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Alex Atkinson
Alex Atkinson
Alex Atkinson
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Alex Atkinson (1916–1962)[1] was an English journalist, novelist and playwright who is best remembered for his collaborative works with the illustrator Ronald Searle.

Early life and career

[edit]

He was born in Liverpool, where he began his career as an actor. In 1935 Atkinson’s play Ferry Inn was produced at the Liverpool Playhouse. Atkinson gained considerable experience as a repertory actor and began writing for Punch in 1948.[1] In 1950 he ended his acting career to devote his time to writing.

In 1953 Atkinson’s play Four Winds was produced at the Phoenix Theatre in London's West End. That same year saw the release of the film Wheel of Fate, which Atkinson co-wrote with Guy Elmes.

In 1958 The Big City or the New Mayhew was published. Written by Atkinson and illustrated by Ronald Searle, this collection of humorous character studies had appeared previously in Punch. These studies were based upon the journalism of Henry Mayhew, particularly his famous survey London Labour and the London Poor which appeared in the Morning Chronicle newspaper, throughout the 1840s.

Atkinson again collaborated with Ronald Searle in 1959 publishing the humorous book, By the Rocking Chair Across America.[1] The book opened with a statement by Atkinson, "Too Many books about the United States are written by men who have spent only a few weeks in the country. This one is different; it is by a man who has never been there in his life."[1] With the publication of the book, Atkinson moved to America in 1960 to write for Holiday magazine. He remained as Associate editor until his death in 1962.[1]

In his 1957 article 'Over Seventy', P. G. Wodehouse, lamenting the decline of the humorist, wrote, "I want to see an A. P. Herbert on every street corner, an Alex Atkinson in every local."

Personal life

[edit]

Alex Atkinson was married to Peggy Atkinson who remained in England. Atkinson lived at 308 South Quince Street, Philadelphia, Pennsylvania.[1]

Selected bibliography

[edit]

Selected filmography

[edit]
  • Wheel of Fate (Film, story "Nightmare") (1953)
  • Saturday Playhouse (TV Series, 1 episode, writer "Design for Murder") (1958)
  • Monitor (TV Series, 1 episode, Commentary "Variations on a Mechanical Theme") (1959)
  • Design for Murder (TV Movie, writer) (1961)

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Alex Atkinson

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Alex Atkinson is a British journalist, novelist, playwright, and humorist best remembered for his satirical contributions to Punch magazine and his illustrated collaborations with Ronald Searle, which include the poignant character studies of 1950s London life in The Big City and the humorous imaginary travelogues By Rocking Chair Across America and By Rocking Chair Across Russia. Born in Liverpool in 1916, he initially pursued a career as an actor before transitioning to writing, contributing to Punch from the late 1940s onward and producing novels and plays during the early 1950s. His Punch pieces, often written as detached yet sympathetic first-person accounts of ordinary Londoners, were collected in The Big City (also known as The New Mayhew), where Searle's illustrations complemented Atkinson's evocative prose to portray a post-war Britain on the verge of social change. The pair's satirical travel books extended this style abroad, with By Rocking Chair Across America (1959) offering a witty outsider's view of the United States composed entirely from imagination, and By Rocking Chair Across Russia (1960) similarly parodying Soviet life, including a fictional interview with Nikita Khrushchev. The popularity of these works prompted Atkinson's move to the United States in 1960, where he settled in Philadelphia and joined the staff of Holiday magazine as an associate editor. He died suddenly at his home in Philadelphia on March 1, 1962, at the age of 46.

Early Life and Background

Birth and upbringing

Alex Atkinson was born in 1916 in Liverpool, England. He grew up in Liverpool during the interwar period.

Early acting career

Alex Atkinson began his career as a repertory actor in Liverpool. In 1950, he ended his acting career to devote himself fully to writing. This shift marked the conclusion of his professional work on stage in favour of literary pursuits.

Transition to Writing

Initial playwriting and theatre work

Atkinson's early playwriting began alongside his acting career in Liverpool during the 1930s. His play Ferry Inn received its first production at the Liverpool Playhouse, where contemporary accounts described him as a young author associated with the venue. After gaining experience as a repertory actor, Atkinson transitioned to full-time writing around 1950, shifting his focus toward dramatic works for the stage. In 1953, his thriller Four Winds premiered at Her Majesty's Theatre in Brighton on 6 July before transferring to the Phoenix Theatre in London's West End, where it ran until 31 October. Atkinson's stage output remained limited, with only these two known productions and no evidence of major awards or prolonged runs.

Joining Punch magazine

Alex Atkinson began writing for Punch magazine from the late 1940s, contributing humorous pieces to the long-established British weekly known for its satire and wit. He continued these contributions throughout the 1950s, establishing himself as a regular voice in the magazine's pages after transitioning to focus on writing full-time around 1950. In 1957, P. G. Wodehouse praised Atkinson as a notable contemporary humorist in his book Over Seventy, lamenting the decline of such writers and declaring a desire to see "an A. P. Herbert on every street corner, an Alex Atkinson in every local." Many of Atkinson's Punch contributions later formed the basis for his collaborative illustrated books with Ronald Searle.

