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Alfred Capus
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Alfred Capus (25 November 1858[1][2] – 1 November 1922) was a French journalist and playwright, who was born in Aix-en-Provence and died in Neuilly-sur-Seine.
Biography
[edit]Son of a lawyer from Marseille, Alfred Capus went to university in Toulon. After failing several entrance tests for higher-education schools and working as a draughtsman for a while, he went on to become a journalist.
One of his first articles was an obituary of Darwin.[3] He went on to write humorous pieces for papers such as Gaulois, L'Écho de Paris and L'Illustration. He also wrote for Le Figaro, under the penname of Graindorge. In 1914, he became the editor of Figaro. During the First World War he wrote stridently patriotic pieces.[citation needed]
On 12 February 1914, he became a member of the Académie française.
Work and themes
[edit]In 1878, in collaboration with L. Vonoven, he published a volume of short stories; the next year the two produced a one-act piece, Le Mari malgre lui, at the Théâtre Cluny.[4]
His novels, Qui perd gagne (1890), Faux Depart (1891), Année des d'aventures (1895), describe the struggles of three young men at the beginning of their career. From the first of these he took his first comedy, Brignol et sa fille (Vaudeville, November 23, 1894).[4]
The German film Leontine's Husbands, released in 1928 and starring Claire Rommer, Georg Alexander, Adele Sandrock and Truus van Aalten, was adapted from Capus' 1900 comedy Les Maris de Leontine.
Bibliography
[edit]Plays
[edit]- Innocent (1896), written with Alphonse Allais
- Petites folles (1897)
- Rosine (1897)
- Mariage bourgeois (1898)
- Les Maris de Leontine (1900)
- La Bourse ou la vie (1900)
- La Veine (1901)
- La Petite Fonctionnaire (1901) (the basis of the 1921 comédie musicale La petite fonctionnaire)
- Les Deux Ecoles (1902)
- La Châtelaine (1902)
- L'Adversaire (1903), with Emmanuel Arène, which was produced in London by George Alexander as The Man of the Moment
- Notre Jeunesse (1904), the first of his plays to be performed at the Théâtre Français
- Monsieur Piegois (1905)
- L'Attentat (1906), written with Lucien Descaves[4]
Novels
[edit]- Qui perd gagne (1890)
- Faux départ (1891)
- Robinson (1910)
References
[edit]- ^ Schwob, Marcel; John Alden Green (1985). Correspondance inédite. Vol. 233 of Histoire des idʹees et critique littéraire. Librairie Droz. ISBN 2-600-03614-8.
- ^ A few sources state 1857, but the majority state 1858
- ^ Barrett H. Clark (1915), Contemporary French Dramatists, Stewart & Kidd Company, Cincinnati, page 139
- ^ a b c One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Capus, Alfred". Encyclopædia Britannica. Vol. 5 (11th ed.). Cambridge University Press. p. 296. This cites Édouard Quet, Alfred Capus (1904), with appreciations by various authors, in the series of Célébrités d'aujourd'hui.
Alfred Capus
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Early Life and Education
Birth and Family Background
Alfred Capus was born on November 25, 1857, in Aix-en-Provence, a historic and tranquil city in the Provence region of southern France where bourgeois family life was characterized by simple customs. [2] He was the son of a lawyer from Marseille, establishing his family's roots in the Provence area during the mid-19th century. [3] [4] Capus was the elder brother of Joseph Capus, who later became a notable politician serving as a deputy and senator from the Gironde, as well as Minister of Agriculture. [4] [3] The family background reflected typical Provençal bourgeois origins, with strong ties to Marseille and the surrounding southern French region. [4]Education and Early Struggles
Alfred Capus completed his secondary education in Toulon. [1] Having failed the entrance examination for the École Polytechnique, he entered the École des Mines de Paris. [1] Admitted in 1876, he did not obtain the diploma of civil mining engineer. [5] After leaving the École des Mines, Capus briefly worked as an industrial draughtsman. [1] These early setbacks in his engineering pursuits led him to abandon technical professions and turn to journalism. [1]Journalism Career
Early Contributions and Pseudonyms
Alfred Capus embarked on his journalistic career in the 1880s after brief stints in scientific studies and industrial design. One of his earliest published pieces was a nécrologie of Charles Darwin, reflecting his scientific background. [1] [3] He gained recognition primarily through his chroniques légèrement fantaisistes published in Le Gaulois, L'Écho de Paris, and L'Illustration. [1] These light, whimsical chronicles showcased his emerging talent for humorous and engaging commentary on contemporary life. [1] [6] For his contributions to Le Figaro during this period, Capus adopted the pseudonym Graindorge. [1] Through these early writings, he developed a reputation for light, satirical journalism that blended wit with keen observation. [1]Editor-in-Chief of Le Figaro
In 1914, following the assassination of Gaston Calmette by Henriette Caillaux on March 16, Alfred Capus succeeded him as editor-in-chief of Le Figaro. [7] [8] He assumed control of the newspaper that year and maintained the position throughout the First World War. [7] During the four years of the war, Capus contributed a daily patriotic bulletin to Le Figaro, providing consistent commentary and moral support to readers amid the conflict. [8] His wartime articles and editorials expressed strong defiance toward Germany, unwavering faith in French arms and the Allied cause, and hope for national and global regeneration following victory. [9] These writings were considered representative of France's intellectual perspective, with his pronouncements viewed as influential and distinguished. [7] In one notable piece titled "King and Kaiser," Capus contrasted the authoritarian Kaiser Wilhelm II with the beleaguered King Albert of Belgium, portraying the latter as an admirable figure embodying justice and homeland in opposition to "the rough features and the grimaces of the barbarians." [9]Literary Career
Novels and Prose Works
