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Aida Pierce
Aida Pierce
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Aida María Zerecero Pierce (born August 15, 1956, in Acapulco, Guerrero) is a Mexican actress and comedian, best known internationally for her work on various telenovelas and comedy series aired by Televisa over the years. Many of her television series have also been broadcast in other countries, most notably by Univision in the United States.

Key Information

Biography

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At 17, Pierce, whose parents were Jose Luis Zerecero and Aida Pierce,[1] left Acapulco for Mexico City, and attended El Instituto Andrés Soler, where she studied acting and to become a secretary. She also attended la Academia de Emma Pulido, where she studied jazz, English, and French. She began her career on stage, appearing in the Mexican productions of Godspell, Peter Pan, Jesus Christ Superstar, and Mame, among other plays. Her experience on stage led to a contract with Televisa. She was first cast as Doña Tecla on Alegrías de Mediodía in 1981. Later that year she joined the cast of La matraca, which lasted one year, and as a recurring cast member of La Carabina de Ambrosio, where she remained until 1984. Her next television series was Salón de belleza, which premiered in 1985, the same year she made her film debut in Los rockeros del barrio. [citation needed]

In 1986, she joined the cast of Cosas de casados. That same year, while videotaping that series at Televisa's Chapultepec studios, she was taping El hospital de la risa, which premiered that same year, at Televisa San Angel. On the former series, she portrayed a newlywed wife, and on the latter she portrayed "Remedios". Her next series, Y sin embargo...se mueve, did not premiere until 1994. She made four additional movies. During the filming of one, El Rey de los Taxistas (1989) with Luis de Alba and Maribel Guardia,

Family

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Pierce's son is actor/international video game champion Rubén Morales Zerecero (born 26 May 1989).

Recent years

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Her last two films to date were released in 1993. In Se equivoco la ciguena, she played the same nurse character she had portrayed in El hospital de la risa. The other, Dos fantasmas sinverguenzas, was essentially a showcase for her comic talents. In 1996, she became the first comedian to pose nude in the Mexican edition of Playboy.[2] In Serafin, which premiered in Mexico in 1999 and in the United States in 2000, Pierce made her dramatic television debut as "Barbara". She wasn't the only actress in the series with connections to her hometown. By the time Serafin ended Pierce had begun making appearances on Humor es...los comediantes, officially joining the cast in 2000. She was still a regular on the series when it ended in 2001 as both co-host and performer. [citation needed]

During the late 1990s and early 2000s (decade), she was a regular on two television series: Humor es ... los comediantes and Carita de angel. In recent years, much of Pierce's television work has been in telenovelas, such as Complices al rescate and, most recently, Duelo de pasiones. Pierce continues to perform her comedy routines live on stage throughout Mexico, usually writing her own stage material. She has also sung in many of her stage appearances. She has appeared as a radio personality. She continues to make guest appearances on other Televisa series, including Mujer...casos de la vida real, Muevete (reuniting her with Guardia), Fabrica de risas (reuniting her with Jorge Ortiz de Pinedo), Al sabor del chef, and Desmadruga2, among other series. She recorded several songs, including her 1983 hit, "Sonríe, sintonízate con mi alegría", which she first performed at the 12th Mexican national selection for the OTI Festival; "Nos vamos a pertenece", which is one of two songs posted on her website; and "Príncipe", which she performs at the end of most of her personal appearances and has become her signature song. [citation needed]

She was included in the 2007 book Televisa Presenta, which was published on the occasion of the network's 50th anniversary. She most recently [when?] wrote a comedy play, Sexshop. [citation needed]

As with most aging actresses under Televisa contract over the years (Susana Dosamantes and Angelica Maria are among recent examples), Pierce came to the decision to end her 31-year relationship with the network in 2012, allowing her to finish her television career on rival television networks in Mexico or in the United States. In April 2012, she signed to be a regular on TV Azteca's Buenos Noches America program,[3] and there is a possibility that she may appear on any Spanish-language TV network, including Estrella TV, Telemundo and Univision, in the U.S. She will be returning to movie theaters throughout Latin America for the first time in 20 years when Justicia a la Mexicana, co-starring de Alba, Guardia and Lorena Herrera, arrives in theaters in late 2013.[4]

For her work in television, Pierce was inducted into the Paseo de las Luminarias (Mexico's equivalent of the Hollywood Walk of Fame) at Mexico City's Plaza de las Estrellas in 2007.