Humorous Writing and Books

Collaborations with Ronald Searle

Alex Atkinson collaborated with the renowned illustrator Ronald Searle on a series of satirical books during the late 1950s and early 1960s, blending sharp wit, social observation, and Searle's distinctive drawings. These works often originated as contributions to Punch magazine, where Atkinson wrote and Searle illustrated, before being expanded into book form. Their first major joint publication was The Big City or The New Mayhew (1958), a collection of humorous yet poignant character studies inspired by Henry Mayhew's 19th-century sociological classic London Labour and the London Poor. The book presents 24 sketches of London's "new poor" in the post-war era, depicting figures such as street boys, faded actresses, noblemen in reduced circumstances, and various urban outcasts through a mixture of documentary-style prose and contemporary vernacular. These pieces originally appeared in Punch, and Searle's incisive illustrations complemented Atkinson's text by adding layers of compassion and stark visual commentary to the often melancholic portraits. In 1959, Atkinson and Searle produced By the Rocking Chair Across America (published in the UK as USA for Beginners), a satirical travelogue that humorously purported to explore the United States without the author ever setting foot in the country. The book opens with a tongue-in-cheek declaration: "Too many books about the United States are written by men who have spent only a few weeks in the country. This one is different; it is by a man who has never been there in his life." This armchair approach allowed for exaggerated observations and cultural stereotypes presented as authoritative insights. The following year, the duo continued the "rocking chair" format with Russia for Beginners: By Rocking Chair Across Russia (1960), applying the same satirical lens to the Soviet Union through imagined travels and observations. Never having visited Russia, Atkinson crafted a humorous and irreverent guide that included an imaginary interview with Nikita Khrushchev, poking fun at Cold War-era perceptions and stereotypes of the region. Searle's illustrations again provided vivid visual satire to match the text's witty critique.

Satirical works and publications

Alex Atkinson published three novels in the early 1950s that represented his initial forays into longer-form humorous and satirical writing, aligned with the witty style he developed as a contributor to Punch magazine. His debut novel, All Next Week, appeared in 1952 from the publisher Peter Davies in London. This was followed by Cry for Shadows in 1953, also issued by Peter Davies. His third novel, Exit Charlie, was published in 1955 and received an American edition from Alfred A. Knopf the following year. These standalone works have limited surviving documentation and remain less prominent than other aspects of his literary career.

Film and Television Contributions

Screenwriting credits

Alex Atkinson had a limited but documented contribution to feature film screenwriting, consisting of a single credit. In 1953, he supplied the original story titled "Nightmare" for the British crime drama Wheel of Fate, directed by Francis Searle, while Guy Elmes adapted it into the screenplay. This credit emerged during Atkinson's transition from acting and playwriting to broader writing pursuits. No additional feature film screenwriting credits are recorded for him.

Television writing and commentary

Alex Atkinson's television writing and commentary were limited to a handful of BBC contributions in the late 1950s and early 1960s, with no involvement in major ongoing series. In 1958, he wrote the script for the anthology drama "Design for Murder" on Saturday Playhouse, broadcast on 15 March 1958 and directed by Michael Elliott. The thriller, adapted from Atkinson's own play, relocated the action to a deserted theatre setting for atmospheric effect. A remake of Design for Murder aired as a standalone television production on 6 July 1961, produced by BBC West Region and directed by Patrick Dromgoole, with Atkinson receiving sole writing credit. In 1959, Atkinson provided the commentary script for the Monitor arts series short film Variations on a Mechanical Theme, transmitted on 27 September 1959. Directed by Ken Russell and narrated by Frank Duncan, the ten-minute black-and-white programme traced the history of mechanical musical instruments from music boxes and barrel organs to player pianos and gramophones, blending historical detail with witty observation on the tension between mechanical innovation and human engagement in music. These isolated credits represent the full extent of Atkinson's verified television output in this period.

Later Life and Legacy

Move to the United States

In 1960, Alex Atkinson relocated to the United States, settling in Philadelphia to join the staff of Holiday magazine. He initially served as a contributor before being promoted to Associate Editor, a position he held at the publication's offices in the city. During this period, he resided at 308 South Quince Street in Philadelphia. His wife, Peggie Atkinson, remained in England throughout his time in the United States. Atkinson's stay in America proved brief.

Death and immediate aftermath

Alex Atkinson died on March 1, 1962, at the age of 46 in his home at 308 South Quince Street in Philadelphia, Pennsylvania. The New York Times published his obituary the following day on March 2, 1962, describing him as a British author and editor who had relocated to the United States after writing a book about the country. Some sources, including IMDb, give a conflicting date of February 28, 1962, for his death in Philadelphia. He was survived by his widow, Peggie Atkinson, who resided in England. Contemporary reports noted his sudden death, bringing an abrupt end to his brief residence in the United States.
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