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Amar Prem
Amar Prem (transl. Immortal Love) is a 1972 Indian Hindi romantic drama film directed by Shakti Samanta. It is a remake of the Bengali film Nishi Padma (1970), directed by Arabinda Mukherjee, who wrote screenplay for both the films based on the Bengali short story Hinger Kochuri by Bibhutibhushan Bandopadhyay. The film portrays the decline of human values and relationships and contrasts it by presenting an illustrious example of a boy's innocent love for a neighbourhood tawaif (courtesan). The movie is about a school boy, who is ill-treated by his step mother, and becomes friends with a courtesan neighbour. The film stars Sharmila Tagore playing a courtesan with a heart of gold, with Rajesh Khanna in the role of a lonely businessman and Vinod Mehra as adult Nandu, the young child, who they both come to care for.
The film is noted for its music by R. D. Burman; numbers sung by playback singers like Kishore Kumar, R.D. Burman's father S.D. Burman and Lata Mangeshkar; lyrics were by Anand Bakshi. The songs and soundtrack written by Anand Bakshi and sung by Kishore Kumar were well-received, with Chingaari Koi Bhadke topping at 5th position on the year-end chart Binaca Geetmala annual list 1972.
Pushpa is expelled from her house by her husband and his new wife. When she refuses to leave, her husband beats her and throws her out. She goes to her mother for help, but her mother too disowns her. When she tries to commit suicide, she is sold to a kotha (brothel) in Calcutta by her village-uncle, Nepal Babu. On her audition at the kotha, Anand Babu, a businessman seeking love, is attracted by her singing. Anand Babu is unhappily married and lonely and becomes her regular and exclusive visitor as love blossoms.
Later, a widowed man with his family, from the same village as her, moves in close to Pushpa's place. The new neighbour's son, Nandu, does not get any love at home, as his father works all the time and his stepmother does not care about him. Nandu's father learns about Pushpa's new life and forbids her from interacting with him and his family as he fears what people would say. However, Pushpa starts treating Nandu as her own son when she realises that he is mistreated at home, and often goes hungry. Nandu also comes to love Pushpa and starts to regard her as his mother. He visits her every day and comes upon Anand Babu, who also becomes fond of him becoming a father figure, calling him Pushpa's son, seeing the way Pushpa loves the child.
One day, Anand Babu's brother-in-law comes to see Pushpa and demands that she tell Anand Babu to stop visiting her. With great reluctance, Pushpa agrees and she turns Anand Babu away when he comes to see her. It is then that the businessman realises that he is in love with Pushpa. When Nandu suffers from fever and his treatment is too expensive, Pushpa asks Anand Babu for help and he secretly finances the treatment and does not let anybody know. When the doctor asks him why is he so keen on helping Nandu, he replies some relationships have no names. However, when Nandu's father asks the doctor who paid for the treatment, the doctor says that his mother did. Then Nandu's father discovers that it was Pushpa who saved her son's life and he thanks her and gives her the sari that he had bought for his wife, telling her that it was a gift from a brother to a sister. A touched Pushpa accepts.
Nandu's family has to move to the village and Nandu plants a sapling of night-flowering jasmine (Harsingaar or Parijat) at Pushpa's home, making her promise to always take care of it. Pushpa cries and agrees.
Several years later, Nandu grows up to become a government engineer posted in the same town. Anand Babu meets Pushpa, now working as a maidservant who is ill-treated and they both reconcile. Nandu unsuccessfully searches for her and gives up after inquiring in the neighbourhood. Nandu's son gets sick and they go to the same doctor. Meanwhile, having met Pushpa, Anand Babu decides to catch up with all his old friends and meets the doctor. During the conversation, he reveals that he has stopped drinking and visiting brothels once he left Pushpa. He also tells him that he is now divorced/separated due to his wife's partying ways, but is finally at peace and is happy with Pushpa's love and affection in his heart. They talk about Nandu and the Doctor informs him that Nandu is in town. Nandu meets Anand Babu when he comes to meet the doctor to ask regarding the medicine, who takes him to meet Pushpa. Both of them, unable to see Pushpa ill-treated, stand up for her and in the end Nandu takes Pushpa home with him, like a son who is reunited with his long lost mother with Anand Babu looking on, crying happily.
After making entertainers like China Town (1962), Ek Raaz (1963), Kashmir Ki Kali (1964), Sawan Ki Ghata (1966) and An Evening in Paris (1967) through the 1960s, with Aradhana (1969) and Kati Patang (1971), Samanta had entered the phase of emotional dramas in his career. Nishi Padma (Night Flower, 1970), for night-flowering-jasmine, was made by Arabinda Mukherjee with Uttam Kumar and Sabitri Chatterjee as leads. When Samanta saw the film, he was so impressed by the performance of Uttam Kumar, that he decided to remake it. However, he decided to make some changes in the script. The original film was based on the Bengali short story Hinger Kochuri, written by Bibhutibhushan Bandopadhyay,. The title derives its name from a typical Bengali late afternoon snack, kachori, made with fried dough stuffed with lentils, and hing (asafoetida).
