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Altar rail
The altar rail (also known as a communion rail or chancel rail) is a low barrier, sometimes ornate and usually made of stone, wood or metal in some combination, delimiting the chancel or the sanctuary and altar in a church, from the nave and other parts that contain the congregation. Often, a central gate or gap divides the line into two parts. Chancel rails are a very common, but not universal, feature of Catholic, Lutheran, Anglican, and Methodist churches. They are usually about 2 feet 6 inches (76 cm) high, with a padded step at the bottom, and designed so that the wider top of the rail can support the forearms or elbows of a kneeling person.
The altar rail is a modest substitute for earlier barriers demarcating the chancel, the area containing the altar, which was reserved, with greatly varying degrees of strictness, for officiating clergy, including boys as choristers and altar servers. Although it only emerged after the Protestant Reformation, it has been found convenient by both Catholic and more traditional Protestant churches, such as the Lutheran, Anglican and Methodist churches. After the Second Vatican Council, a number of Catholic churches removed their chancel rails, which fell into disuse; on the other hand, Lutheran churches continue to retain many features of medieval church architecture and normatively have chancel rails at which communicants receive the Eucharist.
For those chancels without an altar rail, in some cases a portable rail with attached kneeler is used for those who wish to kneel to receive the Eucharist.
Barriers of various kinds often mark off as especially sacred the area of a church close to the altar—the chancel—which is largely reserved for ordained clergy. The Temple in Jerusalem contained a barrier of this kind, which separated the Courtyard of the Israelites from the Courtyard of the Priests. The templon was typical for the Late Antique period. In the Armenian Apostolic Church, curtains are still drawn to cut off that area during the holiest moments of the liturgy. In Eastern Orthodox and related rites, this evolved into a solid, icon-clad screen, called the iconostasis, that has three doorways which usually have doors and curtains that can be closed or drawn aside at various times.
Barriers demarcating the chancel, such as the rood screen, became increasing elaborate. They were largely swept away after both the Protestant Reformation and then the Counter-Reformation prioritized the congregation having a good view of what was happening in the chancel. Now the low communion rail is generally the only barrier. Despite being essentially a Counter-Reformation invention, this has proved useful and accepted in the Protestant churches that dispense communion. The screen enjoyed a small revival in the 19th century, after the passionate urgings of Augustus Pugin, who wrote A Treatise on Chancel Screens and Rood Lofts, and others. There were medieval structures like communion rails, but the various types of screen were much more common. A church in Hasle, Bornholm claims to have "a rare 15th-century altar rail"; perhaps, like other examples, this is in fact a sawn-off medieval screen.
The origin of the modern form has been described by one historian as "nebulous", but it probably emerged from Italy in the 16th century. The German Lutherans and the Church of England were not far behind in adopting it, perhaps without being aware of the Italian versions. In England the rail became one of the focuses of tussles between the High Church and Low Church factions, and in many churches they were added, removed and re-added at different times. Archbishop Laud was a strong supporter of rails, but the common story that he introduced them to England is incorrect; he was trying to prevent Puritan clergy from continuing to remove them, and his pressure in favour of rails was bound up with his very controversial "altar policy", reasserting the placement of the altar in its medieval position. Matthew Wren, Laudian Bishop of Ely, was imprisoned during the whole of the English Commonwealth. Wren defended himself against charges of enforcing altar rails, which he pointed out had been found in many English churches "time out of mind". In both Catholic churches and Anglican ones following Laudian instructions, the congregation was now asked to come up to the rails and receive communion kneeling at them, replacing a variety of earlier habits. This too was controversial in England, and the Laudian party did not push too hard for this in many dioceses.
In many of the parishes of the Lutheran Churches, the use of altar rails have remained more common. There is typically no specific regulation concerning their presence or use, although they remain a common feature even in newly constructed churches. Their continued popularity results from a preference on the part of many to assume a posture of kneeling to receive the Eucharist.
Chancel rails are found in a number of Methodist churches and in addition to Holy Communion, they are used for worshippers to seek the New Birth and Entire Sanctifiction.
Altar rail
The altar rail (also known as a communion rail or chancel rail) is a low barrier, sometimes ornate and usually made of stone, wood or metal in some combination, delimiting the chancel or the sanctuary and altar in a church, from the nave and other parts that contain the congregation. Often, a central gate or gap divides the line into two parts. Chancel rails are a very common, but not universal, feature of Catholic, Lutheran, Anglican, and Methodist churches. They are usually about 2 feet 6 inches (76 cm) high, with a padded step at the bottom, and designed so that the wider top of the rail can support the forearms or elbows of a kneeling person.
The altar rail is a modest substitute for earlier barriers demarcating the chancel, the area containing the altar, which was reserved, with greatly varying degrees of strictness, for officiating clergy, including boys as choristers and altar servers. Although it only emerged after the Protestant Reformation, it has been found convenient by both Catholic and more traditional Protestant churches, such as the Lutheran, Anglican and Methodist churches. After the Second Vatican Council, a number of Catholic churches removed their chancel rails, which fell into disuse; on the other hand, Lutheran churches continue to retain many features of medieval church architecture and normatively have chancel rails at which communicants receive the Eucharist.
For those chancels without an altar rail, in some cases a portable rail with attached kneeler is used for those who wish to kneel to receive the Eucharist.
Barriers of various kinds often mark off as especially sacred the area of a church close to the altar—the chancel—which is largely reserved for ordained clergy. The Temple in Jerusalem contained a barrier of this kind, which separated the Courtyard of the Israelites from the Courtyard of the Priests. The templon was typical for the Late Antique period. In the Armenian Apostolic Church, curtains are still drawn to cut off that area during the holiest moments of the liturgy. In Eastern Orthodox and related rites, this evolved into a solid, icon-clad screen, called the iconostasis, that has three doorways which usually have doors and curtains that can be closed or drawn aside at various times.
Barriers demarcating the chancel, such as the rood screen, became increasing elaborate. They were largely swept away after both the Protestant Reformation and then the Counter-Reformation prioritized the congregation having a good view of what was happening in the chancel. Now the low communion rail is generally the only barrier. Despite being essentially a Counter-Reformation invention, this has proved useful and accepted in the Protestant churches that dispense communion. The screen enjoyed a small revival in the 19th century, after the passionate urgings of Augustus Pugin, who wrote A Treatise on Chancel Screens and Rood Lofts, and others. There were medieval structures like communion rails, but the various types of screen were much more common. A church in Hasle, Bornholm claims to have "a rare 15th-century altar rail"; perhaps, like other examples, this is in fact a sawn-off medieval screen.
The origin of the modern form has been described by one historian as "nebulous", but it probably emerged from Italy in the 16th century. The German Lutherans and the Church of England were not far behind in adopting it, perhaps without being aware of the Italian versions. In England the rail became one of the focuses of tussles between the High Church and Low Church factions, and in many churches they were added, removed and re-added at different times. Archbishop Laud was a strong supporter of rails, but the common story that he introduced them to England is incorrect; he was trying to prevent Puritan clergy from continuing to remove them, and his pressure in favour of rails was bound up with his very controversial "altar policy", reasserting the placement of the altar in its medieval position. Matthew Wren, Laudian Bishop of Ely, was imprisoned during the whole of the English Commonwealth. Wren defended himself against charges of enforcing altar rails, which he pointed out had been found in many English churches "time out of mind". In both Catholic churches and Anglican ones following Laudian instructions, the congregation was now asked to come up to the rails and receive communion kneeling at them, replacing a variety of earlier habits. This too was controversial in England, and the Laudian party did not push too hard for this in many dioceses.
In many of the parishes of the Lutheran Churches, the use of altar rails have remained more common. There is typically no specific regulation concerning their presence or use, although they remain a common feature even in newly constructed churches. Their continued popularity results from a preference on the part of many to assume a posture of kneeling to receive the Eucharist.
Chancel rails are found in a number of Methodist churches and in addition to Holy Communion, they are used for worshippers to seek the New Birth and Entire Sanctifiction.