Notes

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from Grokipedia
Aida Pierce is a Mexican actress and comedian known for her enduring contributions to Mexican television comedy, particularly through her memorable characters and performances in popular variety shows produced by Televisa during the 1980s. She rose to prominence with her iconic portrayal of Doña Tecla in Alegrías de medio día and became a staple in ensemble comedy programs such as La Carabina de Ambrosio and Hospital de la risa, where she delivered sketches that resonated widely with audiences. Beginning her career in musical theater with productions like Godspell in 1974, Pierce transitioned into television comedy and built a reputation for her versatility in character work, including the early creation of her elderly persona Virginola at age 24. Her work extended to other Televisa comedy formats through the 1980s and 1990s, and she later explored independent stand-up tours and occasional film roles in Mexican comedies after ending her long-term exclusivity with the network in 2007. With a career now exceeding 50 years, Pierce remains active in theater productions such as Un desmadre a toda madre and television series including Más vale sola, continuing to engage audiences with her signature humor and stage presence.

Early life

Childhood and family background

Aida Pierce was born Aída María Zerecero Pierce on August 15, 1956, in Acapulco, Guerrero, Mexico. Her family moved to Mexico City in 1957. Pierce has a brother named Jose Luis Zerecero Pierce.

Education and early training

Pierce began pursuing a career in acting in Mexico City. She worked her first job as a receptionist and used the earnings to fund her acting classes at the Instituto Andrés Soler, where she received formal training in the craft. She also trained as a secretary during this early period in the capital. In addition to her acting studies, Pierce attended the Academia de Emma Pulido, where she studied jazz dance, English, and French to broaden her performance skills. Her initial professional experience came through theater, appearing in Mexican productions of musicals including Godspell, Peter Pan, Jesucristo Superstar, and Mame. At around age 24, circa 1980, she developed her first notable original character, Virginola, an elderly woman portrayal that marked an early highlight of her comedic talents prior to her transition into television work.

Career

Theater beginnings

Aida Pierce began her professional career in Mexican theater, participating in several prominent stage productions during her early years. She performed in musicals such as Godspell, Peter Pan, Jesucristo Superstar, and Mame. Her experience on stage proved pivotal, as it attracted attention from Televisa executives and led to her securing a contract with the network. Alongside these roles, Pierce engaged in ongoing live comedy performances, where she wrote and performed her own original material. She also authored the comedy play Sexshop, which she presented in theater settings. During this period, she began developing the character Virginola in live shows.

Early television work (1981–1990s)

Aida Pierce began her television career with Televisa in 1981, debuting as Doña Tecla on the variety program Alegrías de mediodía. This marked the start of her 31-year association with the network, which continued until 2012. Later that same year, she joined the cast of La Matraca and became a recurring performer on La carabina de Ambrosio, remaining with the latter through 1983. She continued building her presence in comedy programming with a role on Salón de Belleza in 1985. In 1986, Pierce took on lead roles, starring as Aída in the series Cosas de casados and as Remedios in Hospital de la risa, the latter running through 1988. Her work during this era focused on sketch comedy and variety formats that showcased her comedic timing and character creation. In 1994, she appeared on Y sin embargo... se mueve. A notable milestone came in September 1996 when Pierce became the first comedienne to pose nude for the Mexican edition of Playboy. These early television experiences established her as a prominent figure in Mexican comedy and laid the groundwork for her later iconic characters.

Comedy series and notable characters

Aida Pierce has distinguished herself in Mexican comedy through her creation of memorable characters and participation in variety and sketch-based television programs during the late 1990s and 2000s. One of her most enduring creations is Virginola, an elderly woman character she developed at the age of 24, known for its humorous portrayal of an abuelita figure in sketches that highlighted her talent for physical comedy and exaggerated mannerisms. Virginola appeared in various comedic segments, including collaborations with other comedians in sketch formats. From 1999 to 2001, Pierce served as a performer and co-host on the comedy series Humor es... Los Comediantes, a variety program featuring stand-up routines, sketches, and ensemble comedy. Her role allowed her to showcase original material alongside prominent Mexican comedians of the era. She also contributed various characters to the anthology series Mujer, casos de la vida real between 2002 and 2006, appearing in multiple episodes where she interpreted comedic roles within the show's dramatic and situational storylines. Additional comedy and variety work included appearances on Estudio 2 in 2005 and Muévete in 2007, where she participated in lighthearted segments and performances. Throughout her career, Pierce has performed in live comedy tours, presenting self-written material that draws on her signature style of observational humor and character-driven sketches. Some of her early character work overlapped with programs like Hospital de la risa.