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Amar Prem
Amar Prem (transl. Immortal Love) is a 1972 Indian Hindi romantic drama film directed by Shakti Samanta. It is a remake of the Bengali film Nishi Padma (1970), directed by Arabinda Mukherjee, who wrote screenplay for both the films based on the Bengali short story Hinger Kochuri by Bibhutibhushan Bandopadhyay. The film portrays the decline of human values and relationships and contrasts it by presenting an illustrious example of a boy's innocent love for a neighbourhood tawaif (courtesan). The movie is about a school boy, who is ill-treated by his step mother, and becomes friends with a courtesan neighbour. The film stars Sharmila Tagore playing a courtesan with a heart of gold, with Rajesh Khanna in the role of a lonely businessman and Vinod Mehra as adult Nandu, the young child, who they both come to care for.
The film is noted for its music by R. D. Burman; numbers sung by playback singers like Kishore Kumar, R.D. Burman's father S.D. Burman and Lata Mangeshkar; lyrics were by Anand Bakshi. The songs and soundtrack written by Anand Bakshi and sung by Kishore Kumar were well-received, with Chingaari Koi Bhadke topping at 5th position on the year-end chart Binaca Geetmala annual list 1972.
Pushpa is expelled from her house by her husband and his new wife. When she refuses to leave, her husband beats her and throws her out. She goes to her mother for help, but her mother too disowns her. When she tries to commit suicide, she is sold to a kotha (brothel) in Calcutta by her village-uncle, Nepal Babu. On her audition at the kotha, Anand Babu, a businessman seeking love, is attracted by her singing. Anand Babu is unhappily married and lonely and becomes her regular and exclusive visitor as love blossoms.
Later, a widowed man with his family, from the same village as her, moves in close to Pushpa's place. The new neighbour's son, Nandu, does not get any love at home, as his father works all the time and his stepmother does not care about him. Nandu's father learns about Pushpa's new life and forbids her from interacting with him and his family as he fears what people would say. However, Pushpa starts treating Nandu as her own son when she realises that he is mistreated at home, and often goes hungry. Nandu also comes to love Pushpa and starts to regard her as his mother. He visits her every day and comes upon Anand Babu, who also becomes fond of him becoming a father figure, calling him Pushpa's son, seeing the way Pushpa loves the child.
One day, Anand Babu's brother-in-law comes to see Pushpa and demands that she tell Anand Babu to stop visiting her. With great reluctance, Pushpa agrees and she turns Anand Babu away when he comes to see her. It is then that the businessman realises that he is in love with Pushpa. When Nandu suffers from fever and his treatment is too expensive, Pushpa asks Anand Babu for help and he secretly finances the treatment and does not let anybody know. When the doctor asks him why is he so keen on helping Nandu, he replies some relationships have no names. However, when Nandu's father asks the doctor who paid for the treatment, the doctor says that his mother did. Then Nandu's father discovers that it was Pushpa who saved her son's life and he thanks her and gives her the sari that he had bought for his wife, telling her that it was a gift from a brother to a sister. A touched Pushpa accepts.
Nandu's family has to move to the village and Nandu plants a sapling of night-flowering jasmine (Harsingaar or Parijat) at Pushpa's home, making her promise to always take care of it. Pushpa cries and agrees.
Several years later, Nandu grows up to become a government engineer posted in the same town. Anand Babu meets Pushpa, now working as a maidservant who is ill-treated and they both reconcile. Nandu unsuccessfully searches for her and gives up after inquiring in the neighbourhood. Nandu's son gets sick and they go to the same doctor. Meanwhile, having met Pushpa, Anand Babu decides to catch up with all his old friends and meets the doctor. During the conversation, he reveals that he has stopped drinking and visiting brothels once he left Pushpa. He also tells him that he is now divorced/separated due to his wife's partying ways, but is finally at peace and is happy with Pushpa's love and affection in his heart. They talk about Nandu and the Doctor informs him that Nandu is in town. Nandu meets Anand Babu when he comes to meet the doctor to ask regarding the medicine, who takes him to meet Pushpa. Both of them, unable to see Pushpa ill-treated, stand up for her and in the end Nandu takes Pushpa home with him, like a son who is reunited with his long lost mother with Anand Babu looking on, crying happily.
After making entertainers like China Town (1962), Ek Raaz (1963), Kashmir Ki Kali (1964), Sawan Ki Ghata (1966) and An Evening in Paris (1967) through the 1960s, with Aradhana (1969) and Kati Patang (1971), Samanta had entered the phase of emotional dramas in his career. Nishi Padma (Night Flower, 1970), for night-flowering-jasmine, was made by Arabinda Mukherjee with Uttam Kumar and Sabitri Chatterjee as leads. When Samanta saw the film, he was so impressed by the performance of Uttam Kumar, that he decided to remake it. However, he decided to make some changes in the script. The original film was based on the Bengali short story Hinger Kochuri, written by Bibhutibhushan Bandopadhyay,. The title derives its name from a typical Bengali late afternoon snack, kachori, made with fried dough stuffed with lentils, and hing (asafoetida).