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Achy Obejas
Achy Obejas (born June 28, 1956) is a Cuban-American writer and translator focused on personal and national identity issues, living in Benicia, California. She frequently writes on her sexuality and nationality, and has received numerous awards for her creative work. Obejas' stories and poems have appeared in Prairie Schooner, Fifth Wednesday Journal, TriQuarterly, Another Chicago Magazine and many other publications. Some of her work was originally published in Esto no tiene nombre, a Latina lesbian magazine published and edited by tatiana de la tierra, which gave voice to the Latina lesbian community. Obejas worked as a journalist in Chicago for more than two decades. For several years, she was also a writer in residence at the University of Chicago, University of Hawaii, DePaul University, Wichita State University, and Mills College in Oakland, California. She also worked from 2019 to 2022 as a writer/editor for Netflix on the bilingual team in the Product Writing department.[citation needed]
Obejas practices activism through writing, by telling her own story about her identity, as well as others. The anthology Immigrant Voices: 21st Century Stories, written in collaboration with Megan Bayles, is a collection of stories that seeks to describe the experience of people who have emigrated to America. While most anthologies focus on one group, this anthology expands the perspective to multiple group identities.
Obejas was born June 28, 1956, in Havana, Cuba. After emigrating to the United States at the age of six, she lived in Michigan City, Indiana, and attended Indiana University from 1977 to 1979, when she moved to Chicago.[citation needed]
At the age of 39, Obejas revisited Cuba. Reflections on her home country are dispersed throughout her work, such as in the story collection We Came All the Way from Cuba So You Could Dress Like This? Although she has lived in the Midwest since childhood, Obejas says her Cuban origins continue to be a defining detail in her life. In an interview with Gregg Shapiro, Obejas discussed the peculiar duality of growing up in the U.S. but not truly identifying as an American:
I was born in Havana and that single event has pretty much defined the rest of my life. In the U.S., I'm Cuban, Cuban-American, Latina by virtue of being Cuban, a Cuban journalist, a Cuban writer, somebody's Cuban lover, a Cuban dyke, a Cuban girl on a bus, a Cuban exploring Sephardic roots, always and endlessly Cuban. I'm more Cuban here than I am in Cuba, by sheer contrast and repetition.
Obejas is a lesbian and frequently references sexuality in her writing. Although she often writes about her characters' struggles with sexuality and family acceptance, in an interview with Chicago LGBT newspaper Windy City Times, she said she did not experience significant family problems because of her sexuality:
Remember, Cuba was known as the brothel of the Caribbean prior to the revolution. People went to Cuba to do the things they couldn't do in their home countries, but were free to do there. So Cubans have a sort of thick skin to most sexual stuff, which is not to say that my parents did, but as a general rule in the environment and the culture, there's a lot more possibility. I never had any sense of shame or anything like that.
On a personal level, Obejas says she always accepted her sexual identity as part of herself:
Achy Obejas
Achy Obejas (born June 28, 1956) is a Cuban-American writer and translator focused on personal and national identity issues, living in Benicia, California. She frequently writes on her sexuality and nationality, and has received numerous awards for her creative work. Obejas' stories and poems have appeared in Prairie Schooner, Fifth Wednesday Journal, TriQuarterly, Another Chicago Magazine and many other publications. Some of her work was originally published in Esto no tiene nombre, a Latina lesbian magazine published and edited by tatiana de la tierra, which gave voice to the Latina lesbian community. Obejas worked as a journalist in Chicago for more than two decades. For several years, she was also a writer in residence at the University of Chicago, University of Hawaii, DePaul University, Wichita State University, and Mills College in Oakland, California. She also worked from 2019 to 2022 as a writer/editor for Netflix on the bilingual team in the Product Writing department.[citation needed]
Obejas practices activism through writing, by telling her own story about her identity, as well as others. The anthology Immigrant Voices: 21st Century Stories, written in collaboration with Megan Bayles, is a collection of stories that seeks to describe the experience of people who have emigrated to America. While most anthologies focus on one group, this anthology expands the perspective to multiple group identities.
Obejas was born June 28, 1956, in Havana, Cuba. After emigrating to the United States at the age of six, she lived in Michigan City, Indiana, and attended Indiana University from 1977 to 1979, when she moved to Chicago.[citation needed]
At the age of 39, Obejas revisited Cuba. Reflections on her home country are dispersed throughout her work, such as in the story collection We Came All the Way from Cuba So You Could Dress Like This? Although she has lived in the Midwest since childhood, Obejas says her Cuban origins continue to be a defining detail in her life. In an interview with Gregg Shapiro, Obejas discussed the peculiar duality of growing up in the U.S. but not truly identifying as an American:
I was born in Havana and that single event has pretty much defined the rest of my life. In the U.S., I'm Cuban, Cuban-American, Latina by virtue of being Cuban, a Cuban journalist, a Cuban writer, somebody's Cuban lover, a Cuban dyke, a Cuban girl on a bus, a Cuban exploring Sephardic roots, always and endlessly Cuban. I'm more Cuban here than I am in Cuba, by sheer contrast and repetition.
Obejas is a lesbian and frequently references sexuality in her writing. Although she often writes about her characters' struggles with sexuality and family acceptance, in an interview with Chicago LGBT newspaper Windy City Times, she said she did not experience significant family problems because of her sexuality:
Remember, Cuba was known as the brothel of the Caribbean prior to the revolution. People went to Cuba to do the things they couldn't do in their home countries, but were free to do there. So Cubans have a sort of thick skin to most sexual stuff, which is not to say that my parents did, but as a general rule in the environment and the culture, there's a lot more possibility. I never had any sense of shame or anything like that.
On a personal level, Obejas says she always accepted her sexual identity as part of herself: