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A Fire in My Belly
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A Fire in My Belly
A Fire in My Belly is an unfinished American avant-garde film directed by David Wojnarowicz.
A Fire in My Belly comprises two sections, the first 13 minutes in duration and the second 7 minutes. The longer section begins with a panning shot of a town, taken from a moving car. A sequence of newspaper articles describe violent crimes. Scenes of intense violence alternate between a bullfight, a cockfight, and a wrestling match.
The shorter section opens with the image of spinning wheels. It leads into pairs of repeated images: beggars and police officers, sugar skulls and a painting of a human sacrifice, and mummies and a tombstone.
Wojnarowicz shot A Fire in My Belly from 1986 to 1987. Its production happened during a turning point in his career, as his partner Peter Hujar died from AIDS in 1987 and Wojnarowicz tested positive for HIV. Wojnarowicz primarily filmed in Mexico, with additional scenes at his apartment in New York. He shot it on 8 mm film.
A Fire in My Belly was included with dozens of other American works in a 2010 National Portrait Gallery exhibition called "Hide/Seek: Difference and Desire in American Portraiture". The gallery transferred the film to video and edited it down to a four-minute excerpt. For the audio track, they used a recording from an ACT UP demonstration.
In November 2010, after consultation with National Portrait Gallery director Martin Sullivan and co-curator David C. Ward but not co-curator Jonathan David Katz, Smithsonian Institution Secretary G. Wayne Clough removed the film from the exhibition in response to complaints from the Catholic League, U.S. House Minority Leader John Boehner, Representative Eric Cantor and the possibility of reduced federal funding for the Smithsonian. The video contains a scene with a crucifix covered in ants. William Donohue of the Catholic League claimed the work was "hate speech" against Catholics. Gay historian Jonathan Ned Katz wrote:
In 1989 Senator Jesse Helms demonized Robert Mapplethorpe's sexuality, and by extension, his art, and with little effort pulled a cowering art world to its knees. His weapon was threatening to disrupt the already pitiful federal support for the arts, and once again, that same weapon is being brandished, and once again we cower.
Clough later said that although he stood by his decision, it "might have been made too quickly", and called the decision "painful." He said that because of the controversy surrounding the footage and the possibility that it might "spiral out of control", the Smithsonian might have been forced to shut down the entire "Hide/Seek" exhibition, and that was "something he didn't want to happen." The "Hide/Seek" exhibition "examined representations of homosexuality in American portraiture", and Clough said, "The funders and people who were upset by the decision—and I respect that—still have an appreciation that this exhibition is up. We were willing to take this topic on when others were not, and people appreciate that."
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A Fire in My Belly
A Fire in My Belly is an unfinished American avant-garde film directed by David Wojnarowicz.
A Fire in My Belly comprises two sections, the first 13 minutes in duration and the second 7 minutes. The longer section begins with a panning shot of a town, taken from a moving car. A sequence of newspaper articles describe violent crimes. Scenes of intense violence alternate between a bullfight, a cockfight, and a wrestling match.
The shorter section opens with the image of spinning wheels. It leads into pairs of repeated images: beggars and police officers, sugar skulls and a painting of a human sacrifice, and mummies and a tombstone.
Wojnarowicz shot A Fire in My Belly from 1986 to 1987. Its production happened during a turning point in his career, as his partner Peter Hujar died from AIDS in 1987 and Wojnarowicz tested positive for HIV. Wojnarowicz primarily filmed in Mexico, with additional scenes at his apartment in New York. He shot it on 8 mm film.
A Fire in My Belly was included with dozens of other American works in a 2010 National Portrait Gallery exhibition called "Hide/Seek: Difference and Desire in American Portraiture". The gallery transferred the film to video and edited it down to a four-minute excerpt. For the audio track, they used a recording from an ACT UP demonstration.
In November 2010, after consultation with National Portrait Gallery director Martin Sullivan and co-curator David C. Ward but not co-curator Jonathan David Katz, Smithsonian Institution Secretary G. Wayne Clough removed the film from the exhibition in response to complaints from the Catholic League, U.S. House Minority Leader John Boehner, Representative Eric Cantor and the possibility of reduced federal funding for the Smithsonian. The video contains a scene with a crucifix covered in ants. William Donohue of the Catholic League claimed the work was "hate speech" against Catholics. Gay historian Jonathan Ned Katz wrote:
In 1989 Senator Jesse Helms demonized Robert Mapplethorpe's sexuality, and by extension, his art, and with little effort pulled a cowering art world to its knees. His weapon was threatening to disrupt the already pitiful federal support for the arts, and once again, that same weapon is being brandished, and once again we cower.
Clough later said that although he stood by his decision, it "might have been made too quickly", and called the decision "painful." He said that because of the controversy surrounding the footage and the possibility that it might "spiral out of control", the Smithsonian might have been forced to shut down the entire "Hide/Seek" exhibition, and that was "something he didn't want to happen." The "Hide/Seek" exhibition "examined representations of homosexuality in American portraiture", and Clough said, "The funders and people who were upset by the decision—and I respect that—still have an appreciation that this exhibition is up. We were willing to take this topic on when others were not, and people appreciate that."