Alfred Capus began his literary career with collaborative prose, publishing Les honnêtes gens in 1878 in partnership with L. Vonoven. [1] This early work marked his entry into published writing before he shifted focus to independent novels. Capus achieved notable success with his first novel Qui perd gagne (1890), which critic Jules Lemaître described as "presque un chef-d’œuvre." [1] He followed it with Faux départ (1891) and Années d’aventures (1895), novels that explored the struggles and adventures of young men in contemporary settings. [1] [5] Another early prose collection, Monsieur veut rire (1893), further established his reputation for light yet observant narratives. [1] In his later years Capus produced several additional collections of prose, including Histoires de parisiens (1907), Robinson (1910), Les mœurs du temps (1912), and Scènes de la vie difficile (1922). [1] These works drew from his keen observation of Parisian society and everyday life. [5] Capus's prose style remained simple, clear, and precise, reflecting a pure French tradition with fine irony, benevolent optimism, and an indulgent philosophical outlook that avoided bitterness. [5] His characters, often drawn from middle-class environments, were portrayed without artifice, emphasizing natural behavior and incisive yet gentle commentary on human nature. [5]Theatrical Works
Alfred Capus established himself as a leading boulevard playwright during the Belle Époque, authoring a series of popular comedies that found success on Parisian stages. His first theatrical work was the one-act piece Le Mari malgré lui, co-written with L. Vonoven and performed at the Théâtre Cluny. He achieved his breakthrough with Brignol et sa fille, premiered at the Vaudeville on 23 November 1894. Capus followed this success with a prolific output of comedies of manners, often featuring witty dialogue and observations of bourgeois life. Among his key works were Innocent (1896, in collaboration with Alphonse Allais), Les Maris de Léontine (1900), La Bourse ou la vie (1900), La Veine (1901), La Petite Fonctionnaire (1901), Les Deux Écoles (1902), La Châtelaine (1902), and L'Adversaire (1903, in collaboration with Emmanuel Arène). These plays exemplified his talent for light, satirical portrayals of social conventions and human foibles in contemporary French society. His later notable contribution to the stage included L'Aventurier (1910), a comedy in four acts premiered at the Théâtre de la Porte-Saint-Martin with Lucien Guitry in the leading role. Capus's theatrical style earned praise for its spiritual and philosophical observation of bourgeois milieus, blending incisive irony with benevolent humor.Académie Française
Election and Membership
Alfred Capus first sought election to the Académie française in 1909 and again in 1911, but both candidacies were unsuccessful. [1] He was elected on his third attempt on February 12, 1914, to seat 24, succeeding Henri Poincaré, after receiving 16 votes. [1] His formal reception into the Academy took place on June 28, 1917, when he delivered a discourse eulogizing his predecessor Henri Poincaré, with Maurice Donnay providing the response speech welcoming him to the institution. [10] [2] Capus remained a member of the Académie française until his death. [1]World War I and Later Years
Patriotic Journalism and Writings
During World War I, Alfred Capus served as co-director of Le Figaro following the assassination of Gaston Calmette in March 1914, sharing leadership with Robert de Flers. [11] In this role, he contributed to the newspaper's wartime journalism, which aligned with the prevailing patriotic tone in French media amid the conflict. [11] As editor-in-chief, Capus maintained active involvement in the publication's content throughout the war. [12] Notably, in the edition of November 12, 1918, announcing the armistice, he authored an analysis reflecting on the "jours épiques" (epic days) of the war, offering a contemplative look back at the struggle and its conclusion. [12] This piece exemplified the patriotic sentiment that characterized much of his and Le Figaro's output during the period. [12]Death
Final Days and Burial
Alfred Capus died on November 1, 1922, in Neuilly-sur-Seine, France, at the age of 64, from complications of typhoid fever in a maison de santé (healthcare facility) there, after an illness that had become grave and left no hope for his recovery in his final days. [5] [1] He was interred at Père-Lachaise Cemetery in Paris, in division 93. [3] [13]Legacy
Honors and Influence
Alfred Capus received notable recognition for his contributions to literature and theatre. He was awarded the Prix Toirac by the Académie française in 1905 for his work Notre jeunesse. [14] [1] He served as president of the Société des auteurs dramatiques. [5] Capus advanced through the ranks of the Légion d'honneur, culminating in his promotion to Commandeur on 12 August 1922. [3] His plays, marked by sharp wit and keen social observation, helped define the style of witty comedy of manners prevalent in Belle Époque boulevard theatre. [3] The enduring esteem for his work is reflected in the tribute by Robert de Flers, who described Capus's repertoire as one of the surest and rarest prides of the French stage. Capus's legacy is commemorated through public namings in his honor, including the square Alfred-Capus in Paris and the avenue Alfred-Capus in Aix-en-Provence.Film and Television Adaptations
Several of Alfred Capus's plays were adapted for cinema and television, primarily after his death in 1922, with no evidence of direct screenwriting contributions from the author himself. [15] Early film adaptations include a short version of La petite fonctionnaire in 1912 and a feature-length adaptation of the same play in 1927. [15] La châtelaine was adapted into a film in 1914. [15] L'aventurier received two separate adaptations, one in 1924 and another in 1934. [15] A German-language version of Les Maris de Léontine, titled Leontines Ehemänner, appeared in 1928, while a French adaptation of the play, Les maris de Léontine, followed in 1947. [15] Capus's works also appeared on television in later decades, with an episode of the series Plaisir du théâtre in 1959 and an episode of Cent ans d'amour in 1963 that drew from his play La Bourse ou la vie. [15]References
- https://commons.wikimedia.org/wiki/File:Tombe_de_Alfred_Capus_(division_93).JPG