Acoustic suspension is a loudspeaker cabinet design that uses one or more loudspeaker drivers mounted in a sealed box. Acoustic suspension systems reduce bass distortion, which can be caused by stiff suspensions required on drivers used for open cabinet designs.

A compact acoustic suspension loudspeaker was described in 1954 by Edgar Villchur, and it was brought to commercial production by Villchur and Henry Kloss with the founding of Acoustic Research in Cambridge, Massachusetts. In 1960, Villchur reiterated that: The first aim of the acoustic suspension design, over and above uniformity of frequency response, compactness, and extension of response into the low-bass range, is to reduce significantly the level of bass distortion that had previously been tolerated in loudspeakers. This is accomplished by substituting an air-spring for a mechanical one. Subsequently, the theory of closed-box loudspeakers was extensively described by Richard H. Small.

Speaker cabinets with acoustic suspension can provide well-controlled bass response, especially in comparison with an equivalently-sized speaker enclosure that has a bass reflex port or vent. The bass vent boosts low-frequency output, but with the tradeoff of introducing phase delay and accuracy problems in reproducing transient signals. Sealed boxes are generally less efficient than a bass-reflex cabinet for the same low-frequency cut-off and cabinet volume, so a sealed-box speaker cabinet will need more electrical power to deliver the same amount of acoustic low-frequency bass output.

The acoustic suspension woofer uses the elastic cushion of air within a sealed enclosure to provide the restoring force for the woofer diaphragm. The cushion of air acts like a compression spring. This is in contrast to the stiff physical suspension built into the driver of conventional speakers. Because the air in the cabinet serves to control the excursion of the woofer, the mechanical stiffness of the driver suspension can be reduced. The air suspension provides a more linear restoring force for the woofer's diaphragm, enabling it to oscillate a greater distance (excursion) in a linear fashion. This is a requirement for low distortion and loud reproduction of deep bass by drivers with relatively small cones.

Even though acoustic suspension cabinets are often called sealed box designs, they are not entirely airtight. A small amount of airflow must be allowed so that the speaker can adjust to changes in atmospheric pressure. A semi-porous cone surround allows enough air movement for this purpose. Most Acoustic Research designs used a PVA sealer on the foam surrounds to enable a longer component life and enhance performance. The venting was via the cloth spider and cloth dust caps, and not so much through the cone surround.

Acoustic suspension woofers remain popular in hi-fi systems due to their low distortion. They also have lower group delay at low frequencies compared to bass reflex designs, resulting in better transient response. However, the audibility of this benefit is somewhat contested. As noted by Small, an analysis performed by Thiele suggested that the differences among correctly adjusted systems of both types are likely to be inaudible.

In the 2000s, most subwoofers, bass amplifier cabinets and sound reinforcement system speaker cabinets use bass reflex ports, rather than a sealed-box design, in order to obtain a more extended low-frequency response and to achieve a higher sound pressure level (SPL). The speaker enclosure designers and their customers view the risk of increased distortion and phase delay as an acceptable price to pay for increased bass output and higher maximum SPL.

The two most common types of speaker enclosure are acoustic suspension (sometimes called pneumatic suspension) and bass reflex. In both cases, the tuning affects the lower end of the driver's response, but above a certain frequency, the driver itself becomes the dominant factor and the size of the enclosure and ports (if any) becomes irrelevant.