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Alan James
Alan James
Alan James
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Alan James (March 23, 1890 – December 30, 1952) was an American film director and screenwriter.

Key Information

He was born in Port Townsend, Washington, as Alan J. Neitz.[1]

He directed more than 70 films between 1916 and 1943. He also wrote for more than 60 films between 1916 and 1951. Many of those films were Westerns.[1][2]

He died in Hollywood, California.

Selected filmography

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References

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Alan James

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Alan James is an American film director and screenwriter known for his prolific output in the Western genre and adventure serials during Hollywood's silent and sound eras. He directed more than 70 films between 1916 and 1943, with many being low-budget Western features, and contributed as a writer to over 60 films. Born Alan J. Neitz on March 23, 1890, in Port Townsend, Washington, James began his career in the film industry during the silent era and transitioned successfully into sound films, often working on B-movies and chapterplays for studios like Universal and Republic Pictures. His notable directorial credits include the serials Dick Tracy (1937), The Painted Stallion (1937), and Flaming Frontiers (1938). He continued working into the early 1940s before his death on December 30, 1952, in Hollywood, California.

Early life

Birth and family background

Alan James was born Alvin J. Neitz on March 23, 1890, in Port Townsend, Washington, USA. He was the brother of actress Violet Neitz, who later became known professionally as Violet Knights. Details regarding his parents and any other siblings are unknown, as no verified records or reliable sources provide further information on his immediate family background beyond his sister. He later adopted the professional name Alan James, particularly during the sound era of his career.

Career

Silent film era (1916–1929)

Alan James began his career in Hollywood around 1917, initially working primarily as a screenwriter under his birth name Alvin J. Neitz. He soon transitioned to directing, and throughout the silent film era from 1916 to 1929 he received credits under variants such as Alvin J. Neitz or A.J. Neitz. During this period, he became known for his prolific output in low-budget Westerns and other features, often handling both directing and writing duties on projects produced by smaller studios. Representative examples of his work include Fighting Back (1917), The Boss of the Lazy Y (1917), Crossing Trails (1921), Dangerous Trails (1923), and A Six Shootin' Romance (1926). His silent-era contributions formed a substantial part of his total directing credits, which numbered approximately 79 to 82 across his career, with many of these early films representing the fast-paced, economical productions typical of the period's independent and Poverty Row output. Documentation for some of his earliest credits remains incomplete due to the inconsistent record-keeping practices of the time. He adopted the professional name Alan James around the transition to sound films.

Sound-era B-Westerns (1930–1936)

In the early 1930s, Alan James adopted his new professional name after previously working as Alvin J. Neitz, a change that aligned with his shift to directing sound films. This transition marked his entry into a prolific period focused on low-budget B-Westerns, many produced by Poverty Row studios or independent outfits. James became known for helming numerous B-Westerns, frequently serving as both director and screenwriter on the same projects. Representative examples include Come On, Tarzan (1932), which he directed and wrote, starring Ken Maynard as a cowboy protecting wild horses from rustlers. He directed seven of the eight Ken Maynard Westerns produced by Universal between 1933 and 1934, contributing to the star's series during that time. Other films from this era include When a Man Sees Red (1934), Lucky Terror (1936), and Wild Horse Round-Up (1936), several of which also featured his screenplay contributions. These productions emphasized action-oriented plots typical of low-budget Westerns, reflecting the constraints and conventions of the B-picture market.

Serials and later directing (1937–1943)

In 1937, Alan James transitioned to directing adventure serials, primarily for Republic Pictures, a studio known for its high-output chapterplays featuring action, cliffhangers, and recurring heroes. That year, he co-directed the popular Dick Tracy serial with Ray Taylor, adapting the comic strip character with Ralph Byrd in the lead role. He also co-directed the western-themed The Painted Stallion (1937) and the maritime adventure S.O.S. Coast Guard (1937), the latter involving a villain's destructive energy weapon. The following year, James co-directed Flaming Frontiers (1938) with Ray Taylor, another western serial starring Johnny Mack Brown. In 1939, he directed Scouts to the Rescue, continuing his work in the serial format. These Republic serials represented the peak of his output in the chapterplay genre, where he frequently collaborated with directors such as Ray Taylor and William Witney on fast-paced, multi-chapter productions. By the early 1940s, James' directing work shifted toward feature films, including the Monogram westerns Wild Horse Stampede (1943) and The Law Rides Again (1943). This period marked the later phase of his directing career before he focused more on screenwriting, with some overlap on serial-related projects. Across his entire career, Alan James directed approximately 79–82 films, with his serial work in the late 1930s constituting a significant portion of that total.

Screenwriting contributions (1916–1951)

Alan James contributed as a writer to 66 films between 1916 and 1951, encompassing a broad range of credits that included original stories, screenplays, and adaptations, often in the Western and serial genres. Many of these writing assignments occurred alongside his directing work during the silent era and early sound period, while others stood as independent contributions later in his career. His early screenwriting efforts began in the silent film era, where he provided scripts for numerous productions, frequently aligning with his own directorial projects in low-budget Westerns and action features. As the industry transitioned to sound and through the 1930s, James continued contributing to B-Westerns and serials, blending story ideas and screenplay work that supported the fast-paced, formula-driven output of the time. In the 1940s and early 1950s, after his directing activity had largely concluded, James supplied stories and screenplays for several independent projects. Notable examples include screenplay credit on Manhunt of Mystery Island (1945) and story credit on Outlaw Trail (1944). A prominent later credit was his original story for Mule Train (1950), a Gene Autry Western produced by Armand Schaefer and directed by John English. His final known contribution was the story for Silver Canyon (1951), another Gene Autry vehicle that highlighted frontier themes. These later credits demonstrate James' continued involvement in the Western genre through story origination, even as he stepped back from directing.

Personal life

Marriage and family connections

Alan James married Marguerite "Myme" Foss on November 23, 1914, in a union that endured until his death on December 30, 1952. The couple had one child. His sister was actress Violet Knights (also known as Violet Neitz), who pursued an acting career spanning the silent era through the 1930s. Violet was married to actor Fred MacKaye from April 11, 1927, until their divorce in 1947, making MacKaye James' brother-in-law. Fred MacKaye and Violet Neitz appeared in bit and supporting roles in several of James' 1930s B-westerns, including the 1933–1934 Ken Maynard series produced at Universal, likely through family connections.

Death

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