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A Psalm of Life
Tell me not, in mournful numbers,
Life is but an empty dream!—
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act,—act in the living Present!
Heart within, and God o'erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;
Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
"A Psalm of Life" is a poem written by American writer Henry Wadsworth Longfellow, often subtitled "What the Heart of the Young Man Said to the Psalmist". Longfellow wrote the poem not long after the death of his first wife and while thinking about how to make the best of life. It was first published anonymously in 1838 before being included in a collection of Longfellow's poems the next year. Its inspirational message has made it one of Longfellow's most famous poems.
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self doughtily in Life's battle: and make the best of things". The next day, he wrote "A Psalm of Life". Longfellow was further inspired by the death of his first wife, Mary Storer Potter, and attempted to convince himself to have "a heart for any fate".
The poem was first published in the September 1838 issue of The Knickerbocker, though it was attributed only to "L." Longfellow was promised five dollars for its publication, though he never received payment. This original publication also included a slightly altered quote from Richard Crashaw as an epigram: "Life that shall send / A challenge to its end, / And when it comes, say, 'Welcome, friend.'" "A Psalm of Life" and other early poems by Longfellow, including "The Wreck of the Hesperus", were collected and published as Voices of the Night in 1839. This volume sold for 75 cents and, by 1842, had gone into six editions.
In the summer of 1838, Longfellow wrote "The Light of Stars", a poem which he called "A Second Psalm of Life". His 1839 poem inspired by the death of his wife, "Footsteps of Angels", was similarly referred to as "Voices of the Night: A Third Psalm of Life". Another poem published in Voices of the Night titled "The Reaper and the Flowers" was originally subtitled "A Psalm of Death".
The poem, written in an ABAB pattern, is meant to inspire its readers to live actively, and neither to lament the past nor to take the future for granted. The didactic message is underscored by a vigorous trochaic meter and frequent exclamation. Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance".
Longfellow wrote "A Psalm of Life" at the beginning of a period in which he showed an interest in the Judaic, particularly strong in the 1840s and 1850s. More specifically, Longfellow looked at the American versions or American responses to Jewish stories. Most notable in this strain is the poet's "The Jewish Cemetery at Newport", inspired by the Touro Cemetery in Newport, Rhode Island.
Further, the influence of Goethe was noticeable. In 1854, an English acquaintance suggested "A Psalm of Life" was merely a translation. Longfellow denied this, but admitted he may have had some inspiration from him as he was writing "at the beginning of my life poetical, when a thousand songs were ringing in my ears; and doubtless many echoes and suggestions will be found in them. Let the fact go for what it is worth".
A Psalm of Life
Tell me not, in mournful numbers,
Life is but an empty dream!—
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act,—act in the living Present!
Heart within, and God o'erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;
Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
"A Psalm of Life" is a poem written by American writer Henry Wadsworth Longfellow, often subtitled "What the Heart of the Young Man Said to the Psalmist". Longfellow wrote the poem not long after the death of his first wife and while thinking about how to make the best of life. It was first published anonymously in 1838 before being included in a collection of Longfellow's poems the next year. Its inspirational message has made it one of Longfellow's most famous poems.
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self doughtily in Life's battle: and make the best of things". The next day, he wrote "A Psalm of Life". Longfellow was further inspired by the death of his first wife, Mary Storer Potter, and attempted to convince himself to have "a heart for any fate".
The poem was first published in the September 1838 issue of The Knickerbocker, though it was attributed only to "L." Longfellow was promised five dollars for its publication, though he never received payment. This original publication also included a slightly altered quote from Richard Crashaw as an epigram: "Life that shall send / A challenge to its end, / And when it comes, say, 'Welcome, friend.'" "A Psalm of Life" and other early poems by Longfellow, including "The Wreck of the Hesperus", were collected and published as Voices of the Night in 1839. This volume sold for 75 cents and, by 1842, had gone into six editions.
In the summer of 1838, Longfellow wrote "The Light of Stars", a poem which he called "A Second Psalm of Life". His 1839 poem inspired by the death of his wife, "Footsteps of Angels", was similarly referred to as "Voices of the Night: A Third Psalm of Life". Another poem published in Voices of the Night titled "The Reaper and the Flowers" was originally subtitled "A Psalm of Death".
The poem, written in an ABAB pattern, is meant to inspire its readers to live actively, and neither to lament the past nor to take the future for granted. The didactic message is underscored by a vigorous trochaic meter and frequent exclamation. Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance".
Longfellow wrote "A Psalm of Life" at the beginning of a period in which he showed an interest in the Judaic, particularly strong in the 1840s and 1850s. More specifically, Longfellow looked at the American versions or American responses to Jewish stories. Most notable in this strain is the poet's "The Jewish Cemetery at Newport", inspired by the Touro Cemetery in Newport, Rhode Island.
Further, the influence of Goethe was noticeable. In 1854, an English acquaintance suggested "A Psalm of Life" was merely a translation. Longfellow denied this, but admitted he may have had some inspiration from him as he was writing "at the beginning of my life poetical, when a thousand songs were ringing in my ears; and doubtless many echoes and suggestions will be found in them. Let the fact go for what it is worth".
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