in spite of the fact that they are best friends. Harry asks Tobias, “You don’t want us, do you, Toby?” Tobias answers that he does not really want Harry and Edna to stay there but that Harry and Edna have the right to be there because they are friends. He goes with Harry to get their suitcases and put them back in their car. Agnes says to Edna, “Everything becomes..too late, finally.” The play ends on Agnes's rumination that people sleep at night because they are afraid of the dark: “They say we sleep to let the demons out, to let the mind go raving mad, and when the daylight comes again... comes order with it.”
Notable casts
Agnes is the main female character of the play. She is a woman in her 50s, well off, and married to Tobias. She is also the mother of Julia and the sister of Claire. Agnes believes herself to be the fulcrum of the family, keeping everyone in balance. She often maintains this balance, or order, by not confronting issues, not taking a stand, and not processing emotions. She tries to keep the peace by not dealing with anything that might upset it.
On the surface, Agnes is completely supportive of her husband Tobias. She looks to him to confirm her thoughts, and likewise, she confirms his. It is not until near the end of the play that she brings up issues that show cracks in her relationship with her husband. When the memory of the death of her son is brought to the surface of her thoughts, she reminisces about how difficult a time that was for her, a time when she questioned everything, including her husband's love and faithfulness to her.