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Alberto Segado
Alberto Segado
Alberto Segado
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Albert Segado (1944 – December 14, 2010) was an Argentine actor whose stage and film credits included Asesinato en el Senado de la Nación and I Don't Want to Talk About It.[1]

Segado studied acting at the Instituto de Teatro of the University of Buenos Aires.[1] He spent much of his career at the Teatro General San Martín in Buenos Aires.[1]

Alberto Segado died at the Sanatorio de la Providencia, where he had been hospitalized for two days, on December 14, 2010, at the age of 66.[1]

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Alberto Segado

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Alberto Segado was an Argentine actor and acting teacher renowned for his distinguished career in theater, film, and television, spanning from the 1960s until his death in 2010. He was particularly celebrated for his long association with the Teatro San Martín in Buenos Aires, where he was a member of the stable ensemble and appeared in numerous acclaimed productions of classic and contemporary works. His film roles in notable Argentine cinema included appearances in Asesinato en el Senado de la Nación, Yo, la peor de todas (I, the Worst of All), Plata dulce, and De eso no se habla (I Don't Want to Talk About It). Segado also contributed to television series and was respected as an influential acting instructor who emphasized ethical commitment to the craft. Born on August 24, 1944, in Buenos Aires, Segado trained at the Instituto de Teatro of the Universidad de Buenos Aires under teachers such as Oscar Fessler and Patricia Stokoe, and later studied at the Actors Studio in New York. He began his career in the late 1960s with participation in experimental works at the Instituto Di Tella and earned early recognition, including the Premio Talía as revelation actor. Over the decades, he performed in leading roles across major Buenos Aires theaters, including the Teatro Nacional Cervantes and Teatro Colón, and collaborated with prominent directors on plays ranging from Brecht to Chekhov. His filmography featured collaborations with directors such as Fernando Ayala and Sergio Renán, while his television work included series like Compromiso and Atreverse. Segado received multiple honors throughout his career, including the Premios ACE, Florencio Sánchez, Trinidad Guevara, Cóndor de Plata, and María Guerrero, and was posthumously awarded the Diploma al Mérito from the Fundación Konex in 2011 for his contributions to Argentine theater. He passed away on December 14, 2010, in Buenos Aires after a prolonged illness.

Early life and education

Birth and background

Alberto Segado was born on August 24, 1944, in Buenos Aires, Argentina. He was Argentine by nationality and remained based in Buenos Aires throughout his life.

Acting training

Alberto Segado studied acting at the Instituto de Teatro of the University of Buenos Aires under teachers such as Oscar Fessler and Patricia Stokoe. He complemented his formal education by training under prominent acting teachers Hedy Crilla and Roberto Durán. He also attended as a guest at the Actors Studio in New York in the early 1980s. During the late 1960s, Segado became involved in the avant-garde performances at the Instituto Torcuato Di Tella, a key center for experimental arts in Argentina at the time, with documented participation by 1969 where he appeared as a young performer. This early engagement with innovative and interdisciplinary theatrical experimentation shaped his initial development as an actor before transitioning to professional roles.

Career

Theater career

Alberto Segado established himself as a prominent figure in Argentine theater, beginning his professional work with performances at the Instituto Di Tella during the 1960s, a central hub for avant-garde and experimental art in Buenos Aires. He became a member of the stable cast at the Teatro General San Martín, where he took part in numerous classical productions including Cyrano de Bergerac, Don Juan by Molière, Santa Juana by George Bernard Shaw, María Estuardo by Friedrich Schiller, and Don Gil de las calzas verdes by Tirso de Molina. As a leading actor, Segado starred in key Argentine and international plays such as El reñidero by Sergio de Cecco, El jardín de los cerezos by Anton Chekhov, Casas de viudos by George Bernard Shaw, El inspector by Nikolai Gogol, and Primaveras by Aída Bortnik. He participated in the Teatro Abierto movement and portrayed central roles in contemporary Argentine works including El Señor Galíndez by Eduardo Pavlovsky and Griselda Gambaro's El campo and Los siameses. Later in his career, Segado earned acclaim for performances in Galileo Galilei by Bertolt Brecht directed by Rubén Szuchmacher, Copenhague by Michael Frayn directed by Carlos Gandolfo, and Un enemigo del pueblo by Henrik Ibsen directed by Sergio Renán at the Teatro General San Martín. His long-standing commitment to theater was recognized with multiple Premios ACE, along with other honors such as the Premios Florencio Sánchez, Trinidad Guevara, and María Guerrero, and posthumously with the 2011 Konex Award Diploma al Mérito as Actor de Teatro.

Film career

Alberto Segado's film career developed mainly in the 1980s and 1990s within Argentine cinema, where he appeared in supporting roles across various genres. He gained recognition for his performance as Luis Duhau in Asesinato en el Senado de la Nación (1984), a political drama directed by Juan José Jusid that recreates a historical assassination in the Argentine Senate. In 1993, Segado featured in two prominent films that highlighted his range as a character actor. He portrayed Comisario Garcés in Perdido por perdido, a crime thriller directed by Alberto Lecchi and starring Ricardo Darín. That same year, he played Dr. Blanes in De eso no se habla (I Don't Want to Talk About It), directed by María Luisa Bemberg, a poignant drama starring Marcello Mastroianni and Luisina Brando that addressed themes of difference and societal norms. These appearances in notable Argentine productions during the 1990s reflected his consistent presence in the national film industry, often in authoritative or professional roles that complemented the lead performers.

Television career

Alberto Segado made an early appearance on television in the anthology series Alta comedia in 1965. After establishing himself primarily in theater, he returned to the medium in the 1980s, participating in several notable anthology cycles, including Compromiso, Atreverse, and Situación límite. In 1990, he had a more substantial involvement in the series Di Maggio, appearing in 19 episodes, and also featured in two episodes of Atreverse. He later appeared in an episode of Alta comedia in 1994.

Teaching career

Death

Circumstances of death

Alberto Segado died on December 14, 2010, in Buenos Aires, Argentina, at the age of 66. He passed away that afternoon at the Sanatorio de la Providencia, where he had been hospitalized for two days. In the preceding years, Segado had been struggling with a severe anemia that affected his health.
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