Telenovelas and dramatic roles

Aida Pierce expanded her acting range in the late 1990s and early 2000s by taking on roles in telenovelas, moving beyond her established reputation in comedy to participate in dramatic and serialized storytelling typical of the genre. Her involvement in these productions often featured supporting characters with distinctive personalities, sometimes blending dramatic elements with lighter touches. She made her telenovela debut as Bárbara in Serafín (1999). This was followed by her portrayal of Hermana Samotracia in Carita de ángel (2000–2001). In 2002, she played Doña Biba Solasi in Cómplices al rescate, a role widely regarded as one of her most memorable contributions to the format. Pierce continued with the character Madame Meshú in Alegrijes y rebujos (2003–2004). She later appeared as Rebeca Castelo in Duelo de pasiones (2006) and as Aída in Amor sin maquillaje (2007). More recent dramatic television work included her role as Monserrat in Sueño de amor (2016) and a participation in Esta historia me suena (2022). These projects highlighted her versatility in Televisa-produced telenovelas during and beyond the 2000s.

Post-Televisa career and recent work

In April 2012, Aida Pierce ended her 31-year contract with Televisa and announced her incorporation into TV Azteca, where she joined the cast of the program Buenas Noches América with expectations of an immediate and permanent role. The move was presented as an opportunity to participate in the successful morning show, and reports indicated possibilities for appearances on U.S. Hispanic networks such as Estrella TV, Telemundo, or Univisión, though these remained unconfirmed. However, Pierce did not secure a full contract with TV Azteca and instead received payment only for individual participations, leading to limited engagements and expressed frustration over infrequent opportunities shortly after joining. Following this transition, her television work became more sporadic, with a shift toward independent projects and live performances. In recent years, Pierce returned to scripted television with a role in the 2024 comedy series Más vale sola, broadcast on Las Estrellas. The series marked a notable appearance in contemporary Mexican television, aligning with her ongoing career in comedy.

Film appearances

Aida Pierce's appearances in film have been relatively limited compared to her prominent career in television. Her film credits primarily consist of supporting roles in Mexican comedy productions during the 1980s and 1990s, with one additional credit in the following decade. She made her film debut in Los rockeros del barrio (1985). Pierce subsequently appeared in El rey de los taxistas (1989), followed by a role as Laura in Cándido Pérez, especialista en señoras (1991). In 1993, she had roles in Se equivocó la cigüeña as Enfermera and in Dos fantasmas sin vergüenzas. Her most recent listed film appearance is in Table Dance (2007).

Personal life

Family and personal milestones

Aida Pierce stands at a height of 5 feet 1¾ inches (1.57 m). She was previously married to Rubén Morales, with whom she had her son; they later divorced. She married Alfredo Olmedo in October 2005. She has a son, Rubén Morales Zerecero, born on May 26, 1989. Rubén has worked as an actor and achieved recognition as an international video game competitor, representing Mexico as a participant in the FIFA Interactive World Cup.

Recognition

Awards and honors

Aida Pierce has received notable honors recognizing her long-standing contributions to Mexican television and theater, particularly through cultural and trajectory-based recognitions rather than major competitive television awards. In 2007, she was inducted into the Paseo de las Luminarias (also known as Plaza de las Estrellas) in Mexico City for her work in television. That same year, she was included in the commemorative book Televisa Presenta, published to mark Televisa's 50th anniversary. In 2014, the Agrupación de Críticos y Periodistas de Teatro (ACPT) presented her with the Dama de la Victoria for her trayectoria in theater, an award she shared in recognition alongside Mercedes Pascual for their extensive careers. These honors reflect her enduring impact on Mexican entertainment, though her career has seen limited major television accolades such as those from TVyNovelas or film prizes like the Ariel.

References

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